if once in their apartment at night there was a knock on the door, a feeling of chilling horror, which he caught once in childhood, herman carried through his whole life. the only thing that lyosha was afraid of in life was the only one he was an incredibly brave man, and as his partner in street fights, i testify to this. here he was very afraid of the return of the thirties. everyone thinks, well, and then there was the twentieth congress, nikita sergeevich, who signed everything that was possible for any executions. nikita sergeevich exposed stalin and we began to live well. and this page of our history no. my dears, this is a tragic page in our history, from which we will crawl out for another 100 years. at

the end of the film, the general of the medical service , who has already been cleared of all charges, quits his family and quits his job. he finds happiness and peace in what he now travels around the country to spend. every russian intellectual dreamed of going somewhere to become a forester to become a baku worker to break the essence of each and i and my father and the great leo tolstoy and our tsar alexander i all dreamed about it, my general succeeded grinsky. and he ends up a happy man with his stupid glass of vodka on his head. not to keep

water on the platform, he has understandably asked for cold water alexei yuryevich quite an earthly ordinary normal person, even at times childishly capricious irritable. humorous, well, that is, it is light, it is light, strange and most often unexpected, so you can enjoy it, studying how is it such a genius and such a frivolous guise, if you want with your hands, yes, no-no-no, just close it

with both hands. no you show. here i am for you now how. well, here, you will immediately close, right. you see, here i am right now, just look at how exactly the nail of your pen has become the right one, it was with us all jumping into the funnel like a ballerina. so somehow at the gates of the funnel so that not a single pebble was there and they laid there what they needed and they go like that. i say fire, as they jumped the dig. the main thing is that in russia they were kulina, you laugh with sand. he

told me that he remembered that, of course, i was a bastard, but he remembered the war, he was very grateful to me. i when next time that's all explosions will be such no luck no luck. i will sit down, but you will jump like in a war, and not like in kindergarten, you understand? so i'm warning you too. you will fall on your knees, grab my hand. i kiss her, i understand, i understand, i understand, you understand a warrior. i understand we will be from here. i understood, i understood, i understood, i carry the director, and he, uh. the first thing that comes to mind is always wrong. well, from experience. he always somehow countered, like a completely different reaction is invented. leonid yarmolnik starring in the last picture of alexei

yuryevich german it's hard to be a god based on the story of the strugatsky brothers . this is a picture about what you don’t do with people , anyway . in the process of working on the film, herman even planned to get away from the original title of the strugatsky brothers. he wanted to call the picture a chronicle of the arkanar massacre, and this is a particular challenge of the chronicle, that is, an almost documentary recreation of events. ok now nothing will come of it, and then it will be the same, who goes where, how to go where, and

how is it to play in general? because i came up with the idea that he is there with the executioner, that smelling him and everything smelling of a medieval one smells of something from him. here is gooch e during a conversation to do so clap, they will all run away the filming of the film stretched for 6 years , the final shooting day began in the czech republic in the spring of 2000 on august 3 , 2006, lenfilm then began editing a complex sound. herman was sick a lot because of this timing. surrenders shifted several times finish the movie. he never made it.

in the summer of 2013, the painting hard to be god was prepared for the premiere screening by svetlana karmalita with her son alexei german, the youngest svetlana igorevna survived her husband by 4.5 years, she died in the summer of 2017. hello, here is a literary podcast. let them not speak, let them read. my name is

dmitry buck. today we will talk about a person who, uh, is not only a great poet or playwright, but a person who has made a huge contribution to the national culture and demeanor throughout his life and in the style of fashion this is vladimir vladimirovich mayakovsky this year. we are celebrating 130 years since the fire of his birth, and today we are talking about mayakovsky with our wonderful guests. this is marina mikhailovna krasnova, head of the department of the house of the pointed-eared house in tubes in the museum, which bears the proud name of the state museum of the history of russian literature named after vladimir ivanovich. hello marina from anton dmitrievich buglak, actor of the satire theater hello anton hello, let's start, perhaps the most important thing. what does it mean for modern man mayakovsky it seems to me close, just to any young generation , with its sincerity, with its e, teenage or

