tv Shtirlits navsegda 1TV August 20, 2023 3:35pm-4:46pm MSK
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in our time, no one can be trusted. the strange properties of my physiognomy seem to everyone that i have just been seen somewhere. it is higher than silicon. the only person in the intelligence of schellenberg whom i treated with sympathy. this is stirlitz, he is famously working, you can start yes , please, start 50 years ago, in august 1973 , the television screens of the soviet union released the serial film seventeen moments of spring, which very soon became a cult film in the history of russian cinema, according to various
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estimates. in it, the film was watched by about 70 million people. that was the state. that's how it remained in me, probably, state. ah, all of our people. well, the whole country really froze, the streets were empty three months later. what has never happened before has been rerun all this time on tv bringing literally bags of letters from viewers. they wanted to see the film again. there was no tail, the calmer thought, maybe it seemed, maybe it was a shellberg, he decided to feel me before the operation with the hose. or maybe they are losing their nerves; many at that time did not have their own tvs, so every evening for 12-year-old days. people came to neighbors friends, acquaintances, living and experiencing a history full of psychological stress , crime in the country fell. this was approved by the ministry of the interior. i
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remember very well the first time a movie was shown on tv. and lord, my god, what happened to us in the communal apartment. and the phone was removed and hung up, it hung on the cord so that, god forbid, no one would call. now the second series in the 12 series of the film which was destined to become legendary talents came together a new look at famous historical events and characters and directed by tatyana lioznova, scriptwriter yulian semyonov and a brilliant constellation of soviet actors and, of course, the most important star in this constellation was vyacheslav tikhonov and his hero, a colonel of soviet
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intelligence. isaev to defeat the enemy, you need to know his ideology, right? and to learn this during the battle to doom yourself to defeat stirlitz is a long-term hero created by julian semenov, the main character of not only the novel and television series 17 moments of spring. at different times in different films he was played by rodion nakhapetov vladimir ivashov daniil scary, but only the adaptation of tatyana liozny became a grandiose event in the history of russian cinema and deafeningly popular for many years. these interviews with tatyana ilioznova and vyacheslav tikhonov were recorded in 2006. and it so happened that they have not yet been seen by the audience in our film. you will see fragments of these forces for the first time. the fact
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that i belonged to the military generation, although i didn’t fight, even though i was a boy, because it was still in us at that time. passed through our souls, but i think so poignant for spectators. from the point of view of the soul of experiences, it would hardly have been possible to make a film if it had been filmed by a man. the merit of tatyana mikhailovna is enormous in this regard , the picture taught me a lot in general. the principle of shooting in serial pictures is different than an ordinary picture, we all had to learn anew. mr. wozin, please be kind to the end and help me. i can't step over. it's how many names he has vsevolod
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vladimirov maxim maksimovich isaev yustes and the most famous max otafon stirlitz well, mr. bolser for the eccentric old frauzau to play, which faina ranevskaya refused to play, ranevskaya, in her usual rude form, said never, i will never play this role, we take the word group, and then they found it in her archive. a letter of apology, which he never sent. this is mikhailovna's hotel , but she was embarrassed, then she played well as an amit. in my opinion. your kidneys are aching in your kidneys, with which 17 moments of spring begin. filmed in the park, estates. arkhangelsk turks. i wonder what place we were looking for filming for quite a long time and far from moscow, but in the end we found it in the near moscow region and this place was perfect, because the nature here and the trees that grow here
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are very similar to the nature of germany for many years. and now this place was called and is called the bavarian forest. of course, in the 50 years that have passed since the shooting in the bavarian forest, a lot has changed, but the oak tree, in which the stirlitz car stood, was preserved, and the current lipka highway played the bern berlin track another one was filmed in the park the scene of the film at this small pond, why are you all sentenced to death, with which i had to sit before the execution, love me to confess my love for nature, here in the photo. yes, here is the island here, stirlitz kills agent klaus, played by the actor lev durov, at first he wanted to refuse, because the abomination and the only one whom sagittarius kills is klaus and i think, then the director is too serious
