[000:00:00;00] the tail wags the dog and there, uh, where dashin hoffman plays, here is the president who needs to be re-elected and here, uh, advisers, they are image makers, they u suggest such an unexpected one of them, such an unexpected idea, we need to start a war, a fake war. naturally, against whom against albania and he asks. and why albania and answers, why not? here the bidens had to start a fake war against albania and not a confrontation with russia, and even more so not a confrontation on two fronts against russia and china, here he will lose 100% america will play wise words and serious warnings with him. it was a big game, see you tomorrow on the air. the goal that the director set for us is to achieve the feeling that we, together with the heroine

of the experienced, see this accident, prepared ourselves and three two one and drove off from scratch, but this is impressive on these huge screens. the film dictates all the adventure that awaits us all , the challenge awaits, and it generally visits everyone at every stage in every day. there was such a big synergy in general this project. it is symbolic in terms of the fact that it can only be raised together. yes, because those who created the rocket, those who created the international space station, those who sent, who taught, also participated in this project? who selected who invented? who created this common project? that is, it is not so that we did it, yes, that is, it was we who did it, yes, in the broadest

sense of the word. it will go, they did it with a 3d model, they went with the director of photography on a 3d model, it was time to change something, and uh, so to speak human resources and financial, too, everything. e is not a mission control center. with us it's just a pavilion that's fast from scratch, but it's impressive. yes, these screens are huge in approach, to that material is removed. there is a certain proximity to american production. at first it was said that let's shoot there in the cosmonaut training center for the cinema. it also didn’t turn out very well, because everything is functional there. people work there. there is no need for all this. this character is sitting overlooking a large hall people are sitting in a negotiation. it's already on the screen. that is, we, of course, completely confused everyone here, because all space

organizations. in some one big mythical russian space center. and they all sit in the same place. therefore , this was the decision and well, this is a big lie, but it is due to the need for such a dramatic creative all these employees of the tsup, they are somehow called abbreviations written there. and it gives such. in general, credibility. we have a lot of soup received, literature. she lies here, where there is a real one. you see, we have a bunch of all sorts of sensor monitors, that is, sensors that in space transmit information to these computers about temperature, pressure, about all the parameters of the astronauts that are there, and therefore we have the opportunity to observe how the astronaut feels there during a spacewalk pressure in the suit there, in general, all this is reflected on the monitor. this is a scenery that is reproduced very

accurately. fractional with amazing precision by a letter with an official request to throw in cosmos , they sent us further, they will name mekhrunichev. bulavochkin. there was something in the tspk museum, and with these raids, the car went there, brought some of the missiles there, went, especially the benches for these huge big willows that are standing there. here they are, they helped us very, very much. we went halfway, because there is a serious museum of such a level there, there are some people there who are so enthusiastic. new floors were poured and everything was leveled, everything was done according to science, as well as the amount of props that were poured there, i just constantly gathered. real cosmonauts at the heads of roskosmos from the props have practically nothing here, everything is practically. well, except for, you know, here

are some things, but that's all, that's all that has to do with the industry. we took everything. uh, these people are great and thank you very much, because well, well, we would never have done this and would not have found it on our own . that's all we see here, all these mock-ups of satellites. even these paintings, three real liquid themes, uh, were given out to the museum. starting point we still had the iss in the din, it is the way it is, based on. before. we have already begun to grow some kind of design to come up with what the earth will be like, what the soup will be like. what will this cosmonaut training center be like as a result, the earth will be one, because this is zhenya's world while she is a doctor, for now, she is an ordinary woman who saves people and the camera. there is no bag in it. it captures her life, and then a little bit, of course, all this

is transformed in the cosmonaut training center and, accordingly. well, further this is development. there is some kind of cold feeling. it seems to me that steel is already in the sketches in all objects related to roskosmos. such household warmth with greenery in the world. the goal that the director set for us is to achieve the feeling that we , together with the heroine, are experiencing and seeing this accident, even at the moment of impact and even in flight. therefore, this is the difficulty of doing all this in one frame. it entailed the decision of its technological such as to separately remove one car in the bathtub and separately remove turn the heroes so that they behave organically. we didn't really kill them though. i've been preparing for a long time, i'm a girl. yeah

