well, and so that all the couples are already leaving. well damn, how much it will be some bullshit. i think i've already been here, but then i scream, and it doesn't fly into these, so you're here. i open doors. well, there, me and the guys. yes no yet. what kind of 7b is it? well, what kind of madhouse is this. well, this is well, what a 7b, and they told me when i arrived they recorded it. well, something religion is too global name. something you are vanek, well, we agreed in those days. i each of us went home, well, sleep and and each had a task. who what will it bring? well, someone suggested something. i say, i'm a religion, because i took it as some kind of divine gift, 7b ivan, this is how this diagnosis turns out. yes, it's easy to keep. here, listen. here you are everything hmm what you

want, it all comes true. you wanted to sing , you began to sing. how it turns out, you have some strange things in this, and the situation is precisely in the fact that even the song was recorded by young winds. what are we talking about, here it is all a record. this is tonight, let's say, and everything was recorded and the mastering was mixed and superimposed. and here wiretapping broads such listened to everything, ugh, that's wonderful. i look at the time, it's already past ten o'clock. maybe somewhere it was with something eleventh. i understand, our radio was on tulskaya. i think i will have time in one direction in return to me in general to the north. i think i'll somehow find it back, i'll get to the test cassettes, our radio rushed with a disk with a disk. yes, i say i'm cutting, here the disk is cutting. i'm going straight to pick up now.

i am writing this one, 7b he are you serious then, 7b young winds and a phone number that time after time one worked. we were all recorded there. and that's just leaving the studio. i'm going there, i'll guys in 2 weeks they will look for us and really lick hello, i've come so far. we have a guard of one, as they say, we, as they say, have already filed him on the wanted list for everyone who finds this guard. i really want to always just put down a handshake, which i passed, which i passed, i go to the window and say, yes, for our sake. you can hand over the disk, yes, yes, you can definitely hand over everything, yes, yes, they take it from me in the morning. he explains to me everything is fine. in the morning take the discs, okay. well , pass it on, forget it, well, of course, wow, the security guard of our radio handed over the disk, that is

, the security guard of our radio fulfilled the promise, who handed over the disk 7b to the program director. find yourself. find group 7b ivan demyan uh, you. it is thankful 2 weeks to really call exactly at midnight. yeah oh finally, we got through to you. here's something that got through. turn it on for 10 minutes. that's twenty minutes to 12. channel one aired on channel one view. yeah, the rubric is already at the end of the program, how to realize youth in moscow and they don’t raise the disc the first thing we want it for, we received such a disc. we are looking for these guys on the internet, we searched everything through the seventh b or something else or what is it? here is the phone number of the wind mold, they do not get in touch and the whole country, well, we are looking for them ready to cooperate in the north-company ready to put the song on the air program , look, yes class and immediately on channel one. here

is a lucky night. yes, there were sleepless nights. that's all simultaneity. yes, vlad , it happens in your life, like your dad. you the same lucky one happens. i think a lot of people have. what did you want in 2.000. do you remember what dream you had , it came true and moves on, it's a certain. the train that you created for your tram and most importantly, what is the movement for? i share my work with people, it is enough to visit my concert. what kind of flow of energy goes people come there. age from toddlers to

old age i saw almost 90 people, we are very fond of walking even girls in position and they write me off as it was. i would be pleased, what difficulties people have in life says your songs. they just pull me out of the pods, this is, the most important thing is that dream. which was walking, it's time to listen to the folk hit autumn group i will always be with you. you

will be the population about me. maybe they just caught up with 50,000. concert in the green theater on saturday at first sight

muddy waters transparent jug closed the doors and the lock began to check on the windows knocking and branches and let the sun into the city always, my heat. always you always dancing any time.

sounds like a sweet picture. iii my red board

is always the sun, the heat is gaia and in my house there are always songs dancing any time and it won’t happen or we won’t take the non-russians and make

you yellow? this is a podcast 20 years later and today we have a guest group 7b now, how do you think it is more difficult for a real talent to break through or easier, as they say here, once it was all difficult to appear here at all on tv or some radio stations are closed. now you have a lot of projects from such, well, different formats. songs sent, you can go to

the site our radio and send any of your creative work on stage young winds are the best, well prize money. well the fund is a prize fund. it's a vinyl record. uh-huh, rotation, on our radio and plus a trip to the tour. listen , did you record a song with the scorpions, tell me how it was, did you dream about it , didn’t you dream, did you just accidentally call. i was already thinking of having some rest from the baltics in the evening and the bell rang. i even do it. yes, you can participate in this program, you have winds, you have songs, of course, this story, if anything related yes, i remembered the story. i'm in school when in the army already in the red corner.