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to say, and i will not be amazing words. you know, the episode tatyana reznogo was planned to be filmed in germany, but according to lev durov was not allowed to go abroad. the visiting commission, which checked the reliability of soviet citizens, did not like the jokes of the actor tatyana let's then agree or take another actor , or let slava shoot me near moscow, i 'd rather die at home and klaus was shot near moscow however, tatyana lioznova herself spoke of a more prosaic reason, for which in the end lev durov did not go to germany says not to shortchange these movie pictures, when a film is being shot, every character is trampled on, and television just gave, in my opinion, 100.000
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for one picture. and as you wish. come out, tell me, so it was necessary to save a lot. one of the many legends that have arisen over half a century around the seventeen moments of spring claims that the gun was abandoned by stirlitz. it is still at the bottom of the pond, a local resident. the boys for a very long time, still dived into the pond in order to find this artifact here, let's say, but of course, he was not found a gun, perhaps, and it lies under water. it's been 50 years and nothing. this is not a legend. and here is the story of a dog that accidentally entered the frame. to vyacheslav tikhonov. still, it turned into a legend; it is often repeated. where else is this from? whose fool are you when you were alive that a dog came running to the shooting on the set in germany when they were filming in the spring of 72,
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and it turned out such a romantic scene tikhonov crouches in front of the dog, the dog looks at him and that all this was improvisation is not true a myth, because in my father's script, there is still a scene for stirlitz in the literary one. suitable fold dog looks stitch on it. he says let's feed you. specially, yes, i prepared a surprise for you. e, just as it was a surprise, for me i must say that i often sort out our archive now and suddenly i open this box and see, here, an amazing inscription, dear friends, we sincerely congratulate you and wish you a lot. happiness, health , success, your young ones, that is, it was presented by the young kanon trofimovich with his wife , or this is fork-spoons, until they lived in neighboring apartments. here i thought it was
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as a sign, because i just found this recently. i think this is how a gift will be for the anniversary of the film for a long time. i was a scout for illegal immigrants after a failure, he was exchanged for a scout from another country, and he returned to moscow. we met by chance somehow. and we made friends and made friends at home, and he told me something from how i was interested, because it was still long before 17 moments. i didn't know that this was a big job for me. he will tell you, it was so interesting for a person who was our illegal immigrant, who was then exchanged. eve the young became the prototype of the protagonist of the film dead season, which came out a few years before the famous film by leonov , the young wanted tikhonov to play this role
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, but the director of the film, savva kulish, gave the role of donat to subanionis. famous actors and former illegal intelligence agents were strikingly similar. outwardly, it was young, he was very worried that there would be no dad, but he didn’t. he says, don't worry, he is very similar to you, he is a great actor and everything will be very, very good. and so it happened, and then later for several years, when a dark moment arose, dad says, well, that's what it was all about, otherwise 17 moments would have passed by then. and when we started working alive, he died early. but here is communication with him and some interesting stories of his episodes from his life. all the time about me. the task was received, i start its implementation,
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for many years, after the premiere of seventeen moments of spring, there are talks. who was the prototype of stirlitz in real life, although ilyan, semyonov always said that this was a collective obraztsov and sorge shantarade, with whom dad met. and here is a collective image and dad said that uh. yes, there was no stirlitz, but there were many terrorists and some of them are still alive, but i can’t call them by their last name, because they are classified. you will end your life in a concentration camp. however, no, muller will not be imprisoned. you know too much, maybe dad wrote stirlitz not only from our intelligence heroes, not well, and himself as a man who possessed encyclopedic knowledge. who spoke five languages, which, in principle, could
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become a scout himself, because he studied at the school of oriental studies and not only diplomats, not only scientists, not only military translators, but also scouts , including illegal immigrants, came out of there, but fate was distributed differently, but there was a prison sentence. mrs. semyon alexandrovich of my father's father, of course, was rehabilitated, but this stain did not allow my father to become a scout. he became the author of stirlitz known in moscow as colonel maxim, the only top leader. very soon after the premiere of the film stirlitz vyacheslav tikhonov went beyond the screen image and for many years became the most popular movie character in the country, and on march 8, the soviet union decided to let tikhonov, beloved in stirlitz , congratulate all the women of the soviet union with.