youthful maximalism. maybe harshness, yes, yes, sometimes harshness like this, uh, this, probably, youthful youth remained in him. eh, until the end of his life, it is certainly absolutely projected in his poems, the young agree. i absolutely agree. it is surprising to me that there are such personalities who every year more and more bulge in terms of popularity. ranevskaya mironov vysotsky, including mayakovsky, there are a lot, and the group of public social networks that fill up is performed and this is not e. well, let's say, it's not just a stylization, well, there any 13-year -old girl, when she is in st. petersburg, takes a selfie, two crayfish of the well and writes brodsky , she doesn't know anything, she doesn't understand anything, what is it? well just. so bad, maybe she'll come. soon there will be a slightly different moment here, it seems to me that if we

remove ideology, in general, from this poetry, which is now difficult for young people to perceive remains. eh, the lyrics, the early ones are very sincere , and this is probably catchy and, probably, some kind of satire. here, for me personally, there are a lot of satirical ones, well, wonderfully well , anton's thesis catches the younger generation, so some here i have a fire in my heart. well, it's necessary, you think, who is there? it seems to me that this gives the right to remove? here is this superficial reverence, when at school they say this is such and such, therefore it is such and such, but really a young man reads and he likes it, and he treats him like a contemporary. well, indeed mayakovsky the author of such e absolute discoveries, for example, rigid there are only three systems of all expansions, only three rhythms. one such skill doses. rest in peace, the fruit of short-lived science, not forcing my hands to peru, but the second pushkin my

uncle, the most honest rules, and finally. listen, comrades, descendants of the gorlan agitator, it was mayakovsky who came up with a new system of versification, and it is completely different. well, let's try to read. i remember a wonderful moment, as if like this in mayakovsky accent verse. i remember a wonderful moment before me appeared yes, you are amazing. uh, extracting from traditional russian verse. uh, absolutely new notes well, uh marina, but still, if we talk about early mayakovsky, then poetry is dissolved in his other skills. he's not only a poet and not so much a poet. he still does not know himself as a poet. he is studying to be an artist. he is looking for himself in the profession. he doesn't really understand yet, the artist. he, but he wants to be more than just an artist. he also positions himself outwardly as an artist. he wears. uh, hmm

sweater bow. this is where it will come in handy. us his images earlier with this unthinkable tie. it's all poverty from poverty, really. yes, a start. but i think that this is also a search for some kind of external identity, because what do teenagers, for example, dye their hair in different colors at the age of 17-18, and put on earrings and or some completely unimaginable lighthouse clothing does the same. he is looking for himself in the same way. well, this is mayakovsky and what kind of poems does he write anton let's maybe read, maybe the most famous poem of genius i don’t afraid of this word. yes, of course, i mean, could you. i immediately smeared the map of everyday life, splashing paint from a glass. i

showed on a dish of jelly the oblique cheekbones of the ocean on the scales of a tin fish. i read the tongues of new lips. and you? nocturne could be played on the flute of the drainpipes short genius poem what's here? the main thing is that the artist reports his brains to the canvas. yes, here he smeared the map of everyday life, that your jackson shelves, yes, which splashes paint, but such an absolutely avant-garde artist, which is why nocturne is played not on flutes, and, but she drainpipes, this is futurism. yes, that's play for life, yes unconditional express yourself. well, here, it seems to me, there is another moment, of course, that mayakov’s absolutely ubanists and in his early poems, just the city appears as a living organism,

so there are enough pipes for this. therefore, the lantern takes off, uh, the black stocking, it is part of this city. and e that is why in verse he perceives him as such a dear person, not just as a kind of architecture. but as a living absolutely alive man is second nature. you correctly said the word urbanism, the city is not the enemy of nature. and this is a new nature in which modern man lives, therefore, by the way, in the famous phrase from e, honorable to the public taste of the manifesto, e, which has four authors, including mayakovsky, there is a phrase let's throw pushkin tolstoy and dostoevsky from the ship of our time. this is very important mayakovsky lives in the city and in the city he experiences very vivid feelings. eh he loves about it. we will talk more than once and maybe be anton, you will read a fragment from his

wonderful poem in the year 15-15. it was published in the fourteenth was written, and the clouds in my pants could not recognize me now . the sinewy hulk groans, writhing, that such a block might want, but a lot of blocks want after all for yourself it doesn’t matter. and the fact that bronze and the fact that the heart of a cold piece of iron at night wants its own ringing. hide in a soft in a woman's and now a huge stoop in the window i melt the glass of the window with my forehead. will there be love or not? what is the big one? or a tiny amazing text we know it all