it was also called that and there was already a tape recorder in formation, if i lie down, i listen to this bench chairs, so that there are desks and i listen to the electronics, they already run in, and with such a collision you feel the formation there. yes, it's her solo now. now it's time to listen to the end of this song. here, i came with such a story that i almost suffered with the formation, but i listened to this song until the end and i will play it. and they played great there. i gave a wonderful gift was a scarf to me so cool. cool i gave

ryder had such a small scale for his voice when he first recovered. ryder supposedly we laughed so much, drank songs directly into the acoustics in the acoustics, played there on a shaker. and you also wrote music for the tatu group, as you wrote music for the group, such as it worked. well, i kind of worked there, i'm not registered. uh, so to speak, it's impossible for me to say, write a song about it. i'm not there. i have the song itself in my luggage already. and i could only provide them. maybe this will fit or is it in this version, but not chosen. eh, a few songs of mine, yes, and it came up to defend yourself with glasses. they turned out wonderful, what do you miss uh-huh. here, if they released his second album. and vlad you had a happy childhood, dad is a star.

do you remember, this period , when i was at school, like you, grandma will be and good morning on channel one says, here dad shows i calmly perceived on tv, as if it were necessary, but clips in the morning morning a lot of time. yes, good morning. here he does not want no morning mail in dobroe morning and there several times a day. cool . here we lived in the urban-type settlement of talovaya , voronezh region. hello everyone. uh-huh . here is the father in this clip, uh, had a tattoo drawn, honestly, not real at the time of the clip. yeah, and some people didn't believe it. and when he was without it tulips. glucose filmed yes from friendship. here is glucose. years was

a very very young time and well done, defended the morning one, yes, yes. listen to your life, in general, like some kind of adventure novel. even extreme generally out of the window. you hit. uh, jail time was some kind of for a very serious charge of some kind everything was everything was. and what books you can read. and how did you make the floors almost sleep from the window at all, right? i would of course, well, back then. sometimes they ask me. here you are even touring or not, broke down. what day would you like to come back. if it was possible to change something like that, yes, i think. this is where i don't want to go back. here, well, i live and live. why go back somewhere, i think it's a stupid question. okay, then i'll answer. i would return one day, for example, here is the mid-2000s.

uh-huh fuck, 2010 is the month of july. that's where i realized i made a mistake. i'm always very, well, i'd like all the attention. i tied these simply, in which i wanted to get off to enter. or rather, the fifth floor. what happened to you in the car? and then he flew away to forex to get there was that where? we kind of meet. well, knit. no, yes, well, until i get there, well, not until this one. well, this, in short, i thought, it's all shuster to do quickly, as we do, well, students climbed on rugs and so on, what's there, i think. well, here i am, well oh the blanket, it's too thick. i found. like this

folded into a question. not me. i shook it out and tied it up , tied everything up and tied it in the kitchen for the battery . and in short, when i got up, i got up on the ledge on the balcony and thought, cop. or something with some such show-off so called sharp. now i went down like that, at least i would have checked, but just one of them was, well , too worn out so much that it turned out to be toilet paper. i look, it breaks and the flight flies. i think for the fourth you can catch on. these are thoughts at once, and in this fourth i try to seize, but there was not would, well, glazed balcony. i have such a blow in my hand bang, it throws me back. i'm losing my balance. do you understand that you need to jump a parachute, too, at the beginning you understand that you need

to keep your balance? recklessly fall down, and i think this is not a movie, not a clip. what am i doing? the desire to live, of course, and somehow cooperated, maintaining this balance fell. well, he threw me up on my feet and landed on my stomach, but i realized that i had my compression fracture, which i received at the beginning with a parachute, i realized that everything had crumbled behind my spine, the food was there a blonde is such a woman with a white blonde dog, they ran up, everything is fine with you. yeah, i'm going to call an ambulance. yeah i tell her. yeah , i’m lying until i move, while i feel more quickly, i quickly reached and quickly arrived, soon straight. yes, it was grass right next to it, there was such a kind of curb with a ladder

