55 suffered. first, one tank blazed, the fire department tried for an hour and a half to stop the fire so that it would not spread to the second tank, when the next explosion thundered. among the injured, 39 firefighters and four law enforcement officers, eight people are in serious condition, there is still a threat that the flame will affect the third gas tank . and in the end, bright shots from the city of perm , which celebrates its 300th anniversary. in the very in the center of the grandiose concert, which dragged on until late at night, did not spoil the excellent mood of the guests, even the past rain opened bright umbrellas and performed on stage. one number replaced another different genres of culture traditions incendiary songs were picked up by everyone around.

in addition to popular music, they performed classic melodies of famous films around the city, led excursions around the city, and also staged a light show and invited guests to the embankment. and that's all, see you soon. wasn't as close to gabi's failure as a chess partner, you didn't get me are already interested in the corridor.

which corridor along our corridor, and where does he go now fall asleep sleep 20 minutes in 20 minutes wake up and go berlin it was a habit developed over the years, like the habit of watching the series 17 moments of spring, which these days celebrates its 50th anniversary. and we want to figure it out. why is it still attracting the attention of the audience, why he survived his era and remains in ours what he talks about and it is no coincidence that our atmosphere in the studio corresponds to the mood of this series. yes, this is a set of items that could appear, in the series itself, moreover, and these are objects not only from the forties, but also from later eras, including from the seventies, when the series was filmed and when the audience saw it, they saw everything there, in general, quite familiar.

and in this way he connected the generation of the war years to the post-war generation and continues to be such a link, uh and his popularity, which was extremely great in the seventies, continues to be surprisingly significant and we will try to figure out why and how it happened chapter one series of the soviet union a series about a soviet intelligence officer who strikes at the plan of our western partners who are trying to exclude a separate peace with nazi germany and then invite

yulianna semyonov to make a strong story, and on this topic, and here you need, of course, to understand why the liozny student of sergei gerasimov, who is known to us largely thanks to the successful film also about the war years, the young guard, and there, by the way, his student was an assistant. and after years of a simple little picture, she returned to the cinema and made her first film in the fifty-eighth year. that is, she approached seventeen moments of spring as a very professional director, if you look at her filmography, she made a film every 3 years. and this is, in general, well , almost without ceasing. yes, the shooting script was released, that is, it was clear that she could direct, she could work with the actors. she

could really put together a team like herself she was tough she was. maybe even sometimes too belligerent even said that she needs people on the site who would be with her, but fought. she needed to resist. while the actors. she adored and believed that the actors were the most important thing and gathered around her some incredible crowd of people. she has, uh, let's say even hitler tried armor and kuravlyov, who later naturally, but played completely different roles in 17 moments of spring. it is strange that she did not use oleg efremova in seventeen moments of spring. although it was also one of her iconic actors. yes, not everyone was ready to go to filming for 3 years and uh, this is a permanent job that required constant participation, because the series then, unlike now, was most often filmed in its entirety. yes, and only

then after some time they left. this is why, let's say shtirlitsa did not play on kent with maktunovsky, therefore, perhaps, he was not played for strizhenov. although there are some proposals. yes, from the actors there, for example, marchil gomiashvili really wanted to play a tinny steel from metal, because for her they were not those types, but she liked it in a mask. she wanted him to play because that he had such a slightly unpleasant feature in his appearance, she wanted this paint to be, but tikhonov appeared and , of course, this series became popular, like a movie yes a movie for the big screen. and in general. you can really watch it on the big screen, it will not lose this movie in its entertainment and attractiveness, well , on the one hand. yes, on the other hand. still, it is black and white, if we remember that it was 73 years old when it came out, yes, then in the

same seventy-third year, for example, on tv series came out big break alexey korneva if you remember, yes, there kononov comes to work at school, and adult students. here he is, he's seventy. he is a color. he has a lot of such songful some kind of music in the frame, as well. a. there is a lot of documentary here , there are a lot of them here, as if from the previous one. and decades, even the twentieth anniversary of soviet cinema. it looks more like the thaw for some kind of movie than for the cinema of the seventies, plus a black and white image, in fact, but also not from scratch. why because the crowd, of course, relied on the tradition of perception, and the great patriotic war on the screen, people got used to the hot chronicles in the form of it in black and white, and uh, black and white film made it possible to create a documentary image of the documentary of what is happening, as if we are sitting here where -something in the corner and watch how stirlitz skillfully extricates himself from all the troubles, in

