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super power. give joy as much and when you want superpower to receive and everything will work out. and the ubiquitous paparazzi, who in recent years have been tracking them somewhere anyway, they were filming the already not very healthy asya, sad such and andrey vasilyevich how warm was it? here she was holding her hand all the time, well, yes, well, here i am, you started this topic with internal culture, really such few people. yes, and you, when faced, you further begin to measure yourself with these

people. yes, it is clear that all of us are not national explosive temperamental people, but artists are also yes, and, as it were, at the moment when all of a sudden something like this happens to you. i very often actually remember this school of andrey vasilyevich , this is restraint. and this is very rare. well, yes, it's an internal culture. it is like respect respect for a person for people who are nearby, yes or in themselves. as once i sasha worms. and sasha, too. we are absolutely beautiful. classmate. he somehow for me has always been a much measure. he was so good at me. put in place i am such a temperamental person. i remember once telling him some opinion of his own and sasha suddenly speaks to me so calmly, are you sure that you are always right and how did you remember it so once for a lifetime or is there what intelligence is? that's what sasha said. well, you know, you're driving in a car. skip the other one and it's that easy too. and with andre vasilyevich it was yes, respect for another or for himself. although it is clear that, probably, there was feeling of importance and talent.

yes, but you are respect for another. he is serious about the profession. that's what he invested, of course, in us. and you know, he had some kind of compassion. and uh, hmm, in general , an understanding of the situation and one cannot say, well , he felt sorry for me, but there were situations when aleksandrovich was not very to me. uh, well, it was a violent romance. yes, he was a cruel stone, and andrei vasilyevich, he saw that i was all like a string with me. and it didn't help my work. on the contrary, i closed someone needs a kick, and he goes and plays and is wonderful. i need to love to praise them, then say no, no, i 'll do it to you now. better. oh thank you very much, i'll go and do it if i say i don't like it. well, and other, that is, i can’t, and andrei vasilyevich understood this, and somehow he began to help me like that , he began to block me like that. i understand it now, i understand it now, but then it seemed to me, well, yes, well,

because my mother also helps me. that is, then he took it all for granted. a why not? the old man is there, 42, where are the old ones? well, he already was. well, there was some kind, uncle. uh huh, in this film, you vibrate so much because of this thing, because of this tension. apparently, due to the fact that just clearly recently, i also got. i think it's just such a person, vibrating turned out larisa oh thanks. that is why andrey vasilyevich, of course, happiness, that here i am, and gratitude to him that he was in my fate. i don't care. these people form anyway, that's how. well, you had it, and four taught for years, huh? you worked for six months and over the years you understand the significance? yes, of this presence, of course, a very bright bright star and then no, well, in the theater, then we

worked together for a long time and played together in the seagull and also like that. yes, of course, and he introduced me to chaika, that is, we came, and you called him, andrey always and for you. i also called him for you, but andrey, i myself decided to go home. i'm an artist and i will be so on you but i called everyone on you, but by name. no, i, too, as a rule, everyone is on you. but andrey vasilievich is not here and he drove roma lena mayorova to me the three of us were taken to chaika there before. here vertinskaya hmm katya vasilyeva masha played for me on masha lena, on roma on andrey vasilyevich and andrey vasilyevich introduced us. and i also remember how he is, how he does it wonderfully, moreover, as you always do. there are solid stars. there is someone there , it’s understandable, there is stronger there. uh, savina around. yes, there lavrova didn’t go to their rehearsal either, which means that he gently arranged everything for everyone, and then, when we already saw these on the run-through on stage , there are three new performers here, that is , for all the game forgings of all of us somehow

