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Understanding 9/11tv Aleksei German 1TV July 18, 2023 12:00am-1:01am MSK
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agreed? i think you will agree. i know i know, uh, some of these companies. i even know their leadership. er, i can tell you, they are different in that they are in business to make profits and they have a responsibility to their shareholders. and uh. i did not say that they would refuse insurance, but in this regard they can be influenced. but in order to force them, but to accept multibillion dollars, he emphasized many billions in losses. it will be, uh, very, very difficult dmitry, they forced american british companies to lose huge multi-billion dollar losses. here in russia get away from here and they are gone. they suffered colossal losses, but they did it during the war. i'm not very.
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they will crush the doors to economic expediency and yes, they are different, they are different. well, i don't know, maybe this is the question. here, according to zelensky, it has a slightly different goal. maybe he suggested that we do without russia turkey and they are trying to push turkey against russia, of course, yes, so i think that uh, by the way, that's exactly what they said with a pencil, absolutely right. today already morning at the attic, stock exchange. the price has almost doubled. i think this here, by the way , maybe this and force someone to come up with another solution. this is absolutely business. e right in this and er, when the price of insurance rises, it also raises the price of grain and root. you are right, in principle, how they pressured western companies to leave, and from russia to comply with sanctions. these are
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slightly different things. there are sanctions laws, there are precedents for sanctions laws that can to force companies not to do business with someone, but to force uh companies so that they, uh, accept multi-billion dollar losses, and so that they, in this way, give their shareholders. and uh, they even risked going bankrupt. i don’t see such a mechanism and i foresee that if this happened, these companies would have hundreds of thousands of people who work there and are connected with them. e that they would be very , very against this role. however, i didn't dwell on it. i just wanted to give an example that there are things that are not radical and which do not require a military confrontation with turkey, which has.
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at the disposal of the russian leadership alexander i, firstly, i think that there are many ways to prevent, and the promotion of, uh , grain carriers unauthorized by russia or ignoring russia's interests in the black sea without coming into direct conflict with turkey i don't think that all ships that will carry ukrainian grain will be turkish, accompanied by turkish military destroyers. after all, we will hang, as you rightly said, from erdogan and from turkey, but after all, they also depend on us very much both for gas flow and for a nuclear nuclear power plant and from the russian tourist influx. turks. they just live it, uh, their budget. state. we are also very important partners for them, so erdogan is building his opposition. in my opinion, it’s extremely rational thought out, that is, to remain completely in
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nato or for zelensky for the regime. he definitely won’t, which means that some ships will not be turkish without the escort of turkish destroyers , the numbers are english or french there yes some gray lions. and, well, sulfur, leona africans are our friends. they can be repaired, but there will be many such ships that can be stopped, yes, yes , which, if they think so, that they can swim without us, and once upon a time we didn’t approach our inland sea at all . uh, russia was far from this black sea, it was internal to the ottoman empire, but look , we historically changed this situation without quarreling with erdogan. in my opinion. we can deliver such a sensitive blow to insurers and grain growers and recipients and rulers. it's in grains. this grain still, being in water, does not belong to turkey. in general
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, it will not lie under turkey's control, erdogan. and here, if some british e appear there, they have british forces there to protect the grain, but here just, it seems to me, that immunity that you spoke about can be completely ignored. main. in my opinion, be very decisive and i liked ruslan opukhova's phrase hyperreaction. now we are demonstrating the hypo-reaction in defense against counteroffensive with very effective. let's not react spontaneously now, but hyperreaction, showing in the attack also essentially fundamentally. let the reassessment of both the ukrainian potential and its supply of supplies. west will prepare an offensive strategy. let not now. not only does it seem that it is possible to postpone some kind of rare aliasing directly. and as for the answer to certain crimes of the kiev regime, as long as there is ukraine, there is nothing to negotiate with anyone and it is absolutely not productive. let's get them. we will win, let it be not fast, but