. luckily , the doctors turned it over to the basement right a meter away from it when they turned it further. the emotionally bound tour was not cancelled. not this, well, yes, basically, they didn’t cancel those tours, because they drove off to me there some kind of injection, they did it, he says, whether? well, i'm not a window vent. i am his sunset. i just okay, let's them put him in an ambulance already, and i sang something like this, yes, oh, now i see that you are a musician, but she was driving, psychologically reassuring me. well, that's it, we arrived at the intensive care unit and there further yes and when in the next concert, after that a month later a month took place. so this is the next concert. and, of course, he was told six months, this is the minimum. you are recovering and so on, as always, did not believe it.

i understand that the day of the city in simferopol you don’t have to be there, and so he recovered , so he went and walked some crutches. i had when they were discharged from this hospital, but the doctors just applauded that you would pass. yes? listen, they didn’t believe that i was going to a concert, they came up with such a corset, a guitar. hmm, it gives a load on the hips. uh, when you fuck her, and you can't sit. the most important thing is that it is standing or lying down and on the train. i'm lying. uh-huh got up on stage is not worth it. well, this moment is the moment when you would be in the past and would tell yourself not to do this. yes, that's for sure. say something to yourself in 20 years. well, everything was positive. this is the most

important thing, vladislav is with you. what are your wishes for yourself in 20 years? and what do you want? i would like the most important thing to be alive and healthy parents are relatives, my wife is my daughter. we all lived in the world well doing what we love . i join completely. it was a podcast 20 years later, all our episodes can be watched on the website of channel one in excellent quality, our guest is the group 7b ivan demyan , the founder and his colleague, son vladislav demyan and now we will listen to the next hit of the group, 7b, which is called on the roads of the wind on the roads of the wind, the group 7b

tired from there along the way. this is

my head. and i dance next to the tile burned does not let go, it arrives soon and we will meet you. beauty

, my head alla la-la- la-la la-la la-la la-la la-la - went wild in the cage tired. my

head be passing the rain trump this is my head.

hello this is a letter podcast. i am larisa guzeeva, we will talk about the people's artist anatoly papanov, and my guest is an artist theater of satire yuri vasiliev and daughter of anatoly papanov, elena hello. hello. thank you very much for coming elena, here you are, probably, a million times already, uh, asked questions. that's what it's like to be such a burden to be the daughter of anatoly papanov, whom you knew and not just knew, and loved everything and knew from little to great, and he became popular and famous. eh, he didn't have it right away. here through the thorns to the stars. he didn't go. no, absolutely not so, that up to 40 years. he was not known at all, and only he became known, after how the dead played live. and this was probably the sixty-fifth sixty-sixth year. and after that as they say after this movie. he woke up a star, because even at school, uh, i lived with my grandparents at

school, my parents didn't show up. but when he played the live dead, everyone at school started pointing fingers at me and talking about this girl. lena popanov. her dad played in the movie the living is dead. here is an interesting hmm such a fact of your biography, and you lived with your grandmother with your grandmother loved her, well, of course, the actors' parents are busy and you didn't really like that they came to you. e hmm to visit you. i did not like, they came. why did you love? well, you know, we had such a factory, factory district next to the telman factory of this savvinskaya embankment next to plyushchikha sverdlov's factory then. they still existed all there, we have only children of workers and such. i was such a yard girl. i walked from morning to evening, i studied well , i didn’t do my hands, but i studied well. and here we are walking, jumping, running, and grandma lena, go home. parents have to come. come

to show the diary to report, what marks do you have there? and there my friends are waiting for me, not stooping, all the nails are not a threat, without wide evenly. ah, eat the soup. yes, but my grandmother was fine. my grandmother is my second mother, that's why i ate soup, that's why they didn't take me, when i was 3 years old they gave me a hostel. uh , they left at the satire theater and the hostel of the theater and grandmother said, leave me knee-deep, because well, that there is a rehearsal in the evening in the evening , with whom will she be there, and grandmother retired because of me and i had a good childhood and on time on my mom's side or my dad's on my mom's side, yes, and left it for a while, and then i went to school, like school. sometimes a letter came and i had such a wonderful happy childhood, and then my mother had her since the nineteenth year. she died and was almost 96 years old, and she told me all the time. well, you can understand me. why? apparently it somehow didn’t torment her, you can understand me why i