associated with maria denisova i will come at four said maria 8, 9 10 andrey sinyavsky , the most famous literary critic of the fatherland , later an emigrant and a very great connoisseur of russian literature. i remember he counted the excerpt from the cloud in his pants so that the watchmen began to run, thinking that something had happened. he said, so i will come, at four she said, mary eight nine. this is amazing sincerity. you won't understand clouds in your pants. is it rebellion or just sincerity. there are also slogans down with your art. down with your love. yes, the main thing here is love or protest. that's what's important, it seems to me one another, my cats do not separate, and love for him is both protests and at the same time revolutions and and i think it's no coincidence later. he will write that love

is the heart of everything , and poems and deeds and everything else unfolds from him, this is an absolutely key concept for him. a little later, because, of course, we must come. here to this screen to this filter, yes which is between us and the text of the mayakovsky tribune of the revolution and so on, this is a little later. and now we will talk about one more side. here is creativity. you said that he is an artist and a professional artist who is specially studying to be an artist and in the future he is famous for his graphic works and windows of growth, but there is also mayakovsky in the cinema. let's not forget about it. this is the very first years of domestic. yes, of course. couldn't get around everything that's definitely new. he was interested. and of course he wanted to be

everywhere, but first, and cinema - this is about the same as a podcast now, right? or public, yes, or block, well, in fact. yes, of course, he wanted to be heard. and as many people as possible, so that you can see as many people as possible a and cinema in this regard , of course, a was, er, thus, a a springboard from which it was possible to speak with the world. not just with some small audience, but with the world, and well, here , of course, there are still moments that, and lilya brik, uh, to mention, of course, i didn’t want to act in films and especially for her, for example, mayakovsky wrote the script for the film chained films. let's talk about a film not for money, born not for money , born lily we'll talk more, of course.

here, uh, just uh frame from this film and well, the well-known fact that uh script is built on the model of jack london's novel martin eden where a person dreams of accomplishments, but only this is soviet martin eden, his last name is ivanov, only broken in half ivan new yes and so, uh, in this film , mayakovsky also plays a role. and it is known that he seems to be even dissatisfied screenwriter or director. he well, he, of course, all the films in which he acts , he still participates in the description of the script. and in general, even always interacts with the director. this is also such a feature of anton, as if they looked, if you win some role, you are busy with several well-known performances, uh, and alters, and suddenly you cross some boundaries and start pointing out. all hand, how to act. actually, if we talk about dramaturgy, for example, and it has always been a common thing

when ostrovsky is in a small theater or chekhov eostrovian. well, they could still work. and bulgakov, too, they worked, here and now, and went from the artist to the director. uh, so to speak, a question in the form of a mm remark, but as it is said, but, in principle, this is normal and a synthesis. well, okay. well, there is still one exception, well, what, episodically was an actor, but chekhov and ostrovsky saint were not actors. they gave. well, even gogol once gave instructions to the actors who will play the auditor, but mayakovsky’s whole thing is right from the inside. yes, finally, ah, but in fact, and yet mayakovsky still remained meikovsky. and no matter what role he played for himself, but he still remained himself difficult to separate.

well, his charisma, in fact, he played himself precisely, therefore lilya brik well, lilya brik, well-known, the heroine of mayakovsky's fate mayakovsky lilia yuryevna briku , born kogan a hmm, which was probably mayakovsky's deepest affection throughout his life. but this was written right for her. yes, he writes especially for her, and of course, he is removed. yes, in order to play along with her, to play along with her as well and my cat plays. ah, the artist. she plays a girl who came down with a poster like this, yes, again , modernity, that is, a computer reality that passes into life, and moreover, mayakovsky was going to write a sequel, unfortunately, this story did not work out. and so it would be, in general, like the first part of the second part of modern films, that is , in this one, too, but he stepped over time, in general,

he largely overstepped the time of seconds minutes for a bicycle. the movie, how long it was. well, uh, how it would be familiar to the modern viewer. well, in fact, a small piece of this film has been preserved, but the film has not been completely preserved, well, usually these films were shown by a young lady. hooligans go for 40 minutes, for example, this is not my man, but the funeral is quite voluminous and long, but the most important thing is that here uh, some other uh was such a ruling moment, yes, because according to the film, uh, the lady who is chained to the film, then they said in the female form of the film she is therefore not a mistake. that's why she leaves again, yes to the cinema there in this plane of the screen. well, pilili yuryevna and hmm did not belong completely to mayakovsky, you can