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turkey in this case does not at all seek to become our adversary. and if they see erdogan as a threat to themselves, seriously, he is also elegantly embroidered from this deal. your last word, senator, but i agree with my colleagues on our game today, in principle, we don’t know how the whole grain deal is, but i can say one thing, that we left the door ajar, what if they fulfill our conditions, it will be fair, then we are ready to return, so the ball is on their side. let them say they will accept ours too. we can have them work only for themselves. we also want to make deals now and make profits, unfortunately, to finish. ah, but i think it was a very interesting and useful conversation. he shows. under what pressure is russia as russia
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is showing more and more readiness. to resist this pressure and how russia demonstrates that yes. russia has the tools and there is the possibility of these tools. not only demonstrate on them use, of course. this is a very serious and very difficult process. well, in a war, as in a war, even if it's called a war, a special operation, it was a big game. see you on the air tomorrow. well, are you climbing? this is the same thing, i came from the very beginning and said, make a helmet. brush ilyin said, you will be seen only on the croup, but on the circle. adjust. you are generally doing well. you are doing well. props
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check everything. he died in february 2013 before that he had been ill for several months lying in hospital, but no one thought about the close tragic ending. he did not understand this disease no. and if lesha suddenly asked, listen, i'm dying, i'm absolutely absolutely sincere. laughed at
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him mocked. asked from what? but no less rarely, if not more often, he told me that he got up very much to live. he said it was for the doctors. there was no game in it, it was not like childhood, will it be beautiful or not? this will be very correct. no, it will be, among other things. i think it will be very beautiful for portraits. well of course its impossible fit in no frame of the films that he shot this, if you like, another planet, like himself alexey yuryevich german pig listen
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, can i whip you? can i carve it? want my tea the son of a stalin prize winner who grew up in a rich apartment with two housekeepers with a personal driver. he had every opportunity , happily to live life together with other children of the soviet elite , to marry the daughter of some minister or people's artist, and everything would be in order for him, but he chose another way to art. from the very beginning, i swam against the tide in those years, powerful and merciless, and my life got in touch with a girl who, well, could not enter the social circle of the elite of the soviet youth from five minutes as a dissident. excuse me, it was the sixties, there was a hiding of
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samizdat literature, which had to be suddenly suddenly transferred from one place to another svetlana karmalita. born in ukraine, her father died in the war, she was raised by her stepfather, the writer alexander borshchagovsky, who was in charge of the theater of the soviet army in forty-ninth, he fell into the millstone of the fight against cosmopolitans. he was expelled from work , his party card was taken away from his family. they threw cosmopolitanism out of the moscow apartment in 1952. and our family with one of the main cosmopolitans of the soviet union lives in the corners, hides again, often hides friends. from place to place and in general money is not a damn thing in the social circle of the borshchagovsky family, including people who do not agree with the official point of view, for example, for many decades they were close friends with the future emigrant writer viktor nekrasov, in whom the kings
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early youth was in love and one day he told me. but if no one marries you, then i cannot necessarily marry you. don't worry, what's with svetlana karmalita. as a result, it was not the immigrant nekrasov who connected the fate, but the son of an official soviet writer from the side it seemed incredible, but it turned out exactly. so they lived on the same wavelength, understood each other perfectly, 44 years. together they wrote, filmed, lay with films on the shelf, and then they received state awards for them. he couldn't shoot without her. she doesn't could write without him love checks. yes , when we love, despite these love. successful beautiful rich lungs, and always
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always always always easier than hard to kill, desperate risk takers are not always, but this is love. god herman did not have time to finish in the summer of 2013 , his widow and his son were preparing the picture for the premiere show. that's it. we
