suddenly there will be negative thoughts, and suddenly the crystal will harm there, but the first such protection is that the crystals. e right polarized. they create the right polarized field. this means that they will in no way enter into resonance with some kind of negative or destructive program. and, by the way, uh, our cell. now, if we are talking about a human body, our physical body has a minus, because we absorb food, we process it, we absorb information, we process it. well, let's get some results. hey what fruit our information processing. it already depends on the level of consciousness of the person. and so is the cell. it has, uh, physical, like the very body of the cell minus, and here is the field that surrounds us around the cell. this plus it has long been proven. i am svetlana dorogan, and we continue our conversation with vera stasif in astrology. there are such reference points that set

long-term programs. one of these very long programs is related to eclipses, which gives rise to a program for almost 19.5 years and uh, in general, there is some practical reception. well, there is someone looking at the fire at that moment, let's say someone, but in some other way symbolically reproduces the task that he would like to perform. well, i suppose that working with a crystal at the time of an eclipse, but it probably has some special level of possibilities specifically e during an eclipse, when we work with crystals. we have not conducted such studies and it would be very interesting, if you would give us information, yes, when exactly such eclipses are, not only that we have such an internet on the internet, yes, we are more in mirrors were carried out. such studies. well, if we talk about solar flares, then we see very clearly, and such a connection, yes

, and we know that during solar activity a person’s blood thickens very much. and of course, the number of strokes , heart attacks, is increased - this is like a statistics of medicine, and when the number of calls. yes , these days it's going up so here's the research, because there's a lot of research. we have passed in scientific research institutes. and if we talk in this direction, then the crystals, when investigated the water, when the water potential increased by 10. uh, very much. well, let's put it this way, yes, er, seriously, during a solar eclipse, the water that was placed on the crystal order with the potential decreased by 10-12 times. this is the first time scientists have encountered such a thing. this suggests that the use of crystals improves the rheological properties of blood, for example, how do you think a solar eclipse, after all, it also has its own matrix configuration, that is, it is very eager to bring this matrix to life within, first of the year,

and then on and on, that's why we always say, be careful in the eclipse not to say too much without thinking, because it will start to multiply and you won't be able to stop. and here's the most interesting thing, maybe you can look to measure that this eclipse is very hard, it polarizes people very seriously. and this division into different understandings of life ceases to be tolerable. yes, that is, such an aggressive environment is brewing on the one hand. i would like to understand, but how does the crystal react to this? here what information it gives out, in addition to the impact on the physical condition of a person, can be embedded there. well, let's say, well , some effect that we know and can be rotated. and instead of this aggressive environment, somehow stabilize it, you know what i understand. red er, on the one hand, i propose to participate in such studies, because we are also interested, yes, to look at this side and in the mirrors we can

experiment in this direction. but if we talk, for example, about aggressiveness, yes, when during these periods and human eclipses there are different eclipses, of course, of course, yes, there are very constructive ones. but this is a very difficult one to use. i want more here. eh, here is such a remark to make. eh, if we talk about us, what we have inherent in us is a feeling, we don’t shout a feeling, we won’t say. so there is no such release of emotions, they are calm. let it be a feeling of fear, but this feeling of fear, like an instinct, so as not to take a step, for example, there in the car or just protection, of course, of course, but these are how it seems to us that negative emotions, that is, these feelings. this is like a means of our security, but for many centuries our ancestors and we have developed it. even this one, and the psychic potential has already turned into emotions, and we know how e from generation to generation. yes

, stereotypes of behavior are transmitted, stereotypes of reaction, for example, uh, character is also transmitted, and we have already accumulated so much of this negative, and plus more. we understand that this is also fueled by some external factors yes , and a person can no longer restrain emotions like that here in the modules, there is such a program, that is, uh, we say that the elimination of this increased alien entropy, and a person when using modules. well, literally in the first days it becomes more harmonious. someone, for example, even says, if i broke into screams for scandals, then they say that i am not annoyed at all now. these people. i react completely differently, therefore, and in this case, i can say that, of course, during such a period. should when such eclipses go, yes, which affect the human psyche, if a person has a crystal with a module, then this will not manifest itself in him like that. that is, he

