retreated sergeant vladislav suchok organized the fire of anti-tank guns in a possible place. when the militants broke through, fire from a grenade-fire from a grenade launcher destroyed the armor of a car with a landing force, the attack was repelled by the guards and junior sergeant aleksey chudik discovered a camouflaged enemy vehicle that fired, secretly approached our units and destroyed it from an rpg , deprived the militants of fire support and did not allow a breakthrough. the weapon with which the west is pumping zelensky's kiev regime is spreading across europe when trying to enter from france, the uk, several em-141 hand grenade launchers, fined two britons write to the media, as journalists found out , the men at the customs office in calais said that they received american-made weapons and military equipment as a gift as a token of gratitude for their work in ukraine in the course. as they put it, humanitarian missions are experts. the truth was recognized as grenades. it is unusable, however, they were taken away and destroyed.

everything, see you. ekaterina a. i want

to return to the conversation about the heroine, olga mogla did she go for some other scenario. so, yes, what could happen to such a heroine, or, uh, just like that, everything could only end. look, well, this is such an image of a destroyer, and she destroys what we have already said, like other people's lives. well, it is logical that she should destroy herself, that is , it is very difficult to imagine that this woman will suddenly start making borscht or go , uh, to serve some kind of soviet service, and she serves in soviet power. yes, we have a secret. she has her own secretary. she serves yourself. quite to ourselves, as we understand from some book, well, a high post is not able to do anything. at the same time, he doesn’t know how to do it and i think that in general, we didn’t do anything and didn’t even pretend that she was doing something and not trying. well, to understand that she had to finish the way she finished, and

it seems to me that her death with these sweets that haunt me is so paradoxical. yes , because she is funny. she somehow tastes it on the one hand, like candy. she tastes it. and at the same time she dies in earnest and for sure, she is still in incredible agony, because she is undergoing an operation and it says that she is not given e anesthesia. that is, you imagine this operation on the spine, how painful it is, and she keeps her own. actually. here is the pose to the end. she plays with death. by the way, there is such a snag, or something, there the hero comes running, eh yes, he hurries to her to save her, and he comes running. and it says that she missed. and we're here to read or exhale that kay she missed, she won't die. yes, it still dies. well, even when she calls, you think it's

a joke, right? it's a joke, but it turns out it's not. why is this heroine pretty here she takes money, for example, she will collect 15,000 dollars per night. yes from this merchant philip, she took it , you think she threw them, uh, into the fire, that is. it fascinates me, it seems, any any person of such character. this is no longer a woman, but just some kind of this very tornado, but she is not selfish. this is exactly the style, this is a gesture, and they come to the charity lottery and buy it. uh, actually dokuchaev village little holes, then terskotel vases, when i approached them. there is, uh, at this fair, yes with these vases, and an absolutely amazing episode when this woman is full of hips this woman is a telephone, what does she do with a telephone number? yes, but dokuchaev does not understand at all does not understand what olga is doing. does he explain? remember. yes, yes, such and such

number such and such dokuchaev please hear me. this lady has the same phone number. she mocks him, develops and also look at what faith in her feminine strength. it's amazing, i think she is real. well, she herself is even a dominatrix, that is, she humiliates men so easily. naturally, men are completely subjugated and obey this. in general , the rules that dictate and olga does not even care about the fact that vladimir got himself a mistress pear in every possible way, as it says two two hearts. what legs? yes, but it seems to me that he is going to this marfush. uh, as ekaterina correctly noted, because olga told him, go to this morfush, how can you not appreciate it. here are her most beautiful full legs, and he actually does it. just

like a puppet, no. yes, and get married. she is marvelous as she is marrying him this year i will have them stoked. it's good that you proposed marriage to me , something that, well, they will sleep together, then she says. well, no, you hu cold, but nothing cold, like hunger also play a very important role in zinnia. yes, but yes, and in general in the life of the brings. they had such an episode with yesenin. they planned to write large dramatic poems especially for all water and smaller world of hold. yes, yesenin wrote pugachev and the barings wrote a plot of fights. yes, but as they wrote, all this, and they had a room , there was a bathroom, yes, and in the room. so they did not try to drown, nothing came of it. it was very cold, then they didn’t move the desk to the bathroom, but locked themselves there, when they had already written it all had to be transferred to

