the camera song is post-covid yes, the texts lay for a long time. while i was thinking about what the roof on the notre dame had already burned down, and a song began to reach me. come on long in challenging for a guitarist. e tonality. it doesn’t matter at all, because now i’ll try this here, which means that this is literally for her. without a year of the week of this song. no, without for me without a week. this is the day before yesterday. i have this 10 years ago. and this is yesterday five years old song only written by the group and sunday. harvest

catch prey it's time to flow without a computer, with a yellow flame, the score to kill the cards burns out with an evil hope. secondly , the tooth of the gears, whose calculation is directly called by the posts from the perekut, not the distribution , guards the empty trad guards when wasted , it will come out to everyone to believe everyone will fall asleep as much as possible. too late to hide behind the door.

the speech is dark longing indistinctly, what would the wind play enough for half an hour, the fire walks here not nicely, there, not the holy track of the ear, the beater time lingers , it dignifies the overflowing bowl with a ringing drop to overturn and run and hold my squirrel on a crazy wheel. frightened squirrel crazy wheel

well, i hope that our grandchildren with you at this hour felt this bite of moscow rock and roll, how would you lyosha divide the history of the group into periods. i came from the camps from the military shorn. yes, approximately, as it is now . yes, in dark glasses, two of my old friends came to me. zhenya margulis seryozhka is my precious friends. let's say, uh, do you have a song? let's say we'll cook something because there's an opportunity. uh before

the moscow olympiad of the eightieth year put on the moscow world service radio some soundtracks beyond the control of the editor, then successful acquisitions of honor-grad boomerang sounded on the medium waves . only whoever is there in general, and we found a place. dima linnik had his own , uncontrollable fanatic then we fell off somewhere to the south, uh, to swim, and the famous band returned, it’s definitely left only to start playing some completely. here. uh. actually. this is the first stage at which andryushka sapunov joined during the recording, who just, in my opinion, he quit the flowers and entered the school, and podgorodetsky helped to sing on

the keys. well, well, they were furious, how could they there, that they were 27 years old. this, of course, is a feeling that there is still age. now i know. yeah, when internal internal movements already began to occur there. well, zhen margulis went to lenkom varaks. we didn't have any sensible replacements. uh, zhenya in the name of the bassist, and then on new year's eve, the blue seryozhka says, take nikolsky to the guitar. eh, the repertoire , too, and the name will be, too. how they survived. you leader uh, bones video. well, how we got along fir-trees-sticks. uh, hmm, it was a custom for the team to solder the team with nikolsky. we did not lose anything, but we were engaged exclusively in art. yes, but not kochkin, they laid out women. well, why is he nine then? uh, then there was a long long

break . central concert hall of russia we have gathered for this cause. uh, rehearsing prepared, played with great success and it turned out that in general, we can continue further, that we are, uh, quite a touring band. well, away we go, and since then there have been all sorts and you wrote wrote. i don't write like that, no , no, no, no, if it hits me, i'll fix it. it will be early in the morning, and yet not quite in myself. and i am fixed on a piece of paper and we'll see, we'll see. let's from

what period is also relatively new, as it is called on the road to heaven. the word was yes, there will be death. earth round fun in the name was my create armor

healed. the wife was. once upon a time there was a story in this and that world on the third planet did not believe in tears. and i take do not choose, i die of love.

hot fire swirled around the world to rape the world me to the court and to the answer will be able to prison. four orderlies took me out baked.

and i sing you play you walk. in the depths of the wilderness , the souls of your beautiful soul will deceive the fog, the gypsies left her.

dear friends, we are with you again for the 40th anniversary of the group on sunday, led by alexei romanov. we settled on that the ninety-fourth sunday experienced on a yearly basis, second wind opened a second birth, and you understand the situation, it was so. despite the fact that already in the ninety-fourth rock and roll were willingly invited to nightclubs . on a par with the pop artists , they began to write loot in such a way that it was pleasant to make money. and then the clubs bred, then , of course, like mushrooms after the rain, it was terribly funny, we played metelitsa on kalininsky

prospekt, and as an audience, we had exactly two prostitutes. well, does it surprise you? nothing surprises us for some time now never at all and nothing that you and i time while it flows on you from there. uh, liquid clay. eh, it was a time of effort. so further, well, come uh, zero there was a lot of talk. uh, what number does the ruler start with? yes, from zero or from one, but i’m not ready to tell me about changes time was already all the same, because what depended on me. whatever depends on me, i will do

what does not depend on me. e. i'll miss it. and you will not reproach yourself, where do i burn myself? i already zakaril myself already to me, to be honest, there is cooked in a frying pan instead. but on sunday, the ensemble was invited around the country in the 2000s and 10s. well, we were on tour. yes, we are quite good there, as a rule, this is where such tours are, as a rule, this is the society book luba in the city no university city. here are the big sites. well then, let's not deny ourselves, comrades, the pleasure of listening to one more song. what? yes, what kind of songs are these comrades ballads hard. and here it's not holy well, it's fantastic, as it is said there, it's not nice, it's not related to fantasy, that now the cart was asked to brace.