will react more calmly. now i have been prompted with such an idea that it seems to people that they should now, relatively speaking, think of something and reproduce it. some kind of artifact will help them, but in fact the creative processes of the potential are inside. if you have balance, and then you yourself are this artifact, of course, here, but this is an attempt to correct some events. yes, out of the blue. she can be there is resistance, therefore, probably, this inner balance and understanding of this volume of life. yes, it is probably that magic wand that allows you to be a creator without forcing some kind of crystal to do it . you are already the master of your life, what you need. do you want to develop, do you want to show your qualities which you are laid about the same and say that

when the intention is a person you must be. yes, almost the creator of the builder magician of his life. definitely. you cannot be a magician if your structure is destabilized, or let's say you observe such phenomena now? well, we understand that this world is changing and being recoded. yes, it is recoded into other forms of relationships, there are aesthetics to the art of understanding the world, and so on. yes, the matrix is ​​changing. the matrix is ​​somehow seen in the way your crystals may be noticeable. after all, they are also in resonance with those external crystals about this signal, then they tell you, and you know what we observe. here are those who use, for example, they have been working with crystals there for 5-8 years. that's it in this. a year, and in many people who are already more aligned, the crystals begin to open some kind of crystals in them. well, more than that, sensitivity,

for example, uh, some aspects of those that a person did not even expect. uh, for example, there are even moments when a person foresees the event is something that it should happen, that is, they work more intensively. yes, and a question. what else is a crystal - it's also a non-linear structure. it is dynamically developing together with man, together with the universe, that is. it is built into this common universal system. and if the person is ready. here it goes, yes, and it corresponds, then the crystal will strengthen it and its energy component, and it will support it and, as it were, move it from step to step. well, if a person has this intention, that is, if he is to this is not ready, then this will not happen, but in this environment there is some kind of competition in general, that is. are there any different views on this, either this is the unity of understanding, but in this scientific environment in your environment it is still one or

there are still some contradictions here so far no contradictions have been encountered, but if there were contradictions, when we show instrumental methods, how can this be studied? for example, we did some research. at the institute of cell biophysics. this is how our crystals work. and how do they accelerate regeneration, like oni include, for example, the functions of phagocytosis, this is the immune system. that is, no one argues about this, because it's just the obvious scientists who are already in this topic. uh-huh they say, they say, yes of course, it works. this is all true, but opposition. you feel? it's like that too. and well, a challenge to some social environment, yes, that is, so we live according to other laws. we treat each other differently. and we already have familiar things there. yes, the fashion for uh, let's say the rich to the wealthy is the equivalent of a successful life. that is now this, well, your direction here, it causes

more interest or while it is in such a prenatal state. it arouses more interest, because i, er, we ourselves are even surprised that this process began this year. it feels like many people have begun to open their minds, but there will always be some contradictions, but the world is just that way, yes, people are at different levels of development and a person, of course, perceives some information through his prism understanding resonance, as we say, then look, a reasonable question arises once we know that civilizations used crystals for their global processes there, allowing them to live there peacefully, but effectively happy, and so on. here we have some special cases of crystals that help people, maybe there is some kind of technology or some idea of ​​such a crystal that could somehow interact with our civilization and be its assistant and let's say

it right. well, i don’t know, uh, cleaners, yes, let’s just say such a negative. let it be illusory. there is such an idea. and here let's try to implement this idea. that is, i was thinking. well, of course, we just now have already reached this level. uh, when that information or idea that she needs comes, and she has a time when she should be embodied, then maybe a crystal, like an organic structure. it interacts with some more serious higher plans. yes, of course, they are wiser than our ideas and, as it were, descend here, defined there conditionally there, but the energy that allows us in some way, and not just to hear and translate into language. feel yourself, so anyway here is the question. well, just a big big question , which, perhaps, will solve some questions,

because if the past civilization, and this is known, they hid these crystals and find them not very well understood. what is it, but it works. it's just that we're not friends with organics. yes, we always go into some things, uh, there is a mechanistic current. well , because now is the time, this is nature . the time has come and information will be revealed and new technologies will be opened. moreover, not related to some kind of technogenic development, because that's what now it's actually a primitive, you know, it also has some kind of ceiling. this is consciousness capable of more. but this, uh, wilbert smith, he 's a very famous physicist, that is, well, a lot of work, uh, justified recognized and so on. well, oddly enough, he had a relationship with contacts. this is with other civilizations there, and there were strange things in general when he said that they use, for example, their mechanisms. e flights. yes, from what you would

call it astrology. this is weird. yes, sounds astrology and flights. it would seem, but i think that we are dealing with some such form of projection. we see it, like a picture, it doesn’t tell us anything, but it has a certain amount of information, and it’s alive, yes, but it’s just completely different in its source and not only informational, but also its impact, therefore , i think that we are now just facing the epoch of extremely amazing discoveries. and i think that we can somehow deal with them peacefully. i hope now is just, uh, probably, the beginning of the development of science, which called nasmerology is the interaction of our consciousness with the cosmos with informational. with space and space-time corridors , including the fact that we now have experience in mirrors with modules.

