let's maybe read maybe the most , uh, one of the most famous poems, brilliant, i'm not afraid of this word. could . yes, of course, i mean, and you could . i immediately smeared the map of everyday life, splashing paint from a glass. i showed on a dish of jelly the oblique cheekbones of the ocean on the scales of a tin fish. i read the tongues of new lips. and you? nocturne could play on the flute of the drainpipes short, genius poem what's here? the main thing is that the artist reports his brains to the canvas. yes, here he smeared the map of everyday life, which your jackson shelves, yes, which splashes paint, but such an absolute avant-garde artist , that's why the nocturne is not played on e, flutes. i, a. she drainpipes. this is what

futurism is. yes, that's to play on e, all my life, yes, unconditionality express yourself the sea. here, it seems to me, is another moment. eh, of course, the fact that mayakovsky is an absolute ubanist and in his early poems, just the city appears as a living organism, therefore the flute of the drainpipes. therefore, the lantern takes off, uh, black stocking. yes, and it is part of this city. and uh that is why in verse he perceives him as such a dear person, not just as, uh, some kind of architecture. and as a living absolutely living person, the second nature. you correctly said the word urbanism, the city is not the enemy of nature. and this is a new nature in which modern man lives, therefore, by the way, in the famous phrase from e, a slap in the face to the public taste of the manifesto, e, which has

four authors, including mayakovsky, there is a phrase let's throw pushkin tolstoy and dostoevsky from the steamers of our time. it is very important. eh, mayakovsky lives in the city and in the city he experiences very vivid feelings. eh he loves about it. we will talk more than once, and maybe anton you will read a fragment from his wonderful poem in 15-15, which was published in the fourteenth was written. and the cloud in my pants could not recognize me now . a sinewy hulk groans, writhing, that such a lump might want, but a lot of lumps . after all, it doesn’t matter for yourself, and the fact that bronze and the fact that the heart of the cold iron at night wants its ringing. hide in the soft in the feminine and here is a huge hunched over in the window

i melt window glass with my forehead. will there be love or not? what is the big one? or a tiny amazing text, we know that all this is connected with maria denisova i will come at four , maria said 8, 9 10 andrey sinyavsky , the most famous russian literary critic , the consequences of an emigrant and a very great connoisseur of russian literature. i remember he counted the passage from the cloud in his pants so that the watchmen began to avoid him, thinking that something had happened. he said, so i will come, at four she said, mary eight nine. this is amazing sincerity. clouds in your pants understand. is it rebellion or just sincerity. there are also slogans down with your art. down with your love. yes, the main thing here is love or

protest. that's what's important, but, it seems to me, one does not separate the other my cats do not separate, and love for him is and, at the same time, a revolution and and i think, not by chance later. he will write that love is the heart of everything, poems and deeds and everything else unfold from him, this is an absolutely key concept for him . that is why he writes equally passionately about the country and about women and about the revolution this a little bit later, because of course we have to come up. here to this screen to this filter, yes, which between us and the text mayakovsky tribune of the revolution and so on, this is a little later. and now we will talk about one more side. here is creativity. you said that he is an artist and a professional artist who is specially studying to be an artist and in

the future he will be famous for his uh, graphic works, windows of growth, but there is also mayakovsky in the cinema. let's not forget about it. these are the very first years of the domestic. yes it is yes certainly. he could not get around everything that was new unconditional he was interested. and of course, he wanted to be everywhere, but the first, and cinema - this is about the same as a podcast now, right? or public, yes, or block, well, in fact. yes, of course, he wanted to be heard. and as many people as possible, so that you can see as many people as possible a and cinema in this regard, of course, a was, er, thus, a a springboard from which it was possible to speak with the world. not just with some small audience, but with the world, and well, here, of course, there are still moments that a lilya brik, uh, to mention, of course, act in

films and especially for her, for example, mayakovsky wrote the script for the film chained films. let's talk about a film not for money, born not for money, born lily we'll talk more, of course. here, uh, just uh frame from this film and well, the well-known fact that uh script is built on the model of jack london's novel martin eden where a person dreams of accomplishments, but only this is soviet martin eden, his last name is ivanov , only broken in half ivan new yes, and here er, mayakovsky also plays a role in this film. moreover, it is known that he seems to be even dissatisfied with the screenwriter or director. he well , he, of course, all the films in which he acts, he still participates in the description of the script. and in general, even always interacts with the director.