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insert the phrase we read, colonel, left the army near the swamps and further, and they wait. we have an extra word here, our film in memory of alexei german is a look at him through the eyes of himself close loving and devoted person. for us, the story of svetlana karmalita. this is an opportunity to get closer to understanding what he was. why was it against the current for which the whole group could take several months to shoot a tiny scene? he is very hard to work with. he exhausted himself with work. the person who saved him and the only one who fully understood what was happening to him and how he could be helped and set up was also harassing him. this, of course,
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is svetlana igor, and most importantly, she is the person who helped him recover, and she saved him, because that he was self-torturing. the point of view about my beauty is expressed absolutely and it has never changed. he told me that i was very beautiful, but he sees, it's only him. that your beauty is hidden for others , they met on vacation in the crimea in the summer of the sixty-eighth year, by the time they met , both had their first marriage behind them, and both of you were not very successful. it turns out, right? although he swore that on the eve of his trip to
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koktebel he already wanted to get a divorce. well, who, believe me. we spent a week together from the first minutes. as they saw, i left earlier, he arrived on the third day of moscow, i told him goodbye. here, he scolded a lot. in my opinion, it's obscene, of course, it might seem to someone that this is over, but surrender is not in herman's character . returning to leningrad, he thought for several days, then called back. he said, in 3 days i'll be in moscow. wait. and that's the point, that is , you no longer resisted. easily brought together not only passion, but also what they said, they speak the same language about everything about politics about life about war.
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their first joint work was the filming of the film check on the roads, the script of which was written based on the story of the father of alexei, the famous writer yuri german check on the roads this is the story of a russian soldier who ended up with the germans and then fled to his partisans , he had to give his life to prove that he is not a spy, that he is his own for this complex psychological role. herman invited the actor who had gone through the war and the stalinist camps. i don't like this word at all or that? in this picture of herman, this does not work. but the living lived is closer. pay attention to the words of vladimir zamansky did not play, and he lived just like that he lived the fate of his hero. in the very first independent film, herman went his own
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way, seeking from the whole group of actors extras, make-up artists, costumers, absolute reliability. this close to documentary, the truth will become an integral part of all his paintings. from the theatrical cinema schools that exist, they always teach how to make it accessible to the viewer. and the germans on the contrary, he hides all this in order to make it the way it was in life, and therefore, in this sense , he is unique and his movies are worth watching. it's like a documentary chronicle. this is well done. the screen truth in absolutely where, as a matter of fact, the insignificant details of the interior were no less significant than the actors , he came as close as possible to such a panic
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, unique, however, this is all that was visible, but these are beautiful things. everything, you know, for his truth, herman fought all his life, and the actors did not always understand with the bosses and with colleagues from the actors. what the director wants to get from them. i don't understand anything about this movie. well, you play the lead role for me, that out of habit the simpler actors carried their ideas to the set, which herman immediately wrapped up and even at the very beginning of the journey during the filming of the road test. he had the character of a thirty-year-old guy to insist on his own bending his line in disputes even with outstanding masters, for example, with the performer of the role of the commander of the partisan detachment, rolan antonovich bykov, for showing such a ratio on one. he says no, i show not a relationship. i show you that in russia he was generally a genius, but he
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came to me. stuffed full of ideas burst into our room closed and closed. although we were young, it was very difficult for doctors to get rid of these, because the ideas were there, well, just if you shoot like that, then it could happen, anything would not work, a simple story, you will regret the lost russian soldier. we don't have enough barrels on our own. he always had an argument. the picture in my head was talking. that's when he seemed to say, she's here you understand, and the fact that here it's not that you offer an endless number of rehearsals and takes, stopping filming for a few days.
