you sign a piece of paper and the instructor says, in short, planes sometimes fall not this one, but there is a first time for everything and starts telling you. if you see, they are so funny. they tell you that already from this story it becomes easier with their ease of confidence. and you don't think that this can happen says if you see me that i'm yelling at you, and there is a red red light. it's just that i can help you through this. you have to put on a parachute. i don't have any films on me anymore, when all the parachutes are gone. that is, if you just pass, such a situation when red you must quickly well, and then he crushes you. yes, let's hope so. it will open itself, there is automation there, please. you yes , there is automation says, if it does not open, here is the handle red ring. right here, left here. in short, let's meet. now there is no forest. what, i looked at how you

rotated exactly rotated into the frame. that is , these are yours how does it feel, that's how a person, well, after the first one in this attempt, when i felt that where you can on the second i, well, you feel as if you are in the water, if you can calmly in the water. here you rotate and and if you dived once, then you feel comfortable. i dived, so to me it's me i enjoyed already after the second moment the other actors who were involved in the filming were. everyone was fine. only those who went over a little from dinners, which they overdid a little too much too much. i must say it's easier. yes, we saw them having lunch. from 5 cm and above all his life he has been engaged.

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and he told me that your program for docking the station did not work. and that you had to manually had to, right? this is the first time i've had to do this. yes, it was the first time when one flew at all with two non-professionals. i have an engineer's board, so all his tasks lay with me, and i had to simultaneously look with my console, where i have my own information looking at, uh, engineer's board. well sometimes i i can choose on my own, but then we lose the information that i see, well, sometimes it happens that it would be better to throw it further . ship. they made me like this. well, this is the size of the remote control, yulia kept it under control, and it was made specifically in case of an emergency. if something urgently needs to be issued, for example, turn on the engine, turn off its engine. well, somehow fight to depressurize the ship. if it burns itself just everything we do. we open the valve, all the air, oxygen leaves, everything

will be extinguished by itself, but at the same time we are already inflating everything all spacesuit. here, to do all this was on purpose. uh, remotes are made with such buttons, and i trained to do it. hmm came. that's just an emergency situation - this is a manual docking, that is, the automation failed, the backup system and, uh, i had to dock with myself. all was good. the most important thing is that the alignment must be perfect. if there is a centimeter to the left, we trained , i can’t say that it was right for me, like an unexpected job. no, i trained and trained alone, but there were, uh, nuances. what's for in order to issue commands e, which were not reached by such a hand on purpose, if an extension cord? yes, we call her a pointer to yulia , a command was given. i asked or here's a pointer for you. you hold it and as soon as i tell you, like , give a pointer, well, in short, so that you don’t give exactly those places where i can put

my hand with a glove, then issue commands and give glue back. well done he. at least he stopped filming, because before that he had already filmed. the first shooting was so small. he had a camera and he was already filming yulia. something i said. where to look there, like what he did all the time when we went in the machine, i sometimes controlled it, and he turned the cameras over, but when it all worked, they start to burn red. ah, flash fire. we have a siren in our ears too. well, in order to wake up, they understand that i’m asking you to start popping up on the scoreboard, various information is also highlighted in red yellow, and so on. all that is, they did not understand what was happening. we understood that something wasn’t exactly right, which , well, because we were training, and they sometimes i heard that if it happens right there i open another book precisely because starting to work, so the client the first thing that the client did in the store removed the camera rolled over to shoot they had some tasks, when when something like this freelance happens, they had some kind of protocol that they had to do, uh, and they didn't

help to follow anything. yes, of course, uh, the ship could not be completely converted for one flight, the ship has been flying for a long time, uh, except for the remote control, for example, there are valves. yes, the valve is not allowed. here the electric remote can be what a is manual valves? well, roughly speaking, there is a valve open closed, it opens the oxygen closes and the climate was like this and in july one suit supplies oxygen to us, the other supplies it. e in general, when we open our helmets, we can breathe easy, and we closed. so it needs to be opened. uh, that valve, so that we have oxygen, uh, went exactly in our spacesuit. next is the valve. here is klima e, which connects. e, just, well, inside the volume of the ship with the outer space. that is, the one that is still regular. eh, it's closed. only when we return to earth, when everything is already at an altitude of 5 km. well, that is, where is normal oxygen, he opens it so that , uh, pressure equalization just happens and we can already breathe normal air and glue.