well, this is, so to speak, just the beginning, but again, it’s like some kind of barrier so that a flurry of this information is on us, but let’s say no new energy poured out, and we didn’t know what to do with it, that is, yes, yes, it’s ready for that. and why , in fact, i say all the time. right now e in the astrological field in that knowledge which it gives a huge haste, because either we come to this high technology, but being already conscious, and responsible for what we have and do, or it is impossible, otherwise, how would we contradict. the possibilities of existence are generally unambiguous, because entropy is so off scale already now. and how the anti-entropin process will turn on, only pu either, as we say, you understand, as they say in the universal meat grinder, yes, or, with the help of technology, we can at least eliminate this information

yourself to such a higher level of understanding, at least the most important consciousness, yes verona i am very grateful to you for this conversation, because it probably has some other forms of refraction. yes, not only that , we talked, everything, of course, yes, and we would like to see a progressive peaceful creative future, definitely, for all of us. i wish you that your direction develops and hmm moves optimistically and that everyone knows how important it is sometimes not only to do our own things that are very familiar to us, but also look from the outside, not happening. there was a witty podcast with you and i'm svetlana dear, and today i had vera anastasia as a guest

. this is a podcast of the creative industry and in the roman karmanov studio elena kiper and we are talking today with the great soviet and russian writer sergey lukyanenko and somewhere else they write a psychiatrist. but seriously, well , that's right, yes, former former, well, the former does not always happen big mystery how to write gives rise to such massive huge works? how is it all born? how do you do it you you how you nurture you compose? or they themselves come more honor accounts for themselves. i don't really think that here the profession of a psychiatrist is very important doctors, of course, there are many among writers and among writers. fastov too. well, there are dentists and therapists and surgeons. it doesn't interfere. uh, but actually, a medical education probably gives some kind of plus. like anyone, teach education in general. with

a systemic look at the world, and since childhood i loved science fiction and for me, as it were , the main favorite technique when i started writing was namely, to introduce some unexpected fantastic assumption into the world, and only after a single assumption appears. you can see what is happening in the world. is it possible to teach to be a fantasy? uh, it's a difficult question here. you can help me learn. you now have, uh, two projects at once. as far as i know, these are the stars over the donbass, one and another lukyanenko's workshop - it's all about young beginners. uh, unknown, uh, writers, well, who or who thinks he is a writer e according to your observations. here. e. how many people from those who were seen can actually become a writer in the future? well, the stars over the donbass, after all, not exactly my project. hey, i'm in it. it

began 5 years ago as a project of cultural assistance to the residents of donbass, because people were completely cut off from the media environment. they could not see the favorite performers of the writers, and we came to meet with the readers. they just showed that they were not forgotten. as for the hmm literary workshop. eh, it's really here. i think it's very big case. uh, writing is a very lonely job writing. for the most part, he sits at home, at the computer and writes. you know, how in the first years of soviet power, writers gave the name of a single handicraftsman without a motor. here we are, only we got a motor computer, and in order for a creative writer to somehow develop, he needs to communicate with his colleagues. if necessary, listen not only to read voices, or everything is clear there. there will be those who

will scream - this is the best book that i also read those who will shout that this is terrible graphomania, in general stop writing forever. but the opinion of colleagues who also write support for their criticism of them is very important. and for this, just e existed before. uh, all kinds of seminars where they were going to write or and young authors under the guidance of masters. like uh snow. belenkin. e, strugatsky well, there are many of our wonderful writers there. they, under the guidance of these, er, writers, studied, sort of trained. eh, they understood what was good and what was bad. this tradition has been broken long term for at least 20 years. and now we have revived it. we hosted the first such workshop in the fantastic city of korolev v near moscow and gathered 36 people from all over the country. uh, they came together,