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without explanation, the total rejection of any acting ideas of rolan bykov at that time, the director himself with a capital letter, at some point began to think that herman was simply mocking him, but over time he became convinced that the merciless german directing resulted in an impressive result when roland and i sat and talked about filming day past about what happened and, of course, they spoke, but germany concentrated and spoke. he sucked me says. roland after all, he himself was a man who, as a director, could take everything out of the actors. herman was the very director i was talking about that he brought to the bar when the possible was getting up. even with such brilliant wonderful actors, what were borisov and bykov and solonitsyn? so
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you're leaving. i know you vote. let's. before receiving a state award, a road test will lie on the shelf for 15 years, yes, and in general, work on this film from the very beginning went through powerful resistance, who just didn’t rinse herman for the fact that the role of the commander of the partisan detachment was played by rolan bykov, who, from the point of view of power and propaganda, did not correspond to the image of a partisan. there were proposals to german to reshoot bykov, they promised him to give new money in the picture, so that he would reshoot, so that there would be another commander of the partisan detachment, and more powerful and handsome taller. and what is this, uh, zatrobezhny uncle. which
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from the cold has him more rheumatic in the legs strong and in the conditions of dugouts he is a refrigerator, who takes his legs to the bone and tries to somehow warm them with hot water. this was probably blasphemous for the authorities, but nevertheless, of course, for herman it was completely impossible, and he suffered to reshoot those whom he fell in love with, like the hero of his film. then they really liked the picture and he liked himself, elena says, tells me that she loved him that she loved me in the end, that's how it was. it was
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aleksey yurievich every time. the story is very simple. it's very simple. he said we will write about it. did you always agree? we always often quarreled, we parted, we dispersed over the years, everything happened. here but but for some for some other reasons at work never. after all, i can’t even explain to you how it happened, i didn’t look right, i didn’t look right, i didn’t look at that intonation. not something from a number of absolutely non-
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material. not well, i used to be, i was jealous of this too, it was this, too , it was a suitcase in my hands and goodbye. and we left, when we left, then he from me, then i from me, but this is not so you know for 40 4 years of marriage. until the first meeting. who was the first to apologize or was it not necessary no? no one apologized, neither lyosha in front of me, not me in front of him, we just met and immediately went home together. there were no other options. the first letter i have here is the ambition of authority, the actor is the acting profession - this is
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the luga profession. so you have such a letter in the word of guilt, for which you feel guilty for cowardice cowardice - this is the absence of an act. you are just a soft person friendship is after all, the main word in your life is friendship. why is it suddenly working now? it's not me word love. that's what this word contains for you dogs, horses, great-grandchildren, well, now happiness for the letter c, happiness for the letter c no, i have happiness for the letter u alexander shevinda's birthday premiere on wednesday at first, it seems you
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a loan. at the lowest rate in sberbank from four percent for the first month. in the seventy -third year of german karmalita , work began on the film 20 days without war, the main character, war correspondent lopatin, goes to the rear in tashkent for 3 weeks . my task to build in the film is a noble task. i assure you, the movie is not true. this woman died in stalingrad. why didn't you write about it, uncle? you now have needles and helmets not worn in the morning. until the evening, and you will dress me here, they will take off for me, despite the fact that the film was personally supervised and supported by a member of the central committee konstantin simonov, according to the story of which herman filmed , the director was pressed again in full. were there any complaints? why not kulin? nikulin
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clown alcoholic? why is he, as the intelligentsia says, a charming man? that was this means that you will write me a letter one of these days that you cannot work with nikulin, that he cannot cope with them as his salts, if you do not, we will drive an aspen stake into your back. and in this i give you the word of a communist. you will never work in art in the back. i've had a pipe, we were a pipe together. listen fair fight. this is the principle and which says, but there was no other. yuri vladimirovich nikulin it was that it was.