this is also such a feature of anton, as if they looked, if they win some kind of role and are busy with several well-known performances, uh, and addresses of satire and suddenly cross some boundaries and start pointing out. whole hand, like act. actually, if we talk about dramaturgy, for example, and it has always been a common thing when ostrovsky in the maly theater or chekhov and before the director's theater ostrovsky well, after all, they could work now. and bulgakov, too, they worked, here and now, and went from the artist to the director. uh, so to speak , questions in the form of mm remarks. but as it is said, but, in principle, this is normal and synthesis. well, okay. well, there is still one exception. well, bylkov was an actor from time to time, but not chekhov, not ostrovsky saint , they were not actors. they gave. well, the googol once upon a time, yes, it was a matter of instruction by the actor who will play the auditor, but the mayakovskys are all

this business right from the inside. yes, of course, but , in fact, mayakovsky still remained in meikovsky. and no matter what role he played for himself, and still he stood up as a difficult to separate. e him here to walk, in fact played himself brick e, famous. eh, the heroine of the fate of mayakovsky mayakovsky lilia yuryevna brik, born kogan a hmm , who was probably mayakovsky's deepest affection throughout life. but this was written right for her. yes, he writes especially for her, and of course, he is removed. yes, to play along with her, to play along with her, and my cat is playing. ah, the artist. she plays a girl who has descended from a scientific poster, yes, again, modernity, that is

, a computer reality that passes into life, and moreover, and mayakovsky was going to write a sequel, unfortunately, this story did not work out. and so it would be, in general, like modern films , the first part, the second part, that is, in this he too, but he stepped over time, in general, he largely steps over seconds for a bicycle. the movie, how long it was. well, uh, how familiar it would be to modern viewers. well, in fact , a small piece of this film has been preserved, but completely, that is, the film has not been preserved. well, these ordinary films were young ladies, hooligans goes on for 40 minutes, for example, nothing new for a man. yes, not my film, but already the funeral is quite voluminous and lengthy, but the most important thing is that here, uh, some other uh , there was such a government moment, yes, because

that according to the film uh hmm a lady who is shackled to the film, and then they said in the feminine gender of the film she is therefore not a mistake. she then goes back to the cinema there is the plane of the screen. well, hilili yurna, and hmm didn’t belong entirely to mayakovsky, you can probably say so, yes, yes, but again, it’s also interesting, in general, everything that concerns cinema, but because he wasn’t born for money. this is also about the poet ivan nov and, in fact, too. uh, in some way there is some kind of prophetic story, yes , which they took place in exactly the same way death. e mayakovsky in a young lady and a hooligan, when he is killed, oh, but this is such a bright death at all, and then you already endure. it's in some other plane, when you look, it's in the cinema now. well, what about our

literary podcast? let them not speak, let them read. today i am presenter dmitry bug talking with marina krasva about an employee of the state museum of russian literature named after vladimir ivanovich dal , a specialist in mayakovsky’s work and with the actor of the satire theater anton buglak. i remember the book by yuri korpchievsky ussr the article of the resurrection of mayakovsky who also repeated. unfortunately his fate is yuri korpchievsky. uh, for the first time, perhaps, in the late eighties. yes, it was the first time i looked at mayakovsky without. hey, these are the same filters. yes, because an anecdote reached me that when they were preparing an exhibition of 20 years of work for reproduction and konstantin mikhailovich simonov had a hand in this, thank god, officialdom shone, uh, they offered well mayakovsky’s biography but somehow to

clear this risky moments . and lily yurievna is just a risky moment. yes? well, yes, this is a conflict between a lilibrik and lyudmila mayakovskaya and, accordingly, an attempt to somehow clean up this story, yes, a from mayakovsky’s biography a but in general it’s very difficult to smooth mayakovsky, as it seems to me, about such a phrase that there is someone , allegedly, i do not know if this is true or not, but well thought out scenes. ben only say the italians that is, even if it's not true, it's good invented yes, uh, someone allegedly said that you now say that you are a suicide. well, what to do, not a banal suicidal person, who could not stand the fire of the heart and creative love yes, this is really the whole of may now let's take a step uh to our next hmm those big mayakovsky and after the revolution. eh, he also predicted

the revolution. yes, in the thorns of the revolution , the sixteenth year is coming, i made a mistake today. we know that every revolution passes, then into a thermidorian phase into a reactionary one, it often turns into a dictatorship, turns into a lack of freedom. but here's how to describe these years that mayakovsky has already spent hmm soviet time in soviet reality, because there were contradictory things were wonderful things, for example, he continued to be an artist of the window of growth tell us about them, they are stored in our museum, yes, in fact up to 100 posters a day you drew it by hand, but then again, what does makekovsky okna growth come up with to make it clear. these are news sheets, because no. no, uh, the russian agency is what

the pelvis is now when mayakovsky arrives. uh, respectively, to this telegraph agency work, then it was big texts, a small picture, and he says, you need to change the system so it will not work. most of the population does not know how to read what mayakovsky did very well. did he understand who he was doing what for? yes? well, if she knows us ryabchikov, everyone knows it, yes, who even has no idea about what mayakovskaya was doing in the windows of russians now, the target audience says it. he very accurately understood the people of the darket group. yes, yes, yes, he traded the plane of understanding of the audience, he removes all the text, but he now reduces it to a minimum. these are short phrases, and the main focus is on the pictures, in fact. these are such soviet comics, too, very similar. ah, generalized. yes