which it's time to move on to the second chapter. chapter two shooting history the script work took several years and then the shooting took another couple of years, someone says 3 years, someone says 2 years. and it was a really big shot. they say andropov made fun of semyonov that the war lasted almost less than they filmed their series. well, of course, there are so many places of action in foreign countries that needed to be shown somehow on the screen. and actually, this can be considered such a product, because the shooting was carried out not only in the soviet union, but,

including in moscow. by the way, vlad was in latvia in riga and in germany proper. yes, they had to somehow make up a and switzerland from different cities. and berlin naturally, and uh, it took a lot of time. at the same time, cooking is the same television. we need to remember that in television there are completely different deadlines, completely different budgets, and the religious complained that if you are given some kind of budget for a movie, and you write down what you spend on what next. you are seeking, maybe an increase in the budget and so on, but you explain what you need the money for, they give it to you. and here they give you no one is interested in a certain amount, she said what you spend on costumes. uh, these are fine for uniforms, but for cars, yes for this whole situation, but you need to meet this money, that's all, and she said that some of the german actors were on her. in general

, the evil ones are unhappy, because she, uh, forced them to shoot one and a half or two shifts per shift and, uh, did not let them go at the right time for lunch. and then she, uh, decided to let them go for lunch, right in the middle of the shift, right in the middle. prices all the time it's time to go have tea in the afternoon, and after that , they basically trusted her and brought the scene to the end and then quietly, well, relatively quietly. shlin to drink tea, still such a liozny, and the regiment commander in a sense, yes, who during the filming, uh, has to convince the actors to fight the circumstances, of course, this is in. in general, the main task of the director is to fight the circumstances on the set, because everything is unpredictable. many things are accidentally found many things. you need to think ahead, but uh, nevertheless, she managed and staged a very difficult film in just 3 years. they are for four not for 5 not for 10. and yet, some of our favorite scenes

are the movement characters. in the frame, they were born precisely e, or in the process of a medical scenario. that is, what she brought there either, as an author or in the process of filming, for example, semyonov in the novel did not have a stirlitz wife. well, something like this. how can it be, but she was not there, and this one-eyed hero, who plays in reality, kuravlyov yes, she came up with this detail, e. an eye patch, to say so to fade a little, and the image we are used to is roofing, and the armored one, which i move my neck like that. it's just that he had a raven shirt that was too tight, and from this , muller's characteristic movement was born. but they could have simply replaced the shirt. and from such things it developed, but let's say the line of interaction between stirlitz and e, an elderly german woman who is a lift in a cafe, they communicate all the time. yes, and

simply liozny emilia melton, wrote new new text. if they call. i play chess. it was not so interesting to draw this line. and it was so interesting to work. these are actresses. and that she gave her new lines. well, it means that it is impossible to come up with a scene and some actions for the characters, for example, in the scene where tikhonov bakes potatoes. oh, you are a wide steppe. it is amazing

how much screen time is taken up at once, as we immediately learn about the biography and stirlitz for personnel with his habits in soviet habits. well, who doesn’t pearl potatoes on a campfire, for example, yes or apparently, that is , a reference to the civil war in which colonel isaev participated yes, when directly cooked food somewhere in the field, this, of course, is important. show the main character on the screen in as much detail as possible. well, he had a lily task to fill the frame with a lot of actors. let's get back. actually, to the reasons why the series has become so popular and open a new chapter. why credit savings cards are the most profitable in the country every month a new interest-free period of 120 days begins. make purchases. and interest apply

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for popularity is one of the things that made the series so popular, it really is a set of those faces that we see on the screen besides tikhonov in addition to leonid about negov, who perfectly played his main enemy. we see oleg tabakov, we see valentin gaft, we see a small video played by big actors. come on evstigneeva how to forget how to forget rostislav plyatavskaya or are they cool, the character played by kuravlyov really? he, of course, has relatively little in common with the real prototype, because he was not one-eyed, but the bandage could have been from his department, and this unforgettable one appeared, zhuravlev, who was never seen in another film like that. let's see this fragment. eisman had been dealing with stirlitz's affairs for several days, he turned over a pile

of documents, but could not understand why stirlitz fell under suspicion under the cap, as they said? actor first, kuravlyov a. secondly, yefim kapilyan, who voices that's all with his velvet voice. this is an incredible part, and the attractiveness of the series is those thoughts of stirlitz that we constantly hear in some kind of completely non-cinematical, actually, technique, because we have to see the actions of the movie on the screen and a few years before the release, i myself always spring was an example of a similar stylistic film, it seems that this is a film of ordinary fascism by mikhail ilyich roma where , with his behind-the-scenes voice, the pace of retonation, which, in general, reminds us of kapillyanov's or vice versa. kalyanovskaya resembles intonation. roma voices to us the thoughts and way of thinking of those people who would be shown on the screen. and of course, how not to remember the radio operator kat, who at the same time, of course, is the heroine of numerous jokes. yes