printed texts. yes, and yes, they asked the typist's acquaintances to come and retype all this, and then they realized. well, there is a lady, yes, she is also in the body, it's cold, don’t think anything bad, yes , and to warm the saints, she will go to bed for 15-20 minutes and warm this bed with her body, so that they then go to bed not in cold linen. but already warmed up, this girl walked and printed, lay, warmed their bed and left, and so for several days, and then she disappeared and yesenin was looking for bringov for a long time in moscow. well, what is it? yes, they communicated normally, they worked normally, they paid money regularly, and after a couple of months they find her and ask. why is she saying? well i thought you poets, and you are monks, and they did not offend attention. you asked for rights. and the life of gongs. proton as far as he coincides with

his heroes. is this a cynical approach or not? no, a very kind person. he is very attentive to the characters and for being so attentive and so. well, let's say so in detail and convincingly show their feelings. he still has to be, well , the merciful need to see e man in another. and he doesn't blame them at all. that is, it gives freedom to people to be what they want to be. it's great. and it's very unusual and e price tags in this sense. well, roman ekaterina is also unique, but they would agree. you, for example, ikrinize this story or somehow rework it, but you know the most for me. in my opinion, the text is important here, and the text is very difficult to put. i don't really understand how to translate it uh hmm yes

, it's too literary, how to translate it? eh, well. others do not understand drama, because the plot itself. well, if you take, well, here is the plot, the love triangle was described a lot and in general, well, it was on its own dramatic. yes, there is a columbine to pierrot e, and harlequins. loved this business. yes, of course, well , it just seems to me that in the first place there are no fools. people are smart. in general, all these people, they are all curious, they are all very bright, bright character and very different, and this, probably , attracts everyone, i think, but i don’t know how to translate this into the language of dramaturgy, the way trama is written in the most valuable language for me. well, i agree that the language, amazing it is unique it is impossible to repeat and marings, is not like anyone else in poetry,

in prose, as we understand it , it surprises me that avgungov wrote, well, dozens of very different plays and he was successful somewhere, for example, jester balaev or the birth of a poet. yes, and they were all staged at one time , the plays of the golden hoop, which he wrote together with mikhail kazakov sr., and the father of a famous actor, went with great success. yes, and a big drama was opening in moscow. theater yes, that is, he, as a playwright, well, he took place. yes , he had everything in this regard, and after his death, nowadays they make a film, put on plays, according to the price tag, somehow, for some reason, the most famous one left. most probably, a bold trace is so cultural, if you look in time, yes, as

if, if you lay it out along the timeline, yes, it turns out that the price tags most often paradoxically never know, yes, some work will sound paradoxical there in time thank you very much for an interesting conversation. this was a podcast, a must read. most importantly, i am a batch file director, a writer, the directors ekaterina dvegubskaya and oleg demidov, a literary critic, a poet, were visiting me. we talked about the novel by anatoly maringov. cynic hello this is a podcast of letters. i am larisa guzeeva, we will talk about the people's artist anatoly papanov, and my guest is the artist of the theater of satire yuri vasiliev and the daughter of anatoly

papanov, elena hello. hello. thank you very much for coming lena, here you are, probably, a million times already, uh, asked questions. that's what it's like to be such a burden to be the daughter of anatoly papanov, whom you knew and not only knew and loved everything and knew from little to great, and he became popular and famous. eh, he didn't have it right away. here through the thorns to the stars. he didn't go. no, absolutely not so, that up to 40 years. he wasn't famous at all, and only he became famous after playing live dead and that was probably the sixty-fifth sixty-sixth year. and after that as they say after this movie. he woke up a star, because even at school, uh, i lived with my grandparents at school, my parents didn't show up. but when he played the live dead, everyone at school started pointing fingers at me and talking about this this girl. lena popanov. her dad

played live in the film. here is an interesting hmm such a fact of your biography, and you lived with your grandmother with your grandmother loved her, well, it’s clear, the actors’ parents are busy, and you didn’t really like that they came to you. e hmm to visit you. i did not like, they came. why did you love? well, you know, we had such a factory, factory district next to the telman factory of this savvinskaya embankment next to the plyushchikha factory of sverdlov then. they still existed all there, we have only children of workers and such. i was such a yard girl. i walked from morning to evening, i studied well , i didn’t do my hands, but i studied well. and here we are walking, jumping, running, and grandma lena go home, parents have arrived. you have to come to show the days of books to report on what marks you have there? and there my friends are waiting for me, don't slouch, don't threaten all your nails, without wide evenly, but eat the soup. yes, but my grandmother was