left you a human with my grandmother, right? what are you talking about? i have no resentment at all was. i think that if i had been with him , it would have been worse for me, well, somehow i can’t even imagine, uh, your dad, but a harsh man who asserts himself on a girl. i think you felt good and comfortable. yes, but then you were not at home for a very long time, because this eternal filming concert is such happiness when your parents are not at home. what happiness it is in adolescence at a young age, when they went on tour, they left me there. i was already 15-16 years old. they left me alone. it was wonderful. i i know that for dmitrich, my parents did not like it, my grandmother. yes, she, uh, knew and the good behind her hurt. yes. she says, listen, well, well, they were still students. he often saw her off and saw their grandmother. she says, mom says, i want to marry him.

listen, but he’s such a nice guy, but he’s too ugly to tell us no , on the other hand, he’s the most talented on the course, but it really was like that, because when they graduated, only he was left in moscow, he had two invitations to the small moscow art theater but he went with his mother to the city of klaipeda, where they are on the basis of this course, they could not be organized by the russian drama theater a elena and when you parents announced that you want to become an actress, oh, everything is so strange, it turned out. i already wanted to be an actress. but when you already realize yourself like that, it is probably 10-11 years old, but for some reason i was shy. let 's talk about it, because we had such actors of the soviet cinema hanging on the walls, and there both the khityaevs and kiriyenko and skoptsala. i realized that i was not up to them in beauty. i was kind of embarrassed to talk about it, but then it already turned out that for the last year i was preparing for the institute of e in yaz. here they

go on tour. i independently prepare the program, i go to your hut, i’ll come up with documents, and there he accepts, uh, alla konstantinovna tarasova and mosalsky. the course was taken. i pass come to the first round. i read i come to the second round. i don't have my last name. i left the studio school. i run crying and then i decided to return alla konstantinovna was. at the institute. i waited for him, she had a consultation. she exits. i say konstantinovna, for some reason i was sure that i will do. you know, remember me elena papanova. here is what i read to you yesterday. she says, yes, i remember you, but you are very poorly prepared. come next year and think, do you need it, and then your parents came from the tour, and you always have exams before your hut. and they prepared me there with a teacher. i'm talking about from the material, which means an excerpt. well somehow always here this here. entrance and they took me to gitis, both in shchepkinskaya and

shchukinskaya, but in gitis exams were faster and my parents finished gitis, and they told me listened, but still children from this institute of theatrical art. and this is a school, but still, somehow i went to the children of yuri ah, there are rumors that anatoly did not really like the youth of young artists. e, but somehow he immediately imbued you with what kind of situation this was. he loved those who were sick of the theatre, but they didn’t come so easily, and took off, so to speak, but indeed the first meeting was unique. i have already worked for a year in the theater and it was my first season for 32-34 performances, all extras and then there were total extras and six, probably, i had such serious roles. and here i am at the begalkovo rehearsal. uh,

i was appointed to the role of golubkov a anatolyevich ludov. rehearsals it's hot in the summer, and they really told me papanov doesn't like young people. and since we didn’t meet like that at work, and i ran one extra crowd there, and suddenly there were doves and we had scenes with him in sevastopol, which means in the hall of the commander and antolyevich, summer. i'm in a coat with a hat in a scarf. i have a terrible fever. we rehearsed up there. yes, this is just right here. scenes and here is one of the scenes, so where khludov says, shoot me. and to the ghost of e, krapivin, he says, go away maybe this one will guess to shoot, to which he does not give a gun, to

which i must say i cannot shoot at you. you terribly stinged the inmates to me, and on this phrase. i saw eyes on either swords, it was no longer priests. this was an absolutely insane person. i drop his marriage. i just dropped everything. they ended up in the dressing room, he and georgy pavlovich ming carried me from there in the summer to find anatolyevich dragged me. that's how i came to my senses. i look, here the doctor is something white and anatolyevich and he says, save him. he is a good artist. and in this, well, a good artist, because he believed. yes, because from this i suddenly received this high appraisal of this scourge, which has dragged me all my life in general all my life somehow like this. you are doing a great job, by the way, here it is, when , after a difficult performance, a rehearsal was scheduled at 11:00. valentina nikolaevich came