to be honest, we hoped that everything would go more smoothly and the weather would please us, but the conditions were difficult film crew, the future plan is to start eating at 13:00. we had 15 minutes for high-quality massive training of stuntmen was a lot of work. yes, so that these cars are in the right place in the right condition and move where they need to fly? where you need everything ready the camera starts ready and 3 2 1 and go. we do a lot with accidents. i didn't count at all. it is especially difficult for a car to drive into it, the other one overturns. as if, well, a trick worked out many times, but

ours broke. he said that he didn’t need some kind of ordinary one. at least he would like to take it off so that it would look more simple. because of this, i had to compile everything to do it. our all pneumatic tossing machines stack multiple frames into one. e, in. the principle is to use almost all available devices. and here it is to understand them and the rotating equipment for the rotation of the actors in the car and dragging on the roof or we checked the girl, that it would not become very bad and the girls were cooked. and yulia is ready, she is already a space girl actor. uh, too, when we were filming, for example, we had to invite the traffic inspectorate to invite the chopovites, respectively. there were more mechanics in the cell, since we also had second union who filmed the passage plus stuntmen plus, uh, special vehicles that held our farm crane that pulled in

car. studied real footage that is filmed in open space during these so-called evas, that is , spacewalks, you can navigate by them, so we consult with astronauts. we also have a direct link with the active astronauts themselves, working in outer space. they can let us send photos of references of what it looks like, how it should behave. what kind of belts do they have there, what tools do they use, how quickly does some kind of boom crane unfold or fold? plans for the operation itself, so that the audience understands what is happening. we need to get into the so-called interior of the body, cosmonauts that is, this is an operation from the inside, how realistically we can show what is happening inside the body. after all, on this plot, the basis of what we have inside the body, we make here on earth, we do it with the help of peter quenching and his

laboratory. we make such very similar to the real all organs under the control, of course, of our medical consultant. and uh, at every stage he walks straight joyful and says it's really cool. and it makes us so happy. many will say, yes, that you can take real shots there, but few people know that there is cinematic ethics and such shots. uh, the real ones are used in movies. mm, well, it is considered bad manners, therefore, my duties were to develop, just the interior of the operation on the lung. save silicones, because silicone is silicon organics for the last few decades there. this is

the closest material to human flesh according to the plot, yulia makes directly direct heart massage, that is, it is with immersion of the hand in the cavity of patients once or twice. thank you sami close, and this is also a special effect real objects in the frame, they look real. the fact is that this is the contact of the actors of the actress with liquids with glare with lighting. everything here should be as realistic as possible. no wonder the movie. the call is called here, let's show, like ports, then the call is obtained.

hello, i'm larisa guzeeva, this is a podcast of letters. today i have a well-deserved guest, actress, director, artistic director of the theater, practice maria brusnikina. hello maria hello. i'm so happy that you came to us . andrey vasilyevich myagkov. and in what year did you enter, did you finish, then i feel bad over the years, but uh, it was a long time ago, only a film about the irony of fate came out. he was a super popular person. uh, and some kind of god for us for all and then you enter the course. it was the exchange rate. nikolayevich efremov andrey vasilyevich myagkov was a teacher there and also rarely recruited teachers other than the leader. no, the next course was, where is it, natasha is not a year old, he was the leader there, and we did it have worked. he says pokrovskaya worked as teachers. she recruited the main one was in efremov , but we had two groups, and we clearly divided one group was myagkovskaya, the other pokrovskaya. i got into the

vasilyevich myagkov congress group. madly, of course, therefore glad, because he is a teacher from god. i believe that this is one of my main luck that i met this person as a. teacher, it’s just that there are some such people, that’s who shaped you and of course, andrey vasilyevich is one of them, but the truth is, eh, when you came to visit him, he insisted that the students call him andrey naty, but this was already the fourth year. it was already such that we were already quite friendly relations. and yes, of course, he insisted, especially with the guys there for a day of brusnikin. roma kozyka, he was still a completely young man. now when i understand, then it seemed, oh, it ’s easy at all, but in fact, there was even a little 40 something. yes, that is, voznesenskaya is some kind of completely girl. she came to us for the second year. eh, with some not thoughts a haircut in some way i remember now, you entered such a nonsense my skirts, well, just a girl , yes, well, of course, for us they were teachers, but