probably say so, yes, yes, but again, it’s also interesting, in general, everything that concerns cinema, but because he was not born for money. this is also about poets, ivanovo and, in fact, too. in some way there is some kind of prophetic story, yes, which did not take place in the same way mayakovsky's death in the young lady and the bully, when he is killed, but, but this is such a bright death at all, and then you already endure. it's in some other plane when you look, it's in the movies now. well, what about our literary podcast? let them talk, let them read. i am presenter dmitry bug talking today with marina krasnova, and an employee of the state museum of that russian literature named after vladimir ivanovich dal, specialists in mayakovsky’s work and with the actor of the satire theater anton buglak. i remember, uh, the book of yuri

korpchievsky essay, the article of the resurrection of mayakovsky, who also repeated. unfortunately his fate is yuri korpchievsky. uh, for the first time, perhaps, in the late eighties. yes it was for the first time looked at mayakovsky without. hey, these are the same filters. yes, because the anecdote reached me that when they were preparing an exhibition of 20 years of work for reproduction and konstantin mikhailovichanov had a hand in this, thank god, then the guardians of the officialdom, uh, offered mayakovsky's biography but somehow clear this risky moments. and lily yurievna is just a risky moment. yes? well, yes, yes, the conflict between lily brik and lyudmila mayakovskaya and, accordingly, an attempt to somehow clean up this story, yes, and from the biography mayakovsky but in general

, it is very difficult to smooth mayakovsky, as it seems to me, about such a phrase that there is supposedly someone there, i don’t know if this is true or not. well, well invented by bentero vatu, as the italians say that is, even if it's not true, then well invented yes, uh , someone allegedly said that you now say that you are a suicide. well, what to do, not a banal suicidal person who could not bear the fire of the heart and creative love yes, this is really all of my kozlovsky now. let's take a step uh to our next hmm topic big mayakovsky and after the revolution. after all, he also predicted the revolution, yes, in the crown of thorns of the revolution, the sixteenth year is coming , he made a mistake today. we know that every revolution passes, then into a thermidorian phase into a reactionary one, it often turns into a dictatorship, turns into a lack of freedom.

well, how to describe these years that mayakovsky already spent hmm soviet time in soviet reality, because there were contradictory things there were wonderful things, for example, he continued to be an artist of the window of growth tell us about them they are actually stored in our museum. despite the fact that this, and this was such a waste, in fact , work, because huge circulations, and up to 100 posters a day you drew it by hand, but again, what does meik's okna growth come up with to make it clear. these are news sheets, because no. no internet, and growth - this agency is what stas is now when mayakovsky comes. uh, respectively , to work in this telegraph agency, then these were large texts, a small picture, and he says, it is necessary to change the system so it will not be work. most of the population does not know how to read what mayakovsky did very

well. did he understand who he was doing what for? everyone knows this, yes, who even has no idea about what mayakovskaya was doing in the windows of russians now, the target audience is saying this. he very accurately understood the person the starter of the group, yes, yes, yes, he tore the plane with the understanding of the audience, he removes all the text, but he reduces it to a minimum. this is a short phrase, and the main focus is on the pictures, in fact. these are such soviet comics, too, very similar. and this is a summary. yes? here is also a very important point. for example, he plays in the world, and he uses, for example, to designate the soviet power of the worker, the red color, and the disease and everything connected with it is such a greenish color, and the bourgeoisie and everything connected with it has always been introduced or had some then blue colors, that

is, he works with color. he influences here on uh, the viewer's daughter. this is no longer media, it's just some kind of psychology of perception, yes, well, really. this is the side of mayakovsky's life, uh, he did, rather positively. here we see the cover of mayakovsky's book about this with lily brik depicted on it, and yet how mayakovsky combined the personal common with the public, because the soviet reality of even these first romantic years of the twenties , and yet it emphasizes the collective on the general on the cathedral on the social on the class. and about this. this means about the intimate, of course, the mayakovskys came up with exactly this, but at the same time, for example, it is with this poem that the first issue opens, and the left front of art magazine lev is not a lev

beast, but an abbreviation of the left front. well, although lion here also has a consonance, it is not accidental lion the left front of the art of this particular poem opens, because on the one hand it is about the personal, but on the other hand. this is about the general, and it was very important for mayakovsky to emphasize this. and by the way, it is in the poem about this that mayakovsky's famous ladder first appears. but before that, he does not break the very verse. yes, in fact, he is blamed for this very much and more, by the way, contemporaries. they said so, and, uh, questions were also asked, but mayakovsky wants to be closer to the reader. here in this book, the theme is inserted, uh. well, if not tragedies, then dramas, because, after all, his relationship with young lily, but developed unevenly. sometimes it's widely known. sometimes. they put themselves

