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tv   PODKAST  1TV  August 22, 2023 12:25am-1:11am MSK

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and uh, when he passed away and when the memory of his last deeds, which in general included a large element. e disrespect for the law. it was natural for the soviet leadership. then go along the path that khrushchev and the twentieth congress followed. but now we have a different historical perspective. now it is a different historical memory, and therefore it seems to me that for the overwhelming majority of the russian people, as you absolutely correctly said, there is a need for a strong decisive leader and those in the west who they think by skipping, if you will, the kiev terrorist methods in fact, taking responsibility for what zelensky and his group are doing, that this will lead to the
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defeat of russia in the first place. the liberalization of russia is second to their humility of russia to the level of a modest local power, so that those who hope for it, they are absolutely blind, and if there really was, uh, in russia a situation where the people would be disappointed there, how the war is being waged, and today the people - this is the supporter says, but if it came to this, then i'm sure that the results of the people's will in russia washington to london. and brussels would be very, very disliked. this is what i would like to add, you understand, it seems to me here , and not that the people yes, of course, they are strong and decisive, but i think the most important thing is the people and in this list it is a leader, there must be effective, strong decisive and
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ineffective. therefore, as they say, as a rule, this coincides, but this does not mean that it was only stalin, in my opinion. with all his crimes, of course, so to speak, but he was effective, peter i was also effective, too, he was full, by the way, to say sins and catherine was full. sins. the rafts went along the volga to say something with these, but efficiency and now, it seems to me, the reason why these people are chosen here, we are talking now not about how they will choose some new leader, because those leaders who have for all questions enjoy. we're a huge support here. yes, we are talking about something else. what style of leadership and what kind of politics do the majority of the russian people want? this simple gave a convincing answer. this
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it was a big game, see you tomorrow on the air. you interfere with the group climbs the plane takes off and makes 10 to 20 cities. first. the very feeling of panic has not yet been approved by the medical board in any film casting. for some reason , in addition to the complexity associated with the space theme, i also brought medicine there. i didn't know what thoracic surgery was. this is the process that happens when it enters the lung. oxygen attention prepared. according to the events of the film , an astronaut gets injured in open space and needs to be urgently operated on
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aboard the iss in a space of weightlessness, where bodies are incomprehensible. in what order are they arranged and where, where, where is the top, where is the bottom, and how does the liquid behave in the space of weightlessness, the spacecraft is a very small space in which very few people fit, and in our situation , the operations that are carried out there and all the preparations for it and the fact that we are trying to somehow resolve it. this is of course very serious one of you will fly to the iss the international space station the iss is the most technically complex facility ever created by mankind. task in pirate timeline. there for a month to prepare a person who is not touched. this is extremely complex. yes, between those candidates who can perform an operation, to which they can fly into space and not care, of course, skip this moment. it was impossible it was necessary to show how they are preparing, who is, who vasily is a surgeon, one of the candidates for flights, candidate
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of medical sciences valery zolotarev from samara a biker surgeon from space is sent here. he is a doctor the most outstanding candidate of those who are preparing to fly into space, as you always define my character, rafik, he came from krasnodar. moreover, in no film the casting was approved by the medical board. we all went through a medical examination, that is, everyone was spun there in the center of the fugue and carried out various studies. hmm, before they were allowed to fly these three training fugues. this is an overload test. but one thing is that a man of your mass lies down on you and presses you down. well, if you are reading this , eight people lie on you, this is gravity increases eight times, while still. naturally. this is the movement of the physical
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centrifugal force. perry is distributed, which means that the blood is displaced by the muscles, which is very noticeable on the face. 1 1 2 and you said it was lilies of the valley. well, as you can see, quite strong people got caught, they had such an overload, the average seemed quite affordable. yes, i don't know where you've been, i don't know, well, yes. i, too, once in my youth was in yerevan. a specialized aircraft, which is a rarity in the world. il is our invention, which is imitated the state of weightlessness favorite group climbs the plane takes off and makes 10 to 20
