when the morning is my youth, this is june, my calendar will turn over and again the third of september. russia looked at yours and again on the third of september, but why, but why did we have to part, after all, it was still a serious september for us. i think it was. i want to try because of the drum, if the drum doesn't mind, please. let's try. uh, so let's finally do it. well, here, i just sat like that, i shook like that. so i looked at the drummer and met their eyes. i'm like that, yes, that's how i wanted to. and only the ringing of the guitar takes away

yards, but i'm all alone through the empty streets and searching for love. i don’t know if the whole area will hear that i’ll fall in love with you and only carry guitars with god in the yards, but i’m all alone through the empty streets and in search of love, where i don’t know. sindio so quiet, but here it turns out, how can the music be much bolder than the dough on the stage or you still perform yourself , you know, play with the band. sometimes we have a trick when ivan sits down at the drum, but this is extremely rare when they ask for a soul. uh, ivan takes the guitar. sometimes , too, very rarely i take, but we have a bent, we

when for the first time, uh, we came to moscow, uh, this story. by the way, in my opinion, nowhere at all, yes, i didn’t tell. there was 2,000, it turns out. it was 2014. we are in moscow for the first time and we are going to the subway, a hidden number calls me. i pick up there they say. hello. i say hello. this is vasya what kind of vasya he says basta and i'm a brother, i turn around. and at that time we were making programs on youtube at that time, ivan showed, yes, that’s just about sambo and i sent him a whole pack of beats to the post office. he just texted me. well, i wrote something and that's it, and then somehow i understood, understood, and somehow then the connection disappeared. well, of course, on the mail or there we had a number. and so he called back and invited me to the studio, and on the same day we immediately went to the station and moved to the opposite side and went and went to hit him in the studio. it was in 2014, when no one knew us yet as musicians. and it was such a simple conversation. he was just writing an album. i've been watching how he

does it. he asked some questions. listen well, he works fantastic when you want to know how it's different. and this is how we met. uh , they asked each other some questions and without any purpose without some kind of commercial there to shoot a video there, i don’t know whether to sign a contract or get something. and so i didn't even tell it anywhere, because to me, uh, there, even to this day, it may seem to me this story, as if hmm, earning points for myself. here i will tell you how basta called me. uh, everyone wants to get to know him to be friends, right? and i have it myself, but i didn't want to use it, well, to tell, because people, well, they may not take it the way it is. and now when we're already in the public eye, and it's hmm well it looks. otherwise, we want to invite you to our concert, in general we want everyone to come, yes, on november 6th. we would be very glad to see you, however, i used to have the eighteenth of april. we would come, yes list my friends you know

what i wanted. here i am listening to you. i listen to stories this is the story of real men this is the story of people who don't change themselves this is the story of people who lived their lives no matter who is how old? yes, in life she is not in years, she is in decisions, and i still see such a moment that, firstly , it is spring in the yard, and we all have two beautiful ladies and i would like us to finally, how to say under the curtain of our program was presented from all of us from the male team to our beautiful ladies, the song of mikhail zakharovich. chorus of the song zakharovich, for lovely ladies, of course. i like it, maybe say something anally, i hear not a single chord, you don't hear, not a single one at all, only a drum. i like all the women in the world blonde, brunette, i still confess, without

throwing, like the wind, what i decided for myself. i have long been for lovely ladies for lovely ladies, my first fat one. here and there from lovely ladies without lovely ladies, how to live a day? for lovely ladies. i always laugh beyond my years, if our life today in the program is unformatted, there were wonderful artists, honored artist of the russian federation mikhail shufutinsky , the future honored people's artists of the russian federation, dobro, my wonderful presenters karina in their carnival group, the amazing fate of gypsy, ben anton lavrentiev you are a podcast of information, listen to good music, watch informal. bye bye. l and if necessary, in life i will give for lovely ladies opa. sometimes it seems to you that everything

is not going according to plan, but then you understand, and it ’s even more interesting since your school years that you thought it was love, but now you’re pouring out pain to them for me. after all, you only need one, and if someone left, so you said, and now we have matured experience behind our backs. only those with whom i will fuck. here is the wind, in spite of an even step we keep. i'm wild with you, like yesterday. we yelled songs, so they plucked their voices and didn't make plans. again, behind a backpack for reserved seat buses, we then did not know what awaited us. how did you fill up your bottomless eyes then