on the road of disappointments again fascinated i will pass my mind is full of bright expectations my heart smells a new trouble why again

does the voice that calls from the darkness bother me? be not yet passed. do you want? rachik he swears, you are already an old man on their way

motives. he squared his shoulders proudly ordered himself to fly, if i came across you, so we are not on the way with me. and i'm scared.

in the harmony of their dating, i will go

along the road of disappointment, they will go along the road of disappointment, at a time when everything seemed so to us, it’s clear, i’m flying towards you. you can see yourself not on the way.

that's the trick of it all, uh, we were rocking against the current for us on this guitar drums, uh. just like it was for probably all the teenagers uh of the globe in those days. it was a wonderful fragrance and it's interesting that bands have all sprung up around drums always guitars. listen to leningradka , too, for 9 rubles. you are growing pickups. that's all. if you are romanov, then you already sing, but you can’t get it anywhere, and first of all , the directors of schools bought idle time, engels drums from the city of engels are better than nothing, than engels ha ha, well, it was touching. this is another serious matter. this is serious. yes, well, well. a natural question, alexey, what kind of creative fruits do you know, we worked for some time in a variety program, so with alik yakulov was such a violinist from not elusive

, colorful such an uncle. what creative plans does the grave have in store for me? i think not. and just refutes. this is a statement the next love song. that's about love, dear friends on this note, we just have to part with you, and with the resurrection , on the contrary, stay on this note thank you group, sunday romanov comrades. thank you for your attention. cooled down

in the morning, if everything is as it was again. eternal yesterday light heavenly path of earthly fire be with me, do not leave. i wander in an empty city, dark completely. properties between sleepy herbs, do not leave me alone do not

leave me, and when in the dark? following a good hope is true, not love over the spring over the earth with wings ringing. let me be with me.

hello, my name is dmitry bak , the next episode of the podcast is on air, let them not speak, let them read the name itself. you, of course, understood that we are talking about literature, about reading, about how books are written, how books are read, what happens to literature in its

subsequent fate, one of the roads for the development of literature is theater and cinema are very closely interacts these arts in the twentieth century, and in the theater, of course, before and about everything about it. today we will talk about a wonderful guest. today we have a people's artist. e of the russian federation vanguard nikolaevich leontiev hello avangard. hello nikolaevich. dmitry petrovich is very glad that you have agreed to come and talk about literature with us. about the theater, of course, but hmm and e according to tradition. let's start from the very beginning. well, how did it happen with you that you became an actor, uh, a banal question weird question. well, sometimes it happens, by chance, sometimes this is the essence of the life of the most childhood years, how it all happened with you avangay nikolaevich my father dreamed nikolai ivanovich dreamed of being an actor and even he entered, he

was engaged in amateur performances in the city of orel and even he entered, uh, to the seldu- meerhold at the highest director's course, he wrote a terrific, uh, explication of the play based on the children of vanyushin found and he should have been accepted or accepted, but my mother, and not already married at that time. here she is somehow bohemian. here you go i was afraid i should not let my father go. you are her representation of the theater - this is, first of all, what kind of scenes after some. i think that mom and dad loved each other very much, and were faithful and lifelong friends. we lived together for many years, but they were very jealous. i think my mom was jealous. here's what i think is the issue. yes, of course, it's not bohemian in the fact that the theater. it doesn't happen, it doesn't happen that the theater is a person, secondly, the theater. it's just another

life. it usually draws the person in. well , of course, well, by the way, it's the eagle the literary capital of russia is considered to be so. this is the black earth zone. boris zaitsev is our most famous and writer, who lived in exile. uh, most of my life. he said that the russian north gives birth to saints, and the russian black earth region gives birth to artists. it's a very accurate look from an eagle tied it's easier to tell who's not tied. yes turgenev bunin andrey leskov giant peaks. it was somehow in your mind or not. or is it just a family thing over time over time you know my brother was brewed older to him, 8.2 years old he even wrote a book of oryol stories. he sat in khimki in the library. there, the department of the main library of the country, which we are called leninists, out of inertia. he read all

the newspapers that were published in orel until the seventeenth year of the xx century. there was such an intense artistic life, literary life and journalistic life. yes, from there from the newspapers, it means that everything is connected with these names that you named and some stories there turned out to be small, such tiny ones, so peculiar. and just imagine, here he is so carried away by all this so our oryol roots. here we are now , especially with age, we feel, well, how did it happen that you were no longer amateur. an actor like your father, but as a professional it started before uh, the school of the moscow art theater yes, where do you know it started at home at all kinds of family holidays, he always performed before school, and also and and and valery tells me

that i'm somewhere on the christmas trees you know, here it is in the new year, this is a company to take children there for matinees, that i read mikhalkov’s fables there in the background. i don’t remember this, that is, it was so long you know. it was so early, childhood, i still wanted to speak publicly. i wanted to perform. yes, it's great fun. that's why for some people like me, for example, well, it's very understandable to me. yes, i also teach at school a lot, i see these people, but it’s also very important here and history is caring, because there are many famous actors who are famous for their roles, but not all, but have a taste for reading from the stage. this is a special profession, but in soviet times, yes to the public soviet time they said that these are legendary masters of the artistic word. uh, people, nikolaevich zhuravlev, yes. yes, people who