fine. my grandmother is my second mother, that's why i ate soup, that's why they didn't take me, when i was 3 years old they were given a hostel. uh, in the theater of satire, the hostel of the theater they left and grandmother said, leave me knee-deep, because well, that there is a rehearsal in the evening in the evening, who will she be there with, and my grandmother retired because of me and i had a good childhood and on time without my mom or dad from my mom, yes, and they left it for a short time, and then i went to school, like school. i had such a wonderful happy childhood, and then my mother had her since the nineteenth year. she died and was almost 96 years old, and she told me all the time. well, you can understand me. why? apparently it's somehow hers. dal was in pain. you can me to understand why i left you with grandmother gumam, right? what are you talking about? i didn't have any resentment at all. i think that if i had been with him, it would have been worse for me, well , somehow i can’t imagine, uh,

your dad, but a harsh man who asserts himself on a girl. i think you felt good and comfortable. yes, but then a lot would not be at home, because this is an eternal filming concert such a happiness for parents, not at home. what happiness is it in adolescence at a young age, when they left for tour, they left me there. i was already 15-16 years old. they left me alone. it was wonderful and svoboda itself . i know that for dmitrich, my parents, my grandmother, did not like it. yes, she, uh, knew and the good behind her hurt. yes. she says, listen, well, well, they were still students. he often saw her off and saw their grandmother. she says, mom says, i want to marry him. she says, listen but he's such a guy for nothing. well, the ugly one is painfully telling us no, but he is the most talented on the course, but it really was like that, because when they

finished, only he was left in moscow, he had two invitations to the malaya moscow art theater, but he left with his mother, the city of klaipeda, where they could not organize a theater on the basis of this course, russian dramatic a elena and when you parents we announced that we wanted to become an actress, oh, everything is so strange, it turned out. i already wanted to be an actress. but when you already realize yourself like that, it is probably 10-11 years old, but i would be shy about something. let's talk about it, because we had such actors of the soviet cinema hanging on the walls there, and there both the khityaevs and kiriyenko and scribbled. i realized that i was not up to them in beauty. i was kind of embarrassed to talk about it, but then it turned out. so, i was preparing for the institute for the last year. e, in foreign language. here they go on tour. i independently prepare the program, i go to your hut, i’ll come up with documents, and there he accepts, uh, alla konstantinovna tarasova and mosalsky. the course

was taken. i pass come to the first round. i’m reading, i’m coming to the second round, i don’t have my last name. i left the studio school. i run crying and then i decided to return alla konstantinovna was at the institute. i am her waited for her consultation. she exits. i say konstantinovna, for some reason i was sure that i would do it. you know, remember me elena papanova. here is what i read to you yesterday. she says, yes, i remember you, but you are very poorly prepared. come next year and think, do you need it, and then your parents came from the tour, and you always have exams before your hut. and they prepared me there with a teacher. i'm talking about the material, which means an excerpt. well, as it always is, this one here introductory and i was taken by their gitis in both shchepkinskaya and shchukinskaya but in getes, exams were faster and parents finished gitis. and they told me they listened, but still, gitis is an institute

of theatrical art. and this school, but still, somehow i went down yuri, and there are rumors that anatoly didn’t really like the youth of young artists. hmm but somehow he immediately got into you, what kind of situation was he loved those who were sick of the theater, and not so easily came, and so to speak took off, but really the first meeting was unique. i have already worked for a year in the theater and this was my the first season already had 32-34 performances, all masks, and then there were total extras and six, probably, i had such serious roles. and so i get to the rehearsal running. dakov. i was appointed to the role of golubkov and anton rehearsals it's hot in summer, and they really told me papanov doesn't like young people. and

since we did not meet with him at work. i, well, there i ran to the extras and suddenly doves and we have scenes with him in sevastopol , which means it ’s summer in the hall of the commander and anatolyevich. i'm in a coat with a hat in a scarf. i have a terrible fever. we rehearsed up there. yes, here it's just right here. scenes and here is one of the scenes, so where khludov says, shoot me. and to the ghost of e krapilina, he says, go away. maybe this one will guess to shoot. to which he does not give a gun, to which i must say i cannot shoot you. you terribly sting to me kamerzateley and on this phrase. i i saw eyes on that mitch. it was no longer priests.

