only when we return to earth, when everything is already at an altitude of about 5 km. well, that is, where oxygen is normal, it opens it so that pressure equalization simply takes place and we can already breathe normal earthly air . this is where they learned. right. you say it was such a protocol, they have their own books. they were the only ones who couldn't touch anything themselves. only i said that it would open, that valve we don’t call such valves. here, that valve yes, the valve has a long name, but we professionally abbreviate just acronyms, that is, well, there are the first three letters, for example, kvd open kvd - this means pressure equalization valve. we got a little ahead of ourselves, telling the docking itself, but we have uh video footage of our immediate launch, let 's see, yes, let's go back on october 5 , 2021, where the funeral is.

ok

what power? i watched the broadcast worried about my colleagues now, when i watch the eldest son, who is also your fan. he knows danka klima since childhood, and they even took pictures of me when they showed it and yes, it’s not worth it. and just like that , they worried about the climate as a student, they mowed me a little before the great, they all thought that they might not return. we could learn from our

western colleagues how to make more of this. he left because russia has taken much more than the first steps, but everyone in the world has a feeling that russia is not the leader in this sense. yes, i think that this is this, therefore this film. it seems to me a real concrete step towards this. yes, yes, because okay make a movie. uh, in space from the point of view of flight technique technology, and the flight itself. hmm, it is more difficult. in this sense, that here you have to fly without, uh, a second professional, but the rest of the parts. i guess so, let's say they didn't interfere with life on the iss. yes, of course, they were some kind of great good, that is, when we docked. the crew that was

on board was seven people four. from the american dragon and three of ours, well , they expected from the russian ship. even in our russian segment, they prepared a snack for us, that is, they gave us food and drinks. and of course, the entire station watched the docking itself. uh, and then hay. eh, they were just waiting when they flew in one by one through the transfer hatches from the ship to the station. yes, of course the guys were waiting. eh, we talked a lot , it was interesting for everyone, when we were filming the film, from time to time we flew in to see it. well, how is it going? this is a real step to bring cosmos closer to an ordinary person who goes to the cinema. watch the film and you will feel that it is possible that there will be many more people who want to fly, because many of them i communicate with people already somehow came out of the space age of the name,

and with young people many believe that it is out of reach. it's actually somewhere on another planet. these are some kind of superhumans, they are the smartest, healthiest , strongest . this is sometimes 3.5 months. we have never prepared even tourists for 9 months. now, since it is 3 1/2 months , many tourists again looked in our direction and just right after uh, yulia's climas flew already, two non-professionals already flew. these were two japanese tourists. they paid 100 million there for two and flew and also flew for 12 days. that is, it became real, uh, the terms are shorter. although we had previously launched, of course, tourists. well , i say, the terms were longer, wedge in this film, he chose a very correct point of view. you know how they tell you to make a movie about space? there are a lot of questions here, the main

question is what is this movie about? well, it's clear, we 'll fly, it's clear we'll see the land. we understand we see space understand we see rockets, but what about? feature film, yes artistic, that is, but here it is necessary yes, yes , what is the grain of films, what is the essence of the film, because the film what was the film about people, it is always about people. it is always about wherever you fly, it is always about all sorts of fates about what is inside the relationship and attitude towards oneself to experiences between yes experiences of curiosity. i talked and this is what the viewer reacts to, because he can participate in this, yes, he can participate in this, and therefore, it seems to me that the cream has chosen a very correct point of view. he made a movie about

how people prepare for it and how this flight looks real and he had this experience. he went through this, yes, and so far he and therefore the simulators are real instructors, so there are a lot of people straight from the center for only snaps, who, like me, played themselves inspector doctors and so on. and there is some documentary in this film and that's why it will be so strong. i think that it is doomed to success, that people really seem to have flown. we have traditions. we watch the day before the start of the film white sun desert. and when they ask here why such a tradition of film is not indirect transport at all, i don’t understand at all. firstly, they do not understand the essence of this film, but it seems to me that there will also be a challenge. it is not necessary to watch it on such a tradition, just before the launch, as all the time, at least for young cosmonauts who have not flown, be sure to listen. i want now about girls. just to ask you about our girl, but tell me about yulia,