to the test, tried to leave for a certain amount of time in the same and there is a story of writing that she forbade forbidden to see each other. yes, he is with her and there . i am completely cut off from life , the saleswomen laugh at me, and he came, either new year's, or christmas night. uh, twenty-second twenty-three. lily brick is standing there. uh, went nuts and started writing a poem about this very important thing. this is my question anyway. uh, personal was allowed, but in the soviet years. the first, of course. uh, wedding christmas trees. not to mention religious ceremonies. all of this has been omitted. come on, how embarrassing to be intimately vulnerable, you have to be powerful, this is a poem about this too , but, because it’s just about and about the fight against philistinism that topic that was very important for mayakovsky and uh, this is it, uh, personal.

in general, because the idea of ​​the commune is the idea of ​​living common human hostel. this is exactly what he is talking about here. yes, there is a tragedy, and, uh, it would be difficult without it. although , uh, it was the poem about this that had drafts and it is clear how he is trying to smooth out this tragedy as much as it was harder for him at that moment. how much more painful it was for him, because he really is in a confined space. he is sitting in the room. it is 11 m². and in the room there is one window, and the beloved is in another place. and he is, yes, he is , uh, the only thing that connects is the phone cord. and this is also in general, just uh is such a main, connecting link in this poem, uh connection, and lubyansky passage and myasnitskaya well, of course, it is very important to remember and know how the first editions

of mayakovsky's books looked like, because, well, it was not without reason that he called his books. so catchy, for example, me or vladimir mayakovsky so that the books would not be confused, he also looked very bright. and that's the brightness, uh, and the color of the cover. eh, maybe we didn’t see all the covers like that and the color wasn’t exactly the same, because in my hands, of course, a modern reproduction. they are subjects of the book, but nonetheless. they were bright colors. it was like this, a large type size, which is very important, these books are being published now. it is very inexpensive, they are not collectible. i highly recommend to all of you who do not talk about reading, of course, to take these books in your hands - it is quite easy to see how, for example, a poem looked like a cloud in the pants of the fifteenth year or a flute spine. this is also a great edition. here is its full reproduction. here is a huge comment, it is very important that modern literary critics,

but dedicate such extensive comments to mayakovsky and his texts. after all, they are much more voluminous than the text itself, but let 's turn to this simple, like a lowing, book of 16, too, and it was reproduced from a unique copy. here there is, uh, editing by mayakovsky and others, by the way, is used just for the first time, and , of course, alexander rodchenko makes photos in the form of an illustration of rodchenko. is it also what left us from several images or is it a legend? uh, there is only one shooting, although it is used by modern ah-ah modern artists they use this image, because it is really very bright, and in various variations, so this is also such an interesting story with a sequel. well, mayakovsky connects, as it were, such poles on the one hand, he is still, loving

, vulnerable. this is exactly how yuri korpchievsky rediscovered krabchevsky says that this is a mistake. it's very accurate. well, it’s interesting, for example, memories of the roots of john chukovsky which a says that when i first read i saw mayakovsky, only his texts were not yet familiar with him. it seemed to me that he was so small and fragile, it turned out that he was the same as tchaikovsky himself. they are both very tall. well, mayakovsky still communicates with strong forces, for example, here in one photo he is depicted with e in the company of people's commissar of enlightenment anatoly vasilyevich lunacharsky who leaves the administrative building e, where e decided the fate of the cinema that supported mayakovsky exactly ah lunacharsky yes, he makes such an order, and mayakovsky for the first soviet

the play appears mystery about this, too , it must be said that mayakovsky is an amazing playwright mystery buff, and hmm troubles. yes theater the world chord meyerhold, again the avant-garde again an alternative my my favorite moscow i found my theater. i just found a director. such , of course, but it is interesting that, for example, the mystery boof first enters the stage in the role of the lesser century and greenlin, which we all, well, many of other films. yes, we know others from soviet films, but for the first time about him. it was a who spoke after the mystery. to me it seems that it will be possible to clearly trace from the play when the twenties are ending , there it was at first a bug, when triumph is the twenty-ninth. yes, about a year . well, no, it's over. yes, the twentieth danya is already being written. there yuri is dumbfounded that the worst right no was the time of me.