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by the way , there was no other for lyosha by the way of the group. he was he was. lead female role lyudmila gurchenko played lyudmila markovna , who loved and knew how to give interviews in 2008 on the eve of her seventieth birthday. herman thought for a long time whether to agree to the shooting we proposed, because work in 20 days at one time was very difficult for her. how about a few more free days? for me, it was completely an entrance to a new dimension. where are all mine? school adaptations
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things in a good way clichés in a good way they all didn't fit. i now understand this, then i might even be offended. what how is it that i know for sure that this is not it, not something that does not fit. and it was even perceived as something like that, damn it, it’s not necessary. this is not necessary. it's not from here already, if anything, small. do you want to ask? where did the husband run away before the war? that's just the belt remained on the set 20 days without a war gurchenko got shortly after the premiere of the film old walls, in which she played a complex dramatic role. lyudmila markovna tried to apply the experience she had just gained on the site. herman has these old walls, and she was drawn to these old walls, then there is to load something that is not. in the eyes, and
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since she is a powerful artist, she was very convincing. and i needed to destroy it. and when you annoy her, or offend her. she stops thinking about it, and starts thinking how good it would be for me to die, you know, and then she, then, must tell nikulin you are leaving, there, it turns out that it turned out better, but i immediately noticed it on the first shooting , i wanted to tell you. i do not remember. ok. well, she offended me. this is certainly not something that offended, but translated some kind of vague state that i was losing myself.
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she's not angry at me, she couldn't act on me, so i had to tell her that it was unpleasant, and she began to hate me, and a second plan appeared in her to love this, you know, and so she, well, that she is a wonderful artist is wonderful , but such a difficult person, you know, i specifically say her hearts, you guys feel, i went to tease. it’s clear why you were told that she looks bad today, for example, to find herself a new one there it was. that very complex bloody disbelief in i don’t believe in myself, it’s not clear what is happening around, when everything is worth everything, everything needs to be removed. no, we don't shoot a day or two a week. why don’t we know with her kolya’s stomach and we know everything for which he doesn’t shoot like that among themselves. because in a week we come, and this is not the same
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car that was a week ago. although this car is not the road that was and which is for me. you will need to get away from him. there is already a huge puddle and bang i enter and what the lord needs puddle and this is what these here are all herman is herman he cannot live without this, cannot live without this. throw the car like it's a million miles, because they 'll never jerk off again. that is, this is a way out of the exit of the new position of 402. the way out of the stalemate our offensive captured a little. and now in tashkent? on duty or on leave and leave on duty the beginning of the film 20 days without
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war filming on the train lopatin road from the front line to tashkent the group participating in these filming right on the train in the usual compartment car and lived in the train drove back and forth on dead-end branches. this went on for several months. moreover, herman could not explain anything to anyone for 10 or even 15 days, the actors were exhausted with nerves to the limit, and the director walked for weeks and was focused. he is so alone he is alone, and this is japanese, the world his way of life work to be all every second anywhere only in the picture he is all in the picture he can grow into it to live for years. for a year he is ingeniously all in the picture, he does not even for a second, even eat what he loves very much. he is not came out of the picture when he said this monologue,
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yes, and we are standing with nikulin's field, uh, borya's dog is running around. and we listen to him. so he will say yes, yes forty-second year. of course not, music will not be a picture of a picture of music . it will not need labor, absolutely hunger all around. yes, they are like these jesters, no music. no. no, your feet never hurt you. could not stand the relationship was incredible. it was the only picture during which the relationship with the actors changed from complete endless love. to full at the peak of irresponsibility, a curious event occurred that went down in the history of our cinema to herman for all the actors he tortured for his wife for his beloved dog borka, from whom he constantly took away in
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the compartment, and atomstil took revenge on one of the direct participants in the filming process such 3 m, a camel and cars and lead so i thought that he would go ahead in god pecks. yes, and he me with all this slurry and lyosha never wanted to agree that the holiday was announced. i cheers victory come on come on more come on plop dinner victory lucy buy for champagne and the band not because she didn't like anything, but because we were exhausted. we 've been on this train for a month now, we've been dancing and yelling, and i can't give a damn about filming, because they gave me a railway in this place. i'm still half an hour, which means i stink like a village
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toilet in july. i still continued to put the whole thing. yes nikolayevich in the restaurant for my side. i have never worked like this in my life. and this is hmm such as you say? no problem point because it not repeated anywhere else. i’m not high, of course, but he is herman mayakovsky. it was an explosion. mayakovsky was a bultovsky rebellion. there was a challenge. lilia and her husband lived together, he was jealous of her, of course, on this basis, they constantly had scandals. she said that you can’t be jealous, she didn’t love her as much as he did when they kept him, who said, if
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she had been here, he wouldn’t have committed suicide on the 130th anniversary of vladimir mayakovsky tomorrow on first i want people to know the truth about my father. that's all i care about. service credit potential plan your dreams, find out in advance the amount and conditions for all loans available to you. calculate the credit potential in sberbank online right now apply for a loan. at the lowest rate in sberbank from four percent for the first month.