please, that’s how it is in general, there’s makeup in the same place. there, in the same place, as in general, as she is everything she did all this, mershi, and i think, yes, and they came heavier than here on earth , because i myself did not see live, how they shoot a film, well, after they returned. eh, here is the earthly part we filmed it. that is, i plunged into your profession and became an actor, that is, yes , indeed, firstly, how many people it already is. well, this is separately for klim's work, how he filmed one, right? i don’t know this crowd there, that person was there, maybe more. and just like that, if we talk about the actor, the assistants sit down with her from the makeup and so on. that is julie. i had to, she got up early every morning. e, since e is one place for the adoption of e water procedures. and what do you have excuse me, what do you perceive in the morning? well, how would you officially understand how much this

morning is? well, yes, if every 45 minutes dawn and sunset then looked out the window, you can’t tell what time it is now. you can't even tell until you look at your watch. uh, well, officially wake up at 6:00 am and somewhere around 7:15-20 the crew should be ready to communicate with the ground and get, uh, the task for the day. here is julia get up early so as not to slow down the people. eh, each one brought a soap in his head, this is not the easiest there, there is no soul, there is no running water, so it had to be cosmic. the more we see in the frames. uh, her hair. i had to get myself in order to apply makeup myself. she took things in her cabin with her. well, quite small, because you can’t take more than 1 kg with you in general of all personal things. and here is their little cosmetic bag. she somehow walked and cleaned up so that she would not scatter. there it is she can strongly hope when i he will tell and yes, he is preparing for the good, but everyone was afraid that there, well, there will be swelling. yes, uh,

well, you can see it in the frames. well, because they know yulia, there they didn’t rebuild their colleagues and themselves that they fed them for the first days, firstly, their cheeks begin to rise. well, they rise straight up, because they have this gravity and such a face. they just prepared my make-up, here at mosfilm. uh, just in case, god forbid, remember the story was that they were afraid that the flash drives did not reach there, and so on. well, there are no films, nothing for everyone the case, if something is wrong, so that this is how i looked like an essay , i had to make such a grimm just such a mask so that it turns out to put it on for half an hour all day you don’t walk like a bone, so everyone was afraid, but it seems to me, on the contrary, it’s real you can see how the human body behaves, how it looks a little different than on earth. and it's clear we astronauts did not put on makeup. uh, we don't need it, because it really was to rent us the interior. well, a little bit of something klim removed something from the hood, he endured and promised to return it. by the way, i wanted to say that he is there he stumbled on something, but he hasn’t stumbled on it yet. i

mean, he was filming. well, he doesn’t like this interior, in his own way he cleaned up what we always have in their places. when we were at the training center, kosmonavtov remodeled some rooms for you there, and so on remained. now they will be so now i won’t remake it into what was brought in, brought in my own vision in general, and what about the flasks? where is this story from? yes, about the fact that, unfortunately, we flew in, uh, that's it, they stole something there, like, yes, here they stole all these flash drives and so far. i say until he sees the film, most people say halfway. oh , you were the commanders there, i remember. yes i was yes. that the film where they lost flash drives, but everyone thinks that i also went down with them. this i will bear. yes, i, first of all, i didn't go down with

them. this is oleg for whiskey. in general, you can lose in this, everyone thinks that this is a flash drive. is this like everyone's thumb or what's the name? wow. here is such an orange, one flash drive, but of course, materials shot in 10 days. it's right here. you are right the box of the suitcase was laid all e in foam rubber, so that god forbid, of course, everyone understood the importance. of this information, of course, we left a copy at the station, that is , spare ones, yes, that is, we used our resources. well, temporarily the station has already looked. well, it's only space winter. we will tell you what happened there, but klim e every night, that is, we filmed everything, we are going to rest. he did not go to sleep. that is, he is very small, maybe for 2-3 hours every night, he dropped the best frame, because he couldn't throw it all away. we don't have that much bandwidth. and here it is removed.

