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he is also waiting for the bus. you can wait as you like when you know how long you have to wait? follow buses in the yandex.maps maps application of the city what pin code, if a simple question has become a quiz, it can help for lunch, it helps to restore memory and attention to the object, so that the head works fine with diamonds. there are a lot of questions here, the main question is what is this

movie about? well, it's clear, we'll fly, it's clear we 'll see the land. we understand we see space understand we see rockets, but what about? a feature film, yes, yes, what is the grain of films, what is the essence of the film, because the film, whatever it is about, is a film about people, it always about people. it’s always about wherever you fly, it’s always about all sorts of fates about the fact that inside the wind of attitudes and attitudes towards oneself between yes, fear, curiosity spoke and this is what the viewer reacts to, he reacts, because that he is with this. maybe in this, yes , he can participate in this, and therefore, it seems to me that the cream has chosen a very correct point of view. he made a movie about how people

prepare for this and how useful this one looks real and he had this experience. he is through it passed, yes, and while he is and therefore i am a real instructor simulators, a lot of people directly from the center for only snaps, who, like me , played themselves doctors and so on. there is some documentary in this film and that's why it will be so strong. i think that it is doomed to success, that people really seem to have flown. we have a tradition. we watch the film the white sun of the desert the day before the start. and when they ask here why such a tradition of film is not coffee at all, i don’t understand at all. first of all, they do not understand the essence this film, but it seems to me that the challenge will also be. there is such a tradition to watch it, just before the launch it is not necessary, as all the time, at least for young cosmonauts who have not flown, be sure to listen. i want now about girls. just to ask you about our girl, but tell me about yulia,

please, that's how it is in general, there is makeup in the same place. there, in the same place, how in general, how she did all this all this nerfs, and i think, yes, yes, and they came heavier than here on earth because i myself did not see how i live removed. well, after we got back. eh, here is the earthly part we filmed it. that is, i plunged into your profession and became an actor, that is, yes, indeed, firstly, how many people it already is. well, this is separately for klim's work, how did he shoot? one? yes, i don’t know this crowd there, that person was there, maybe more. and just like that, if we talk about the actor's assistants, of course, there is make-up and so on. that is, julia had to. she got up early every morning. uh, since uh is one place for taking e-water treatment. what about excuse me, what do you perceive in the morning? eh, it's official. well, how would you officially

understand how much this morning is? well, yes, if every 45 minutes dawn and roll up looked out the window. you won't say what time it is. you can't even tell until you look at your watch. uh, well, officially wake up at 6:00 am and around 7:15-20 the crew should be ready to communicate with the ground and receive, uh, a task for money. here julia got up early so as not to slow down the people. uh, was given a soap head every one of it not the simplest there is no soul, there is no running water, and therefore had to be cosmic. the more we see in the frames. uh, her hair. i had to get myself in order to apply makeup myself. she did something there in her cabin and took it with her. well, quite small, because you can’t take more than 1 kg with you in general of all things excellent. and here is her little makeup bag. she somehow went to clean up so that she would not fly apart. there she can. i really hope when she tells me, and yes, the set is being prepared, but that's all

they were afraid that there, well, there would be swelling. yes, uh, well, this can be seen from the frames, well, because they know yulia, there are both their colleagues and themselves, that the first days, until they rebuilt, firstly, their cheeks begin to rise. well, they rise straight up, because they have this gravity and such a face. they just prepared my make-up, here at mosfilm. uh, just in case, god forbid, remember the story was that everyone was afraid that they didn’t give flash drives, or and so on. well, there are no films, just in case something is wrong, so that's how i looked in space, i had to make such a grill, just make such a mask, so that it turns out to put it on for half an hour all day you don’t walk like a bone, so everyone was afraid , but it seems to me, on the contrary, it’s really visible, how the human body behaves, how it looks a little different than on the ground. and it's clear we astronauts did not put on makeup. uh, we don't need it, because he's sitting. there was to take us off the interior. well, klim took something away from somewhere and promised to return it. by the way, i wanted to say that he is there on