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happy march 8th. it turns out the tv people called him. he says no, no, no, knowing that i was with him, it seemed that the whole country was on the air in the evening, she saw anya contacting me. try calling tikhon, i'm calling. i say, vyacheslav vasilyevich, what is my assignment? anya i'm not used to, i'm not used to some kind of speech pronounce. i am an artist. i'm an actor. here he is such a wave. so i think that he was somehow very shy or well, here is the role, please, text, please. remember this person. from now on, you will enter it everywhere. how did i end up being the president for the role. eh, maksim maksimycha. isaeva stirlitz i still don't know. i didn't have any
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conversations with yulianna semyonovich semyonova. we studied together at the same time. she's in director's. i'm in acting. in general, they were somehow in front of our eyes, then suddenly she said. pass it on and offer it to him. i read it so interesting, i showed then. in general, not to the end. it's clear. in the name of which we are dealing with a complete deep degeneration of western liberalism into an aggressive totalitarian sect and to the end.
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the position of washington is clear. and whoever is the first to be afraid to retreat among the democrats , there is zero opportunity to discuss any alternatives, today the model of the totalitarian regime is liberal america will continue, and ukraine will be more and more destroyed. if you god forbid put questioned the help of the ecumenical or would have said some alternative point of view. you immediately get canceled quite often in europe because i was on russian tv. special issue today on the first and always on 1tv.ru buy two dolce milka receives the third gift in l'etoile gifts from dolce milka not only favorite series of channel one right now
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, switch to vtb and everything will work out. and now the quiet time in oskol is only until august 27 for a bed with a discount of up to 70%. ascona to everyone who goes to bed. we bought everything and even more, even at first-class sales , the payment was stretched into parts, as they say , they gobbled it up for 15,000,990 rubles. and a set of 10 checkered notebooks for 129 rubles. you buy a quarter on yandex.market now , the rest later without overpayments. this is masha, she makes her first order on aptek.ru with a 12% discount already. you will have time for a difficult character. eh, tatyanalyozny, of course, he never spoke directly. he always
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said. about her. good irony, she treated him very, very kindly too. and when tatyana mikhailovna comes in and sees vyacheslav vasilievich, and she says to him, very gently from the bench, would you like coffee, a german? you why are you? because they don't bring me a second helping of coffee. and he told some, well, small, let's say, conflicts on the set, for example, he said that even his friend yulian semyonov says that they are somehow dragging something there, that they are discussing in some way they do not agree he says walks and calls her hunger, at that time was the prime minister of israel yes, here we are, he called tatyana mikhailovna, he went homer. almost all the participants in the filming spoke about the tough and strong-willed character of the director, and the two main creators of the film, tatyana lioznoy and yulian semyonov, after
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the completion of the work , parted not at all as friends; believed that it was necessary to go strictly according to the text, and initially tatyana mikhailovna bribed dad with what she said. i want to follow your path text by julian a. then, over time , disagreements arose. and it was a conflict quite serious already at the end of filming, they practically. well, you can say they were on knives for it. however, these inevitable conflicts between two strong and talented personalities remained behind the scenes of their common cause, because this matter is most important, moreover, conflicts were a kind of creative fuel for the creation of a film that became an artistic and generational phenomenon in the history of all soviet
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television. this is a truly unique picture. which combines itself with an elitist mass beginning, and after all, it’s his, uh, it was precisely her u path. it was her prince that she would make the picture just like that , but, because she was actually warned that she herself told me about it, she would need to make fewer episodes, there was no need to thin everything, of course, they warned to make it harder. and if i wanted to say, to do something outside the stamps, she created the whole picture in them there. what's happened? what's wrong with you? don't faint, but i think we're all under muller's hat, the format of the television series made it possible for tatyana liozny from to create a complex narrative and complex images. including the characters of opponents in soviet cinema, they almost always looked deliberately primitive and one-dimensionally talented. yes
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, non-liozny, it suddenly became clear that we would not speak like that as enemies with people or non-humans, with whom we fought here. our fathers and grandfathers were very recent, and people are very wealthy both in intellectual and in other senses, so to speak, people who conquered europe and not get angry, do it, what we have in common is important, only the result, and who will be patted on the head, and who will be given candy in this forest is the essence. i don't like sweets. during the premiere of the film, he took me aside and said easy. it's immoral to play the fascist general like this is a violation of the myth. this is a very serious violation of the myths. but if