yulia had those valves that she needed, she didn’t get any paint. this is where they learned. right. you say it was such a protocol, they had their own books. they couldn't touch anything. only i said that it would open that valve , we don’t call such valves. here, that valve. yes, the valve has a long name, but we professionally abbreviate just acronyms, that is, well, there are the first tributes, for example, hpc open hpc - this means pressure equalization valve. we are a little ahead of ourselves, i am telling the docking itself, but we have, uh, video footage of our own start offers to watch, yes, let's go back on october 5, 2021.

what power, and you watched live? i watched the broadcast worried about my colleagues. now, when you look at the photos, where we have my eldest son, who is also your fan. danka he knows klim since childhood and i even have a photo here. they photographed me when they showed it and yes, they stand and like that right on the climate with a little hand, that is, they worried me they mow a little big, they all can not return, of course, not even an option. we have even bigger plans with a curve, so we could learn from our western colleagues how to make more of it went to the fact that russia has taken many more first steps.

but everyone in the world has a feeling that it is not russia that is leading in this sense. yes, i think that this is this, therefore this film. to me seems like a real concrete step towards it. yes, yes, because ok to make a film. uh, in space from the point of view of flight technique technology, and the flight itself. hmm, it is more difficult. in this sense, that here you have to fly without, uh, a second professional, but the rest of the parts. i guess so, let's say they did not interfere with life on the iss yes, of course, they are some kind of great turmoil. and how they were received in general, like this, when they received it well, that is, when we docked. the crew that was on board, it was seven people, four from the american and three from our russia, well, with russian ship. uh, they were waiting. even at our place. on

the russian segment, they prepared a snack for us. that is, they warmed up the food there drinks. and of course, the entire station watched the docking itself. uh, and then hay. eh, they were just waiting when they flew in one by one through the transfer hatches from the ship to the station. yes, of course the guys were waiting. eh, we talked a lot , it was interesting for everyone, when we were filming the film, from time to time we flew in to see it. well, how is it going? this is a real step to bring cosmos closer to an ordinary person who goes to the cinema. watch the movie and will feel that it is possible that there will be much more people who want to fly, because many people here i communicate with, if people have already somehow left the space age , so it is done with young people. e people many believe that it is unattainable. it's generally somewhere on another planet some super people, yes, they are the smartest, the healthiest, the most.

strong just this e projects show what is possible, but it, of course, was. this is sometimes, for 3 1/2 months. we have never prepared even tourists for 9 months now since it is 3 1/2 months many tourists again they looked in our direction and just after uh, yulia's climas flew already, two non-professionals already flew. these were two japanese tourists they paid, there 100 million for two and flew also flew for 12 days. that is, it became real, uh, the terms are shorter. although we had previously launched, of course, tourists. i say the timing was longer in this film he chose a very correct point of view. you know how they tell you to make a movie about space? there are a lot of questions here, the main question is what is this movie about? well, it's clear, we'll fly, i see, we see the earth, we understandable we see the cosmos understandable we see rockets. well, what

is a feature film about? that is, yes, yes, what is the grain of films, what is the essence of the film? because the film is about whatever the film is about people, it is always about people. it is always about wherever you fly, it is always about all sorts of fates about what is inside the relationship and attitude towards oneself to experiences between yes experiences. and here is fear, what curiosities are already talking about. yes and this is what the viewer reacts to, he reacts, because he is with this maybe in this, yes, it can participate in this, and therefore, it seems to me that the cream has chosen a very correct point of view. he made a movie about how people prepare for this and how this flight looks real and he had this experience. he went through this, yes, and so far he and