well, a very heavy file, so to speak, so i dumped the best while he slept, rested on the ground around the clock in the tsup, by the way, they were not there during our class and came in during the hit. no, a special room. stamp, let's call it like that, yes, uh, in the soup for the film crew. dudin was always there, i don't know , his understudy, like, uh, the cameraman , his other assistants, a bunch of people who were always ready to help him. that is, he dumped, they watched immediately on large screens, filmed. uh, information, all the material and gave him advice in the morning. well, for example, the camera settings, because it's a raid, it's all manual. naturally, sound can also be light for him every morning. we had exactly a video conference every morning for half an hour. he received these whole. eh, how to shoot further and what turned out well, what didn’t work out very well, so even this sea was already enough. uh, in order to make a film, so let's dispel this face, the myths they either called me,

for example, they called from kind people, kind artists. do you know such? well, what about your wedge? yeah, it's true, yeah, they weren't asking me. they just told me. we are something of something, a cool director. he even gave him flash drives, there is just a video from the landing of our colleagues, and it is clear from their faces that the flash drives were with them.

you knew the guys before the start, here they are back, do you think their worldview has changed, they have become different, but enough time has already passed. it seems to me that according to yulia, i communicate more with klim. yulia and i also talked, and it seems to me that yulia has become somehow she has some kind of awareness, even a little look. here is an acting in a feminine way, because she is like a woman, like a mother, this is really such a step that hmm everything is turned upside down and everything is analyzed absolutely and it seems to me that what one that the second of our children also got them so quite deep like that. well, not simple

souls in a good sense, but it seems to me that something like this appeared, i don’t know, i couldn’t feel that i expanded on the energy level. yes, i am, yes, i am on climate well damn, there is always such a calm in him. i know, when he thinks, you understand that there is a certain universe that rotates there, that there are some processes going on there , and there are many of them at the same time. well, after space, i didn’t say that something had changed a lot , but i just made sure that he was from this planet and now it’s official . what to expect so that yurika is also such a versatile person who can do everything and dances. yes, yes , everything flies into space, by the way, about acting.

may i ask you your role? at least you you play yourself. well, that's it, you are officially the actor of this film. yes, the official actor, and moreover, when the film is just waiting for it. i have read the script. there were a lot of different cosmonauts involved in life, it turned out that so many cosmonauts cannot be provided to him, especially on board, and therefore i am from the commander, who was somewhere in the background, and in my opinion, i don’t have a single replica at all was not, because one or two i started to throw. then there were scenes where it’s not just a monologue, where the dialogue goes on and it’s necessary was to teach these uh words to someone acting or as a client. and why didn’t you learn the words, we were reading. yes? well, on the ground already in baikonur, that is, everyone was already working out each scene, and i read my words there.

it seemed to me, well, what did you say, the pair of phrases touching should be exactly what he came up with along with the screenwriter. well, on the one hand, it seems easy to play yourself. yes, cosmonaut anton shklerova plays in that closet. well , like tigers, but on the other hand, emotions, when it was necessary there, well, i tried to say, in my own way the climate. it's all somehow in its own way. no, somewhere i hit somewhere, but still it was at least ten, a duplicate, every every scene. i, well, we can't understand astronauts. how can you do the same thing 10 ever imagined ever imagined could you ever imagine? in the movie you are in space. and if you now still offer some scenario, well, let's say on the ground. maybe let's go down, let's go, well , you need to read. i won't go like that anymore. as you say, with the agent this is your people. well, yes, maybe with some kind of agent well, it wouldn’t be like that well maybe the stigma would be, i would say yes, no problem. well, dear friends. we created our challenge and courage desperately love decisiveness touching just you our

vast land and broad human soul. don't be afraid to challenge yourself and take it today with you. i am anton shkapper, and also my space guests are theater and film actor, milos, bikovich, and theater and film actress evgenia okhrenenko. it was a space history podcast. we don't land. we continue our flight, congratulations on the premiere. dream. fly and you've got everything succeed, and most importantly, go to the movies. enjoy watching. hello, my name is dmitry bug , the next episode of the podcast is on air, let them not speak, let them read the name itself.

