yes, of course, alexander rodchenko. and i cover - this is also from several images. or is it a legend? here, after all, there is only one shooting , although modern artists use this image, because it’s really very bright uh-huh, but in various variations, so this is also such an interesting story with a sequel. well, mayakovsky connects, as it were, such poles on the one hand, he is still, loving, vulnerable . this is exactly how yuri korpchievsky krepchevsky rediscovered. says he's a mistaken hero dostoevsky is so exactly a powerful , large, loud-voiced and vulnerable person, like a child. it's very accurate. well, it’s interesting, for example, the recollection of korney ivanovich chukovsky , who says that when i first read meikovsky, i saw only his texts were not yet familiar with him. it seemed to me that he was so small, fragile, it turned out that he was the same as himself, tchaikovsky. they are very tall, but mayakovsky

still communicates with the powerful of this world, for example, here in one of the photographs he is depicted on with in the company of the people's commissar of enlightenment anatoly vasilyevich lunacharsky who come out of uh, administrative building uh, where u decided the fate of uh mayakovsky’s cinema, and lunacharsky yes, he makes such an order, and mayakovsky appears for the first soviet play mystery about this, too, it must be said that mayakovsky is an amazing playwright mystery buff and hmm yes, theater world honda meyerhold, again avangard again an alternative , my beloved moscow found the theater. i just found a director. i would say, of course , but it is interesting that, for example, the mysteries of the boof first enter the scene in the role of a lesser age. grilyinsky, which we all, well, many,

probably, and others know from soviet films, but for the first time they started talking about him. eh, after the mystery buff, you can clearly trace when the twenties end , there it was at first a bug, when the triumph is the twenty-ninth. yes, about a year . well, the end is over. yes, the twenties danya is already writing there yuri olesha writes that there was no worst failure times have changed. yes, you want to say that, of course, perception changed, that is, at one time, satire seems to be absolutely there, uh, well, toothy, understandable and and fun party. where half are about neighbors, and in the other, everything seems to be fine. you are no longer perceived. it also depends on time. it depends, of course, on the expressive means, because it seems to me that mayakovsky is very difficult to put on stage. now let's get back to the social order and give us something about ivan kozyrev. yes, and ivanovich, please, ivan

kozyrev, the pilot of the universe, to a new apartment. i am a proletarian to explain myself too much lived, as a mother gave birth. and now my housing cooperative gives me an apartment. here is the width height in ventilated lit and warmed. everything is fine, but most of all i liked it that it was whiter than moonlight, more convenient than the promised land - yes, what can i say about it? this is bathroom tap water, extremely cold tap, you can’t touch the other hand. you can wash the crest cold, hot backwater. on one tap it is written hold on the screen in the other you will come, you want to hang yourself tired beggars do not please any tea, bubbling, and the seagull and

the shoulder and the dead will burst out laughing from this shoulder tickling. as if he came to socialism to visit from pleasure grabs their trousers on a hook. blouse on carnations soap in hand and plop you sit down and wash yourself for a long, long time with a word. you sit while hunting. it's just that it's summer in the room and the volga is just gone, fish and steamboats. though the dirt on you ten years of experience with you bark. from a tree. the soot almost disappears, the bitch is washed away and you’ll get hot, you’ll get fried, then turn the handles and drops. the decline will stroke the vols, it will pat its ears and flow along the gutter between the shoulder blades into the water, you will wash off the wet little bodies to towels, like a furry beast, to

dry heels, the floor is creeping. i apologize for the cork expression. having seen themselves in the mirror, set in a shirt, i wet clean power and i think it’s very correct that our soviet power, mayakovsky’s beautiful poems , just pleased everything that appeared new, but here we see a direct detailed description of a really bath and a cold faucet. it was also my cow's dream. this, for example, is the only thing he buys in his apartment in henryk's lane. he deliberately makes redevelopment so that there is a bath and we see, this is a dream that comes true even before he buys renault abroad, but we will talk about this a little ahead, and now we will mention the very famous moment about the appearance of mayakovsky as the first poet, when you are boris

pasternak in the famous poem dedicated to boris belk. he talked about the fact that the vacancy of the poet was left in vain. it's cool, if not empty, well, that is, the soviet culture has already been built in the thirties. so each area had its own sample. here in the literature. eh, this vacancy of the poet remained, and pasternak was free for some time from this vacancy, fled to peredelkino, as you know, and mayakovsky already posthumously received this vacancy. yes , it seems to me that this is also his tragedy. yes, because, again, in this cult, and also pasternak, they began to plant mayakovsky, like potatoes under catherine, it was his second death, in which he will not obey, a letter that is stored in the mayakovsky museum , uh, that we are cats, but it was left the best talented fifth year later. uh,