therefore the simulators are really instructors, so there are a lot of people straight from the center for only snaps, who, like me, played themselves inspector doctors and so on. there is some documentary in this film and that's why it will be so strong. i think he doomed to success, that people really seem to have flown. we have traditions. we watch the film white sun of the desert the day before the start. and when they ask here, i don’t understand at all, they, firstly, don’t understand the essence of this film, but it seems to me that there will also be a challenge. it is not necessary to watch it on such a tradition, just before the launch, as all the time, at least for young cosmonauts who have not flown, be sure to listen. i want now about girls. just to ask you about our girl, but tell me about yulia, please, that's how it is in general, in the same place there is the same make-up. there, in the same place, as in general, how she did all this all with nerfs, and i think, yes, yes, and

it was harder than here on earth because i myself did not see live how the film was shot. well, after we got back. eh, here is the earthly part we filmed it. that is, i plunged into your profession and became an actor, that is, yes, indeed, firstly, how many people it already is. well, it's a separate job. how did he shoot klima alone, right? i don’t know this crowd there, that person was, maybe more and just now, if we talk about actors, assistants, sit down, make-up, and so on, that is, yulia had to, she got up every morning in advance. e, since e is one place for the adoption of e water procedures. and what do you have excuse me, what do you perceive in the morning? well, how would you officially understand how much this morning is? well, yes, if every 45 minutes dawn and roll up looked out the window. you won't say what time it is. you can't even tell until you look at your watch. uh, well, the official wake up

is 6:00 am and around 7:15-20 the crew should be ready to communicate with the earth and receive , uh, the task for the day. here julia got up early so as not to slow down the people. eh, everyone brought soap in himself, this is not the simplest thing; there is no soul, there is no running water, so it had to be cosmic. the more we see in the frames. uh, her hair. i had to get myself in order to apply makeup myself. she somehow did something in her cabin and took it with her. well, quite small, because you can’t take more than 1 kg with you in general of all things to take a person. and this little cosmetic bag. she somehow i went to clean up so that it would not fly apart. there she can. strongly i hope someday she will tell, and yes, the set is being prepared, but everyone was afraid that there, well, there would be swelling. yes, uh, well, you can see it in the frames. well, because they know yulia, their colleagues and themselves are there, that in the first days, until they rebuilt, firstly, their cheeks begin to rise. well, they

rise straight up, because there is no gravity and such a face. they just prepared my make-up, here at mosfilm. uh, just in case, god forbid, remember the story was that they were afraid that they didn’t give flash drives there, and so on. well, there are no films, nothing just in case, if something is wrong, so that's how i looked, uh, in space, i had to make such a grimm, just such a mask, so that it turns out to put a whole lot of money on it for half an hour. you don’t want to look like a bone , so everyone was afraid, but it seems to me, on the contrary, it’s really visible, how the human body behaves, how it looks a little different than on earth. and it's clear we astronauts did not put on makeup. uh, we don't need it, because really was to remove us interior. well, a little bit of something klim removed something from the hood, he endured and promised to return it. by the way, i wanted to say that he natyr something there. no, he filmed. well, he doesn’t like this interior, in his own way he cleaned up what we always have in their places. we, when we were at the training center,

cosmonauts, he remodeled some rooms there, and so on remained. now they will be so now i will not remake into what was brought in by my vision, in general, and what about e flasks? where is this story from? yeah about that unfortunately we flew in, uh, that's it, stole something like that, like, yes, they stole all these flash drives and still. so i say, until the film looks, most people meet, they say. oh, you were the commander there, i remember. yes i was yes. and what about the movie where the flash drives were lost? everyone thinks that i also went down with them. i'll put up with that, yes, and, in the first place, i didn't go down with them. this is oleg for whiskey. in general, you can lose in such a space, this flash drive. this is how each exactly a finger or somehow a name. here it's true. here is such an orange, one flash drive, but

of course, materials shot in 10 days. it's right here you're right the box of the suitcase was laid out in total. e, in foam rubber, so god forbid, but of course, everyone understood the importance. of this information, of course, we left a copy at the station, that is, we used our resources. well, temporarily stations have already looked. well, it was only in the space winter there. ah, but klim e every night, that is, we filmed everything, we go to rest. he did not go to sleep. that is, he very little, maybe 2-3 hours every night, he dropped the best shots, because he couldn't reset everything. we do not have such a large bandwidth, and filmed. well, a very heavy file, so to speak, so he dropped the best while he slept rested on the ground around the clock in the soup, by the way, were not there during our class. none of you came.