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slides they fly to great heights and start quickly. so uh go down. we parted the ensemble of the text of the ballet during the flight, that is, the operator, the instructors , and we had 10 so-called slides, when you have an overload, then a state of weightlessness. the first feeling of panic. we rehearsed just the actions of the approach to the mannequin, when the body comes off the surface, the law of attraction is violated. and you suddenly take off is something you can dream of fiction, actually weightlessness. it's the same as writing it. the instructor twisted me, i twisted, like i don’t know how, like centrifuges , doctors check the pressure and body temperature before the flight. the first flight, the very first in half of the film crew, was not very good. they went straight out. the most difficult thing was almost fainting - this is
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the so-called overload, when suddenly the plane descends from the parabola. and ah is gaining height. this is a hole, when the most unpleasant thing just presses you into the floor. this is 2g overload and that's it. the rest is just fantastic fun. bliss. i want to do something that doesn't work. we have not yet been fully accustomed, for example, unlike our wonderful instructors, who have already eaten a single dog there in this matter. in this shoot thank you very much. thank you for your experience a strong hand a firm consciousness. come again boris we have a consultant, in this case, the surgeon takes place regularly, some rehearsal meetings, where we practice on a mannequin, we study how the process works in general. this story is about doctors in general. what you didn't tell me that it's all about
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doctors here. well, first of all, i learned a lot about surgery. it turns out that this is not a cinematic scalpel river. the first, probably, the word of the surgeon, when all the patients have already been put into anesthesia, treatment, clamping and only after that we discuss all these moments step by step, we go through all these acquaintance actions. we have tools. we all touched it with our hands and, in general, all the various devices. what is a skeletal chest? she is unstable, according to these pictures there is not much at all, that it is clear the temperature is kept. he jumps 37.9 to 38.5 hyperthermia. maybe the blood is lysing, or maybe the most difficult thing in the acting profession is to find a bunch of information in order to do something in the role. yes, you need to know a lot, a lot of things, and then try to forget it before the frame, and and try to see everything with new eyes , they advise the set. i'll tell you so. we are even
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in the place where the place itself is. this is a whole consultation. he has a tense pneumothorax , needs drainage, what does it mean? expel air from the pleural cavity. dmitry yuryevich is the head doctor, who is notable for his health, cosmonauts, as our consultant doctor told me, such a position, in fact, does not exist , the head doctor of the soup is a doctor . , which in general is super responsible for the training of all astronauts, almost on the very first day i had to carry out drainage. i didn't know what it was. many of my partners were surprised. how many terms i use in this operation with the training process. i met during a shoot. if now with this
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interference, he will die, we all together. his name is gennady fedorovich, my character is the brain. well, keep all the threads, how does it happen that the computer and so on, if suddenly some kind of emergency situation, he can always help. uh, technically equipped in all respects. and for example, the flight director, he has a heart and a feeling in this regard, which he turns on in case of an emergency situation that happens and then a conflict occurs the heart of technology. he makes offers and tries to carry out what is not written in the instructions of the madman accepted. everyone laughed at him. as a result, we still
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fly on his ships to understand that this is impossible and decide to do it. well, the leader of this cosmic association, under whose leadership this whole story takes place. if you look here, the soup is divided into different departments with a consultant , each department was discussed, then what they do is distributed by 2-3 people, respectively , and each of our actors does a separate matter of his own, that is, someone from the department. medics are someone for the cause by communication and, accordingly, each actor of the mass scene is a group or episodic. they worked out their specifics on the ground shooting in almost every scene there is a real person, a real instructor, who is not an actor manual docking instructor. we filmed, and the safety instructor at the station was doctors. we all called and everyone was happy. these are wonderful people, wonderful people. these are anesthesiologists, real operating
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nurses, surgeons, real we are their pescal, it was just a very long selection. so now i 'll find this pipe. oleg rostislavovich is a troublesome thoracic surgeon, uh, who spent the night with us rotten, because when the preparation for space at the ctc ended , preparation for the film storyboard began, and first of all, of course, these are questions of medicine, because the first scene with which we began to develop this whole story. it was a scene, an operation at 2 months. it took me just to learn how to sew up before bed. you see, here i have there were such silicone simulators. so i sat and sewed up, tried to tie a knot, we were present at the operation for 6 hours in the face. an operation of 6 hours costs 40 per surgeon without moving. they entered this image.