five years. after after his death. well , we will not speak out loud about death. we understand that this april. stump everything came together and uh, here is such a tragic silent exhibition of 20 years of work and uh, the relationship with veronica vitolievna strip is also like a key phrase, but, which in general for me, for example, explains everything, that is, this story situation, when in his suicide letter, he will write my exits. no, he won't write, i have no choice. yes, he will write in the plural, because that it seems to me that he was looking for these outlets, but he did not find years for himself, as many people think and are supposed to be for a russian poet. yes, let's not focus on this too delicate topic, but here, too, came together personal public. eh, this is a very important point, of course, mayakovsky did 20 years of work, and with great enthusiasm he attracted young people. and this is

true for its time, again, and it is still the first performance. i think it's actually he acts as an expositionist. he builds very talented. uh exhibition. not only presents the material, he presents the stories, but most importantly, he says, touch. take it. yes, it's so unusual. well, perhaps this is such an ideal literary exhibition. and when you can read e take e, immerse yourself in the text, and what mayakovsky just did at this exhibition, that is, in general, communication with the viewer. for him, it was always very important to write a note, which was also beautifully devoted. eh completes folds into envelopes by topic. yes there, but speeches and uh, there is a completely different image mayakovsky when you look at these notes ending the conversation. i will probably assume that everything, false superficial artificial tendentious eventually gets. yes,

this infinite living naked soul fades into the background. talent sincerity and focus on young people who understand mayakovsky and we hope will understand and in the future, because 130 years is not the limit. i am walking beautiful 22-year-old mayakovsky is walking among us no less beautiful, even more beautiful 130-year-old and all of us and marina krasnova and anton buglak and i dmitry we are sure that mayakovsky is doomed to a long fate and his image and fate , his picturesque theatrical works and, most importantly , his books, his text, therefore, as always, at the end of our programs, i tell our interlocutors to read with pleasure.

hello this is a podcast by fire and i am its host denis gorelov with a story about the main domestic syrian premieres of the month, as well as some super-important cinema premieres, which are seriously a worthy conversation as the first number of our program. eh, of course is the series of the actress, which it was high time to cover, but we kept pulling because of the holiday season, and the film was directed by fyodor sergeevich bondarchuk, and benenerchuk rarely shoots. maybe that's why the label. well, he always said in his interviews that he loves money, but they prefer to earn money by their production or acting work. and when the sura is taken for a resource, then he gives all the best, and yet the series tries to make some serious statement. he didn't shoot for a long time. uh, kept in time

offended already, many of his colleagues, but in the end, and he until his well-known wife. paulina wrote the script for psycho. uh, many people remember this wonderful series with konstantin yuryevich bogomolov and oleg evgenievich menshikov . i am in the text in the komsomol. honestly said that this is not her most likely job. uh, most likely, fyodor sergeevich hired literary blacks as a gift to his wife. since i'm not inclined to letter, but the next people said that it was her who only works for her. and this season she has already written the second script. uh, actress script. and we can say with all responsibility that, in addition to e, an extremely expressive actress. we also have a virtuoso screenwriter andrew paulina, and according to

the plot of the e trise, a friend performed by elena nikolaeva polina cannon hand and svetlana khodchenkova compete among themselves for e. quite difficult and personal tragedies and all that stuff live through the approval for some roles, however, uh, it’s clear that everyone domestic tragedies, but the breakup of a family, the alienation of a child, the death of a colleague, in general, are quite peripheral for them, as well as for any of their colleagues, and the main most cruel and heart-rending tragedies are not approval for the role, not an invitation to audition. uh, exit from a stage form due to age. well, the intrigues of colleagues, uh, who want to get around the heroines at the turn, and in the film it is the virtuoso director that is clearly visible. and in particular, for example, the episode

when hmm the hero. the first series, e alexei makarova some big bouquets of flowers, and this episode rhymes with the previous one with his performance, uh, the role of zil in duck hunting, where friends, uh, jokers send to the hero. uh, the ball is a big funeral wreath, i sign that, in general, he is already a living corpse and there is nothing to talk about with him, and i must say that uh hmm, not an old man with a bouquet of flowers, especially those given to him, e looks like a corpse in a coffin, and therefore the artist understands this quite quickly and begins to give bouquets to his former mistresses and from the production costume workshops, what are you speaks even more disgustingly, because the mistress perfectly understands that, uh, where did these bouquets come from, that they were not worth it. e beneficiary is not a penny, a rhyme. in general