you, of course, understood that we are talking about literature about reading about how books are written , how books are read . century, and in the theater, of course, before and about everything about this. we will talk today wonderful guest. uh, today we have a people's artist. e of the russian federation vanguard nikolaevich leontiev hello avangai. hello nikolaevich. dmitry petrovich is very glad that you have agreed to come and talk about literature with us. about the theater, of course, uh hmm and by tradition. let's start from the very beginning. well, how did it happen with you that you became an actor, uh, a banal question, a strange question. well, sometimes it happens, by chance, sometimes it is the essence of the life of the most childhood years, as all this was with you avangaya nikolaevich my father

dreamed nikolai ivanovich dreamed of being an actor and even he entered, he was engaged in amateur performances in the city of orel, and even he entered , uh, to the seld-meerhold for the highest director's course, amazing, he wrote the explication of the play, based on the children of vanyushin found and he should have been accepted or accepted but my mother and not married already at that time. here she is somehow bohemian. well, i got scared. she didn't let her father go. you are her representations of the theater - this is, first of all, what kind of scenes after such. i think mom and dad are very loved each other, and were faithful and lifelong friend. they lived for each other for many years together, but they were very jealous. i think my mother was jealous, i think that this

is, of course, not a matter of bohemianism, because the theater it doesn’t happen, it doesn’t happen that the theater of a person, there are actresses. second, theater. it's just another life. it usually draws the person in. well, of course, by the way, oryol is the literary capital of russia, so it is commonly believed that this black earth zone is boris of the end. no, zaitsev is disappearing, our most famous and a writer who lived in exile for most of his life. he said that the russian north gives birth to saints, and the russian black earth region gives birth to artists. this is a very accurate look, because the eagle is tied more easily. who is not connected. yes turgenev bunin andrey leskov giant peaks. it was somehow in your mind or not. or just family it over time over time, you know my brother valery is the eldest to him, 8. the weather, he wrote a book even, uh, oryol stories, he sat in khimki in the library there

department, uh, the main library of the country, which we are lenin, we call it out of inertia, he read all the newspapers that were published in orel all the way up to the seventeenth year of the 20th century. there was such an intense artistic life, literary life and journalistic life. yes, from there from the newspapers, so everything is connected with these names that you named and some stories there turned out to be small, such little ones, so peculiar. and just imagine, here he is so addicted to all this so that our oryol roots. here we are now , especially with age, we feel, well, how did it happen that you became no longer e amateur. actor like your father, but professional? it started before e, the school of the moscow art theater studio, the lady

always performed at all kinds of family holidays. before school, valery also tells me that i’m somewhere on the christmas trees, you know, this is the new year, this is a company to take the children there for matinees, that i read mikhalkov’s fables in the background i don’t remember this, i mean, it was so long ago , you know. it was so early, childhood, i still wanted to speak publicly. i wanted to perform. yes, it's great fun. that's why for some people such as, for example. well, it's very clear to me, i also teach a lot at the studio school. i see these people, but it's also very important here and the story is shattered, because there are many famous actors who are famous for their roles, but not all, but have a taste for reading from the stage. this is a special profession, but every time, yes to the public soviet time