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savings banquet for dai tyson favorite food will deliver free hot ride marker delivery cafe restaurants free. it would be a shoulder. what are you saying, tomorrow i will take you to work with me, they were afraid of the robbers. let's catch it in the winter lapshin caught the famous
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solovyov gang - the killer of the senseless and merciless. we will plant nothing in the ground. garden still have time to walk in this court for what? well, uncle. well, for what, on the occasion of the 85th anniversary of alexei german, this is my declaration of love for the people with whom my childhood came my friend ivan my mother
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i thought to myself. god would give me a big fat black husband to lie all the time on the couch and think. how nice it would be. so, you asked me. is it true that he was lying, leshechka, on the couch all the time, right? yes , when he did not work, he spent most of his life on the couch, thinking by the end of our joint. life, i tried to teach him to turn on the gas. the stove is indicated in the kitchen. i showed everything. i showed what to press, what to turn said, and now there will be an exam. so i turn away, and you turn on gas so that if i if i suddenly
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go to the store, and i went by the clock to me for an hour and a half no more you could warm yourself suppose something i turned away. and he said more to palita that you will never fit. it was completely pointless for him, in my opinion, for him, in my opinion, it wasn’t there, i don’t think he had a whim in his head, this is the part that is responsible for this. just absent and my only success is the only one he learned to turn on the tv. this one here is the thug, this one here receiver. and that's it, german again shot the next film based on the works of his father in
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the eighty-second, he and svetlana finished work on the script for the film, my friend ivan-shin on lin in the film gave the go-ahead to launch with a creak. after all, they still perfectly remembered the history of the road check, also shot according to yuri herman, this picture at that time continued to hopelessly lie on the floor , he recalled that he was all the time with him, he was obsessed with a diet for whatever it was. and what, grandfather always did this, so that he always said this and for him this one internal matching. a-a inner comparison of oneself with him, and in actions and in and in the feeling of the world around him there and in many other things. in general, such a crawl stone, around which a lot , a lot, a lot was built and some kind of
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incredible feeling. either the fact that he did not agree with him only that he misunderstood, or something else. yes, which either i didn’t live with my grandfather, yes, or something else i don’t know, well, that’s always it has always been from here. here are the bullets, but how many from where? yes, well, here this is the bulletiness, then at that time. herman was looking for an actor for a long time for the main role of the extremely decent in life and unhappy in love head of the provincial police department, after many tests, the artistic council chose between yuri kuznetsov and andrei bolotnev. we were looking for a man with the seal of death on his face.
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that is, we read, we were looking for a person like that, you know, listed in the red book, not a tenant, that is, we were looking for a person who is being killed kuznetsov was better than the sample, their advice, confirmed kuznetsova and i took rolls, because kuznetsov is so cunning a little. purely excellent, and he said without tricks that and you know andrei has such a face and such eyes, it happens, as they say in russia and how do we know? he died early. this is not because leshka had a black eye, but because he obviously saw, to some extent, someone in the eyes that did not allow andryusha to live on. then you think that you are made of
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iron. one of the most striking roles in his career in this film by alexei german was played by andrei mironov when i was born in a maternity hospital. then mironov's parents sat and held my father, who was still nervous. and so , we somehow lived in parallel courses. please 20 days as spin say say you want to play romantic. well tell him what i want. crazy about this picture wanted just such a picture.