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they both understood what was at stake. then , later on, with sergeyevna, they worked out surgical techniques, elements of suturing, and everything else. it just wasn't visible. as far as here she is from she relates to every action, it seems, as it seems, maybe we just love ourselves here doctors. yes i don't you at all distinguished sonya profile. why is it a mystery to me, he said, i don't know, let's handle. this is how you work. now with this tool. this tool is right hand. and this is yours and here it is the spatula that you made from the wire you peel off, and the left handle is your hook with which you pull, it makes tools from improvised materials from the wire in your hospital, too, such a mess is going on. she's in the field trying to save a patient's life, what
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can the doctors say was fantastic. hello, my name is dmitry bug , the next episode of the podcast is on air, let them not speak, let them read the name itself. you, of course, understood that we are talking about literature about reading about how books are written , how books are read
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. century, and in the theater, of course, before and about everything about this. today we will talk about a wonderful guest. today we have a folk artist. e of the russian federation avangard nikolaevich leontiev hello avangard nikolaevich hello. dmitry petrovich is very glad that you have agreed to come and talk about literature with us. about the theater, of course, but hmm, and by tradition. let's start from the very beginning. well, how did it happen with you that you became an actor a banal question a strange question. well, sometimes it happens, by chance, sometimes it is the essence of life in the most childhood years, how it all happened with you avangard nikolaevich my father dreamed nikolai ivanovich dreamed of being an actor and even he he entered amateur performances in the city of orel, and even he entered. uh, to
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the seld-meerhold on the top director's course is amazing. he wrote, uh, an explication of the performance, based on the children of vanyushin found and he should have been accepted or accepted, but my mother, and they didn’t get married at that time. here she is somehow bohemian. i was afraid i shouldn't have allowed my father to go. you are her representation of the theater - this is , first of all, what kind of scenes after such. i think that mom and dad loved each other very much, and were faithful and lifelong friends. friend friend lived for many years together, but they were very jealous. i think my mother was jealous , i think that this is, of course, not bohemian, because the theater it doesn’t happen, it doesn’t happen that the theater is a person, there are also actresses. second, theater. it's just another life. it usually draws the person in. well , of course, well, by the way, orel is the literary capital of russia, so it is commonly
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believed. this is the black earth zone. boris is not the end of the hare, our most famous and writer, who lived in exile for most of his life. he said that the russian north gives birth saints, and the russian black earth region gives birth to artists. this is a very accurate look, because the eagle is tied more easily. who is not connected. yes turgenev bunin andrey leskov giant peaks. was it somehow in your mind or not? or just family it over time over time, you know my elder brother to him, 8. the weather , he wrote a book even e oryol stories, he sat in khimki in the library there is a department of the main library of the country, which we call lenin by inertia. he read all the newspapers that were published in orel until the seventeenth year of the xx century. there was such
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intense artistic life, literary life and journalistic life. yes, from there from the newspapers, it means that everything is connected with these names that you named and some stories there turned out to be small, such tiny ones, so peculiar. and just imagine, here he is so carried away by all this so that our oryol roots. here we are now , especially with age, we feel, well, how did it happen that you were no longer amateur. actor like your father, but as a professional it started before, uh, the moscow art theater school yes, where, you know, it began at home, at all family holidays, he always performed. before school, valery also tells me that i’m somewhere on the christmas trees, you know , this is the new year, this is a company to take the children there for matinees, that i
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read mikhalkov’s fable in the background i don’t remember this, i mean, it was so long ago, you know. it was such a wounded childhood, in general, i still wanted to speak in public. i wanted to perform. yes, it's great fun. that's why for some people like me, for example, well, it's very clear to me too i teach at a student's school a lot. i see these people, but it's also very important here and the story is shattered, because there are many famous actors who are famous for their roles, but not all, but have a taste for reading from the stage. this is a special profession. she was in the soviet yes to the public soviet time they said that these are legendary masters of the artistic word. uh, people, nikolaevich zhuravlev, yes. yes, people who traveled along the river. yes, i was very lucky, because i'm
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already studying at the amateur school. there he led a drama circle at school, but still uh, a smart person advised me to go to the house of pioneers, the city house of pioneers, and i came to the studio of the artistic word, which anna said, a former actress, was in charge of. the first art theater studio, she is very famous. she was a student of vakhtangov sulzhitsky and stanislavsky stanislavsky was the passenger father of stanislavsky listened so yes. and so. uh, anna told him she was, uh, quite an outstanding educator in recent years. she also taught speech in the chamber theater. and not only and, but here children to children since the thirty-sixth year. mmm of the twentieth century, an actress with such a school