and also so he’s just perfectly level, but not lower. and you know what surprises me all the time. this is why, for example, ali kenkovsky here at the mention of a deer. here he is a star. andrey vasilievich is a brilliant artist, but one cannot say about him like oleg ivanovich yankovsky and zvezda, and not because he did not go to the festival, but not because he was not a public person there. they never talked about him, and they never gossiped or slandered. well no i know, but on the other hand. you see, it's still human. here he spat into eternity. here he starred in the defense of himself, who they say that he did not love and was very worried about him, which he shows every year, but did not love him later. yes, he starred there office romance. he starred straightened out. well, the whole country knows this man, well, until now everyone will know, and it will always be a star. yes, that is also how to manage. hmm, it’s clear that he had a lot of films, but these two and well, it was clear that cruel

romance and everyone will always know. yes , the story that eldar alexandrovich himself wrote poetry for the song. and yes, on his films, he hid the novel all his life. yes, he in general , three vasilyevich made up like you and andrey didn’t like everything very much. kalnul not very much. he got angry and offended, and in the next picture, in the garage, he gave him a wordless role. yes, he took revenge so much, and then he sang this song andrey vasilyevich i remember throwing out a panorama or somewhere he sang this song. he sang beautifully, i had a wonderful ear. he never drinks in person in an office romance. eldar savicheva didn't trust him to sing, but in general he was amazing in this sense. for example, he never read the elements aloud, yes, and he thought that it was so and i remember it, it’s very good that it ’s so personal in general, everything that concerns poetry is so much and what you experience while reading. it's that, it's so

personal that it doesn't need to be transplanted anywhere. here. i just remembered it despite the fact that the amount of my knowledge there is about the love of poetry. not in person, not in public. sing. no, the growth is interesting, yes, the father is also included in the acting profession. this is something so personal. yes, but he rarely allowed himself to read poetry or drink something. yes, how amazing is some beautiful life of 85 years. such rumors, no gossip, no dirt, and no houses, there was no broken fate, for example. here, he could play alyosha karamazov there until the age of 30. well, there are a couple more roles there, and he would also be remembered. we would have sat there, remembering everything, well, he lived such a very beautiful, wise , meaningful life. yes, i was just thinking about it too, that somehow i would leave and everything throughout life always cause respect, look. and how i fell in love in my first year. yes

, asya came, and he saw her and realized that she was his woman for life, everything is beautiful in his life. it turns out, and she answered him in return, she also considered something like that in him. yes, i saw it for me. this is just a sample. here is the couple. well, now on the troekurovsky grave next to dim brusnikin not far away andrey vasilyevich my name is intimacy and that’s it, that is, she survived for a long time, andrey vasilyevich, i don’t remember, it’s just that she was looked after, of course, there, but the fund the artist is absolutely amazing. yes, this organization and they got involved, and olga, the director of the artist’s fund, helped a lot, because it was quite difficult that she didn’t accept the axis, no matter how, by the way, the girls weren’t all at once, then she got used to some a woman who helped him wonderfully and there were always doctors and everything, that is, here is a fantasist, just huge in advance, andrei vasilyevich did not need. but

he left, that is, everything was there. yes, it was enough, too, there were doctors and care. yes and then when she was left alone. and yes, but she didn’t let her in pretty much either. so you couldn't come. by the way, she didn't let me in. the only thing that could be done was to organize it through science fiction writers. this is all help. eh, as if care and concern, and they did it all and a big thank you to them. it's great that you have a continuation in his students. uh, brilliant course, and you are something special. hey, here's everyone listed. here they are yes , we have some kind of charge and efremov and myagkov a. boris well, yes, we have this charge, apparently, power. no, its true. well, in general, yes, at 17 you don’t understand anything. who are you getting your hands on? yes, there, well, of course, efremov never took the course, you have to go to efremov, because here is efremov, but you are there myagkov yes, the idol is sitting. i'll never forget how the cataclysm of fate. we were a sister, and in a winter holiday home some kind of camp site. and when i

remember, i leave this room. i was just empty everywhere on the streets. it was just that no one went to the dining room. there was a tv in the foyer in the dining room. so the pipe was behind a wooden one and the people were hanging, not like on the chandelier was clogged. the whole staircase was full. everywhere it was possible, everyone was sitting against this tv right outside the window, in general, snow was falling. nobody went to the empty dining room, because everyone was watching the irony of fate, it is not clear. it was, of course, such, when you see the admissions office, soft. oh, how it is, but you don’t understand, you get into some people, and who shapes you further for 18 years, it was possible to form that he formed us. here are such serious people mary, here is what is for you, like our father. here you are for example, not allowed. here the translations are mischievous, of course. this is outwardly restraint, modesty and respect for other people, a serious relationship to the profession. and that's all. that's probably the main thing, but i remind you that this is a podcast of letters, and my guest is the honored artist marina maria brusnikina. thank you thank you very much.