, this is also a very important point. for example, he plays on color, and he uses, for example, to designate the soviet power of a worker, red, and illness and everything connected with it. it is such a greenish color, and the bourgeoisie and everything connected with it has always been introduced or had some then blue colors, that is, he works with color. it affects the viewer here. yes, what is creativity, it is no longer media, it is just some psychology of perception. yes, uh, really. this is the side of mayakovsky's life, he did rather positively. here we see the cover of mayakovsky's book about this with the lily brik depicted on it, and yet, how mayakovsky combined the personal with the public, because the soviet reality of even these first romantic years of the twenties, but still it is this emphasis on the collective on

the general on the cathedral on the social on the class. and about this. this means about the intimate, of course, the mayakovskys came up with exactly this. well, at the same time, for example, it is with this poem that the first number opens, and the left front of the arts is not the lion of the beast, but the left front is an abbreviation. well, although there is also consonance with leo, it is not by chance that leo the left front of the art of this particular poem opens, because on the one hand it is about the personal, but on the other hand. this is about the general, and it was very important for mayakovsky to emphasize this. and by the way, it is in the poem about this that mayakovsky's famous ladder first appears. and before that, he does not break the verse. yes, he is being blamed for this. many and more, by the way, contemporaries. and

so they said, and uh, questions were also asked, but mayakovsky thus wants to be closer to the reader. here in this book, inserted topic, uh. well, if not tragedies, then dramas, because, after all, his relationship with lilian, uh, developed. nervous sometimes. this is widely known. sometimes. they put themselves to the test, tried to part for a certain amount of time in the same and there is a story of writing that she forbade forbidden to see each other. yes, he is with her and there . i'm quite cut off from the life above me saleswomen laugh. and he came, whether new year's, or christmas night. uh, on the eve of the twenty-second twenty-three . brick, he went nuts there and began to write a poem about this very important thing. this is my question anyway. uh, personal was allowed, but in the soviet years. the first, of course. uh, wedding christmas trees. speaking of

religious ceremonies, it was all crossed out. come on, how embarrassing to be intimately vulnerable , you have to be powerful, this is a poem about this too, but, because it’s just about and about the fight against philistinism that topic that was very important for mayakovsky and, uh, this is, uh, personal. in general, because the idea of ​​the commune is the idea of ​​living in a common human community. this is exactly what he is talking about here. yes, there is a tragedy, and, uh, it would be difficult without it. although , uh, it was the poem about this that had drafts and it is clear how he is trying to smooth out this tragedy as much as it was harder for him at that moment. how sick he was, because he really is in a confined space. he is sitting in the room. it is 11 m² and there is one window in the room and in another place. and he is, yes, he is, uh, the only thing that

connects is the phone cord. and this, too, in general, is just such a main, connecting link in this poem to connect, and lubyansky passage and myasnitskaya well, of course, it is very important to remember and know what the first edition of mayakovsky's books looked like because, well, for good reason he called his books. and so catchy, for example, me or vladimir mayakovsky so that the books would not be confused, he also looked very bright. and that's the brightness, uh, and the color of the cover. uh maybe us not all covers were observed and the color was not quite the same, because in my hands, of course, a modern reproduction. they are a genuine book, but nonetheless. they were bright colors. it was like this, a large type size, which is very important, these books are being published now. it is very inexpensive, they are not

collectible. i highly recommend to you all who do not talk about reading, of course, to pick up these books - it's quite easy to see what it looked like, for example, pmm. clouds in the pants of the fifteenth year or a flute spine. this also a great edition. here is its full reproduction. here is a huge comment, it is very important that modern literary critics devote such extensive comments to mayakovsky and his texts. after all, they are much more voluminous than the text itself, but let's turn to this simple, like a lowing book of the sixteenth year, too, and it is reproduced from a unique copy. here there is, uh, editing by mayakovsky and others, by the way, is used just for the first time. and , of course, alexander rodchenko makes photos in the form of an illustration of rodchenko. and the cover is also that is it made up of several images or is it a legend after all?