, it was difficult for them not to fall in love with unfamiliar places at night , long places, this again must be repeated. we need to we need to repeat. we need to give god we need to fall, we need to repeat. friends, the podcast of the melodies of my life is with you, i am its host valery syutkin, and i feel a monstrous injustice, because there

is a wonderful musician. he actually is responsible for all major projects; the musical part is saved for viewers on channel one. personally, i went through three seasons of the voice program with him. but he participates and the voice of the children or simply participates, and uh allows all the contestants to be a mentor. uh, perform all the songs and only thanks to his qualifications. it sounds i'm not afraid of a sincere word, vysokodzhestvo. today , the wonderful musician of the composer, arranger sergey zhilin is visiting. hello valera , this is the first time i hear such a set of words from you . thank you very much, it was already worth it. come to this program, i will immediately answer that we work in tandem. we have everything man behind the scenes. you know him very well, this is andrey pasternak and together with him we are making the final version of the sound. andrey - this is the most

subtle-hearing sound specialist. i still remember the program, and the famous andrey was actually the first to learn. uh, live mass events sound like that, yes. you know, he is a brilliant musician, how to hear the most important thing is a quick decision. that's how interesting intelligent people remembered the real professionals. but today i wanted seryozha through melodies, because music is the best keeper of memory. and when we remember this or that melody, we learn about a person. e much more, therefore, the melody of childhood, we will begin with it. here is the first association sergey zhirin and childhood. well, this is an unexpected tune. here, i really liked it, and i was a kanufriev, as i later found out, i really liked the cartoon the bremen town musicians, remember?

takes a minute right on earth . i just want to say. there is such a

wonderful audacious anecdote. do you remember when for 5 years, the child behaves normally, but does not speak anything, doctors were invited, they lost all hope, they thought that he was not washing his birth in the fifth year, he was preparing an egg. this is how he breaks it with a spoon, he speaks so calmly in pure russian , he is displeased with him that i say don’t give your egg vasya why were you silent? all 5 years. we, he says, there were no complaints, this is me, what i'm fine with. and not only me and the tv viewers all know perfectly well that you are a brilliant musician to hide such vocal skills. this crime. it's not vocals. well, what are you doing? this is a parody of oleg anufriev. why are you relying on this song. where did this childhood take place? where were you born at home? well, in the sense

of one inter-question. a? hey, who were you as a child? i answered as a child. by the way, when they ask me who they would dream of becoming in childhood in early childhood, i honestly answer that way and it was an adult. i also wanted to say. i was born in moscow. yes, we had a huge three-room apartment. uh, a 38-meter three-room apartment , after all. uh, phd in economics was so many. and as i now understand successfully, because, uh, i didn't need anything. uh, except for the jeans bike. well, these are such vehincos, yes, but uh, i had a bike breeze, but at 6 or 7 years old. i grew out of it and then until 13:00 to 14 there was no bike,

then i then brought it. uh, bike. himself straight home borrowed money from friends. no, already with uh, the eldest son of the eldest ussr and everything at a speed and now they ask you where the bike comes from and i say, you know, do you have to give the same ones? yes. and that's when mom went for it, which means she, uh, bought a bike. and so i'm in nothing needed. i was always fed very well , dressed in a school uniform, and i had only jeans, only polish polish chickens, not a bird, no longer abroad. mom went there, went and brought me from there. i remember everything, and you are spinning me on memories to be honest. i'm just asking, i don't know what i'm interested in, i ask, here, if possible, the director of photography to run into. well, in a sense, in a chamber version, uh, on valerina's eyes for the audience to look at. no, what deep honest ones you have, you understand when they you look, i want to tell you, everything is serious, yes, and tell me, please, and

dad met dad, when i was just 14-15 years old. they, uh, somehow, uh, dispersed. but then they got together and lived happily together for about the twelfth years. well, it's nice. here and here in this house. i have one of the few records was just here the bremen town musicians, which i enjoy. it's just that this whole series is the first body there is also this one from the second part. let there be no nikolai and no court, taxes have already been sung to the king by many votes. romantics from the main road