stirlitz has never been so close to failure, gaby as a chess partner, you do not interest me in everything along the corridor. which corridor along our corridor, and where does he go stirlitz silk to muller stirlitz now we will fall asleep sleep 20 minutes in 20 minutes wake up and go to berlin it was a habit developed over the years, like the habit of watching the series 17 moments of spring, which these days celebrates its fiftieth anniversary. and we want

to figure it out. why does he still attract the attention of viewers? why he survived his era and remains in ours and what he talks about, and it is no coincidence that our atmosphere in the studio corresponds to the mood of this series. yes, this is a set of items that could appear, moreover, in the series itself, and these are items not only from forties, but also from later eras, including from the seventies, when the series was filmed and when the audience saw it, they saw everything there, in general, quite familiar. and in this way he connected the generation of the war years to the post-war generation and continues to be such a link and his popularity

, which was extremely great in the seventies, continues to be surprisingly significant and we will try to figure out why and how it happened . a scout who strikes at the plan of our western partners a-a, who are trying to exclude a separate peace with nazi germany and then invite yulian semyonov to make a strong story, and on this topic, of course, you need to understand. why liozny obey sergei gerasimov , who is known to us largely thanks to the successful film also about the war years,

the young guard, and there, by the way, his lezny student was an assistant. and after a few years of a simple little picture, she returned to the cinema and shot her first film in fifty-eighth year. that is, she approached 17 moments of spring as a very professional director, if you look at her filmography. she made a movie every 3 years. and this is, in general, well, almost without ceasing. yes, the shooting script was released, that is, it was clear that she could direct us and she could work with the actors. she could really gather a team around her. she was tough she was. maybe even sometimes too belligerent even said that she needed people on the site who would her, but fought. she needed to resist. while the actors. she adored

and believed that actors were the most important thing and gathered around her some incredible crowd of folk artists. and she, uh, let's say even hitler tried armored and kuravlyov, who later naturally, but played completely different videos in seventeen moments of spring. it is strange that, but she did not use oleg efremov in 18 moments of spring. although it was also one of hers. who are the actors? yes, not everyone was ready to go on the set for 3 years. and it's a constant job which required constant participation, because the series then, unlike now, were most often filmed in their entirety, and only then they came out after some time, this is why, for example, shtirlitsa did not play smoktunovsky on kent, therefore, perhaps he was not played an extra. although some suggestions. yes, from the actors there, for example,

marchil gomiashvili really wanted to play a tinker from metal, because for her they were not those types, but she didn’t like these socks. she wanted him to play because that he had such a slightly unpleasant feature in his appearance, she wanted this paint to be, but tikhonov appeared and , of course, began to continue this movie series. yes , a movie for the big screen and, in general, you can really watch it on the big the screen will not lose in its entertainment and attractiveness this movie, well, on the one hand. yes, but on the other hand. it drags on black for the third year when it came out, yes, then in the same seventy-third year, for example, the tv series big break was released alexei korneva, if you remember, yes, there kononov comes to work at the school. ah, adult students. he's the seventies, he's a color. he has a lot of such songful some kind of music

in the frame, and here there are a lot of documentary leaves. there is a lot here, as if from the previous decade and even the twentieth anniversary of soviet cinema. it's more like the thaw , like some kind of movie, than a movie from the seventies. oh, plus the black and white image, actually, it's not out of nowhere either. why because people learned of course relied on the tradition of perception, and the great patriotic war on the screen, people are accustomed to seeing it hot on the chronicle in black and white and, uh, black and white film. allowed to create a documentary image documentary product happening. we are sitting here. we are in the corner and watch how stirlitz masterfully extricates himself from all the troubles, in which it is time to move on to the second chapter. chapter two filming history sixty- eighth year 5 years before the series aired