, and some hello to sergei einstein, because the baby is then another baby. yes how else to make the viewer empathize? let's add a baby to him. eh, and yet. this scene, when they are blackmailing her, and the fact that now the child will catch a cold, of course, it is impossible not to react to this. and this technique is rather sharp, rather uh, so rude, maybe, but for television, in my opinion, it’s just right for a mass spectacle just right, and she has a lot of such tricks and there are enough of them for all these 12 episodes, they don’t weaken did i find out, of course, i found a lot of newsreels, which i combined with the performance of actors, sometimes literally inside one scene. yes, stirlitz is sitting and watching a football match, and a football match is a chronicle. that is, this is such a chronicle that could actually be re-shot, but here the task is not to show specifically this match

, but to show, or maybe this grain. yes, this is such an old image that makes us the image that was taken in the seventies that around it also perceives as absolute truth an absolute chronicle. that's why the black and white image is here. well, it’s just that without him there’s no way at all that it feels like i recognized him. intuitively discovered some laws of television, about which it had not yet been written anywhere, but which she knew. uh , just from my directing experience , for example, well, not only the music, of course, all these jingles are three-verdi, but also the finals in each series. these are pure ekliferengers. the so-called, as it were, on the verge of right. you don't have to turn on the light. stirlitz and i will ask you to stay. for one more minute it

's when the scene ends at the most interesting place, and we indignant director have to wait for the next episode when it comes out so that find out what happened next with stirlitz. here are such uh motives, yes , musical ones, which immediately set us up for one. okay, another way set the rhythm. at the same time , from a modern point of view. maybe 17.5 spring is a very slow series. and if you remember that it is based on an adventure novel about scouts, but spies, then the series is not at all such an action game.

well, first of all, what we see on the screen we see unusually atypical enemies on the screen. in world war ii, you spoke far away, as you recalled that if the series were filmed for a few years of what it was filmed, it’s possible, and she would have to follow the tradition that existed in soviet cinema ; further. these are villains who are downright black and black villains. yes, that is, no matter how they are not people, but just such types and the audience is used to the same and ozny, of course, this tradition of depicting the enemy on the screen breaks and shows us enemies, but in the form of quite cunning inventive and most importantly smart people.

yes, this is actually one of the mounted. why does it show us on the screen, and the third reich, because to show how complex and dangerous and powerful the enemy was, the soviet union was convinced or a quantitative war, and plus this makes it possible. being a very interesting ideology between the characters, i can hang on to any episode because it's just really fun to watch. and i think that the same thing happened with the audience at 73, when this series really united the families were near, and the tvs and the elios came in bags of letters, which, as usual, came to the studio just somewhere to nowhere. and she took them and read them and said that she really liked the letter of one woman, who seemed to her that she and her son no longer had a common language and that was watching the series. here are those 12 evenings. yes, 12 episodes, while they are watching, they are discussing it and

it turns out that they have common topics, they have something to talk about, then really amazing series in which well, general topic of conversation. yes, plus the theme itself, plus that's all, that's the whole atmosphere of the series, but really contributed to its massive success between different generations. we must not forget that there were a lot of references here. well, as if to soviet reality, we see on the screen, a complexly arranged story about the apparatus struggle, which, in general , the soviet union was famous for years. yes, in general , the soviet bureaucracy watched, in a sense, a series about itself about how people ate while they were on a business trip, but this story with stirlitz's wife i know that ildar ryazanov, for example, extreme spoke sharply, and the implausibility of this scene. well , what is this scout for 7 years has not seen his wife, and he just looks at her.

later keep in mind, of course, not that there were no sexual relations , but there was no demonstration on the screen, more precisely, there was, but very rarely yes, in a neurotic sense yes, but here just maybe someone will see such british victorianism , and someone will see romance and many viewers see exactly this, and that's it, but views. yes, this is the one collision, which by that time was already a very stamped reception on television. yes, this transfacator that goes back and forth and, uh, this is an opportunity to really get into the head of the character and feel emotions. and this,

by the way, religiously was the most important thing. she said that she was working for the mass audience her task, so that the viewer would catch the thought, so that the viewer would empathize, so that the viewer would laugh and get angry. well, somehow in general it was in suspense in good shape and that's the kind of scene. of course they do, and that's important. there is an important detail here. the element is music, of course, if it weren't for the overturned music, i do n't think we would be celebrating now. 17 moments of spring, because it's such an important part, because the series starts with it, and every episode ends with it. with this, uh, jingle, again , we did not know such a word then. but this is really pink, by the way, she really did not want to let go of the theme of stirlitz, the theme of the great patriotic war and, uh, she shot the next film and released it only in the early eighties. yes, that is, there i just had a very big break, because she actually wanted to continue this theme.