bumped something. no, he hasn't played yet. i mean, he was filming. well, he doesn't like this interior. in his own way, he cleaned there what we constantly lie in their places. we, when we were at the training center, cosmonauts, he remodeled some rooms there, and so on remained. now they will be like this now they will not at the same time remake what was brought in by their own vision , in general like, yes, they stole all these flash drives and still do. here i am i say until the film is not looked at, most people meet, they say. oh , you were the commander there, i remember. yes i was yes. where they lost flash drives, everyone thinks that i also went down with them. this i will bear. yes, i,

first of all, i didn't go down with them. this is oleg for whiskey. in general, you can lose in such a space, this flash drive. it's like every finger manager or whatever the name is. wow, 128 camera. and here is one such orange flash drive. well, of course, materials shot in 10 days. it's right here the box of the suitcase has been laid all over. e, in foam rubber, so as not to god forbid, but of course, everyone understood the importance. of this information, of course, we left a copy at the station, that is, we used our resources. well, temporarily stations have already looked. well, it's only in the space winter, what was there? ah, but klim e every night, that is, we filmed everything, we go to rest. he did not go to sleep. that is , he slips very little. maybe for 2-3 hours every night, he dropped the best shot because he couldn't get it all off. we do not have such a large bandwidth filmed.

well, a very heavy file , so to speak, so the best was dumped, while he was sleeping resting on the ground around the clock in the tsup, by the way, they were not there during our weed for a day, went during uh, got no, a special room. let's take the headquarters. so, yes, uh, in the soup for the film crew. i don’t know, dudin was always there with an understudy, as an operator, his other assistants were a bunch of people who were always ready to help him. that is, he dumped, they looked right there on the big screens, filmed. uh, all the info. material and gave him advice in the morning. well, for example, the camera settings, because it's a raid, it's all manual. naturally. there may be a sound for him every morning we had exactly a video conference every morning for half an hour he received these cu uh, how to shoot further and what turned out well, what was not very, so even this sea was already enough to shoot film, therefore, let's dispel this face myths. well,

they called, they called me, for example, they called from good people, good artists. do you know such? well what's your clint aha true they weren't they asked me. they just told me. well, what are you, a cool director. he doesn’t even have a flash drive, just there is a video from the landing of our collector and it can be seen from their faces that the flash drives were with them.

you knew the guys before the start, so they returned? do you think their worldview has changed, have they become different? but enough time has passed. it seems to me that according to yulia, i communicate more with klim, but i also communicated with yulia, and it seems to me that yulia somehow became in her some kind of awareness , he even has a little look. she’s like a woman, like a mother, it’s really such a step that hmm everything turns upside down and everything is analyzed absolutely and it seems to me that one or the other of our children has more, and not so quite deep ones. well, not simple

souls in a good sense, but it seems to me that something like this has appeared, i don’t know, i can’t speak. it is at the energy level that one feels that they have expanded. yes, i, yes, i'm on the climate, well, the climate is always so calm in it . you know when he thinks. you understand, that there is a certain universe that is there. there are some processes going on there and there are many of them at the same time. well, after space, i didn't say that something had changed a lot, but i just made sure that he was from this planet. now it's officially something. so julia is also such a versatile person who can do anything and dance and sing and play. yes, yes, yes, everything flies into space, by the way, about

acting. can i ask you for your role? do you even play yourself? well, that's it, you are officially the actor of this film. yes, official. actor and moreover, when the film was just born. i have read the script. there were a lot of different astronauts involved. uh, in life it turned out that so many cosmonauts, especially on board, cannot provide him, and therefore i am from the commander, who was somewhere in the background, and in my opinion, i didn’t have a single remark at all, maybe one or the door i began to acquire these expressions. then there were scenes where not just a monologue dialogue is going on and it was necessary to learn these words, some actor or whatever for some reason. and why didn’t you learn the words, we were reading on, well, on the ground already in baikonur, that is, everyone was already working out each scene, and i read my words there.