, quite readable and very effective speaks even more about the skill of the screenwriter and director. uh, the timing of each episode. the thing is, there are usually some serious dramatic statements in our series. uh, they are 42-48 minutes long per episode, and 25-30 minutes go. uh, hmm, horror sitcoms like that, genre scumbags. so, uh, fedor sergeevich breaks down the tragedy heroes into 32 minute episodes. uh, i sign this way, it's really a tragedy. although i have them and even though they get their very hearts, they are, in general, like pushkin’s little, so narrow, and, accordingly , he ends each series of e with a carbolette. and hmm, with such an inserted very bright musical number,

the musical is the most conditional, the most artificial genre. the autograph was noticed by lars von trier, dancing in the dark, uh, and here, in fact, the artificiality of the profession and some demonic nature is emphasized by rhythmic dance, either waiters, or, uh, hmm, all sorts of black demons, uh, or unclaimed applicants for acting roles who are ready to kill anyone in order to be in demand . tris of theatre. well, really the same corps de ballet that with its m-m mechanical plasticity and fake

smiles. it only emphasizes a certain nature of acting in the picture of e. in addition, they are pedaling that all the biggest meanness, all the most, indecent setups of the heroine are done against each other solely for the sake of, but kymonographic absolute bullshit. but the fact is that , in the film, inside the series, a film is being shot called nerves films, with such a name they cannot be good, by definition , i vouch, and in it the actresses are looking for vacancies in the monstrous sticky production of three penny opera, brecht by the hands of a french director, a guest worker, some kind of children's matinees are playing there. even duck hunting. ah, great play. vampila, played very badly and badly. uh, obviously on the instructions of the director

before the performance, alexei makarov rushes around the stage. e in the uh theater is kind to everyone, uh with the workshops with the orchestra, with absolutely anyone , and right on the stage it becomes absolutely wooden. uh, a good artist is tasked with playing badly. and all this shows that uh all uh, deprivation all uh, hmm competitive. ah, confrontation. e , experienced by heroes and heroines solely for the sake of nonsense, there was a conversation that uh hmm the scenario was even more fierce, but kot leopold fedor sergeevich, with his tendency to smooth the corners, smoothed these out. eh, still a little. e, hmm, a serious and ferocious message combed and if, er, the picture that appeared on the screen is still a lite version, then it’s even

scary to imagine everything that was in the original, but in any case, this is a very bright statement. the general public e accepted it quite biasedly, that is, watch watched, but the network is very many wrote. uh, appealing like trissa khodchenkova in the first place, what were we thinking? here you are, but it turned out that these bastards are not such a game at all. and you're ashamed and we don't love you anymore. well, the general public really always suspects that an actor cannot be scoundrels when directors will tell anyone in the ear that no other who speaks scoundrels. they cannot exist in real life. this is, of course, an exaggeration of the exception i am aware of, but in general, uh, the profession is enough vile, and what all the characters speak directly about, and the screenwriter and director know the profession firsthand

, they know it from their own experience . oh, uh dramatic and, frankly, a rather dastardly profession is the next item on our review, as the feature film nuremberg is not a tv series. uh, hmm theatrical premiere, which uh. in general, it is worth talking above all to the force. uh, some rethinking, uh of our and the world's past during the current era of confrontation, and all this, of course, uh, the situation requires not film studies. and historical. this is a podcast by gary and fire and i, its host denis, burned down with the story, and the most important premieres of the syrian summer and the most important cinema screenings, and the worthwhile conversational tribunal, which for many decades

has been served as an absolute triumph of justice with us or not? uh, wwii and wwii in general was truly a triumph for manglo-american justice with their own show they we were admitted as, but one of the acting parties. ah, the two least affected countries during world war ii organized everything that happened. uh, hmm , russia had to play by their rules back then, because two-thirds of germany was occupied by anglo-american troops and, uh, all nazi criminals tried to surrender to them. e. we just didn’t have another way out in search. at least some hmm universal justice. our side of the prosecution was forced to work according to their rules. and we are in this situation indeed, they snatched their piece

of justice, some of the defendants were brought under the eyelet precisely by force. the accusers from russia of rudenko’s novel, for example, in the west still no one knows why they were executed, e. keita’s generals were yodel, and whether they were executed it was precisely because one was the chief of the general staff of the other, e., commander, a united group, e . bastards, the germans did absolutely everything they wanted to us on the territory, not constrained by any military prosecutor's offices. for which, in fact, these generals were eliminated, but , nevertheless, the speech of goering became the main intriguing tribunal, and which today is by and large unreadable at the time of the publication