for the first time they saw that there were the same ones nearby. e people who are completely passionate about this communicated during the week, they were engaged in parsing each other's texts. uh, the lecturers came. that is, it was such a cauldron where they boiled, and i just saw that when they left, they are still boiling, they continue to argue. uh, show each other snippets, when your hero is born you are like, uh, a psychotherapist. well, as a psychologist, but you build it up or he himself begins to live in this world, but i usually get into it. this is what is so, that is, e i come up with some kind of world some situation. uh, let's say, let's say, let's say in the world there are, uh, passages to other worlds to pass through which you can tell some interesting smart. the story is the spectrum book, that is, aliens arrived , put portals to other planets everywhere, but

in order to pass, you need to tell something interesting and smart. and here are the main characters. he has this ability. and so he travels between worlds. and accordingly , from this idea grows, as it were, a general framework, and then you start to add some there. well, as you know, that's like, uh, wind. there is such a general stained-glass window mask, and then you start filling it with, uh, multi-colored glass, and you get some kind of picture in general. at the beginning, you need to come up with some kind of this frame , this very thin grid that holds everything, and then i put multi-colored glasses there right it will be nice. i'm roman karmanov, and i'm elena kiper, we continue the conversation with sergey lukyanenko social networks really guide us now and are we able and should we,

for example, refuse them at least to some extent? i think that, of course , you need to distance yourself, because you understand, there is such a cumulative effect of the accumulation of surrounding opinions. uh, a person comes online. he has some views. he involuntarily finds like-minded people. those begin to support these views and the person very quickly becomes radicalized. here he is from a moderate position on some issue. he quickly jumps out to some completely extreme level. e that they are good, therefore, of course, you need to control yourself in the network to understand that it is a network. it also influences you now, 61. 30 million people already visit the metars and live there , well, there is good news, comrades, wait, wait, calm down , i read two days ago that the meta universe is losing popularity dramatically. uh, investors stop

investing in them and so on. people refuse they no-no. i'm sure it is it is unlikely that this scribes have paid, inferior virtuality cannot be dragged out so much, you can talk as much as you like. look, what a wonderful virtual house i have, how many rooms there are, pools and peacocks are walking, but at the same time, everyone generally understands that he is sitting on a sagging sofa, and he is building some kind of virtual palaces there and there are parts, because children are born with gadgets in their hands. for them, these universes. they are already sewn on. they know how to share. i think they can. i anyway i'm watching. uh, for your children, for their acquaintances. i have a feeling they are. the current generation is calmer and healthier about all this. eh, for our generation - this caused a little, in general, the appearance of all such conditional virtuality of the network. it

was kind of a shock. many simply ended up at a depth and began to choke for the next generation there, perhaps those born at the beginning of the 2000s, but yes. it was such a very full-fledged environment, and they splashed around in it with pleasure, and the present here it fits already somehow differentiated. i mean, uh, i've seen it many times. uh, what, uh, the children grab, let's say , some box with a board game , lay out some card figures on the floor of the table. here they play this game with no less, if not much more pleasure than all the senses will offer in some network games. i'm sorry all feelings if asked, yes. then part of the population, of course, will take advantage, but this is still very far away. how do you yourself react to the appearance of new products of various are you going to explore? what is there or so in general

to rebuild? no, well, i like something, i go and explore something, i reject something. something just understand that, well, i don't need it. there, yes, an interesting gadget, an interesting technology. then i think, well, as a matter of fact, and where i will use this wonderful gadget, specifically for me it is not needed, someone needs it. well, i'm trying to be more reasonable. but the universe of sergey lukyanenko is being launched in many formats. i would call it in the creative industries. we call the creative industry and interprets the creative er, there are films created, and from your books. and how to negotiate with you screenwriters and directors, how easy it is not for you to work with them, but for them to work with you, of course, you need to ask them. because i will now say, yes, they are a golden man, but no, in fact, i always try to be understanding. uh, especially to the director, because the director

who we take to shoot science fiction is already to some extent. well, if not a saint, then a great martyr, that is, a man who in general, he took up something very complex and very poorly worked out for us. eh, if in the west, and even in the east, this everything has already been put on the production line of science fiction films, then in our country it is just now being promoted, but it has already gone to happiness in general, and therefore i am patient, as a rule, with all the failures and some of my own initiatives by the director. e screenwriters. you know, i'm a screenwriter myself too , i, uh, write the screenplay. basically, of course, on their own bream. well, sometimes, according to strangers , i literally did it there the other day, the script didn’t my project. but i really like him at first. that's how i joined him. i hope