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she hadn’t gone for it, then there wouldn’t have been such a success and there wouldn’t have been a film, but those who entered the duel at stake turned out to be even smarter and stronger, of which the fate of the world and this duel were a little more won. these are the bloody days of the war. these are the days when we lost our loved ones native land factories, that's what it is? that's what it is, and behind our back at this time the americans have already introduced their waltz with the germans. i couldn’t miss this, because of this i began to make a picture, not for espionage, stories, no, no. you understand that the business base and possibly in the negotiations. maybe unconditional surrender understand. i understand it. if
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you nevertheless want to speak to us on himmler's behalf. then the negotiations will be interrupted, not when it started, dad gave the scripts to lenfilm. and at lenfilm, for two or three months, they thought about how to approach this and thought about how to make a joint, uh, joint filming with the germans. and dad at that moment was finishing the film with big problems. hold on to the clouds, a joint soviet hungarian production and he was so exhausted by the hungarian colleagues at the gorky studio that he removed his last name from the credits, that is, for dad to harness himself to a joint production with some german author i wanted to, and then, by the way, here, semyon semyonovich oscillated in relation to the senior comrade editor of all the pitchfork films, he said, give it to tatyana and she just burned out. with yulian
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semyonov, the editor of the gorky film studio , semyon klebanov, made friends on the first picture of the young author. the father took notice. in the sixty-second year he invited a young author of a-studio to the story published in the journal youth under the title in the line of duty. a conversation ensued. and went into production the picture is the first work connected in the credits of the two semenovich yulian semenovich. and semyon semyonovich. in 1969, moscow magazine published yulian semenov's novel 17 moments of spring sometime at the end of the year in his father's study. entered tatyana mikhailovna lioznogo talented director a student of the workshop
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of sergiy gerasimov tamara fyodor makarova , who had just broken all the rental records with brilliant success, the film three poplars on plyushchikha semyon hello turned to tatyana mikhailovna to my father. i read your friend's novel, i want to put it. tanya what friend? my father answered several of them. elena semenova 17 moments stirlitz was quite often in the imperial security department. it is known that he makes appointments at museums as his agent. the zoological museum of moscow state university filmed the scene of the failed meeting of stirlitz with the team of one of the highest ranks of nazi germany , which was played by a completely unexpected person , the famous bard yuri vizbor, and borman was at
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a meeting with the fuhrer, he was not going to go to the hotel online my dear, sunshine, forest, the amazing choice of the director of the lyozny wizboard died, the generation, the thaw poet, the author of famous songs that the whole country sang and suddenly the nazi one of the leaders of the reich but played and remembered and impressed the directors, who after the release of the film began to offer vizbor, the role of villains, and of course the audience, who even wrote him threatening letters, saying that if you harm our stirlitz, blame yourself for how further events will unfold in the kremlin. and here in berlin can you get such a record? first you need to receive assurances from wolf that he
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was acting as himmler's emissary. an old tired man, he wants to quietly live out his years somewhere. on a small farm with a blue pool, delighted with the work. and, of course, about him. that's how he was still a completely unknown artist, and suddenly, then a finder, you see, they say, well , about him, he crushed all other artists with his personality, that is, they understood what charisma what power this an actor? here with this is what should have started. i better know where to start. he was, of course, unexpected. he was not handsome at all, and , perhaps, only slava tikhonov was handsome among us, but after that many compatriots
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learned quite differently. what kind of enemy was that? bronevoy was already over 40, the work in the film was his first big film role. with tikhonov's husband, a famous actor, they shared one dressing room and an armored room at the beginning of filming, even asked him for an autograph for his wife. about which we go down just taught our universities smile and speak french. but i still don’t know how it’s supposed to cut an apple or it should be eaten, how they eat it whole at my house once , rumors reached the armored man that consultants from the kgb who were always present on the set believed that the actor was playing too
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intelligent and soft muller i came up and said. hello. i say that you want to take the child by the legs and beat his head against the wall, the film is not about that. it's about the struggle of the worldview about the struggle of two intelligences. is there any other we are plotting deceit. from what is no longer? well, with your cunning. which one is ours to compare? we are just angels in heaven compared to you. 17 moments of spring was filmed by order of the state security committee, and the main consultant of the film was semyon svin , deputy head of the kgb yuri andropov they said, semyon kuzmich well, we could show you
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when we arrived. they charged everything to certain machines and we sit in a small hall, they put a table for him. approximately, they put paper on such a table. pencils and a lamp for them so that he can and suddenly he runs out of the hall of the reozny from this parametric view is running out. i can't. he writes all the time. writes all the time. listen, let's get something. let's collect it. come on, at least in a bottle of cognac , or something, let's drink, that is, buy, maybe he will become kinder, or something, he came out of there,