, this transition sergei zhilin is a boy, probably some kind of sport, like in our yard for sure. so, how did you get into music? i didn’t leave, my grandmother never put me in jail for 2.5 years. she put me down, so i

smoothly, just let me down. this is what i call the melody of youth, this is music that influenced the choice of a profession or simply helped you understand that this is exactly what you like to do, what you were, but i studied at the school at the conservatory. i always liked. yes, classics, uh , reality here for me, uh, melodies of the work of romantic composers. naturally, sergei vasilyevich rachmaninov and i don't understand what i like there, but the fact is that this is the music of romantic composers. it cannot, uh, be performed without such a very high degree of internal emotional content. music, of course, is there, when you play mozart, there is a slightly different story , you understand, but here it must be. uh, inner feeling very powerful

emotional that naturally splashes outside. this is what i liked. well, when i heard ryan play it, he played it in concert with the pianist from the orchestra. and it was such a davit, which sunk for a short time, immediately began to look for notes. if there is, then they are just here in this version, and now i played parts, but here i, in short, increased everywhere. and so

i worked on it, i took some of the rockies that i loved the most and even made my own program at that time i was in the palace of pioneers, an interneer in russian translation artists countries - how is it? e style. it's a polka polka, it's a polka, it's just that the skilki are smaller, the larger the melody that determined the right direction of sergei zhilin and for a very long time we played traditional music. i had the affairs of the universe. only traditional, because i really liked it. it's still school years. this is the end of school and

the beginning. these are already teenagers, or what? yes, when i entered the jazz studio. that 's where in the second year i organized a decilin from the jazz zamoskvorechie there. and who was the teacher one head or wand? ah , there were a lot of teachers. and now, when you entered this studio, it was already some kind of concert work. there is another job there. it's just a festival. here they dressed, and two large festivals and two such medium ones, but in the same hall. he spent as long as i know you. you still have a great combination, because it is separate, as galina borisovna volchek said when my daughter asked her, so i dream of being a director, galina borisovna said about girls. they are definitely wrong. here you see the director, this is a person who thinks out puts something says, this is a person who is 95% a director. this is a man who knows how to make others do what

he needs. if you don’t know how to do this, there will never be any director, if it doesn’t work out, maybe you will invent something, but you will need exactly the managers how many i know you have been there for a quarter of a century you masterfully manage large musical groups, they were immediately big or at the beginning and you had to work on someone else’s hands for the team this year, in general 40 40 years old. yes, yes, and about this. so i hope that such a big concert will take place in the kvn club on november 18, october twenty-sixth. in the house of music, a big concert dedicated, by the way, to sergeevich of savoy, but also, as her sergeevich can be said in many respects, my teacher in terms of arrangement in terms of composition. yes, uh, that's a friend conditionally. yes, in the early nineties so catch me somewhere in ostankino. yes thank you. i say, why

do you and uncle misha dance songs black cat continue to sing, i say, sergeevich is still there the strength to walk the earth, and, so to speak, a guitar at each end, so that the copyrights will go on properly. black black cat is like he said jokingly, my ninth symphony. and he would have turned 95 this year. and this is how we will do a big concert, and thus we will show, because i picked up, uh, his old score, and he already has a magnificent symphonic jazz melody. and most importantly, his orchestrations are still relevant to this day, that is, the man perfectly disposed of the orchestra. eh why? you still need to learn many of ours, so to speak, as i call them a writer. here, and he is the siege nikolaevna. they themselves always wrote. no, we didn’t give any to the picture, they did everything themselves, and now the procedures began. they look great.