, lyozny began working on the script and the script work took several years and further shooting took a couple more years, someone says, 3 years, someone says 2 years, and it was really the largest shooting, andropov says semyonov's jokes that the war lasted almost less than they filmed their series. well, of course, there are so many places of action in foreign countries that needed to be shown somehow on the screen. and in general, this can be considered such a product, because the shooting was carried out not only in the soviet union, but also in moscow. by the way, the authorities in riga and germany proper. yes they had to a and switzerland is somehow made up of different cities. and berlin naturally, and uh, it took a lot of time. at

the same time, cooking is the same television. we need to remember that in television there are completely different deadlines, completely different budgets, and the religious complained that if you are given some kind of budget for a movie, and you write down what you spend on what next. you are seeking, maybe an increase in the budget and so on, but you explain what you need the money for, they give it to you. and here you are given some certain amount and further no one is interested in telling her what you spend on costumes. uh, these are fine for uniforms, but for cars, yes for this whole situation, but you need to meet this money, that's all, and she said that some of the german actors were on her. in general , the evil ones are unhappy, because she, uh, forced them to shoot one and a half or two shifts per shift and, uh, did not let them go at the right time for lunch. and then she, uh, decided to let them go for lunch, right in the middle of the shift, right in the middle. prices all the time

for lunch it's time to go to tea, and after that they are in in general, they trusted her and brought the scene to the end and then calmly, well, relatively quietly. shlyn to drink tea, still such a lyozny, uh, regiment commander in a sense, yes, who during the filming, uh, has to convince the actors to fight the circumstances, of course, this is in. in general, the main task of the director is to fight the circumstances on the set, because everything is unpredictable. many things are accidentally found many things. you need to think ahead, but uh, nevertheless, she managed and directed a very difficult film. for only for 3 years, not for four, not for 5, not for 10. yes, while some of our favorite scenes, heroes e movements. in the frame, they were born precisely e, or in the process of a medical scenario. that is, what brought in there, liozny, as a co-author, or in the process of filming, for example, semyonov did not have a wife in the novel, stirlitz well, how is it?

how can it be, but she didn’t exist, and this one-eyed hero, who plays in reality, kuravlyov yes, she came up with this detail and an eye patch, in order to obscure a little, so to speak, and the image we are used to is roofing, but armored, which i move my neck like that. it's just that he had a raven shirt that was too tight, and from this, muller's characteristic movement was born. but they could have simply replaced the shirt. and from such things it developed, but let's say the line of interaction between stirlitz and e, an elderly german woman who is a lift in a cafe, they communicate all the time. yes, and simply liozny emilia melton, wrote new new text. if they call. i play chess. it was not so interesting to draw this line. and so it was interesting to work this actresses. and what is she gave her new lines, well, in the beginning.

you can’t think of a scene and some actions for the characters, as, for example, in the scene where tikhonov bakes potatoes. well, the main thing is amazing, how much screen time is taken up at once, we immediately learn about the biography and stirlitz for personnel with his habits in soviet habits. well, who didn’t bake potatoes, but on a campfire, for example, yes or apparently, that is, a reference to the civil

war in which colonel isaev participated yes, when he directly cooked food somewhere in the field , this, of course, is important show on the screen the main character is as detailed as possible, but the allious one had the task of filling the frame with many actors. let's get back. actually, to the reasons why the series has become so popular and open a new chapter on the fiftieth anniversary of the legendary film , breathing exercises put your left hand back. one fingers, and the right hand along the skull. here, yes, and start massaging only your eyes at the same time. close i will close my eyes, and you will shandarakhnet me on the head, like holts. if you offer me to change the motherland, i will do it. 17 moments of spring, i i know how they can search. can you go?