somehow everyone didn’t really want to rehearse, because somehow at 11 o’clock the body is still sleeping and antonic valentin nikolaevich tell us about your work 45 minutes. we rested, and he told for the tenth time what you have already heard. many times it was called pinning the puck. tell me, this is the story when you got back, and a friend from london on tour. this is his brother, and in this you brilliantly show this. this is a legend. really. i didn't get it, really. they rehearsed, they say, crazy and valentina nikolaevich said. have his cousin peter brook his brilliant performances. all my life i also dreamed of working, i would have wrinkled the standing of sophia loren yes i work with you. why antolyevich? quietly

said. i, too, all my life dreamed of working with peter brook, i work with his brother and then a cousin. well, he could always answer it, but i know that with all this he would get very dear to papanov and was proud that he was his theater and a lot from him. well, as it were, of course, yes, and he appreciated it very highly. he he understood who is a banana? of course not. it’s just that in terms of personality it’s also very important that there are many good actors, and there are a lot of personalities. such powerful ones are really such an avalanche. say that's what was in his character, but there was nothing so special, for example, in other actors no less gifted, he did not allow himself. and my mother was late to be out of shape, and so on and impatient, and this is coming from the outside. he is very disciplined. he is very collected. he always

rehearsed amazingly, he did not like the first performances of the eighties. rehearsal is not one performance the best did not become. i talk all the time now. this i once allowed myself, then i took my wife to the hospital. and we had some kind of concert and they were waiting in rafik me. i'm late, and i see anton dmitchik, who is saying something to himself. i say anatolyevich i took away, just my wife in the hospital. it’s not because i was just there, well, i didn’t have time to do it, and then he forgave me, and in general, he understood, so to speak, and it’s not easy, but lena was said to be an extraordinary eternal person, and with such a heart with such compassion and he did read. and what, the main virtue in a person is his e soul, pure yes. that's his insides, you know , he was different. he could be very kind, he

could give someone all the money he has, and sometimes he will be so such that he can erase well. he was not unambiguous, he was not kind, and i’ll be back yura, i said something. i just don't think he was. he was a very smart man, and at a time when there are also legends. that's when he said to the little guy, uh, about brook, he already knew that he could already say that. i will read this statement about that dmitrievich can be intellectually developed. or maybe anyone, but if a person is already unscrupulous for me, be he seven spans in the forehead for me this the person does not exist. i do not respect him, and maybe a person to be uneducated and not a candidate of sciences, but the most beautiful thing about this person is that he is able to blush. but how beautiful it is when a person blushes ashamed of him. this is the quality of conscience. i really appreciate in people and, of course, i appreciate humanity in people, you understand? i do not like deaf

feelings of people. they can't see beyond their nose. but when a person can understand everything in these your position, this is the most valuable. quality i remind this is a podcast of letters, we we are talking about anatoly dmitrievich papanov, and my guests are yuri vasilyev and elena papanov, friends, my man went through the war. yes, and he also had health problems e didn’t have toes, in my opinion, yes, and he didn’t have one leg, there are two fingers he had an amputated sausage when laying. yes, pain, then it’s important for an actor, but forms. this vital spine affects everything and no one has ever known about it. well, that is, the most important thing is that i have worked for 11 years. i only found out after he left that because i i have never seen that the temple is not enough, and he was already dancing everywhere. he was always moving. that is, it’s generally, so you need to have such a power of willpower so that it doesn’t show at all once he already came to beat

with a stick when he acted. yes, they told him. what will you be? well said the rector. yes, he says, somehow you will work at all, and he came to the gorodrom in the khromoy tunic in october. the classes have already started. he says, how did you read it to him, tarkha-tarkhanov, he says, well, how will you be lame, and he says, i i give you my word that i will get rid of the chromate, and he comes to the course and says, i understand. it was the forty-second year. why was i taken? because on the course there were basically only girls , all who could, the boys were all at the front, and he came lame and there they had such a wonderful teacher on the stage of movement. he did so much with him. and when he was already handing over the scenes of movement. the dance no one could even guess that he was missing two toes there. he married early. i know, yes, well, how early they finished. mom together they were learning. yes, also a frontman. she worked on an ambulance train, she was a nurse. she had already entered the gitis before the war, campaigning