and even it seems that she wanted to film something else from semyonov. but they say he returned, they say that they had conflicts there, namely, about what she wrote in the seventeenth knowledge of spring. yes, these are the heroes of these replicas. and in fact, they say that she wanted to put her name on the credits , including as the author of the script, but they didn’t let her do it and then they didn’t give her unfairly, because in general it’s a million on a par with semyonov. as we see it seems to me quite a full-fledged co-author. uh, it would be a film and not only because she is a director, because she came up with a lot, mise-en-sin some female images that were, maybe not worked out so well. semyonov has a man. he, of course, would have lost a lot, because maybe he would have become a much sharper plot, but this is a hypothesis. this is my value judgment. it's interesting, by the way, the thought that it made him really more psychological. we live

in the same country, but we are so different. and we do not notice the distance when we rush to our loved ones for friends, we go into the fire and temper the character into the water. we see the future, learn how to create it and share knowledge. we have time even when we are late and live with a smile, no matter what happens. we are introducing

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savings. get a credit card for 120 days without interest, the most profitable in the country. chapter four jokes some of the scenes in this film are in themselves like adaptations of these future jokes, because, well, it looks quite comical we see smart people get into stupid situations. like, for example, an armored one, when stirlitz comes to him with news, he walks along the corridor. which corridor along our corridor? wait a second. walks along

the corridor. which corridor along our corridor? where is he going? bronevoy listens bbc western voices are the same, by the way, yuri vizbor who played bormann in the 17th moment of some said that these are the actors who played just the germans. during the filming , it seemed to them that this was really some kind of crap. here, maybe in uryupinsk somewhere they will look seriously. it will be accepted. it is generally not very clear what these are some kind of some form of some kind of pistols. we play some kind of war game and say such refrains, but this really became the basis of numerous jokes that i it seems that it can be divided into several subspecies,

firstly, this is the feeling of the confrontation between muller and stirlitz muller and stirlitz are walking along the streets of berlin or the policy. and look what a beautiful snow muller says the way stirlitz says here in russia and then thinks if i slipped something superfluous , these phrases can immediately stop, and with the final phrases of a joke, or something about , uh, subbotnik communist on which stirlitz does not want to go and writes a statement that he is a soviet spy. shayler says about muller. look at what your people go to just not to go to the subbotnik. here are some such absurd things that all the time, but inside have this thought. yes, everyone understands that stirlitz is a spy. he gets out of all situations so well that everyone allows him to do it, and muller is also

a soviet spy and a soviet spy shelenberg. in fact. this is such a hypothesis. what anecdotes, but reveal the nature of the series, all these . it was a cunning tavern muller worked in it. counterintelligence stirlitz knew it was from sharinberg a special circular was issued forbidding party members and military personnel to visit this tavern, so naive talkers considered themselves completely safe there; you don’t assume that every table was tapped by the gestapes. here are the phrases that the captain says, these are some right away. uh, clues for jokes. and but this feeling that everyone roughly understands that stirlitz is tikhonov, everyone knows that everyone here is their own. well schellenberg well, what kind of schellenberg is he, he is tabakov, this is such a recognizable face. what is korolev he put on a bandage and thinks that jokes will not recognize him, as if they open this gap between

the actor and the hero , everything is so serious on the screen that it is impossible to believe that it is really played seriously and in jokes, then enough. quickly, by the way, just some linguistic jokes begin to appear. yes, and stirlitz fired at point -blank range. he fell, nonsense screeched loudly and shouted, and the calm man looked out the window from the window , the blow in the body closed the window and the barrel disappeared. uh, stirlitz, with a shot at miller, the bullet bounced off him with an armored one, thought stirlitz stirlitz drink gasoline to the cat. the cat walked a few steps and fell, probably ran out of gas, because well, and i can’t now, how would it be now. here we then will not stop. well, on a tree someone knocked uh, stirlitz uh, thought, no, no, woodpecker, thought it was an archer. you yourself are a woodpecker, i thought muller was offended. yes, the dead was offended by exactly such stupid jokes, which, at the same time,