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there was a break, first of all he doesn't drink. and secondly, he took out these papers that he wrote. lived and the religious says so. well, i liked it and began to read what he wrote, this is exactly what he liked. movie to watch endlessly tomorrow after the program time free vtb super credit card is 200 days without interest. go to vtb and everything
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a contract. just hello. we're fine. they gave me a paper for swimming. it's not too early, you know how it's grown. well, come on, you'll see. we leave to sleep the day after tomorrow, i understand, not small. i can't do it any other way. you know me. hello father. see you soon serve by contract. in this house in the small rzhevsky lane of moscow
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, according to the plot of the film, the secret apartment of the gestapo was located, where the radio operator katherine keane with her newborn son was kept. how it behaves our russian friend? we spend time in interesting ideological discussions in the guest house, until we got there for a very unexpected reason, which could only happen to a woman in berlin during childbirth. she screamed in russian. dad talked to some of our illegal immigrants, who then ceased to be illegal immigrants. so he met with the normal borodin and he was not in germany, he was in france, and as far as i know , she was supposed to give birth there, norman borodin's wife, and uh, if she screams, she will scream past, but
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mom and what then? so she said, i i’ll still scream, momo, as a very real writer, took this scene to himself and turned out to be some kind of screaming mother in russian mother. what giant's mother gave birth to? she not only you call the gestapo or call. i call you only later we still have a lot of work. relations with all the actors and actresses in the film, they developed a very, very, very vasilich, kind for life. katya grad , only he didn’t call her otherwise katyusha, that katyusha called, but katyusha said, so-and-so, that is, this is all through life it lasted so long when dad fell ill, lay if only, and gradova went to him there it happened.
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there, an incident, the guards did not let her in, but just the very fact that they were all tied together to the end. here are the threads. in the role of a helmut soldier, who helped the kett care for the child, and then shot the gestapa officers, the german actor otomelis starred during the war, he lost his entire family. when the red army troops entered the city where otto lived, a soviet officer saved a german teenager from starvation. i'll go to the bus stop and see the bus. i will come back for you better together. let's all together i, of course, was not a very big role, but i was amazed. what a resonance. she didn't actually have a role, but the film is amazing, but you need to understand. how old is he and yet, he is very clear and everything in him is essentially without bags. i was pleased to star in instant spring's seventeen in this way. i
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thanked that russian colonel who saved my life. here is the former estate of the saltykov-cherkovs on myasnitskaya street. in moscow, episodes of the negotiations of the german general wolf, who played vasily lanovoy with representatives of american intelligence. are you aware of that? that the war was lost by germany yes, but is it worth it to start our negotiations with such a painful german for me, but afe. in the early eighties, when yulian semyonov was his own correspondent for a literary newspaper in germany, he interviewed the real karl wolf, and only then in moscow, having met vasily lanovoy, he told him about it alive and well for 85 years. he says here is
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such a beer barrel. simonov asked wolf if he liked the actor who played the general in the film and wolf said absolutely different, well, according to the text and and it says, i decided to smear faith and said gervul, you should be happy that our thin-lanovoy played you, he laughed and said, okay. i 'll take your thin lanovoy cognac. i say julia where is the cognac. he says, vasya, i flew in an airplane for a long time. i couldn't hold him. dad came up with this story, which was nice on the volga karl wolf was such a stingy and mischievous old man that he still demanded something from dad for an interview, in my opinion, dad he himself gave either vodka or a jar of caviar, only to reach out to this old fascist and, of course, wulf did not pass
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any cognac to lava, he is a greedy man . it is clear to many that muller's adjutant , performed by the actor lavrenty masokhi, was remembered and almost everyone remembers the dialogue, which then turned into joke. and as the memes would say now, the word went to the people. which corridor along our corridor, however, the fate of the actor himself turned out to be tragic . the group of standapter stirlitz arrived once, but the third time he made a reservation, and tatyana mikhailovna was a tough woman. she said, how is it that you are such an experienced artist, you can’t pronounce it. i tell him to calm down. calm down, it's very difficult. and a phrase. she's just for students to
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patter. let's now quiet group. he means motor. clapperboard he says. group standarten führer pcs all a few days later a heart attack occurred he was only 61 years old. finding council in april 73rd tatyana mikhailovna apologized to all her colleagues. e for my rigidity for my such exactingness, maybe excessive said some lines cannot
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be crossed, i crossed them for the good of the body. here is a photo of a different period of photography here is a photo of the time of creation of 17 moments of spring. here she is on the cover of the book in tbilisi when he came to his parents. this is the period of creation, just most of the music was written before filming for a live image, a little was written. but basically everything was written in advance, it was all shown tearfully, and he could call her at night, what is called to show something that it occurred to him that he came up with what was born to him and it was, as they say, the soul in the soul did not work.