the only thing is that we have a little bit of rhythm there , about three sections to work with it. everything else works great. this is one of the few people in general who really understood and created e, symphos, e on the side of the pop symphony. such strange panicky music, sa- in the name itself or by the orchestra. the name itself contains the answer strangely symphonic in order to do this, to realize it. uh, the person who does this must be familiar with strange music and symphonic music, it doesn't always work out that way. and we are trying, we are testing, we are moving towards this sergey sergeevich, we hear and see this. hello again. you are watching the podcast of the melodies of my life on channel one. my name is valery syutkin today , my guest is sergey sergeevich zhilin seryozh, we remembered igor sergeyevich saulsky and i want to wish our viewers, so that all the misfortunes that happened to us

, all the difficulties, forever remain in the past, and in the future there will be fewer of them, and in the past they remain like the misfortune of a black cat. twist of times and peoples yuri saulsky mikhail tanovich. lived dusted around the corner and hated the cat, only the song is not at all about how things are, if a black cat crosses the road, but for now we only fight black only black. and by the way, you know, i'm proud that i

sang this song with tamara min sarova, i went to her house myself, because konstantin lvovich asked us to perform together in a fire, and she already categorically did not want to go on stage. it wasn't long before he left, but we were. still alive, by the way, yuri sergeevich yuri sergeevich at the piano, anality is not mine. but i say tamar dahlia. i'll sing right here. it’s convenient for you, if only it were, and i’m very proud that i have a duet with mensarova and duets, magomayev, and i feel heavenly too, and eduard anatolyevich khil criticized, says valery, i didn’t like how you performed, how he escorts the ships. there is no arrangement original tune. and this is felix or other

things for old songs, and most importantly, and she is there like alya santana was made by harry black on jic, and the original melody. yes, yes, yes, what is it? well, the intro was so hard. so i say, the eldar are generally easy to fix there. let's sing together. i will sing along with yours, because we are people of an artistic warehouse with an arrangement - this is not our part of the work, and there was such a page. i consider a very happy person, what i once sang with magomayev is the best the city of the earth, samara mensarova black cat and with eduard khil, as escorts the ship, and today my guest is sergei sergeevich zhilin and we, together with the viewers , enjoyed the vocal debut. and i can say that i have a duet with valery , of course, absolutely we have a seryozha melody of people about sergei zhilin, what is it? this one will do.

what age is this for? well it's for all ages, what is it tell our viewers. together well, this is a beautifully framed love with a pronounced bourgeois accent. ladies in evening dresses men in elegant costumes it was a light emotional

outburst, my love. you played such a very mature melody. i, when i loved the melody, well, i don’t know, i was a boy, anna herman sounded all this i heard much later. well, i think it's chic somehow early. if you are in the middle, there is already such a second half in the middle of the seventies. valerie is eighties already. well, in the mid-seventies for 10 years it was already thank you one-zero. he is a joke. i liked it, there was no complaint. yes, i collected periodically refer to musical anecdotes a lot jazz. and you know that uh people who are devoted to jazz they went through different times. jazz was not well funded. to put it mildly, i had a favorite in those days that and there is also such a position there bass

trombone that is, as if an orchestra, can do without it, so the banists are the buster, as in, roughly speaking, in symphony orchestras of viola performers. always the same, so to speak, less than the violinists enjoyed the love of the audience, let's say, or the love of specialists. in short, from a buster banista, decided decisively at silence, 3 years ago. she made this decision, but so far she has not been able to get away from it. you know why they are very good looking there are good, yes, and you know about the trombonists. uh, trumpeter with his wife. they arrive at the parking lot, they close the car in front of a large hypermarket, they go to the store, there are plans for a lot of purchases, wait, i'm a trambul there in the car. he says yes. tut trombone well, how are we who needs your friend? yes, if