yes, he directly wanted to consciously, yes, well, the guys call. well, already here is such a contact , more than some kind of human relative , they were friends. but not me. i always uh, very his. eh, somehow. well, i appreciated it. it's clear. it is clear that all the girls were in love, softly, this is understandable. despite the fact that i was already married there, i managed to get married for 18 years. it's completely different, of course, classmate. god rest his soul, but this is some other love, this love for a person is endless, because there is a sense of humor. you know what you know perfectly impressed. yes, a sense of humor, over the top, uh, wisdom intelligence. uh, some amazing amazing completely human. he was very modest. that's right , you know somehow, but unnaturally modest for an artist of such popularity. that's when i was filming with him, but he was the age and my mother, and i

could not even imagine. what is an actor such a popularity of such magnitude? i tried to be invisible to everyone. so i never saw him, so he told jokes there, or is he, right? well, here's how they were going, and with us, burkov was filmed by georgy, who talked all the time. uh, anecdotes, some stories all gathered around them. andrey vasilyevich was always somehow apart even when his wife came. so the two of them went somewhere, and it was so organic. this is not something that did not irritate or raise any questions. well, you just watched with some admiration. yes you are right. this is incredible. not just modest, but a very private person. absolutely an introvert is a very strange position in this here in this profession. really. yes, there, as a rule, some other people have a different way of being. no closed indefinitely. well, he opened, probably, he opened with us with students. here are our all sorts of nightly gatherings at their homes, unlike you

students. eh, andrey vasilievich sassy was never invited to the house to journalists. yes, we are lucky for you. yes, but that was the period. that's when we were students then later less often, then it was quite difficult to lay. later it was already quite difficult to treat guests. they completely closed, as if they closed the house. explain, this is for yourself. why are they such a closed incident, there was some kind of self-sufficiency between the two of them. yes, there was some kind of rejection, maybe of what is happening around. yes, that is, after all, andrey vasilyevich is quite no, then, already, when it began. later, perestroika , the age already when and after the departure of oleg nikolaevich efremov yes, already some kind of life was so closed. and how they had at home, what kind of you would they have. it is too. we will be students there. here we are in this apartment. well kutuzovsky prospekt is also very fashionable strong. so, i remember that there are few white walls, who did it then. yes, everything is hung with paintings by andrei vasilyevich, he is even still an amazing artist. just amazing and

very strange too. he's the same here, too. we are talking about this modesty , closeness, such intelligence of the intellect , the picture is insane, simply insane. here is his vision of the world - it is such a colorful distorted some sort of perception. that's all about portraits. he has a lot of portraits there oleg nikolaevich efremova, uh, and. he is also a caricature. yes, yes, that's all. eh, very much to say. well, not not realistic, art is definitely all hung with his paintings. everything is very stylish, very fashionable house, anastasievna was very comfortable, absolutely amazing hostess, and i remember it is amazing. she loved when we came we were received here in the highest grade. i mean, it's great booze, great food from the market. and i remember you understand some incredible little things, and i remember how i was instructed, and i'm not very into housekeeping frankly speaking, and i was instructed to chop parsley somewhere. and i mean, unlike you larisa, i'm not very economic. i love this parsley and

it's so cool on it. why are you doing this? i say how but the stems why chop, and barvie these t -things of them ruby remembered for the rest of his life that the parsley stalk must be taken out. even though she had no idea. that is, she is such a top class, and we were always fed and treated to all these endless conversations all night long. they were also very educated people. andrei vasilievich read a lot. and how is it that all the time you know the stream of names of this one , you notice, you remember what you need to read, what you definitely need to know, and what should you navigate? that is, they were educators. well, not only in the profession, but at least in the profession? well , of course, andrey vasilievich, uh, how should i put it? well, he didn’t form it, yes, he helped me a lot because i was very afraid of oleg nikolaevich efremova, and in general with him. and he was even some sort of authority for us. just crazy and they could normally exist with him. here are the older guys who were there, damn it, goats, just a certain amount of such a team we had.

yes, yes, we are all the same, dear friends. ah, the girls were all little after school, and of course we were afraid of him. well, the leader of the centurion, who was not afraid of anything, but she came later, yes, but she , as it were, moved after the academician to us later and there was an incredible fear, but softly. he is because i was still in his group. i i understood that he treats me very well and i felt it, and he, of course, he was incredible with me, i hated sketches there. uh, i could be doing this and something i didn’t want to didn’t work out, and i said, i won’t leave anyway. he kicked me out of work. i sobbed, so i went and was kicked out. it was a very funny case when they finally came up with these courses. well, like all this, like, this, so you went in, something happened, and you change the change. i say sasha sasha nikolaev is a wonderful theater actress on a small bronnaya now sash says, come on. here we go with you to the audience. i punch you in the face. you cry and we leave. here are the events, and