during the hit no, a special room. let's call the headquarters like this, yes, uh, in the soup for the film crew. i was always there, i don’t know dudinka, how, uh, the operator, other assistants his bunch of people who were always ready to help him. that is, he dumped, they looked right there on the big screens, filmed. uh, information, all the material and gave him advice in the morning. well, for example, the camera settings, because it's a raid, it's all manual to sit on the light. there may be a sound to him . every morning we had exactly a video conference every morning for half an hour, he received these integers. eh, how to shoot further and what turned out well, what didn’t work very well, so even this option was already enough. uh, in order to make a movie, so let's dispel this face, myths called me, for example, they called from good people, good artists. do you know such? well, what is your wedge? yeah, it's true, yes, they had them, they didn't ask me. they just told me. well, what are you, what, he even gave him

flash drives, just there is in the video from the landing of our collector and it is clear from their faces that the flash drives were with them.

you knew the guys before the start, here they are back, do you think their worldview has changed, they have become different, but enough time has already passed. it seems to me that according to yulia, i communicate more with klim, but with yulia too communicated, and it seems to me that yulia somehow became aware of her, even a little look . here is an acting in a feminine way, because she is like a woman, like a mother, this is really such a step that hmm everything is turned upside down and everything is analyzed absolutely, and it seems to me that one of the two, our children have more, and not so quite deep ones. well, not simple souls in a good sense, but it seems to me that something like this appeared, i don’t know, i couldn’t feel it at the energy level, expanded, right? yes, i’m on climate control, but klin

is always so calm in him. i know, when he thinks, you understand that there is some kind of universe that rotates there, something there, some processes are going on a lot of them at the same time. well, after space, i didn't say that something had changed a lot, but i just made sure that he was not from this planet. and now it's official. what to expect so that yurika is also such a versatile person who can do everything and dance and play. yes, yes, everything and the taste flies. by the way, about acting. can i ask you for your role? at least you play yourself, but that's it, you are officially the actor of this film yes, the official

actor, and moreover, when the film was just waiting. i have read the script. there were a lot of different cosmonauts involved in life, it turned out that so many cosmonauts cannot be provided to him, especially on board, and therefore i am from the commander, who was somewhere in the background, and in my opinion, i don’t have a single replica at all was not, because one or two i started to throw. then came the scenes where not just a monologue. eh, the dialogue is going on and it was necessary to learn these words to someone acting or how or not. and why didn’t you learn the words, we were reading. yes? well, on the ground already at baikanur, that is, everyone was already working out each scene, and i read my words there. it seemed to me, well, what did you say there, a couple of phrases touching should be exactly what he came up with along with the screenwriter. well, on the one hand, it's kind of easy to play yourself. yes cosmonaut antonov plays tom scale. well, as it were in the credits, but on

the other hand, emotions, when it was necessary there well, well i tried to say, in my own way the climate. it's all somehow in its own way. no, somewhere i got somewhere. well, it was still at least ten takes, every single scene. i, well, we can't understand astronauts. how can you do the same 10 imagine at all imagine could you be? in a movie in space. and if now some scenario is offered, well, let's say on the ground, maybe let's go down, let's go, well, you need to read. i won't go like that. as you said. well, yes, more with some agent well, like this, not to well, maybe the stigma would be, i would say that yes, no problem. well, dear friends, we have created our challenge and courage and desperate love and determination touching just you our vast earth and broad human soul. don't be afraid to challenge yourself and take it today with you. i am anton

shkapper, and also my space guests are a theater and film actor, milos, bikovich, and an actress of the cinema theater evgenia okhrenenko. it was a space history podcast. we don't land. we continue our flight , congratulations on the premiere. dream. fly and you will succeed, and most importantly, go to the movies. enjoy watching. hello, my name is dmitry bug , the next episode of the podcast is on air, let them not speak, let them read the name itself. you, of course, understood that we are talking about literature about reading about how books are written , how books are read