it was an absolutely insane person, and i'm fainting. i just fell, golden boy, when i woke up. in the dressing room, it turns out that he and georgy pavlovich did not leak mines in the summer anatolyevich dragged me out of there to find me. that's how i came to my senses. i look, here the doctor is something white and anatolyevich and he says, save him. he is a good artist, a good artist, because i believed it, yes, because, well, from this i suddenly got, this is a highly rated scourge that in general drags me like this all my life. great show, by the way, here he is, when after a difficult performance at 11:00 a rehearsal was scheduled. valentina nikolaevich came somehow, everyone didn’t really want to rehearse, because somehow at 11 o'clock the body is still asleep and anthonic. tell me about your work with measures go

told for the tenth time what you have already heard. many times it was called to press the puck, tell me, but this story, when the rogue returned from london, in my opinion, from the tour of brooke, petersburg is his cousin, and in this genius you show this legend. really. i didn’t catch it, but they really rehearsed, they say, they’re crazy and valentina nikolaevich said guys. i was in london just now with my cousin. brother. peter god, my whole life, too, i dreamed of working as a snot. fast sophia loren yes working with you. what did you say without tycho? all my life i also dreamed of working in peter brook, i work with his brother and then a cousin. well, god will always answer, but i know

that with all this he will receive very much valued papanov and was proud that he was his theater and a lot from him. well, sort of, yes, and he appreciated it very highly. he he understood who is a banana? not just by personality, and even very important, there are still good actors, there are a lot of good actors, and the personality of money such powerful ones are really such an avalanche. tell me, here is what was in his character, but what was not so special, for example, in other actors no less gifted, he did not allow himself. ah. being late to be out of shape, and so on and impatient and this from the outside. yes, he is very disciplined. he is very collected. he always rehearsed amazing, he didn't like the first performances of the eighties. yes, there is more than one performance from the rehearsal. didn't get better. i

talk all the time now. this i once allowed myself, and then i took my wife to the hospital. a we had some kind of concert and they were waiting for me in rafik. i'm late and i see the anatomical, which is so something to myself. i say anatolyevich, i just took my wife to the hospital, it’s not because i just, well, i didn’t have time to do it, and then he forgave me, and in general, he understood, so to speak, and it’s not easy, but they say lena was an extraordinary humane, and with such a heart with such compassion and in general he read. and what, the main virtue in a person is his, and the soul, yes, pure, that's his inside, you know, he was different. he could be very kind could give someone all the money that is, and sometimes he will be so that he can erase. i ask him to be unambiguous to me, he was not kind, and i'll be back to yura, that's

what he said. i just don't think he was. he was a very smart man, and at a time when there are also legends. that's when he said to the little guy, uh, about brook, he already knew that he could already say that. i will read this statement by anatol dmitrievich, one can be intellectually developed. and you can be anyone, but if a person is unscrupulous, then already for me, if he were seven spans, for me this person does not exist. i don't respect him, and maybe the person is uneducated and not a candidate of science, but the most beautiful thing in this person is that he is able to blush. but how beautiful it is when a person blushes ashamed of him. this is the quality of conscience. i really appreciate in people and, of course, the price in people of humanity, do you understand? i do not like deaf feelings of people. they can't see beyond their nose. but when a person can understand everything, enter into your position. and this is the most valuable quality. i recall this show

letters, we are talking about anatoly dmitrievich papanov, and my guests are yuri vasilyev and elena papanov, friends, my man went through the war. yes, and he also had health problems e didn’t have toes, in my opinion, yes, and there was no heel, no, there are two fingers. he had an amputated overpowering. yes, pain, then this is important for the actor, but the form - the same name the spine affects everything and no one has ever known about it, that is. the most important thing is that i have worked for 11 years. i only found out after leaving that because i i have never seen that the temple is not enough, and he was already dancing everywhere. he was always moving. that is, it’s generally, it means that you need such power, willpower and a sword, so that it doesn’t show at all once he already came in a sleeping bag when he acted. yes, yes, he was told, what will you do? well, said the rector. yes , he says how you will work in general, and he came home, and the gymnast. yorke