it seemed to me, well, what did you say there, the phrase seems to be no. you need exactly what he came up with along with the screenwriter. well, on the one hand, it seems easy to play yourself. yes, astronaut. antona shklerova plays in that closet. well, as it were, credits, but on the other hand, emotions, when it was necessary there, well, i tried the group in its own way, the climate is all somehow in its own way. no, it hit somewhere, it hit somewhere, but still it was at least ten takes of every scene. i, well, we can't understand astronauts. how can you do the same thing 10 ever imagine at all imagine could imagine what you would be. in the movie you are in space. and if now they offer some kind of scenario, well, let's say on the ground. maybe let's go down. i won't go like that. as you said. well , yes, more with some kind of agent . well, dear friends. we created our challenge and courage desperate love

decisiveness touching beauty of our vast land and broad human soul. don't be afraid to challenge yourself and take it today with you. i am anton shkapper, as well as my space guests, theater and film actor darling, bikovich, and film theater actress yevgenia okhrenenko. it was a space history podcast. we don't land. we continue our flight, congratulations on the premiere. dream. fly and you will succeed, and most importantly - go to the movies. enjoy watching. hello, my name is dmitry bug on the air the next issue of the podcast, let them not speak, let them read the title itself.

you, of course, understood that we are talking about literature about reading about how books are written , how books are read . century, and in the theater, of course, before and about everything about this. today we will talk about a wonderful guest. today we have a people's artist. e russian federation vanguard nikolaevich leontiev hello avangai. hello nikolaevich. dmitry petrovich is very glad that you agreed to come to us, uh, to talk about theater literature, of course, uh, and uh, according to tradition. let's start from the very beginning. well, how did it happen with you that you became an actor a banal question a strange question. well, sometimes it happens , by chance, sometimes it is the essence of life from childhood, how it all happened with you avangard

nikolaevich my father dreamed nikolai ivanovich dreamed of being an actor and even he did he was engaged in amateur performances in the city of orel, and even he entered. uh, to selood meyerhold i wrote for the highest director's course. eh, the explication of the play on the children of vanyushin found and he should have been accepted or accepted, but my mother, and they didn’t get married at that time. here she is somehow bohemian. i was frightened and should not have allowed my father to go. you are her representation of the theater - this is, first of all, what kind of scenes after such. i think that mom and dad loved each other very much, and were faithful all their lives. we lived with each other for many years together, but they were very jealous. i think my mother was jealous, i think that this,

of course, is not about bohemianism, because the theater it doesn’t happen, it doesn’t happen that the theater of a person. secondly, the theater is another life. it usually draws the person in. well , of course, by the way, orel is the literary capital of russia, so it is commonly believed that this black earth zone boris is the end of merchandise. zaitsev is our most famous and writer, who lived in exile for most of his life. he said that the russian north gives birth to saints, and the russian black earth region gives birth to artists. this is a very accurate look, because the eagle is tied more easily. who is not connected. yes turgenev bunin andreev leskov giant peaks. was it somehow in your mind or not? or only family ones, but this is over time over time, you know my elder brother, 8. 2 years old, he wrote a book even e oryol stories. he sat in khimki in the library. there

, the department of the main library of the country, which we call leninka by inertia, he read all the newspapers that were published in orel all the way up to the seventeenth year of the 20th century. there was such a busy artistic life, literary life and publicistic life. yes, from there from the newspapers, it means that everything is connected with these names that you named and some stories there turned out to be small, such tiny ones, so peculiar. and just imagine, here he is so carried away by all this so that our oryol roots. here we are now , especially with age, we feel, well, how did it happen that you have become not only an amateur. actor how is your father? ah, professional. it started before the school of the moscow art theater studio yes, it started at home on all sorts of

always performed at family holidays. before school, valery also tells me that i’m somewhere on the christmas trees, you know, this is the new year’s company to take children. there should be matinees, that i was reading mikhalkov's fables in the background. i don't remember this, that is, it was so long ago, you know. it was such a wound, childhood, i still wanted to speak publicly. i wanted to perform. yes, it's great fun. that's why for some people like me i go, for example. well, this is very clear to me, you also teach in school to the studio as much. i see these people. but there is also a very important story rooted here, because there are many famous actors who are famous for their roles, but not all, but have a taste for reading from the stage. this is a special profession. she yes