that it will be done, unfortunately, i can not name anything specifically. uh-huh well , how did it happen that with all the baggage of soviet science fiction. we have squandered science fiction so much, and as a result, we are forced to catch up with it now , too, when science fiction itself is most in demand in all types of creative industries, including computer games , board games, books, movies, tv shows, anything, but we had science fiction. uh , very out of touch with the western world from everything a huge layer, american english and , e, fiction. that is, thank god , stanislav lem and other masters were available there, but not all of them, and accordingly, when it flooded in the nineties, a huge flood flooded. the amount of good and bad fiction. e readers. in general, i choked on it. he began to read actively our western authors for a while, abandoned ours for floundering. uh, many

began to simply imitate, take some samples well, when worthy samples and try to work in this vein, that is, it was such a hefty sag. eh, in 2000 the situation improved a little, firstly, our reader returned. he realized that far from everything that is written. it's good there. it turned out that after all, like everywhere else, 90% is rubbish. uh , and, accordingly, began to look at our authors, who still write about our people . in our reality, i realized that this is also interesting. that's somewhere in the thousands there since 2005, maybe a year. in my opinion, there is such a definite revival of our fiction. her rise, uh, i think she's second in the world is firmly occupied. and how ready are you for young filmmakers, creators , directors, to come and ask to film.

here, uh, try to screen it. and your e books, that is, or parts or let's say, well, something that they define for themselves. what can they take on? uh, it's a whole story, intellectual property licenses, agree to get in somehow. well, look, there are several options. first, there is. eh, such a concept when a non- commercial project is being done. it is often students in gate, for example, the graduates are filming a short film. they usually turn to me asking permission. i say good shot. well, sometimes i say, okay, pay one ruble. i mean, that's a possibility too. yes? well, that is, it's not an exclusive thing. this is precisely the opportunity. e people to work out to work. sometimes it works out well. sometimes not really, but something turns out there are situations a little different. here i

have. uh, roman's autumn visits and i love him very much. he is so old, he is already 30 years old. and i offered him repeatedly for film adaptation, no one took him, although he is very simple for film adaptation, he is so serious and heavy, and apparently this somehow scared everyone away. e to me in vladivostok four years ago. uh, two young people came up. uh, vladivostok uh, cinematographer. eh, they say sergei vasilyevich we would very much like to take it off. i say guys. here no one is taken, everyone is afraid. i will give you. just show what you can do. they say okay. we will show, a year has passed. i ended up in vladivostok again, they came to me ran up with a laptop open and show they filmed two scenes. e, from the book, i look, i think, opa somehow turned out and i play everyone well, and so on, it turned out they attracted local vladivostok actors with fresh

faces that were not worn out, who played in general absolutely on a public initiative, so to speak, on their own and that is, they played for nothing and played after hours, i look everything is not bad. i say guys okay. here you pay one ruble. they, in my opinion, did not have a ruble with them and found some food no no contract signed normally. they found a chinese coin. yuan, paid one yuan. but yes, they filmed they filmed eight-episode series. now post-production is underway, according to the mind, 6 episodes out of eight have already been shoveled there for the second time for the last time. there, everything there was sharply squeezed under, cut down, recorded music. there are good effects. there is a wonderful game, it turned out to be a normal eight-episode fantasy series. how do you feel about the discussion that we do not have good scripts. we don't have good lyrics. we have there are no good writers, we have nothing and

films. we don't have good ones either. no, we say, so here it is necessary to divide. we have a lot of good fantasy. we have a lot of good stories we have, er, after all. uh, a lot of things, but we really have a problem with the writers. the only thing i can say is that it's a problem. in fact, it's happening all over the world right now. uh, i think a lot of the problem is because movies are now produced by producers. eh, on the one hand. this is understandable, the producer gives money. he doesn't want to take risks. uh, on the other hand, the screenwriter wrote the text of the script, like everyone says, well, then the producer comes, says, yes, everything is fine. just now, you know , add a girl here. here is the fight. and then put the corpse. well the screenwriter is starting to pry on himself. curls adds that girl then the fight is over. then the director comes and says, no, we need to redo it a little. you know, in such and such a film it was

very good and adds something else and as a result appears. as a result, a film that was not shot according to the script was written. well, the writers but it’s just such a prefabricated attraction, i’m in one scenario, when i was very tormented, i say, and here you need some kind of bright unusual spectacle, and the action took place in a medieval city. and i wrote saying in the background there is a large procession of dwarfs, some swallowers, juggling with multi-colored maces at a party. eh, the great soviet science fiction writer and russia yes, now i was already watching the american tv series, so somehow, uh, and there was such a plot. hey, the man who thinks that he is talented or not, talented he has the ability to eat a pill. and if he really talented talent is revealed, he begins to write from the side of strength. and if not, the talented one turns into vampires into zombies. in general, he starts walking and