of the transcript, of course, it was now censored on the net. some go. mm messy snippets goering uh actually turned his speech into not something like georgy dimitrov's speech at the trial, papa jogu reichstan. he said that the court does not recognize any legitimacy, that the third reich did not commit a single crime that would not have been committed in different years by the victorious countries, therefore, from the point of view of higher justice, there is no hmm right to judge, uh, nazism. e, u. e. hmm, these countries did not exist, and gelin said that this was the trial of the winners. he does not recognize him. accepted right away. i. uh , depriving even the possibility of executing him is now frankly overdue, uh, rethinking. this event of this tribunal, to which we have given an aura for more than half a century

legitimacy. unfortunately, nikolai lebedev tuf uh, somehow anew. eh, hmm, it's more effective to orchestrate the old world, but uh , it's not categorically ready to change it, his film legend number 17 remembers everything, but also the types of shores of established myths and established ideas. he didn't, and uh, it would be strange to expect from him, maybe, uh, the movie started too early. i think that after february 22 there would be some serious changes in it, and according to the plot, the hero is a translator performed by sergey kimpo, a is looking for his own in the american occupation zone older brother, but finds a guest worker girl, our citizen, performed by love aksyonova in a raspberry beret. and hmm the presence of any full pleases everyone, and in

recent years with several brilliant performances. on actually moved into itself in the number of the minimum number of stars of the highest level. moreover, what is important, uh star, she is the consensus, uh, to all even the most ferocious grumblers who hate all the bondarchuks, all the mikhalkovs and all the armless soviet screen. eh, everyone. they still do not raise their tongues to say at least one bad a word against lyubov aksyonov, in which i absolutely agree with the general public, really the sweetest actress and really capable of saving any bullshit. though even serials live life, a lastore develops against the backdrop of a tribunal, along the way, and not finished off. uh, fascist revanchists are trying to paint. uh, the defendants, not to give them m-m. here is the judgment

of the wicked, and to prevent. arranges three proud battles in the american zone , a terrible fight is going on, all this is pretty bright, but still they don’t pedal the main theme, which is long overdue to be said that nazism was, uh, just an extreme manifestation. e faiths of the golden billions their exclusive right to the world. e that the nazis were judged not for some foundation, but for too much zeal in the execution of these ideas. and if at least a little bit of a year, another wait, it is possible, e defendant, would be able to get off with insignificant terms, frankly speaking. eh, no crimes in the east already today e seem to western man , eh, some serious sin. so sooner or later they will begin to kiss, which

he predicted. at one time, 10 years ago , karen georgievich shakhnazarov in the film the white tiger, because can anything be worse than us russians, of course not, the next number. we are a series of a closed level, and a movie about how the majors are, uh, gamers and hmm, some kind of unbridled company, but captures the game center at night, and nightmares the watchman, uh, with all sorts of his rights, for the benefit of the main major. the son of the mistress of this very same site, and putting on helmets goes to play tested, and the game simulator e.

hmm, the actions of our intelligence in the occupied gomelchen forty-second year, our society still remains traditionalist and because of this, plots about the re-education of the majors e are incredibly popular, by immersion in some fierce spartan conditions, everyone remembers, the great success in the films is a serf, uh, everyone remembers, but mm remains. uh, one of the first, uh, super-successful premieres of our theatrical release, the last heroes, and all its sequels. and the pictures went very well novice and the monastery series even got to the point that this genre even acquired its own hero. the artist viktor horenyak has such a radiant arrogance of a giant man that he fits perfectly under the image of a non-evil , but extremely egocentric major who enters the picture changes his ideas under the influence of surrounding circumstances in the series, the closed level of crap, of course, does not

play. but uh, that's exactly what the story is about. plus, uh, the genre. uh, hmm fight with the majors. it is also superimposed on uh, classic uh, more the old soviet canon of sending the pioneers of our time to the great patriotic war , somewhere in the forty-second year , a large number of monstrous films were shot about it, such as the brave five. uh, younger people remember, we're from the future, uh hmm, the original scenario. there , it was completely unnecessary to rewrite it by three teams of scriptwriters, more or less they brought the feeling, but over time. e hmm frank popularity among the broad masses of the people led to the fact that for this topic to start up a rather artificial topic of hitmen. even if serious people took part in the patriotic war, and the scriptwriter and director of the closed level is anton rozenberg a hmm according to the plot, the heroes get into the form