, it was said to the public during the soviet period that these are the legendary masters of the artistic word, the people of nikolaevich zhuravlev yes, yes, these are all people who traveled around the region. yes, i was very lucky, because i'm already studying at the amateur school. there he led a drama club at school, but after all, a smart person advised me to go to the house of pioneers city house of pioneers. i came to the studio of the artistic word, which was directed by anna gavrilovna borovschik. former actress. the first art theater studio, she is very famous. she was a student of the sulzhitsky vakhtangov and stanislavsky . stanislavsky was stanislavsky's father, it turns out so yes. and so. uh, anna told him was uh,

quite an outstanding teacher, and she is the last year. she also taught speech in the chamber theater. yes, and not only and, but here are the children to children c thirty-sixth year. mmm of the twentieth century. yes, an actress with such a school to teach uh. and you know that the children simply adored her and she was just a very honorable person for us. they didn’t know this word yet, but that’s how we treated me with reverence and there i learned a lot. because it was here the school of art theater, but it's just such luck. she said she was as a teacher to a very young man. this means a lot, and, by the way, she was the keeper of the archive of her writer husband. eh, sigismund was great, authors, of which there were very few during their lifetime, only in

translation they printed somewhere. and so not his books did not come out. so he died, in the fiftieth year of the twentieth century. here she is, but she began to wrap herself around the thresholds of the editorial office so that something would be printed. well, nothing worked. she passed in the body. this is an archive and she said to me once that when i handed over the archive, because it is written, let it come. yes, yes, i gave it to him in the rock someday it will be printed said, she told her an idiot fifteen-year-old thought to himself they would never publish it and now 2001-2002, i am standing in a bookstore on pushkin square. and i can't believe my eyes. sigismund kryzhanovsky three volumes, yes, yes , a luxurious super cover with luxurious

photographs, a wonderful author, who never resembles anyone else, such a mystical baroque , that’s exactly the pisi do not burn. you understand, so i remembered right then and there i bought these three volumes then went out. three more volumes, two dissertations were defended at the same time. well, appeared in one relmotor. such a very important to someone then not only, uh, he he very much made one fracture in the morning darskoye evgeny vorobyov, those who defended their dissertations after kryzhanovsky. so it happens that such a story happens, it happens that a person, well, as it were , uh, during his lifetime, uh, is not recognized, and then it is more difficult to gain recognition, because there is no record. yes, unfortunately no, it doesn't. no, no, an actor should live by his generation if he is not recognized no further. no, you know, i have an old idea that manuscripts actually burn, because there are very few such examples when a person during his lifetime

they do not know at all, and then he is resurrected, moreover, they did not know krzhizhanovsky for external reasons. these are simply censored soviet reasons, otherwise solzhenitsyn well, he still printed it. here is wardovsky, thank you. god during his lifetime printed one thing there. well, i didn’t want anything else there, two of them scattered the set , removed e, they didn’t allow it, and then they seized it all from the libraries and forbade it. the man wrote wrote and that’s it. this can also be read a miracle miracle a mathematics teacher from ryazan unknown to anyone with such a camp experience is alexander trifonovich into the new world tvardovsky. eh, brings this story or story in different ways and suddenly a miracle happens, yes, because it is a great text. well

, we are together again, uh, literary clues? let them talk, let them read i'm still dmitry baka visiting us today people's artist of russia avangard nikolaevich leontiev well, what happened later after anna gavriilovna, after he said i met dmitry nikolaevich zhuravlev, this is a great reader, a great people's artist of the soviet union and he prepared me for admission to the school of the moscow art theater studio is 68 year 608 year. yes, of course, the sixties and uh, he studied with me a little and selected the repertoire and introduced me to his student viktor karlovich munikov , the famous professor of the moscow art theater school. and he listened to me, and in general, i had support. already before the selection committee , because munyakov was a member of the selection committee