for her evacuation, and my mother went. it means that she was a nurse in the hospital train, then the hospital train stopped, she came to the gitis a little to find out, and there classes were already going on and she came. and she was also in a tunic and she didn’t have any clothes, except for a tunic and she had boots, and he, too, and so he approached her, saying, you were at the front. she says, uh huh, i was and behold, it's them somehow brought together, and then they still went together, lived in the same area on plyushchikha, and now dad says we went, we went yes, we went, if in the forty -fifth year, they signed all the time, you want to cry when you listen, in general, you can even shoot a movie script like that. so all his life he was faithful to one single woman, your mother, with his wildest popularity. and now, this is his modesty some kind of extraordinary. he's a car, victory is like the latest mercedes today, i don't know how at first, then i'm at the table. and he didn't come close

to the center on the volga he didn’t let him down, and tell me, it gave him victory before e, gave the military unit. after the living and the dead, a decommissioned victory. then he bought himself a volga, with this same one with there with a deer and now he didn’t drive up in this car, he stopped somewhere 100-200 meters from the theater and said, well, why am i going to torn tights, and i'll a ride. well, he was very like that, here the amazing rules are amazing, so as not to anger people there, well, to always say very modestly, a cap glasses jeans was heavy for friendship or there is no such soul of the company, heavy for a friend. he had a certain circle of those people. these were the great writers. these are ours absolutely, really. here is his such tenderness and such love for andrei mironov that they were right there. uh, that's one organism, almost immediately, yes, well, he was never

friends. they were just straight up legends. what is there, almost something from the fact that they left one after another. this is all untrue. they were just partners with andrei alexandrovich, in my opinion, alexander was anatolyevich michal mikhailovich march. zakharov is sad for them. narcos are attacking what neurons are at, the funeral said that the next one will be it was, but friendship is like that. we thought that, as we mean, what friendship was not. they just were good. uh, partnerships are partnerships, yes, yes, and not because they could not live without each other. and such tenderness, well, about which the legends compose this, uh, anatoly did not have. yes, specifically. i wanted to tell you. that's when they went to concerts andrey alexandrovich yes, anatolyevich said that at the same time there was a total deficit. that's anton alexandrovich in siberia then, agreed to go to the base of something. there, with the base

, they will bring some things, bring some good ones to them. they give there. it was always andrei alexandrovich, and he always said anatolyevich let's go to this restaurant for dinner, because mironov was there. it seems to me more such a modern fashionable very much. in the theater, a train of his french cologne for those times, so it always seemed to me too. how strange how interesting friendship here is in two such wonderful actors, but dad was great, he was friends with merezhko. here are the last years. he was friendly with viktor ivanovich, and he also had two friends. this is odnoklassniki, they are both artists so, perhaps, no more. yes , he was not a party person. with a messenger, they were once great. but with dad, on the same day, your yes, uh, when did it begin to interfere with the profession with alcohol? it just so happened that his mother died at the wake, he got very drunk, and his mother was always against the fact that he

drank all the time scolded him for it and he gave a word to yourself. it was the seventy-second year and died. he is 87th 72nd year to 87 year old. he never drank. he directed it like a director. uh, one show. yes , and there was a role for you, and he said that lenka is directly your role, but suddenly you collect poorly, but he will say, no. this is when i finished gitis. of course, even in general in my personality. i should have wanted to work in the theater as a satire, but my parents did not welcome family. especially my mother said no. although you know at that time, it cost nothing for dad to go to the point me, of course. they would take them to the satire theater, but my mother said, no, she will never work with us in the theater, because she will play well, the artists will say that their parents trained them to play badly, my daughter, papanova, played badly, so i went to the yermolova theater here , and then already hmm in

his last year. dad staged the last gorky and serves me, he says, there is such a role for you. i say, dad, of course you want, i say, i really want. he says i also want you to play that role there. hmm hunchback. yes very i want you to play it. and after a while he says, you know, let him still say, dad on his own. and then it was not practiced. it's right there now, but then it's still impossible. it was said, you know what they will say. well, papanov brought his daughter. come on, now tanya, damn it, varyanka will play, and then i will lead you, and then it didn’t take place, because this summer he passed away in life. he only had surrender though the soviets know so interesting. ah, in soviet times , e us through the soxport film, if you remember went abroad, and i was in mozambique with a picture of a cold summer of 53, and i remember this film from the frame, it is one of my