we entered, i jumped her into an evolutionary sob, and i got their jacket. well, now on the contrary, it's not very good, i remember. that is, we are brought up like that. so he helped me a lot, because he took acting work with me in the second year. it was metel tsvetaeva and i was given the role of an old woman. it says tsvetaeva the old woman throughout the 18th century. i cried a lot. why did they give me an old woman worried terribly, that the girl has all the heroines, and i'm an old woman. and here he is with me in verse like tsvetaeva is clear, and now he was very tormented with me, because i understood everything inside, but i couldn’t reach that e, that volume, that latitude that he needed and that’s how he already i jumped and showed me everything just with his hands, everything, as it should , and at some point, apparently, but he told me. here's what else i have to do for you to play it and something makes me feel so ashamed. i took it and played as a result with a plus, then skill, but this is myagkov, he is some this lever in me turned, so that i started to open up, open up, or what? so

this is what will work. yes, underwear is delicate, but i didn’t have a head, in general there was zero brains from the word at all, when we were filming with him, and i understood that he was old. well age my mother uh and somehow hmm well, he wasn't brilliant, he didn't take care of course, everyone always looks at young artists. andrey vasilyevich no, it's not that i was afraid of him, but i, uh, always gathered in his presence. here he somehow stricted me with his presence. here he was stroking and he could do something such is to whisper to help at some point to suggest. here it is, yes. yes, i remember which word was good. he also stricted with us, for example, we were not allowed to laugh out loud, because you sit there and react to someone who plays something and ha ha ha. well, as a friend such a hard look. oh yes, so you can’t express your emotions here. there he hated bows. yes, that is

, these here, when bows are built, if i bow for a long time to the music , i hated such a separate piece. he thought it was just absolutely not intelligent. came modestly bowed and left, what do you say, now just the whole performance suits this bow. and that's all we have left and, uh, and you're your student there. yes, i always say it, because you convey some things the plot from them, he had two words, but for him , it’s just that the biggest curses were for days that they were coughing, what is it still? i don't know what it is and noncombatism. here are two words to scold botinsky, what is it? well, look at the dictionary. here. latin and not mischief are two such curses of andrei vasilyevich because he had impeccable taste. but existence on the site. yes , look, she played some, as losers say today. yes, then who do we want to play. uh, studies at the institute, prostitutes and a drunkard, yes, and homeless people uh-huh, because it's bright it's easy. all. this is how he played this same loser in

an office romance and in e. in the irony of fate , an alcoholic is not an alcoholic. you are a very former person, but everything is according to such a top picture, yes, but nowhere did you go too far, because nowhere on the screen. that's all for me more not less. yes, yes, well, lasso, amazing, amazing, because it is very strange that such an intelligent, as it seems, gentle, modest person. and such a powerful nature of acting. yes, but characteristic with such a spirit, yes, yes. do you know what i regret? so my fate was reduced to such uh personalities. and it seemed like it would always be like this. why was i inattentive? why didn't i listen? why didn't you ask questions? why didn't i try to learn something to peep. here's some experience. i so sorry about it. true, three vasilievichs are immediately

lithium. smirnov it seemed that it would always be endless, and then i still have time. and i have one photo, well, between uh, with the shooting or there between the houses, i don’t remember the hooligan one with andrey vasilyevich, where we kiss him, because it didn’t happen. oh yes, well, according to the plot, i got to the koran. nowhere is this close. no. so i competed with him and smoked a cigarette, and then i said to teach you gypsy. is that when you tighten up? and she taught me gypsy, andryusha kudashyan is also my classmate. by the way yes, also a student of andrey vasilyevich well, in general, i really regret that i had to sit down, fools, write everything down, look with all my eyes, but there was some kind of young life of my own, i wanted to do everything there myself, but then it really

seems that you will still have time. now i also really regret that i had to communicate more persistently lately and ask more, but well, it was difficult, and he says, you know, he didn’t even come to my performance. so i called already, when i became a director, i began to stage performances, thanks to strength. come look never came and at some point like that. well, why don't you come, and i'm afraid you'll be disappointed. he jokes all the time all the time. yes, i'll come, i won't like it. i'm itching for you. well, how? well, what can i say? tell me why you are masha, if marina is a passport, then i am marina when i went to school at the moss studio, there brusnikin immediately called me masha, everyone became. my name is masha but i'm like marina never. because then i was baptized by masha , the only person who called me marina it was oleg nikolaevich efremov, he was so marin to the end. well, everyone calls masha absolutely and was baptized. i’m masha and i was already baptized as an adult, because when the child was born i was born to grow up or maria and therefore i think that i have absolutely two names and now it’s rare that anyone calls me marina all