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to teach eh yes. you know that the children simply adored her and she was just a very honorable person for us, they didn’t know this word yet, but that’s how we treated me in awe and there i learned a lot. because it was here the school of art theater, but it's just such luck. she spoke, but as an educator to young men, yes young is great. and by the way, she was the keeper of the archive of her writer husband. ah, sigismundal. these are the great ones, the author of which during his lifetime very little was only translated and printed somewhere. and so not his books did not come out. so he died, in the fiftieth year of the twentieth century. here she is, and she began to puke, the thresholds of the editorial office, so that something would be printed. well, nothing worked. she handed over this
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archive to the traffic police and told me once that when i handed over the archive to sigism poetry. yes, yes, i passed it in skyrim someday it will be printed said, she told her an idiot fifteen-year-old thought it would never be printed to myself and here is 2001-2002, i am standing in bookstore on pushkinskaya square. and i can't believe my eyes. sigismund kryzhanovsky three volumes, yes, yes, a luxurious super cover with luxurious photographs, wonderful author , never like anyone else , such a mystical vicious patrol of pesses do not burn. here you see, i remembered right then and there i bought these three volumes and then they went out. three more volumes, two dissertations were defended at the same time.
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well appeared in one perlmutter. such a very important to someone then not only. eh, he did a lot. vadim overkill. yes he is on in fact, who is orskoy evgenia vorobyov, those who defended their dissertations, so such a story happens, it happens that a person, well, as it were, uh, during his lifetime, uh, is not recognized, and then gaining recognition is more difficult, because no records. yes, unfortunately no, it doesn't. no, no, an actor should communicate with his generation if he was not recognized no further . know, and then he rises, moreover, krzhizhanovsky was not known for external reasons. these are simply censored soviet reasons, otherwise solzhenitsyn well, he still printed it. here is tvardovsky glory. during
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her lifetime she shouted one thing to god there. that is ok. i wanted two more there with a scattered set, they removed it , they didn’t allow it, and then they confiscated it all from the library. it was forbidden. the person wrote wrote . it can also be read a miracle miracle a mathematics teacher from ryazan, unknown to anyone with such a camp experience, is alexander trifonovich tvardovsky into the new world. uh, brings this story or tale in different ways they say and suddenly a miracle happens, yes, because it is a great text. make way taiga prokhor gromov is coming.
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well, are we together again with you a literary podcast? let them not speak, let them read. i am still dmitry tank. our guest today is people's artist of russia avangard nikolaevich leontiev well, what happened after anna gavriilovna after? and he said he introduced me to dmitry nikolaevich, the great reader zhuravlev, the great perfect artist of the soviet union, and he prepared me for admission to the school of the moscow art theater studio i wanted berries this is the sixty-eighth year of the sixty-eighth year. yes, sure. i’m ready and, uh, he studied with me a little and selected the repertoire and introduced me to his student
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viktor karlovich monyukov, the famous professor at the moscow art theater school, and he listened to me, and in general, i had support. already before the selection committee, because the maniacs were part of the selection committee , there was still no certainty, but there were such wonderful people who supported me, i remember interestingly, i read the tale of the golden cockerel. pushkin that you are gold. this is gold cockerel. this is a cockerel, then he fed me. when i already entered the philharmonic in the reading department of the literary thurs for children after graduating from the studio school, i began to read concerts in schools. i spoke hundreds of times with this golden cockerel in schools, well, this is a wonderful text. pushkin it’s just that such a pearl is not like that, listen how the children of his wonderful, in general, children listen to pushkin wonderfully and
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gorky by the way, i read gorky as a child and i ’ll ask you a little later, just read something, this is just a topic that i won’t hide prepared for discussion, because not every actor feeds. here is such a taste. how do you like reading, but they read literature less often. maybe i'm wrong, but less often they read, uh, plays and dramas, fragments in concert. well , of course, you give the memory of literary elements or just, yes, this is the time and yes, even a parallel profession, because there is no costume there. no, playography. there is nothing. yes, you yourself depend, of course, on the author. the first line, of course, is the author. takes out and leads and leads you understand the height of the author of his equipment, the author. this is, of course, you. well,
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how, how you are not alone, after all, you are not alone you have a huge range, uh of different registers and i really love your work, including uh in the genre of reading the artistic word. as they say, maybe uh, so improvisation, you would agree to read something. you mentioned the childhood of maxim gorky , you will know that, i read a small piece . hmm, a fragment about how after the grandfather flogged alyosha alyosha is the main character of the story . this is his childhood. yes, it's babyshirin. alyosha is gorky himself, the future writer. yes and so, when i was punished for there sha there is a nursery very cruelly there, i will now know for myself why i lost consciousness.