and then i'll catch up with you if i succeed, no, i'm not going anywhere. i will be waiting for you. tomorrow after the program time these health problems can become bad blood vessels, the drug angionorm helps to improve microcirculation, reduce the risk of blood clots, relieve inflammation and strengthen the walls of the angionorm vessels, keep the blood vessels in good condition free service card is profitable to pay here and there. pam-pam-pam tu-tu-tu-tum dress pay with azone bank cards with cashback up to 25% open free in the ozon bank application. stingy

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service low-cost pay pay cards of azone bank with cashback up to 25% open for free in the application of ozon bank. chapter 3 reasons for popularity one of the things i think that made the series so popular is really the set of those faces that we see on the screen besides tikhonov , besides leonid about negov, who perfectly played his main opponent. we see oleg tabakov, we see valentin gaft, we see a small video that played by great actors. come on evstigneeva

how to forget how to forget rostislav the fifth or they are up to kuravlyov, the character played by kuravlyov actually. he, of course, has relatively little in common with the real prototype, because he was not a one-eyed, but an eye patch for his department, and this unforgettable one appeared, which was never seen in another film. let's see this snippet. eisman had been dealing with stirlitz's affairs for several days; he turned over a pile of documents, but could not to understand why stirlitz fell under suspicion under the cap, how did they say? actor first, kuravlyov a. secondly, yefim kapilyan, who voices that's all with his velvet voice. after all, this is an incredible part, and the attractiveness of the series is those thoughts of stirlitz that we constantly hear in a completely non-cinematical way, actually, a technique, because we

must see the actions of the cinema on the screen and a few years before the release of the spring itself, there was always an example of a similar the film is stylistic, it looks like it is a film of ordinary fascism mikhail ilyich roma where, with his behind-the-scenes voice , tempo, rhyme, which in general reminds us of kapillyanov's or vice versa. kalyanovskaya resembles intonation. roma voices to us the thoughts and way of thinking of those people that we showed on the screen. and of course, how not to remember the radio operator kat , who at the same time, of course, is the heroine of numerous jokes. yes, and some hello to sergei einstein, because the baby is then another baby. but how else to make the viewer empathize? let's add a baby to him. eh, and yet. here this scene, when she is being blackmailed, and by the fact that now the child will catch a cold, of course, it is impossible not to react to this.

and this technique is rather sharp, rather, so rude, maybe, but for television , in my opinion, it’s just right for a mass spectacle just right, and she has a lot of such tricks and there are enough of them for all these 12 episodes, they don’t weaken if i found out, of course, i found a lot of newsreel, which i combined with the performance of actors, sometimes literally within the same scene. yes, stirlitz is sitting and watching football match, while a football match is a chronicle. that is, this is such a chronicle that could actually be re-shot, but here the task is not to show specifically this match, but to show, or maybe this grain. yes, this is such an old image that makes us the image that was taken in the seventies that it also perceives what is around as an absolute truth, an absolutely chronicle. that is why the black and white image is here. well, it’s just that without him there’s no way at all that it feels like liozny intuitively discovered some laws television, about which

it was not yet written anywhere, but which she knew. uh , just from my directing experience , for example, well, not only the music, of course, all these jingles are three-verdi, but also the finals in each series. these are pure ekliferengers. the so-called he was on the verge of right. you don't have to turn on the light. stirlitz , i will ask you to stay. for one more minute, this is when the scene ends, and the most interesting place, and we, indignant at the director, must wait for the next episode, when it comes out, to find out what happened next with stirlitz. these are the motives, yes, musical, which immediately set us up for one. okay , they set the rhythm in a different way. at the same time, from a modern point of view. maybe 17.5 spring is a very slow series. and if you remember that

it is based on an adventure novel about scouts, and spies, then the series is not at all like that. action well, firstly, what we see on the screen, we see unusually atypical enemies on the screen. in world war ii, she said far away, as she recalled that if the series had been filmed in a few years of what it was filmed, then perhaps, and she would have to follow the tradition that existed in soviet