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several episodes with the participation of mironov have become classics from the spot or to christ, here is a scene in which the hero mironov is attacked by a criminal german miraculously combined in one frame acted in films for the first time in his life herman accidentally saw him already in the process of filming. here is this guy who cuts mironov yes, a real corner. yes, the man below, no , went through him once, passed two sat downs. excuse me, i'm a film director. i'm interested here. just check your eyes. you were in prison. that's the same 12 years. for what he says, this is the thing he showed. so they pulled him up on him here, i won’t kneel here, which means they’re leaving here, which means he has everything. well, horror green eyes. he has such, so such
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such an age. here. i say you don't make a movie. how much will you pay? what, how come i wonder, and we drove off. he was a very capable person. but when he took the bogor, and walked and talked, it was not done well. he is lyosha, well, i'll leave. now i can't see. sweet, why? well, uncle, why? the film my friend ivan lapshin prays to the germans and finished in 83, but it didn’t work right away , the film was returned for reworking several times, and as a result, the authors found themselves in a situation where they were required to make such edits that would have broken their whole
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idea, and during the last alteration they returned the entire film to the last letter to the original version of the editor-in-chief. look at the corrected picture. this first option said, well, she said, we were all imprisoned. and she remained in this picture, they didn’t even take her, in my opinion, they reported this to the state committee, but the picture was immediately put on the floor. picture my friend ivan lapshin lay on the shelf for a year and a half, well, in 87 the film received the highest professional vasily brothers state prize for soviet cinematographers he could say, in general, i understand that this would sound rude. now he could say, gather us all and say for this role. i
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need, and the actress's appearance, which resembles a chicken ass, is some kind of complete madness, and we all asked him. well, what is she. yeah, well, an elongated face or other eyes or some kind of hairstyle, so we will do, what is needed for this, he said. well, how unclear. i'm telling you, it should look like a chicken butt. and after a while he said. well, here she is, here she is, well, how can you not see, we see screamed we see, but he found her. or you brought her, he chose her. yes, he chose her. none of us understood why she looked like a chicken ass, because what was going on in his head was a soul representation of images. there was no access. poems
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emerge from my monuments herman conceived a film, the first part of which in many moments is his biography of a large family, the head of the family, like herman's father a stalin prize winner. only not a writer, a doctor, i took myself as the basis for the character of papa mama myself yes to some extent this is a very autobiographical thing. nadya is a worker there, who had a child, boyko, from the germans, and a chauffeur pricks. and immediately take me more profitable immediately. this is a marsovian, adamium house ; the windows actually look out onto the summer garden , mikhailovsky garden, and not its five-meter ceilings, five-meter windows. khrustalev car name is not accidental. this is the first phrase he said, and at the moment when he left the office, in which dead
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stalin was already lying in 1953, the main character, the general of the medical service, understands that from the day on day he will be arrested in the case of doctors. especially this delight this was my khrustalyov car. this is a feast feast, this atmosphere is everything , though, i'm everything, i know everything, i see, you understand everything there, not what i see i feel. i looked, uh, khrustaleva, i went sick for 2 days, and i, who had never been in common with him, did not see me myself. i called. uh, this director's room. like it's the most. yes, to find out his phone number and called and spoke first of the light, and in that he had a registration -01-06 the second part of the film. this is no longer a biography and director and members of his family. it is rather an assumption of what could have happened if one
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night there was a knock on the door in their apartment, a feeling of leading horror, which he caught once in childhood. herman carried through his whole life into the only thing that lyosha was afraid of in life , the only thing he was an incredibly brave man. and as his street fighting partner , i testify to that. here he was very afraid of the return of the thirties. everyone thinks, well, and then there was the twentieth congress, nikita sergeevich, who signed everything that was possible for any executions. nikita sergeevich exposed stalin and we began to live well. and this page of our history is not. my dears, this is a tragic page in our history, from which we will crawl for another 100 years.
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