, they said that i was legendary masters of the word there, people. nikolaevich zhuravlev yes, yes, these are all people who traveled around the region. yes, i'm very lucky because i'm already engaged in amateur school. he introduced the dramatic circle at school, but nevertheless, uh, a smart person advised me to go to the house of pioneers, the city house of pioneers. i came to the studio of the artistic word, which was directed by anna gavrilovna bobshik , a former actress. she is the first very famous artistic studio. she is a student of suerzhitsky. vakhtangov and stanislavsky stanislavsky was the planted father of stanislavsky sent it turns out so yes. and so. eh, anna said it was. uh, outstanding at all

teacher in recent years. she was in the chamber theater and taught speech, yes, and not only and, but here are children to children since the thirty- sixth year hmm well, xx century. yes, an actress with such a school to teach e yes. you know that the children simply adored her and she was just a very honorable person for us. we didn't know this word yet, but that's how we were anxious, and there i learned a lot. because it was here the school of art theater, but it's just such luck. she said, but as an educator to young men. yes, all young means big, and, by the way, she was the guardian of the archive of her writer husband, er, sigismundal. oh, these are great ones, the author of which during his lifetime is very little only in the period. they printed it somewhere, and so

his books were not published. he died in the fiftieth year of the twentieth century. here she is, but she began to knock on the thresholds of the editorial office so that something would be printed. well, nothing worked. she passed in the body. this is an archive and she said to me once that when i handed over the archive, sigiz, it can be written. yes, yes, i passed the like , someday it will be printed, said okay the idiot told her fifteen-year-old and thought about himself will never be published and here is the year 2001-2002, i'm standing in a bookstore on pushkin square. and i can't believe my eyes. sigismund kryzhanovsky three volumes, yes, yes , a luxurious super cover with luxurious photographs, wonderful author never

like anyone else, such a mystical vicious manuscript does not burn. here you see, i remembered right then and there i bought these three volumes and then they went out. three more tones were defended, two dissertations were at the same time. well appeared in one perlmutter. such a very important thing to someone then not only e relatives. he did a lot in one period. in the morning , darskoye evgeny vorobyov, those who defended the fault detection. so here's a story that happens, it happens that a person. well, as it were , uh, during his lifetime, uh, is not recognized, and then gaining recognition is more difficult, because there is no record. yes, unfortunately no, it doesn't. no, no, an actor should be with his generation if he is not recognized no further. no, you know, i have an old idea that manuscripts really burn, because very few such examples when a person

is not known at all during his lifetime, and then he is resurrected, and krzhizhanovsky was not known for external reasons. these are simply censored soviet reasons, otherwise solzhenitsyn well, he still printed it. here is tvardovsky glory. during her lifetime she shouted one thing to god there. well, i didn’t want anything else there, two of them scattered the set, they didn’t allow it, and then they took it all out of the library. this can be read too miracle miracle teacher of mathematics from ryazan unknown to anyone with such a camp experience is in a new world alexander trifonovich tvardovsky. eh, brings this story or story in different ways and suddenly a miracle happens, yes, because it is a great text.

shooting star season premiere soon on first what was the hardest thing for me to leave everything in the big city and go back home. well, a career with a hairdresser did not work out, in fact, sasha

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mark, i can feel it. i don't have long left. i do not want to leave vic an orphan and offer you a contract. we will have to live with you as one family in my house for my very death, it seems that they were waiting for us here, settle down and go out. today is our first dinner. you're a military journalist to handle weapons. you don’t understand that she’s just manipulating, you don’t understand at all what this crazy person wants.