really tell us something about the series and the people who watched it, yes, the audience is even more of a degree than the series, because the series remained; these jokes are gone, or rather remained in their time. ah, but at the same time , it’s still interesting for us to watch actors who are no longer sleeping with us. unfortunately, for me, too, there are no survivors from those who were directly involved in the creation of this series, but it’s still interesting for us to watch, and it’s time to move on to the fifth chapter, chapter five, on the screens. atmosphere well, this is such an eclectic assembly point of the soviet life of a poor, to be honest, because in general, all these objects that we see on the screen, which are here in ours in our studio, viennese chairs and a round table. they seem to be from different eras, but in general they were present in the homes of so

many soviet people in the studio of the thirties forties fifties, along with armchairs from the later 760s of the seventies. all this is the whole world of things. it seemed to be clearly embodied here on the screen of the wall and, of course, when criticizing the series they say that it has nothing at all. yes, with the real third reich there, of course, it doesn’t have real germany, because there were other directors, recreated and fuck on the screen by all means that were. well, of course , of course, objects of time hit the screen straight and that's why the audience. in general, it was like that. and it’s nice to look so comfortably at a life that was already very distant by that time, to some extent, of course, exotic, but it was exotic. that's close to suitcases, but glasses, but potatoes, maybe that's why the series was then watched, uh, by front-line soldiers and the next generation. and this is

a series. as it turned out, even the aircraft spoke about this for her. that was very valuable, but brought the generation together. it's just that people sat down at the tv together and watched, yes, these very, er, statistics, when water was consumed less and electricity was more. this means that the whole family really sits down at the tv and, looking at the screen , continues to discuss the events that take place on the screen, and this, and the relationship of a generation is the convergence of generations. i think even after 50 years, it does not stop. it seems to me that the important thing here is that elioz. created a cartoon genre product under the guise of an adventure series, as it would be now they said, again, but ahead of their time , they came to the conclusion that now it is absolutely the norm in television production, when we have, well, in big movies. actually. yes, we have elements

of comedy, please, we have elements of melodrama, right here on the rupture of the aorta, you are a child and a wife and that's it. here it is, uh, a psychological drama, of course, where would we be without it and still a little action film a little action, because where without it and let's not forget about the detective, these hooks that she hangs at the end of each series really makes us think what will happen to the hero in the next series, but we haven’t seen him for almost the whole series, what happens he fell asleep for 20 minutes, but he is nowhere to be found. and these elements are amazing, and somehow they work harmoniously and with filigree it’s not for nothing that chess appears there, because in fact, liozno arranges these images yes, metaphors for the film and, of course, these heroes whom she collides and breeds throughout, 12 series, they are also a bit like chess pieces, but they are very lively

chess pieces. we are looking at them closely. i understand that now reconsidering. and this film we see acting work. we are interested in just watching the movements. there's tobacco on the armored screen. and tikhonov and many other actors, because their acting skills are the most striking in this film. yes. the main thing here is this concentration of actors - the concentration of magnificent actors in the frame, it, in my opinion, goes off scale. that's the truth, if you know, especially, and their filmography, if you know their faces, this is actually part of now the real industry too. so why, if we try? destroy today we can look at 17.5 spring. why are we interested in watching it? why is it still relevant? pure cinema is cartoonish, but how the actors work , how it allows us to look at these actors, how it is possible in fact,

now many people come to this e, not from the series, to memes and anecdote. yes, from jokes to the series, so, where does this phrase come from, here are all the sources of those phrases that we can repeat even without thinking about where they come from? well, even, and your tirli will ask you to stay. yes, she's almost gone their heroes. so you can come to this series for this you can see. in what context was it said? and how they looked at each other at the same time yes, but what was there? besides words? and this is a habit developed over the years, and stirlit knew that the very last phrase is always remembered. what connected these phrases? yes, what stood between them, and between them stood many more, and very very expressive phrases between them stood many expressive gestures, and looks, er, confrontations, conflicts and that's all. it's

just for the duration, 12 episodes of lyous she remembered that they called her at home. uh, the workers of some soviet enterprise of some factory asked, what will be there in the next series. let the radio operators remain alive and from or not. come on, please, we have work worth saying, they told her mom on the phone. and tell us a hint will stay alive or not. and mom is a religious director, you said that i can’t reveal all the secrets to you. take a look and you will all know, please, we need. if you return to work, that's it, she will remain alive, that's it, girls, we are working. then she will be alive. here it is, uh, a television viewer before the release from 17 moments of the spring of soviet television. they didn’t know anything , these are the origins of this boom from the real one, which will be later in the nineties. it was all in a sense with the financial brides were ingenious rehearsals. before that , with a real boom later. actually. the main thing that we can say is

to repeat the words of tatyana lioznova's mother. watch and find out, he's so much more than what we can say about him and this series is still best said for myself. enjoy watching. hello