machines, but it was with the light hand of dmitry brusnikin that you happened there were also wonderful couples and everyone always talked about it, very beautiful, very kind of correct ideal. well, yes, i was very lucky in my life very lucky, and i continue to live all the time, as it were i measure myself and think, that's what dima would say and, as it were, so as not to let him down, what happiness was. dima also then took courses and taught. challenge the last days at the box office. of course, you can then watch it on a computer monitor in your phone or on tv. have time to see the challenge the way it should be seen. on a huge

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on the object, so that the head works. this is a podcast of letters i remind you and my guest is maria brusnikina. do you think they suffered because they did not have children? or was it a completely meaningful uh such a choice? i don't

know you can't get in there. this is their personal life. i don't think it was a meaningful choice for them to have a niece. yes, they were very busy with masha, well, it was great love, just great, i don’t know another such example, but it’s true that asya loved detectives very much. and when she had already re-read everything and suffered from the fact that no. oh no, no, nothing new. there is nothing new. he said, i will write you myself detectives and began to write. they were successful and screen adaptation. even had one of them. i read. i bought it, read it, called and said that oh, how interesting, yes, yes, to my beloved. well, he actually worked out. so i think that when we talk about closedness, he was realized in these pictures. he wrote, yes, he seemed to be, well, yes, this is some kind of withdrawal from public life, consciously unconditionally. departure from the theater conscious. well, then he of course, i was engaged in anastasia intimate, who was sick. and, if what she did

, uh, except for her main profession. i think that she is andrei vasilyevich with each other. yes, but she was generally very fond of poetry, she read a lot. she always had some plans, when he had a plan to make some kind of program, she also called me and read it to me all the time into the phone, which means akhmatov makhmatov’s poems, it’s just that she has a and somehow on well, here are the books at home. but, look how interesting it was, and their fate in cinema. eh, she began acting very early, major whirlwind yes, the first role. she was young, beautiful and extraordinary. she is generally a brilliant character actress. yes, she is a heroine, she is a beauty. she was and so she declared herself and andrei vasilyevich did not suffer, he did not have any complexes. why does he live with such a young star, and then everything changed. they began to invite her less often and andrei vasilyevich set conditions. yes, that he will be

removed, and if they invite, yes, well, he did a lot with instinctively a lot of her helped. that's for sure. that's why fate develops this way, but here we can't do anything. no, of course, it's fate here. they were together there was no jealousy for the success of the other no. i think there was a lot of love and respect. it was. it was also some kind of service to each other. it seems to me so, i 'm so envious, how i would like, but in such love in such respect, at least a year to live in my life. well, i'm afraid, seriously, even a year, hmm, everyone has their own fate. this is now, when students are finishing their fourth year. i just do it i now have a favorite form. why not envy anyone at all and not compare anything. that's absolutely. everyone has their own destiny. here is your fate, where are you now live shows in the theater of all. the difference is a terrible time, by the way, the center of vasilyevich also has a history when he scored

a course after us. here we are finished and taken away. he is already some kind of high head of the course. he was a very bright course very bright course you have too, but we have yes, and. well, they just weren't distributed to anyone. that is, they finished and they didn’t take their tenth, no one some time. what embarrassment? yes, they fell into this kind of pit, it happens that way, but for andre vasilyevich well, it’s different, it happens vasilyevich this also speaks of his character. it was as if he never came again. with god , the moscow art theater he said that he would no longer teach, because if he spent, yes , there are so many forces e on people and where did you lead them and something to them. well, he promised anyway, it turns out in the profession. nobody needs this, then he would look at this business more. and when, uh , well, that's even nowhere ended, this one well. uh, it was the first year of perestroika, when everything became possible when little faith happened. and that's it. it seems to me that with such an attitude to the profession, as it was, andrei