in the company of people's commissar of enlightenment anatoly vasilyevich lunacharsky who comes out of the administrative building e, where e decided the fate of mayakovsky's cinema precisely e hmm lunacharsky yes, he makes such an order, and mystery appears for mayakovsky for the first soviet play mystery about this, too, i must say that mayakovsky is an amazing playwright mystery buff and mystery bonya. yes, the theater is the world of chord meyerhold, again, the avant-garde is again an alternative, my favorite is cruel. found your theatre. it’s just a director, of course, but it’s interesting that, for example, the mysteries boof first enters the stage in the role of a lesser age and greenlin, which we all, well, many other films, uh, others from soviet films know, but for the first time about him for

i am a proletarian to explain the superfluous lived, as the mother

produced after giving birth. and now my housing cooperative gives me an apartment. here is the width height in the ventilated lighted and warmed. everything is fine, but most of all i liked it that it was whiter than moonlight, more convenient than the promised land - yes, what can i say about it? this is bathroom tap water, extremely cold tap, you can’t touch the other hand. you can wash the crest cold, hot backwater. one faucet says hold, another horn is written on the screen. you will come, tired, you want to hang yourself. the beggar does not please any tea, bubbling, and the seagull will both shrug and the dead will burst out laughing from this shoulder tickling. as if he had come to visit socialism

, he was breathtaking with pleasure, trousers on a hook. blouse on carnations soap in hand and plop you sit down and wash yourself for a long, long time with a word. you sit while hunting. it's just that summer is in the room and the volga has just no fish and steamers. though the dirt on you ten years of experience with you bark. from a tree. the soot almost disappears, the bitch is washed off and you’ll get hot, you’ll turn the handles and caplet, cool rain of showers from a perforated iron cloud, the husband and affection in this soul will not take you at all. the decline strokes the wolf's hair, pats his ears and flows along the gutter between the shoulder blades into the water, you wash the wet body with towels, like a furry beast, so that dry heels, the floor settles. i apologize for the cork expression. who saw themselves in a mirror set in a shirt

i wet pure power and i think that our soviet power is very correct . mayakovsky’s beautiful poems just pleased everything that appeared new, but here we see a directly detailed description of a really bath and a cold screen. this, too, was mayakovsky's dream. for example, the only thing he buys is his apartment in henryk's lane. he deliberately makes redevelopment so that there is a bath and we see, wow, this is a dream that comes true even before he buys renault abroad, but we will talk about this a little ahead, but now we will mention the very famous moment about the appearance of mayakovsky as the first poet, once boris pasternak in the famous poem dedicated to boris belk. he talked about the fact that the vacancy was left in vain, so it's cool, if not empty,

well, that is, the soviet culture has already been built in the thirties. so each area had its own pattern. here in the literature. eh, this vacancy of the poet remained. uh, hmm free for a while. pasternak from her from this vacancy, fled to peredelkino as you know, and mayakovsky had already posthumously received this vacancy. yes, it seems to me that this is also his tragedy, because again in this cult. and also pasternak that they began to plant mayakovsky, like potatoes under catherine, it was his second death , in which he will not obey, a letter that is stored in the mayakovsky museum, uh, that we are pieces, and it was the best, talented 35 year, uh, five years later. after after his death. well, we will not die and say we will not understand that this april. day everything came together and uh, like this

a tragic silent exhibition of 20 years of work and, uh, the relationship with veronika vitolina strip is also like a key phrase, but which in general for me, for example, explains everything, that is, this story of the situation, when in a suicide letter, he writes my exits. no, he won't write, i have no choice. yes, he will write in the plural, because it seems to me that he was looking for these outlets, but for himself he did not find 37 years of death, as many people think and are supposed to be for a russian poet. yes, let's not focus on this too delicate topic, but here it also converged private public. eh, this is a very important point, of course, mayakovsky did 20 years of work, and with great enthusiasm he attracted young people. and this is true for its time, again, and he is the first performance. i think it's actually he acts as an expositionist. very talented, building

this exhibition is not just about presenting material , it is about telling stories, but most importantly, he says, touch. take it. yes, it's so unusual. well, perhaps this is such an ideal literary exhibition. and when you can read take immerse yourself in the text, and what mayakovsky did exactly that at this exhibition, that is, in general, communication with the viewer. for him, it was always very important to write notes, to which it was also devoted, they are beautifully completed. uh, folds into envelopes by topic. yes, there, and speeches and uh, there is a completely different image of mayakovsky when you look at these notes at the end of the conversation. i will probably assume that everything, false superficial artificial tendentious eventually gets. yes, this infinite living naked soul fades into the background. talent sincerity and

focus on young people who understand mayakovsky and we hope they will understand and in the future, because 130 years is not the limit and up to the beautiful 22-year-old now mayakovsky is no less beautiful among us, the beautiful even more beautiful 130-year-old and all of us and marina krasnova and anton buglak and i dmitry bak are sure that mayakovsky is doomed to a long fate and his image and fate and his picturesque theatrical works and most importantly his books by his text, so i, as always, at the end of our programs, tell our interlocutors to read with pleasure.