, you still had some kind of confidence, you didn’t have any confidence, but i was supported by such wonderful interesting people. i read the story of the golden cockerel. pushkin that you are a golden cockerel this cockerel, then he fed me. when i already entered the philharmonic society in the reading department, the literary reading department after graduating from the studio school and began to read concerts in schools. i spoke hundreds of times with this golden cockerel in schools, well, this is a wonderful text. it's just such a pearl, listen how wonderful his children are, in general children listen to pushkin wonderfully and gorky. by the way, i read gorky as a child. and i'll ask you just a little later . this is just a topic that i will not hide preparing for discussion, because not everyone the actor feeds. here is such a taste. how do you like reading, but they read literature less often.

maybe i'm wrong, but i rarely read plays and dramas. fragments of a concert-concert concept read literary works or simply, yes, this time and even a parallel profession, because there is no costume there. no, playography. no, there is nothing. yes , you yourself depend on you, of course, first of all, on the author, of course, and the author leads the video, you understand, and the height of the author of his equipment, the author, mmm. this is, of course, you. well how how you are not alone, after all, you are not alone. you have a huge range, uh, of different registers, and i really love your work, including uh in the genre of

reading the literary word. as they say, maybe uh, so improvisation, you would agree to read something. you mentioned the childhood of maxim gorky, you will know, i will read a small piece . hmm, a fragment about how, after the grandfather flogged alyosha, alyosha is the main character of the children's story - this is his grandfather. yes? this is grandfather kashirin alyosha - this is the gorky future himself. yes. and uh, when was punished for a childish prank there is a very cruel future for what? yes if you spotted me before losing consciousness. gorky writes in this book, and here he is, the boy is ill. he just fell ill, came to his senses from feeling bad, and could not lie down. only on the stomach, the back was all broken.

with rods, they began to come to visit a family member and grandfather himself came, by the way , he apologized for what he had done and then gorky wrote that i realized that grandfather was not angry and not terrible, but the main gypsy came there. it was such a foundling raised in the house by his grandmother. and this gypsy girl came to visit allyosha, a square, wide-breasted with a huge curly head, and he appeared in the evening, festively dressed in a golden silk shirt, pleating his pants and creaky boots with an accordion. shined, his hair sparkled, cheerful slanting eyes under thick eyebrows, and white teeth. under the dark stripe of a young mustache, a shirt burned, softly, reflecting the red light that did not extinguish the lamp. you glanced said, he

rolls up his hand to me. and showing bare hand up elbows in red welts. even worse was healed a lot. do you feel how the grandfather began to enter into a rage , i feel and see constipation. he started to substitute this hand for you, waiting for the pond to break, grandfather gives for another. and a woman will drag you away do not alimate. well, the pond didn't break, wet and flexible. what do you like less? ha ha, you see how much he laughed again with a silky gentle laugh, laughing, looking at his hand and saying the same thing, i began to smell trouble, and he whips a snort on a horse, shaking his head gypsies began to say something on business immediately close to me baby simple. i told him that i love him very much. he simply answered meekly. yes, i love you too. but he mistook pain for love. have i become for

another for someone to spit. then he began to teach me to quietly often look back at the door, when suddenly the net is on fire, you don’t shrink, don’t squeeze your body, and you loosen it freely kiselyov lies and don’t puff up breathe in all ari and you remember good obscenities, well. i asked if there would still be a network. and how calmly answered the gypsy you, go to often will fight. and why does grandfather look for and again begin to teach if, he flogs from a canopy, just put it on top in the eye , lie softly softly, but if he flogs with a sap, hits them towards him, pulls a vine to remove the skin, then you wags body to him climb, it's easier. i am in this business with me and the most quarterly i have from the skin of even the neck of the neck, i looked at him and remembered my grandmothers. about ivan tsarevich, about