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gorky writes in this book, and here he is, the boy is ill. i just fell ill, came to my senses and felt all these things badly and could not lie down. only on the stomach, the back was all broken. with rods, family members began to come to visit him. oh, and grandfather himself came, by the way, apologized for what he had done and then gorky writes that i realized that grandfather is not angry and not terrible, but most importantly, a gypsy came there. it was such a foundling raised in the house by his grandmother. and this gypsy girl came to visit alyosha, a square, rough-chested one with a huge curly head. he appeared in the evening, festively dressed, golden, silk shirt, sending pants and creaky
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harmonica boots and shone. his hair sparkled, cheerful slanting eyes under thick eyebrows and white teeth. under the dark stripe of a young mustache, a soft shirt burned, reflecting a red light that was not treated by a lamp. this glance he said to me with a rolling hand. and showing bare hand up elbows in red welts. even worse was healed a lot. do you feel how the grandfather began to enter into a rage , i feel and see constipation. he started to substitute this hand for you, waiting for the pond to break, grandfather gives for another. and you will be dragged away by a woman do not alimate. well, the pond didn't break, wet and flexible. and what do you like less? ha-ha, you see how much he laughed again with a silky gentle laugh, laughing, looking at his hands and saying so i feel sorry for you , i feel trouble, and he whips a snort at the horse, shaking his head at the gypsies, began to say something on business
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immediately close me baby simple. i told him that i love him very much. he didn't just answer. so after all. that's what i love you. but he mistook pain for love. have i become for another for someone to spit. then he began to teach me to quietly often look back at the door, when you are suddenly on fire, they will flog you. you do not shrink, do not squeeze the body, and you loosen it freely kiselyov lies and does not inflate breathe in all ari and you remember good obscenities, well. i asked if there would still be a network. and how calmly answered the gypsy you, go to often will fight. and why does grandfather find and again began to teach if he flogs from a canopy. just puts it in the vine from above, lie freely softly. but i’m telling you, the cut with a heavy hit them towards you, pull the catch to remove the skin, then you wag your body towards him
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climbing, it’s easier. i am in this business with me and the most quarterly i have from the skin of even the neck of the neck, i looked at him and remembered my grandmothers. about ivan tsarevich, about ivan the fool, such a fragment is amazing. you know, i remember, kisselyon lies. this is, of course, my childhood reading. i i remember this scene, but i have left that 's it, this phrase kisselyon lies. i didn’t remember at all and thank you for reminding me of this, that, uh, alyosha, uh, well, it’s like trying on grandfather. yes, it’s just a pity that through such torment. yes, yes, yes this is now they would say that this is a childhood trauma, a fashionable topic, between tears it was painful to remember that it was he who beat me so severely, but also to forget about it. i couldn't this is an amazing story. and what's the contrast with another children's trilogy? yes, because the name of the trilogy of gorky's
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childhood in people, my universities, but this is clearly sends away tolstoy and childhood youth some such things could not have been, but there were others yes there were yes, this is great great to you. thank you for agreeing so impromptu - these are wonderful things to read korikov. e. well, here, i still remember it very much. your work is on top. and i understand that asking you more, something would be wrong, but uh, that's how it is in the army. but i also heard and was simply shocked by the way you do it. there, too, there is a lot of cruel, a lot of rough, rough, violent - this a book that came out in the mid-twenties and , as a matter of fact, this, but another picture of the civil war, if you like, for a century. yes, of course, i think it's epic. that's
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how quiet longer shelkovsky. it seems to me that this is the kunarmy. hmm, because there it is a motley, very separate short story. yes, this is a collection, but this is a patchwork quilt. it still expresses salt. remember the story, of course i told him at the age of 15 she told me more than anyone she suggested reading, i didn’t understand him about how a woman gave out a huge piece of salt for the baby. yes, to be taken on a train, to be taken during the civil war. and when the red army soldiers realized that there was salt, they were a baby, they shot her slowly, right? i didn't know how to read this time, how can i justify. do you understand this shooting? well , there was still no polyphonic perception of life, then we were brought up, very straightforward enough in soviet times. yes, quite