cinema of the poster image of the nazi germans on the screen, they are comical, so ridiculous, but alas , the ruler, in which the gun falls out of the hands of casco, converges on the eyes and so on. it's a villain who's downright black villains. yes, that is, no matter how they are not people, but just such types. and the audience is used to the same ioliotic, of course, this tradition of depicting the enemy on the screen breaks and shows us enemies, but in the form of rather cunning inventive and most importantly smart people. yes it actually one of the materials. why does it show us on the screen, and the third reich , because to show how complex and dangerous and powerful the enemy was , the soviet union was convinced of a magnificent phenomenon, and plus this makes it possible. very interesting ideology between the characters, i can hang on any series, because it's just very interesting to watch. and i think that the same thing happened with the audience in the seventy-third

year, when this series really united families around, and tvs and elious letters came in bags and letters, which, as usual, came to the studio just somewhere to nowhere. and she took them and read them and said that she really liked the letter of one woman, who seemed to her that she and her son no longer had a common language and that was watching the series. here are those 12 evenings. yes, 12 episodes, while they are watching, they are discussing it and it turns out that they have a common theme and have something to talk about, it is actually an amazing property of series in which well, a common topic for conversation. yes, plus the theme itself, plus this is all this whole atmosphere of the series, but really contributed to its massive success between different generations. we must not forget that there were a lot of references here. well, as if

to soviet reality, we see on the screen, a complexly arranged e story about the apparatus struggle, which, in general , the soviet union was famous for in those years. yes , in general, the soviet bureaucracy watched, in a sense, a series about itself about how people were eaten while they were on a business trip, but this story with stirlitz's wife i know that eldar ryazanov, for example, extreme spoke sharply, and the implausibility of this scene. well , what is this scout for 7 years has not seen his wife, and he just looks at her. of course, not that there were no sexual relations, they were, but there was no demonstration on the screen, or rather it was, but very rarely yes, in

a neurotic sense yes, but here it is. maybe someone will see such british victorianism, and someone will see romance, and many viewers see exactly this, and that's it, uh, looks. yes, this very collision, which by that time was already a stamped reception on tv. yes, this transfacator that goes back and forth and, uh, this is an opportunity to really get into the head of the character and feel emotions. and this, by the way , was the most important thing for the verst. she said that she works for the mass audience of her task, so that the viewer, but catches the thought, so that the viewer empathizes, so that the viewer laughs, but gets angry. well, somehow in general it was in suspense in good shape and that's the kind of scene. of course they do, and that's important. here is an important detail. the element is music, of course, if there were no music

pereverdeva, i think we would not be celebrating now. warm up, we're not going anywhere in the spring, because this is such an important part, because the series begins with this, and each series ends with it. with this uh, jingle, again, we didn’t know such a word then, but it’s true rozanova, by the way, really didn’t want to let go of the stirlitz theme, the theme of the great patriotic war, and uh, she shot the next film and released it only in the early eighties. yes, that is, there she just had a very big break, because she actually wanted to continue this topic. and even it seems that she wanted to film something else from semyonov . but they say that he reproduced, they say that they had conflicts there, namely, about what she added in the seventeenth knowledge of spring. yes, these are the heroes of these replicas. and in fact, they say that she wanted to put her name in the credits, including as the author of the script, but they didn’t let her do it and then

they didn’t give her unfairly, because, in general , she was on a par with semyonov. as we see it , it seems to me quite a full-fledged author of this of the film and not only because andrey is a director, because she invented a lot, the misan of the scene, some female images that were, maybe not worked out so well. semyonov did not turn into a dreaming man. he, of course, would have lost a lot, because maybe he would have become a much sharper plot, but this is a hypothesis. this is my value judgment. it's interesting, by the way, the thought that it made him really more psychological. chapter four anecdotes some of the scenes of this film are in themselves, as if the adaptation of these future jokes because, well, it looks pretty comical we see smart people get into stupid situations.