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to write music and songs for the film, tatyana lioznoy invited the composer mikael tarivereva, whom she knew from the time of her studies at the vgik, where he taught this film goes beyond its own history, about which it tells, and also thanks to the music that sounds there . six different themes in the film which run through the entire film passes and make the dramaturgy of this picture with height. there will come a time, you will understand, probably, two songs. i ask at least not for long and do not think down seconds. these christmas lyrics were written specifically for this movie and they state two main themes that develop throughout the film in one way or another. and then the search began for the performers of these songs, who became no less famous than the film itself. initially
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, tatyana leonova wanted muslim magomayev to sing them , maybe whatever you want. it's so hidden then there is a world of unrest all to be hidden in the soul, only to break through when i said that i should sing. it is very restrained to accumulate a lot of passions and desire to speak out, but to sing very restrainedly. and he suddenly i said, i can't do that. i don't know how, i can't, and imagine that he suddenly sang very well. if you want not for long and this double, who sleep more often, he forgot one word mixed up the word. we can not describe, because
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the shift is ending, and for tomorrow he flew in shock. he begged me to wait for him. he arrived, he did it, but we have to wait once endless trials began, but no one suited the director, then the poet robert rozhdestvensky, who wrote the words of the songs , invited his friend iosif kobzon kobzon came to the recording studio from the control room , this is tatyana mikhailovna why what? not a kobzon, you can sing. i say, i understand that you are joking. kobzon, at that time already a well-known and popular singer, got terribly angry and wanted
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to leave, but, apparently, creative ambition took over like that, but okay. well, i'll do what you ask, and that means i started it. i just yes no and somewhere around 20 in some kind of take , suddenly here, here, here, i ask you at least not to. my sadness you leave me. and the audience for many years remembered the music that was recognized by the first wife and remained in the history of cinema the famous silent scene, where the third and speaking character was the melody
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of mikael tariverdiev was not there, but once vyacheslav tikhon a similar story of his life was told by his friend scout, illegal the canon is young, when he told this, i just felt how dear it all was to him, and he restrains himself so as not to experience it again. i told this story to tatyana mikhailovna that i was here, i know this story. she listened carefully to the pause. then she said, shine, we'll do it. so a zucchini called elephant appeared . where we meet with my wife, who is wonderfully played by shashkova and we talk with her at a distance only with our eyes.
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she read in me maybe i understand everything. and i told her with my own eyes. forgive me that i have arranged such a life for you that we have not seen each other for many, many years, but i am not to blame for this. i serve this is my service and my service is the same as ours. the actors serve many years later, vyacheslav tikhonov met with his crane wife, actress eleonora shashkova, i did not remember how they filmed in the famous silent scene. you came you had a day off, and i was naughty looking with a camera. i won't. i don't understand filming with this piece of iron. i don't know tatyana said, i'll get up and you came in, you sat under the camera, well done, my dear.