. century, and in the theater, of course, before and about everything about this. we will talk today wonderful guest. today we have a people's artist. e of the russian federation vanguard nikolaevich leontiev hello avangard. hello nikolaevich. dmitry petrovich is very glad that you have agreed to come and talk about literature with us. about the theater, of course, uh and uh according to tradition. let's start from the very beginning. well, how did it happen with you that you became an actor a banal question a strange question. well, sometimes it happens, by chance, sometimes it is the essence of the life of the most childhood years, as it all happened with you avangard nikolayevich my father dreamed of nikolai ivanovich

dreamed of being an actor and even he entered, he was engaged in amateur performances in the city of orel and even he entered, uh, to the seld-meerhold for the highest director's course, amazing, he wrote uh, an explication of the play based on the children of vanyushin found and he should have been accepted or accepted, but my mother and not married already at that time. here she is somehow bohemian. well, i was scared, i should not have allowed my father to go. you are her representation of the theater - this is, first of all, what kind of scenes after some. i think mom and dad loved each other very much and were faithful and all life. they lived for each other for many years together, but they were very jealous. i think my mother was jealous, i think that this is , of course, not a matter of bohemianism, because the theater it doesn’t happen, it doesn’t happen that the theater of a person, there are actresses. second, theater. it's just another life. it usually draws the person in. well, of course, well, by the way, orel

is the literary capital of russia, so it is customary to consider this black earth zone boris konstantinzaitsev, our famous writer, who lived in exile. uh, most of my life. he said that the russian north gives birth to saints, and the russian black earth region gives birth to artists. it's a very accurate look from an eagle tied it's easier to tell who's not tied. yes turgenev bunin andrey leskov giant peaks. was it somehow in your mind or not? or only family ones, but this is over time over time, you know my elder brother, 8. 2 years old, he wrote a book even e oryol stories. he sat in khimki in the library. there, the department of the main library of the country, which we are called leninists, out of inertia. he read all the newspapers that were published in orel all the way up to

seventeenth year of the 20th century. there was such an intense artistic life, literary life and journalistic life. yes, from there from the newspapers, it means that everything is connected with these names that you named and some stories there turned out to be small, such tiny ones, so peculiar. and just imagine, so he died with all this so that our oryol roots. here we are now , especially with age, we feel, well, how, after all, uh, it turned out that you have become no longer amateur. actor how is your father? and uh professional it started before uh, school moscow art theater studios yes, it began at home at all kinds of family holidays, he always performed. before school, valery also tells me that i’m somewhere on the christmas trees, you know, this is

the new year, this is a company to take children there for matinees. and that i was reading mikhalkov's fables in the lobby. i don't remember this, that is, it was so long ago, you know. it was so early, childhood, i still wanted to speak publicly. i wanted to perform. yes, it's great fun. that's why for some people like me, for example, well, it's very clear to me, i also teach at school i see a lot of these people, but it’s also very important here and the story is turning, because and there are many famous actors who are famous for their roles, but not all, but have a taste for reading from the stage. this is a special profession, but in soviet times and public soviet times they said that these are legendary masters of the artistic word. uh, the people of nikolaevich zhuravlev, yes. yes, all the people who

traveled around the region. yes, i was very lucky, because i'm already engaged in schoolgirl activities. there he led a drama circle in school, but still, uh, a smart person advised me to go, uh, to the house of pioneers city house of pioneers. i came to the studio of the artistic word, which was directed by anna gavrilovna bovshik, a former actress. the first art theater studio is a very famous one. she is a student of suerzhitsky. vakhtangov and stanislavsky stanislavsky was the planted father of stanislavsky , it turns out, yes, and so, uh, anna said he was, uh, an outstanding teacher for the last few years. she also taught speech in the chamber theater. yes and not only but here children.