ivan the fool, such a fragment is amazing. you know, i remember, lie down kisselyon. this is, of course, my childhood reading. i remember this scene, but i have left that's it, this phrase kisselyon lies. i didn’t remember at all , and thank you for reminding me of this, that alyosha, uh, well, seems to be trying on grandfather. yes, it’s just a pity that through such torment. yes, yes, yes it is now they would say that this is a fashionable childhood injury. it was painful to remember that it was he who beat me so severely, but also to forget about it. i couldn't write a fight. this is an amazing story. and what's the contrast with another children's trilogy? yes , because the name of the trilogy of gorky's childhood in people, my universities, but this is clearly sends away tolstoy and childhood youth, some such things could not have been, but there were others

. yes, there were. this is, uh, a wonderful thing to read by gorky. e. well, i still remember it very much. your work is on top. and i understand that asking you more, something would be wrong, but uh, that's how it is in the army. uh, i also heard and was just blown away by the way you do it. there is also a lot of cruel, a lot of rough rough violent - this is a book, which came out in the mid-twenties and actually this, but another picture hmm civil war, if you like for centuries yes , of course, i think it's epic. that's how shelkhov's quiet house is. it seems to me that this is the kunarmy. hmm, because there it is very motley , these are separate short stories. yes, this collection should be made, but this is a patchwork

quilt. it still expresses salt. remember the story, of course i told it to me at the age of 15, she offered to read the former, i didn’t understand how the woman gave out a huge piece of salt for the baby. yes, to be taken on a train, to be taken during the civil war. and when the red army soldiers realized that there was salt, they were a baby, they shot her . yes, i didn’t know how to read this time, how i could justify it. do you understand this shooting? well, there was still no polyphonic perception of life, then we were brought up, very straightforward enough in soviet times. yes , the application is enough, so uh, i realized that i would not be able to read it then, but now i would take it him, of course, of course, with understanding now with him. uh, here is our 20th century russian, of course, this is a concentration of some kind of mv-12

, everything that happened to russia in the 20th century. there's so much violence, so much tragedy, as it all reads. here is lydia guinnessburg, wonderful literature. ayat hmm says that babel does not change his voice, that is, he writes with equal intonation about suffering and about beauty , the sun rolls like a severed head. for example , he has the image of the first wife or the transition through the bruch. and to me the question is not even an amateur. fana, but how to approach this? what kind of feeling, perhaps, is one thing when a reader, alone with himself somewhere in the evening , reads such prose. and as an actor or a reader, if this word does not jar on you, as he does it, babel is very ascetic, despite the brightness, he very much selected expressive means. he's got everything so tight. they even drove

a scander saying that even the very beginning of the story is too compressed, there is nowhere further than this i spend the spring to compress. well, yes, well, so it was considered kander, but this is asceticism approaches himself, as an author, as a writer, that it is necessary to squeeze out everything superfluous absolutely. you know, maybe there is some contradiction here. maybe i'm wrong, but such redundancy, e stylistic constructions and laconism of feelings. yes, he is rather laconic not in the selection of verbal means, but in a row, because in the yard of any means of pain. here, yes, and he doesn’t have it. you can’t squeeze more water there is no in his prose, you understand, uh, and i once. we walked together with mikhail mikhailovich with zhvanetsky e, at one event. i speak

mikhail mikhailovich i'm now doing a program for babel, nothing more difficult for mere memorization. i didn't have to. uh, teach. he says, of course, because it is a language, that is, it is its own language. here babel is very helpful, by the way, the performer understands that this is not some kind of language that can be gleaned from a dictionary. yes, this is some kind of organic matter, which somehow shapes you very much. you see, i've always, uh, found it very strange or mysterious that, yes, you can't sympathize with that. so how only you will try to have pity on someone and die, because when a young jewish woman lived, she says that her father was killed and her hacked father lies nearby. she speaks calmly, and where in the world can you find a father like my father? that is, if you think about this situation? yes, what lies?