eating people. here, at the dawn of your activities. eh, when did you realize that a pill is possible? in general, eat already, but in fact the writer, even when he wrote his first story. he must be generally sure that he is a genius, at least potentially. eh, here without it you can't do this job without it, because you look on the shelf of bookstores and you feel bad. and you think what am i doing and why am i writing something else? he has already written a lot, but in a good way, probably, it was a book atomic dream. i have such an old, old, completely written, in my opinion, 20 years old story. and when i wrote it, i suddenly realized that it was more or less good. i realized that i was succeeding and somehow noted this for myself. so joyfully, and then there were several more of these works. there were these autumn visits,

after which i realized that i had written a good novel and there were spectrum and several more books, that is, every time. so, at a certain stage, you write a book and think. well done, i took some top for myself and you can eat the pill again. and now young people ask you how to earn money , but they ask, of course, they ask, because this is a scheme when a person works all day and sits and writes something in the evening. well , she's still young. maybe e ride. and when a person is already 30-40 years old, then in the evening i still want to relax a little, and not do a second job of writing. this is also work. now i just advise everyone to go and engage in electronic publications, because young people now love this reading format, like reading from a tablet from

a phone, and so on, there are a lot of sites where authors are. that's how they exhibit and uh, people pay there. well, a person announces a subscription, says, here i am writing a novel right there, read three chapters for free. if you like it, there for 50 rubles. you will read until end there or at the table, who evaluates their work as a result, and as a result, some authors become super popular earn big, really big money, but there is another danger here, because he is a reader, uh, a person who wants to get what he already liked all the time. and so the young author, he wrote his novel, everyone there screamed. wow man. suddenly earned him 20 years there. he wrote a book and earned there in a couple of months more than his dad earns in a year. his eyes are on fire. he screams. now i will write a new book, the reader, screams. no, we like that one, write a sequel to the person already. strictly speaking, there are no ideas for a continuation, but it is necessary. he

sits down to write a second book. so now i 'll write a new no. he writes a third after which they say to themselves. no, i'll write a new one. i’m a writer, he writes a completely new story and all his faithful readers say fu is not at all what we wanted and he sees that he is in a financial failure and as a result a person begins to earn a young author, but he has to work. that's purely by order of the public. you always write what you feel like what torments you almost always i tried a couple of times, uh work. let's just say it's on order. uh, usually. it was connected with some kind of computer games, that is, people create a computer game, it is interesting and they have an idea. but if a famous writer writes e a novel about our computer game, then it will become even more popular. yes, it basically works. uh, but when you write such a novel,

to order, you've been convinced motivated. you you sit and write, but you feel that you are in general still doing? uh, not what he wanted, this is a very unpleasant feeling. i've uh written books like this a couple of times. um, well, i don't really want to repeat ty in foreign territories with our films and our meanings with our books. as far as this is also necessary and there is something, well, it seems to me that there is something i can say, let's say about myself. i don’t know now, i think they will publish much less in europe, eh, but in fact they are publishing now and there is still a proposal and everything is very actively going on east. uh, there is a lot of interest in china. there is an interest in our culture. in general, it has traditionally been preserved. and you can go there , you have to go. i'm getting out. there's now book

after book in china. yeah, well, now we're doing box office sales, speaking of movies. uh, our uh, very high right now, literally these two months of releases from okay. i mean, slopes, so far box office. but we have good news. uh, the next new year, apparently, will still, uh, be accompanied by an exit. uh, a lot of premier and lies is called. i think, i think, yes, i think, yes, i say again, i serve on my own in terms of the number of projects in which i am directly or indirectly involved. uh, projects price, well, film projects, television scripts, sale of book rights. i see that we are very active here. now here is a spread of e on their authors and on domestic production. well, it seems to me that it is going even faster than many expected a year

ago. here he goes very fast and he goes. that's the good thing, it goes without centralized instructions. top, how we are all used to saying that we need to be told from above to quickly develop our own computer, there and so on. uh, it turned out that in the movie industry industry. in general, people themselves , without a team, begin to develop and launch projects on this positive note. it's time for us to wrap up the creative industry podcast. and how i would like to talk more, we had a good talk. yes, we were visiting. uh, science fiction writer sergei lukyanenko dear friends. see you again. thank you