favorites. i now he's the greatest around. and here sits a hall in mozambique, a movie is on and they are laughing both directly and in puffs, because they thought it was uh wester hmm and when they brought the script, uh, lately. mom read scripts all the time, he had no time to read. she says, just not filming it's a western. why do you need it? and and your mother said that yes, she did not understand, and he himself read, says, no, i will act in film. and you know what else he said. nadia i haven't acted for several years. they have already begun to forget me hmm well, this is ingenious and ingenious steering wheel. let's see a snippet. and this was the last role he became. so i want to live like a human being. and

work. i myself am an architect. now everything is about to change. i was taken away in '39. was abroad. wife managed to send a note. so that

14 years innocent alive dead amazing in papanov there was nothing from the famous artist, being very famous and recognizable, he was burdened by his fame and shunned everything that could emphasize it, he was hiding behind dark glasses and there were no nondescript clothes. there is nothing ostentatious in it, alexandra proshkina, the director of the film, coldly lets go from the third, recalled that papanov , unlike other people, did not advertise his

intelligence even through his outward rusticity. suddenly siucheva quotes broke out here, then something else like that , he himself, shy and delicate, did not tolerate when they climbed into his soul and fenced himself off, from this we played a performance on those already on the last tour in vilnius, we played capercaillie's nest and anatolyevich we somehow always backstage somehow with some such jokes there is something like that. and here he was so collected, he was somehow so sad, and he said, i say, well, anton was just filming. after all, he was tired of the war and remembered that this, of course, was war. she told me in it that's how it was for him. in general , the decisive thing is that he fought, and he wanted to pay tribute, he said, i want to act in this powerful basis. by the way we have fragments of the performance nest. capercaillie let's see. i hope

the father is a plumber in our new garnish, but he is still in prison. love i forbid you to meet this girl. i forbid. you don't have to say that. yes , and maybe i will marry her for the health of the estate. they rehearsed for years. can i tell a story about this yurt. you probably know, uh, so when they found out that

there would be a capercaillie nest and dad knew that he would play sudakov and here the role wife is played by my mother. right here in this performance. mom plays his wife, and before that , olga alexandrovna aruseva came up to him. she called him tolich. well you know what she's saying now. listen, go to pay, and ask him to give me the role of your wife. he says, well, olya , he went to the point, said valentin nikolayevich tolya wants to play this role, but the man, yes, and i wanted to give your wife nadia, he says, and he left as you wish. you see, this is how it characterizes him, here. when there is nothing for their own asked? kostya and how is he? uh let you get married? i got married early. they didn’t want me to leave so early at all, i immediately graduated practically together and got married here, especially for a student. well, in general, you repeated, yes, the stories of your parents. i

even wrote a letter to him when i left for my first tour. tours were long and arrived no one knew anywhere until it was introduced it was very boring. i wrote this letter to my parents. well, as it were, take me away from here, as from a kindergarten, then i was taken somewhere to some mass meetings , met the actors and suddenly they give me a letter from my dad at the reception. this is the only letter that i consider to be parting words for my whole life, dear, no daughter. well, hello, it’s hard for you to understand, but what can you do with our acting life, it’s good that you immediately. it’s not easy when you start with an easy one, then later you fight with illusions, it’s difficult, don’t tear into the clouds from that stronger one on the ground, and it gives you boris in itself envy, hostility towards your comrades. it's poison for any creative organism, as stanislavsky said and love the art in yourself, and not yourself in the art

of an artist, like any artist, you need to travel a lot, observe, absorb , accumulate material. with pleasure. i would go to kemerovo and tomsk, that's where we were on tour, where is your fundamental principle, the curiosity of an actor, an artist, a person, leading. after all, it is so interesting, for sure, they differ at least from muscovites and the dialect, probably, is different, other moral habits. i , for example, as soon as they arrive in another city. i go straight to the bathroom. there people get naked not only physically, but also spiritually and morally. how interesting is that? how can you be bored? do you think that anton pavlovich chekhov, sick, rode on a bedpost across siberia in the rain, and in the cold, for the sake of boredom, for the sake of a thirst for creativity, you need to educate yourself the need to do the business that you have chosen for yourself, then you will not have time for boredom, that is girls. he is your daughters. well, i found, of course, yes, well, it