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straightforward, so uh, i realized that i could not read it then, but now i would take it him, of course, of course, with understanding now with him. eh, here is our 20th russian century, of course, this is the concentration, as it were, of everything. what happened to russia in the 20th century. there's so much violence, so much tragedy, as it all reads. here, lydia ginzburg is wonderful , literature of the century, well, he says that babel does not change his voice, that is, he writes with equal intonation about suffering and about beauty , the sun rolls like a severed head. for example , he has the image of the first wife or transition. through the bars i even have such a question. fana, there you go how to approach this? what is here? perhaps feeling is one thing when a reader, alone with himself somewhere in the evening, reads such prose. and as an actor or a reader, if this word does not jar on you, how he does it to a woman is very
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ascetic, despite the brightness, he very much selected expressive means. he's got everything so tight. they even drove a scander saying that even the very beginning of the story is too compressed, there is nowhere further than this i spend the spring to compress. well, yes, well, iskander thought so, but this asceticism suits himself, as an author, as a writer, that it is necessary to squeeze out everything superfluous absolutely. you know, maybe there is some contradiction here. maybe i'm wrong, but such redundancy, e stylistic constructions and mechanism of feelings. yes, e, he is rather laconic not in the selection of verbal means, but in a row, because in the selection of any means for pain. here, yes, and he doesn’t have it
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. you can’t squeeze more water. you don’t understand any of his prose, uh, and i once. we went together with mikhail mikhailovich with zhvanetsky to one event, and i say, mikhail mikhailovich, i am now doing a program for babel is nothing more difficult for mere memorization. i didn't have to. uh, teach. he says, of course, because it is a language, that is, it is its own language. here, babel is very helpful, by the way, the performer understands that this is not some kind of language that can be gleaned from a dictionary. yes, this is some kind of organic matter that somehow shapes you very much. do you understand? i have always uh, it seemed very strange or conjectural that, yes, this cannot be sympathized with. that is, as soon as you try to pity someone and die, because
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that when a young jewess wished, she said that her father was killed and the hacked father lies nearby. she speaks calmly, and where in the world can you find a father like my father? that is , if you think about this situation? what lies dead, i don’t even want to say it. is it possible for them to react directly to sympathize, or do they also need some kind of distance? if you try to sympathize with such grief? such a cutter, such a performer or performer are you? yes, i'm interested. exactly as you should, of course, here it is necessary not as he said. dmitriy nikolaevich zhuravlev must keep himself on the reins. uh-huh, you can't let yourself go. eh, that’s all, a sentimental experience , you can’t dissolve in it and you can’t bathe in it, you can’t enjoy it, but you need to lead very much. oh yes, the author's line. yeah, the author's speech, the author's voice, that is
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, they felt the author's what was happening between these people. it makes a very important story even in such tragic things it can be seen. for example, uh, when students uh, uh, telling tyutchev i say that there are some there treated in verse, of course, no cruelty whatsoever. there is death. it sometimes happens there in the deniseev cycle, but nevertheless there is tragedy. yes, of course, oh, how deadly we love. yes, of course, she was sitting on the floor and sorting through a pile of letters, how she took the burned-out hall, removed their hands and threw them away. yes, and there is the possibility of love, the collapse, the tragedy of love. this, yes, yes everywhere, she lay in oblivion and that's it, shadows covered her already, but i'm talking about the fact that tyutchev sometimes gets to some kind of look that is not available to a simple person. there is some part.

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