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helped me so much, of course. we have done a very important thing with you. it was such a special time happiness, probably, for him in work, because, uh, he already had a huge experience behind him that he could use, but he perfectly understood that all his experience was all his talent. maybe open up only in the company of these here. eh, also the same talented people, my hands are trembling a little. come to your senses and speak normally. nobody hears us here. it was born there. well, well , tell me now, evstigneev and that's it, and everything at once and instantly and it's completely clear that the professor is a swimmer. it couldn't be different. here he was with such a gait, someone says that he invented it a long time ago, but it doesn’t matter. here is such a playsha professor once
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and for all and there will be no other. so he asked me to tell you that he was last night. waiting for your call. come in and baldness without spreading it into the apartment. although he had no right to do so. not waiting for a review is strange. i was at home. apparently he got the number wrong. it was a horror, his second mistake was the challenge of the last days of rolling. of course, you can then watch it on the computer monitor in your phone. but all this is not the time to see the challenge, the way it should be seen on a huge screen with
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for 24 months without interest. what are you smart or financing credit cards with halva? how the weekend fell off with friends in a neighboring city and rushed settled in , swept smiled, treated themselves, these are pirogues on weekends to neighboring cities russia.tra travel cinema 1tv represents our
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anyway, they kill because of love. cinema 1tv presents, well, how was your benefit performance, the sea of flowers was wonderful, they were also stolen. i gave them to a friend. and what was the name of this friend alexander how did they try to pass off libya as ukraine as a fake department, any port can be rented? so it will look like one another leaving britain a victim. they just want to hate russians. why the inhabitants of greece are outraged by the supply of weapons to ukraine, the government would rather burn the whole of greece than ask russia for the planes that used to help us and why
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ukrainian fake guns are looking for children in antifreeze school in the summer. tomorrow, on the first and always on one tv channel, many people, thanks to whom the viewer was so immersed in the atmosphere of germany at the end of world war ii, and so believed in what was happening on the screen, remained, of course, behind the scenes. the film was shot by cameraman pyotr kataev, son of writer yevgeny petrov, co-author ilya ilf and one of the creators of the famous ostap bender, a wonderful track record, he worked with directors kulidzhanov igor sharov. he took a picture with a grammar book. a dog was walking along the piano. mikhailovna he took a 6 1/2 picture.
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why half because he died before the set, filming the film end of the world , followed by a sympathetic intelligent person, smart, educated, talented, petya understood me perfectly, i never argue. i can't help but mention two artists, production designer boris dmitch dolenkov and costume designer mara bykhovskaya for their sergei gerasimov's trilogy the quiet don was their shoulders; they brought authenticity to the picture, especially not just the
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costume designer had to sew a huge amount of german uniforms and other military uniforms. and they had to look the same as during the war. my father told me that a letter had come from the def film studio to the studio. where did you get such accuracy in details in the micro details of the suits , but the picture had several consultants and there was one consultant who was approached by brown a who was an ss man, then he became our military prisoner, then he became , uh, an announcer at a visit, he played an artist, sometimes ss men, and he helped the world a lot; he was a bykhov costume designer and not a single costume was allowed into the cadry. before storing adolfovich will not look and will not let, yes,
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break out. thank you right grid-funkerstein, please. i am in bernie connection. waiting at the bar for mountain skiers. daily at 22:00 contact form old box of tobacco gold block english matches with punch label. i can only say that one of the main characters of our the painting is yefim zakharchenkopel. who, because of maxim isaev, told the audience what he thinks about, what he dreams of, what he would like to do. it was he who fell on him. it's a challenge and he's doing a great job with this painting called the girl of my dreams. calm watched for
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the sixth time he hated this picture. of course, such things are not taken into account in this cinema, he regularly met with a deep courier named svens , too, leo again told me that there was a completely original voiceover. uh, performer let's say in this case it will be god will be god. so they decided that it would be like the voice of god who knows everything in advance, the intonation is also m-m thoughtful a little ironic, as befits the god of sorrow and capitulators instantly this intonation. i found it now, after more than two hours have passed. after the shtelets left himmler's waiting room. he was well aware that he was on the verge of the right. i received many naive letters from schoolchildren, some girl wrote in such a timid
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handwriting. thank you for this picture. now i understand how to love the motherland we are completely they didn't talk about it. in this picture, even these words were not used. and if we were engaged in rhetoric, if we told someone all the time, this is how it should be or there is nothing to do. i got the art of the highest rhetoric of art, i repeat, and it is able to turn the souls of people. this is a gigantic event for the country, in general i think that it is very many times. and how many times they show such growth, people sit down near the tv. well, because the great always attracts and will attract, no matter what. it's been 50 years now
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returning to this film is again the same emotions, emotions, hearts, souls, eyes, because again this is a meeting. with the present , this film is somehow fundamental for me, is it such a moody one that it gives something more than just about the motherland than just about the fate of a scout. and i think that stirlitz will be around for a long time. forgive me for paphos for us guiding stars in this chaos of materialism and selfishness. stirlitz, i'll ask you
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