vasilyevich had a friend to see such a thing on the screen. yes , then everything began, as through a carbon copy to shoot from the americans. uh, look, some fighters that are not needed have appeared. well, i can't even. i can't. i can hardly imagine the participation of andrei vasilyevich in this refused. he refused and left pedagogy. and then i dragged him once i managed to bring her to a studio school for one of our courses just to talk to the students, and he talked like that. i again say andrey vasilyevich well, why go teach? well , it's necessary. people don't, it's character. this is such maximalism and also it is further, because in the sense that, and the street will re-educate. what is it like in dry land, or its meaninglessness. like, i don't know. yes , because it suddenly became no longer needed by anyone in one day in an instant. it has ceased to be necessary and valuable remember. yes, the films of the same kind of time were, but curious. here you go andrey's next one had already stopped filming. it's further everything already. and yes, another life. here's writing to escape with

this, apparently, but traveled a lot. they really were very connected. eh, so pinchevsky's human hair is also our classmate, who went to denmark and they talked a lot, traveled to him , traveled around europe with volodya volodya somehow took care of them for a very long time. but there is a terrific letter, which well, if volodya is a letter from andrei vasilyevich and where does he write, but in general about what volodya's death means to us somehow read it. why after some time because of what year the letter is about already somewhere here, well maybe some anew before he died. well, it’s just us then or maybe a little earlier we were shocked then, but volodya read to us much later, when it was gone for vasilyevich, we were then shocked how much he thought about it in advance, how he formulates it, in general, what is human life. yes, there is just a level of some

such m-much intellect and a philosophical- philosophical attitude to the life of karamaz, who matured, yes, absolutely 200 years. yes, i remember that at that time we were simply all shocked by the fact that how he formulates, how he thought, and in general, after life. that is, he prepares himself. he, when do you think? yeah, well, he, of course, he thinks about what life is all about. you know, well, i don’t know this, that is, i never noticed it, didn’t see it. well, listen, what an interesting question , somehow i didn’t think about it, because it seems that yes. this is their privacy. this is their modesty. yes, but such selectivity is not omnivorous, when there is no passion for money e we are both interesting. well, the heart has never been advertised in any way. it's definitely the last time. i 've seen andrey vasilievich well, the funeral. it was the same with dima, it's amazing because he came. he already felt bad, it was obvious. here. well, he came this

last time we saw each other. yeah, he is. well, they loved him very much, of course, and in general some small person in my life is such a beginning of life. yes, with such a teacher, right? how much humor was there? how many jokes? this it is impossible that the clothes are fools, these are all feklistov goat lingonberries, but these are separate people, as we had a rehearsal. she is in the theater to you hut. well, he was still a student. for some reason, we wanted to rehearse for you here on tverskoy, which is a big one, this mkad , which is now kekhman named after gorky , which also had a car there, and he is fashionable andreas that he is driving a car. then , in general, the car was talking, and here this zhiguli was standing near the theater in the parking lot. and now the car was winter and these fools, then they started talking and rolled his car away, just rolled it back and hid it - well, how a little around the corner and so happy, so everything was set up so that they go out with asya after the rehearsal, they are so happy since there is no car. in general , for some reason, everyone thought that he would be very happy and laugh, as if at a joke, but he

had such a thing in general. i remember getting angry , upset, well, i was walking along a rut, looking for his car, which means we came back on this. well, idiots remember that andrey alekseevich was very somehow this humor, he did not understand. and what was his reaction cursing? scolded them very yes, it doesn’t work, not this humor, no. well, it was a lot of fun. he, of course, incredible humor in an incredible person. you somehow appreciate sibur in people all the time. if there is, humor is excellent, you know, a normal person, he never portrayed himself, did not try to please, and he always had some kind of readiness. and here is such a collection. you know that he almost died at our place during the filming. yes, this is a terrible story. hmm, the episode when he is sailing on a boat on a swallow, and he is very close. i just don't know the name. uh,

that's what these propellers are, yes, and he is very close to it to this propeller on the boat's podgreb and it was tightened. it was terrible. it was scary, because when the glasses and the hairpiece floated to the surface. andrey vasilyevich is gone. an empty boat, everyone understood that what andrei vasilyevich experienced was generally incomprehensible, but there was no hysteria, nothing, well, thank god that he is alive. i, for example, can hardly imagine another actor in his place, who would have such a reaction, because everyone was afraid, imagine what a responsibility the directors are. scary, well, this once again speaks of the dignity of the human self and its kind of internal

culture. well, i want many to have had it. killed, i love her scoundrel very much, that the heart will not be kind. your father pyotr danilovich gromov could have killed anfisa smoking. and first you have to kill my father and mother, your dad stabbed it so it turns out.

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