my son's premiere on sunday at first well, are we together again with you a literary podcast? let them talk, let me read dmitry baka is still visiting us today, people's artist of russia avangard nikolayevich leontiev well, what happened after that at gavriilovnaya, after he told me , i met dmitry nikolayevich zhuravlev, a great reader, a great people's artist of the soviet union, and he prepared me for admission to the school of studio berries. this is the sixty-eighth year of 68, yes, the end of the sixties and uh, he studied with me a little and selected the repertoire and introduced me to his student viktor karlovich munikov, the famous professor the school of the moscow art theater studio and he listened to me, and, in

general, i had the support of the already re-trial commission, because i was part of the reception. there was some kind of confidence in the commission , but there was no certainty, but i was supported by such wonderful interesting people. i read a fairy tale about pushkin's golden cockerel, that you are in the golden cockerel - this is a cockerel, then he fed me. when i already entered the philharmonic society in the reading department, the literary reading department after graduating from the studio school and began to read concerts in schools. i performed with this golden cockerel in hundreds of schools once. well, this is a great text. pushkin is just such a pearl what is it, listen, how the children of his wonderful, in general, children listen to pushkin wonderfully and gorky by the way, i read gorky as a child and i ’ll ask you a little later, just read something, this is

just a topic that i won’t hide prepared for discussion, because not every actor feeds. here is such a taste. how are you reading, but they read literature less often. maybe i'm wrong, but i rarely read plays and drama fragments. concert concert. well, of course, i did in my opinion, jurassic yes, mostly particles read literary literature or just or just yes, this time and even a parallel profession, because there is no costume there. no, sonography. no, there is nothing. yes, you the text itself depends on you, of course, on the author in the first place, of course, and the author leads you , you understand, her and the height of the author of his equipment, the author, mmm. this is, of course, you. well, how, how you are not alone, after all, you are not alone

, you have a huge range, uh, different registers. i really love your work. including e in the genre of reading the literary word. as they say, maybe uh, so improvisation, you would agree to read something. you mentioned the childhood of maxim gorky, it will be me you know, i will read a small piece . hmm, a fragment about how, after the grandfather flogged alyosha, alyosha is the main character of the children's story - this is his grandfather. yes? this is grandfather kashirin alyosha - this is the gorky next year itself. yes. and so, when he was punished for a childish prank there , it was very cruel. now you yourself know why yes if you caught me before losing consciousness. he writes bitter things in this book, and then

the boy gets sick. i just fell ill, came to my senses from feeling bad and could not. uh could lie. only on the stomach, the back was all broken. family members began to come to see him with rods and grandfather himself came, by the way, he apologized for what he had done and gorky then wrote that i realized that grandfather was not angry and not terrible, but the main one was a gypsy. it was such a foundling raised in the house by his grandmother. and this gypsy girl came to visit alyosha, a square, wide-breasted huge curly head and he appeared in the evening. festively dressed in a golden silk shirt, you send pants and creaky boots, harmonicas and shone in his hair. sparkling, cheerful slanting eyes under thick eyebrows and

white teeth. under the dark stripe of a young mustache, a shirt burned, softly, reflecting the red light that did not extinguish the lamp. you glyanka said, he rolled up my hand. and showing a bare arm up to the elbow in red welts. even worse was healed a lot. do you feel how the grandfather began to enter into a rage , i feel and see constipation. he started you this hand substitute waited for the pond to break grandfather gives for another. and a woman will drag you away do not alimate. well, the pond didn't break, wet and flexible. and there is something less for you. haha. you see how much he again laughed with a silky, gentle laugh, laughing, looking at his hand and saying so i feel sorry for you , i feel trouble, and he whips, snorting at the horse , shaking his head, the gypsies began to say something on affairs immediately close to me, childish simple. i told him that i love him very much. he

simply answered meekly. yes, i love you too. but he mistook pain for love. have i become for another for someone to spit. then he began to teach me to quietly often look back at the door, when suddenly the net is on fire, you don’t shrink, don’t squeeze your body, and you loosen it freely kiselyov lies and don’t puff up breathe in all ari and you remember good obscenities, well. i asked if there would still be a network. and how calmly the gypsies answered you, go to often they will fight. and why does grandfather look for and again began to teach if, he cuts on weight, just put a vine on top, lie softly softly, but am i he cuts with heavy, hit them towards you, pull the catch to remove the skin, then you wiggle your body towards him climbing, it's easier. i am in this business with me and the quarterly with me.