was good grandfather was a good orphanage. well, work again. he came to us infrequently and all the time, when he came, and there he would play with the children when all the time he went into my pocket and put money in my pocket. and why did you say? quiet so just don't tell your mother, maybe they had some kind of agreement so that we kind of live on our own, right? speak louder, i can't hear. it's some kind of circus. this is not an interrogation. why do you think he consulted? understand, because there are things you don't understand silver wolf on sunday at first listen, you don't believe me, who lives next to you, but trusted a person who you don't know why at all, because you and i are different. i remind you of this show of the letter, we are talking about

anatoly dmitrievich papanov, and i have yuri vasiliev and elena papanov as my guests. yuri tell me, hmm, what did anton dmitrievich teach , this is the most important thing, maybe, so you refer somehow yes, this is how i am after 47 years. i'm into you and uh, of course, i understand that that's what we get at the institute. these are all such basics of the approach to the video, not even a profession, everything begins in the theater sometime. papanov's partner, this is where the school begins. actually, in addition to the fact that he is each of listened to the play. he knew the tonality. he needed to. here is the tonality of the performance. how is the performance going, where do you need to improve? where can i take a little bit, if the rhythm he needed to hear it, see it, then approach, of course, the rabbit, as he carefully, very much my wife and child to their children were sitting at the patriarchs.

i saw something on the sword, it’s coming, and he was rehearsing something alone, something, as it were, always, of course, yes, what are you talking about, yes, and then, of course, he has a fantastic property, he could comic situation for a second translate into tragic in one phrase. even in the capercaillie's nest here comes the scene. there they tell, and at that time my classmate, with whom i did not have time, hanged himself, it means to talk before, seeing his condition, and he is there something like that, they are joking there. and suddenly he turns the bookcase like this. he's like a funeral tomorrow and i understand that this is the second plan, that he thought about it all the time. but memories once played. we and left concert in a large self-service dining room. spectators are few catering workers. papanov and i

mironov, in turn, a duet and three left the washing room. they read something, played joked situations. of course, we didn’t like it and i reduced my program to a minimum. andrey will do the same, but either i’m worried that he went out to this more than modest and far from festive audience, as he performed his program with full dedication on the stage of the kremlin palace of congresses. that's respect for a person. in principle, yes, for me it is so revealing. i know that there was some kind of rehearsal, but there was a kidney director and svetlana ryabova participated and she had something it did not work out there and others offended her. she ran away in tears and her antalis. dmitrievich caught up in the corridor and began to soothe, looking for a candle. this is my fault. it's me who doesn't work with you. you will succeed. everything is fine. this is generally, of course, from an adult held. but such a level of an actor to hear such support. it's forever.

i went to a concert with him, probably the last one he was persuaded by some administrator to go to the military unit, where the son of this administrator served, so that he would be given a leave, and he went to three concerts came up to me and let's go earn a little. we arrived there, and now we are driving up in a car, a company is standing at the hotel, soldiers are standing, and they are saluting anatolyevich, they simply received him like but this is what we are talking about, he was so worried, and he is rubbing like that i look with a handkerchief. i say anatolyevich, what are you worried about? he says, julia is good, the artist is always worried, absolutely believe the truth. and for me, for example, it’s hard to imagine that anatoly dmitrievich was a different person, and not that one, about this. today you are in such superlatives, tell and with

burning eyes. yes, yes, 2022 is the year of anton dmitrievich papanov, olesya, and even this year has been going on for 20 years. yes, e year banana in the theater of satire yes, here we are. on may 8 and 9, it was on victory day that we played such an evening dedicated to anatolyevich and we always remember him for a century, we and lena were and the whole family. i'm thirsty to the point of beauty. recently, the theater has begun to do a lot of satire outside the repertory. it's unpleasant that almost the entire corpse participates in this performance. i'm not talking about adult artists, who worked with him remember him, and

the youth who never saw him did not work together. and this association is worth a lot. satyrs that they did it and thank you so much thank you for coming. i am like a letter. my guests were the daughter of the great anatoly levich papanov, elena papanov, and the artist of the satire theater yuri vasiliev thank

you very much. go to earth