the glass suddenly breaks, i'll take it away, what will we do? no one wants your work. how do you drag everything because we planned buy a whole list, leave. leave, then back comes back comes closer the glass is broken. he says, you see, here, i told you, he comes closer, and there is another trombone in the back seat. more good trombones of different uh, let's leave the rubric about love, but before we do that. i still wanted to ask you, who is she? it's young . hmm. first love is yours. oh, i don't speak at all. well, there were, probably, such real two girls, whom i was very burdened with alone at school and then later alone in the pioneer palace. but somehow it didn't work out. not there, not there and then, well, it means not fate. do you remember how two trains

that go towards each other, but did not collide. why exactly? i beg your pardon, but i hope that the audience saw your close-up and yours because i now caught myself thinking that i have never told anyone like this, you know, about the first one at school about the second twenty pioneers , i also added that they are there it was nice. it's the same as you understand. ah, divergent man. he will never develop a theme that his interlocutor is unpleasant. he will bypass her. i delicately relying on the melodies of your life , they ask, and you have the right to say, and i don’t want to talk about this topic at all. i say, well, yes, okay, we move on to the melodies of sadness, when sergey lived from being sad, or well, once experienced that's it from music. this is the feeling and immediately the music sets you up like a tuning fork, and you remember what you are sad about. what a melody that evoked.

here is the sadness of your soul, but music is in general, uh hmm everything uh, maybe national plan. uh, inside of you in general and uh, everything that happens around is all music. and if , ah, this is real, one can say, if such great composers as tchaikovsky or rachmaninov, this is such a depth of thought, there is pyotr ilyich's autumn song.

look at the autumn tchaikovsky, the depth, how amazing it is, to somehow cheer you up and not get bored, my musicians periodically play chess for money on tour, such a blitz with the clock, everything is as it should be, and they flew somewhere at night. siberia concert. just tomorrow in the evening they go to the night bar, which operates around the clock in the hotel, put on a chess board and begin its tournament. the bartender comes out and says guys. well, why are you playing dry? maybe you have something to pour the musicians, you know, thoughtful on departure. need the next one. he says. yes, yes, thank you, pour us tchaikovsky. the bartender is coming.

he takes a bottle of vodka, two glasses of tea, and brings it on a tray, and they love voyage, we meant tchaikovsky tea, but we didn’t have time to pronounce the word tea, because when we were looking we meant tchaikovsky, here i am i liked what the bartender asked again, as an expert, apparently, peter's classical music can be a mandesta, you understand? yes? pyotr ilyich , of course, absolutely cannot be replaced here. e, sadness is conveyed. e, he knows how. well, here are some toys of dreams, everything here somehow pleased me to see it. and here to hear. so, seryozha, say, 40 years of the phonograph. uh, of course, uh, it was probably absolutely right not

only for you, but also for the audience to decide like this in television in large projects, because i remember you sounded all over moscow the photographers had hmm affiliates. there was in charge of a restaurant or clubs everywhere, and then i told you it's the nineties. yes, and then in the noughties , since what year were you on channel one, i don’t remember what year, but it was in the first program, uh, two stars, when did it just pass? yes, yes, yes, yes, andrei was chatty. uh, the main director met from that moment. it has gone eleventh and the voice children season is now the tenth. so it's season 21. here is such a plus 60 plus, which i also participated in. i'm being a party as mentor for two seasons. heard from time to time. oh yes, my friends are just asking. well, valera whom? there to drag or i say, guys

, why don’t they reward me for this in any way, my task is - i answered everyone's question. since i 've been entrusted with that site right here, let me do it myself. yes, i honestly admit that you and the viewers have a certain strategy. that is, when you recruit a team , you will then bring, you will bring your two main contenders together in the first round, so, of course, then you make a decision based on something else with this or you can make a different contestant. it's interesting simply in that, you understand, you decide in advance or you understand at the moment already directly in their duel. and if in advance, do you tell them about it think, honestly yourself. well, alexander honestly told me that valera, i determined the candidates and i say, i could not scoff at people in the final. here is this friend. and you, of course, will sparkle, but i will immediately. they will not cheat. so that you did not have

such a situation that you took songs there like a choice before the start.