of the soviet intelligence group in the mentioned forty -second year, hmmm to leave the game. they can only e by carrying out the planned. uh, the explosion of that same bridge to blow up bridges. they , like all current majors, do not know how, but they will learn right on the spot. ah, but at this moment , uh, the cunning rosenberg introduces the most powerful one , namely, that the introductory one which turns everything expected upside down. the fact is that one one of the developers of the game has been sharpening a tooth on the heroes for a long time and uh, some time ago he leaked the codes and entrances to the game uh west german prison. uh, in which there is a very strong neo-nazi group, which in turn, uh, is happy to put on helmets and play a game of safari in the hunt

in the sky of man in 1942. eventually. uh, four hero boys and a young lady collide inside. hmm this simulator is not with virtual bots, but with a real adult well-armed german fascist bastard, uh, they shoot in the game seriously, any hit on the heroes of the forty-second year ends with the fact that he is sitting in a gaming chair. the helmeted character suddenly, uh, starts twitching on his chest. he reveals a bloody stain, and he gives his soul to god, the owners of the site who came in the morning, including the mother of the protagonist. uh, they can't do anything, because, and there are only five gaming chairs, and turning off the game means completely knocking out the brains of all those who play,

and hmm, sending someone else is quite difficult, because, firstly, a large number of people who want to climb into the forty-second year under a bullet, let's just say no secondly, uh , there are only five slots. one thing is true, the girl was released, as she likes to say in these circles, for the minus of the accident, the hostess of the site goes forty, the second year of the grandfather of the protagonist, already paralyzed for 83 years. true, according to the rules of the game. he can move into his own body forty-two. and finally fulfill your innermost dream and fill the face of the beam. and what is going on there? uh, a young grandfather and a young grandson swear a lot among themselves, and spoiled children, suddenly they learn that it is still necessary to set up guards at the halt, that rolls do not grow on trees. and what kind of potatoes stolen by peasants can be got with a rag in the face, and well, there are many

other specific details, for example, that when firing at the machine guns , the barrel is very strongly lifted up, and in general to speak. e. oh, any kind of acting and directorial decisions in such conditions is impossible, because absolutely the entire plot is determined by the author's arbitrariness, as the screenwriter does, so it will turn he can go in any direction. and, even more so, uh, when the writers and the director are one and the same person. uh, in general, hmm, the fight is terrible , the heroes are forced to solve some moral dilemmas to pull grandfather out from under the fire, zaruba is completely desperate and in the end. uh , re-education reaches the peak, and the hero delivers a speech completely equivalent to the words of foreman vaskov from the film the dawns here are quiet, namely, comrade enemy fighters with the forces of two-platoon armed

teeth. germans. moving in our direction there is no neighbor. we have no right or left to count on anyone, because behind us is not even the abstract motherland of the forty-second year, but living people, namely e. old men and children are entreprise artists who were recruited by hmm by the participants of this very game and who are now being attacked by the german fascist invaders and in any case they should be defended, because anyway they won’t let them out of the game without victory and without blowing up the bridge. everything generally ends well, er, except for some lost people. oh well enough effective phrase. when someone from the hero is asked, how did he learn? maxim charge? he says, he watched the videos, so the new time to watch the new introductory videos and the majors will be of great use in business. with fire and i, its presenter denis

was on fire with a story about the most important premieres of the serial summer and the most important cinema screenings. uh, worth talking about, the next uh, the number of the program is the baby tour series uh, a movie about how, uh, the village of fools decided to multiply and about an american, the topic is quite familiar to our people since the time of the governors stand -up comedian mikhail evdokimov and to this the hero of the picture, performed by the wonderful artist kryuchkov, would say about being transferred yes, but pindos - his wife, performed by anna kotova, would say to the former pregnant woman. but what now? but santa barbara methods of appendosing, but there were inventions not by us and long before us. the fact is that the fourteenth amendment of the us constitution clearly certifies

that every child born in the united states automatically becomes a us citizen and after 21 years reaching the age of majority on e, his mother can apply for citizenship, and 21 years, of course, is a serious period, but as they say, more patience. ah, four residents of the village of livni, which some witty people immediately renamed tusks and make the decision to get pregnant together collects money, and get an american visa and give birth in america. what, in general, we do throughout the series money. uh, they are not collected by labor through theft, eggs, local poultry farms, as well as the production of garage vodka from inflamed alcohol. true, after all, the body, but at the same time they do not burrow. e track of any alcohol.