traveled to the regions. yes, i was very lucky, because i'm already studying at the amateur school. there he led a drama circle at school, but nevertheless , uh, a smart person advised me to go, uh, to the house of pioneers, city house of pioneers, and i came to the studio of the artistic word, which was directed by anna gavrilovna bovshik, a former actress. the first art theater studio is very famous she is a student suerzhitsky. vakhtangov and stanislavsky stanislavsky was the planted father of stanislavsky, it turns out, yes, and so , uh, anna said he was, uh, an outstanding teacher in recent years. she also taught speech in the chamber theater. yes

, and not only and, but here are children to children from the thirty- sixth year. mmm of the twentieth century. yes , an actress with such a school to teach e yes. and you know that the children simply adored her, and she was just a very honorable person for us. we didn’t know this word yet, but that’s how we treated me in awe and there i am very learned a lot. because it was here the school of art theater, but it's just such luck. she said, we as an educator. yes young men, yes, all youth is divine. and, by the way, she was the guardian of the archive of her writer husband. ah, sigismund. here are the great ones, the authors of which during their lifetime very little only in translation and printed somewhere there, but his books were not published. he died in the fiftieth year of the twentieth century. here she is, but she began to knock on the thresholds of the editorial office

so that something would be printed. well, nothing worked out. she passed in the body. this is an archive and she said to me once that when i handed over the archive to sigism it was written. yes, yes, i passed it in the rock someday it will be printed , said okay, the idiot told her fifteen-year-old and i thought about myself, they will never print it, and here is the year 2001-2002, i am standing in a bookstore on pushkinskaya square. and i can't believe my eyes. sigismund kryzhanovsky three volumes, yes, yes, a luxurious super cover with luxurious photographs, a wonderful author, never like anyone else, mystical, so vicious such a pessimist does not burn. you understand, so i

remembered right then and there i bought these three volumes then went out. three more houses defended two theses at the same time. well appeared in one perelmanter. such a very important to someone then not only. uh, he made a lot of changes vadim, yes, and in fact, who is orska evgeny vorobyov, those who defended their dissertations after kryzhanovsky, so this is the story, does it happen that a person? well, as it were, uh, in life. e unrecognized, and then gaining recognition is harder because there is no record. yes, unfortunately no, it doesn't. no, no, an actor must communicate with his generation, if he is not recognized no, you know, i have an old idea that my hands are really on fire, because there are very few such examples when a person is not known at all during his lifetime, and then he is resurrected, and krzhizhanovsky was not known for external reasons. these are simply censored soviet

reasons, otherwise solzhenitsyn well, he still printed it. here is wardovsky, thank you. god during his lifetime printed one thing there. well, i didn’t want anything else, there were two with a scattered set they didn't allow it to be removed, and then they confiscated it all from the library. this can be read too miracle miracle teacher of mathematics from ryazan, unknown to anyone with such a camp experience, is in the new world to alexander trifonovich tvardovsky. eh, brings this story or story in different ways and suddenly a miracle happens, yes, because it is a great text. they can have their own children, we had a child, and after the accident, kerry has a psychological

barrier. park, i feel it. i don't have long left. i don't want to leave vic an orphan and offer you a treaty. we will have to live with you as one family in my house. i am the very death of me, it seems that they were waiting for us here, make yourself comfortable and leave. today is our first dinner. you are a military journalist. are you good with weapons? you don't understand that she's just manipulating, i don't understand what she wants at all, it's crazy. my

son's premiere on sunday at first well, are we together again with you a literary podcast? let them talk, let them read i'm still dmitry baka our guest today people's artist of russia avangard nikolaevich leontiev well, what happened after that at gavriilovnaya after he said i met dmitry nikolaevich zhuravlev, the great reader, the great people 's artist of the soviet union, and he prepared me for admission to the school of the moscow art theater studio this is the sixty -eighth year of the sixty-eighth year yes, the end of the sixties and uh, he is with i studied a little and selected the repertoire and introduce me to my student viktor karlovich monikov, the famous professor at the moscow art theater school. and he listened to me, and in

general, i had support. it's already before the selection committee, because munyakov was a member of the selection committee , you still didn’t have any confidence , but i was supported by such wonderful people who read, remember it’s interesting, i read the tale of the golden cockerel. pushkin that you are a golden cockerel to a golden cockerel. this is a cockerel, then he fed me. when i already entered the philharmonic in the reading department of the literary thurs for children, after graduating from the studio school, i began to read concerts in schools. i spoke hundreds of times with this golden cockerel in schools, well, this is a wonderful text. just like that pearls like that, listen to how his children are wonderful, in general, children listen to pushkin wonderfully and gorky. by the way, i read gorky as a child. and i’ll ask you just a little later

. something to read this is just a topic that i will not hide prepared for discussion, because not every actor feeds. here is such a taste. how do you like reading, but they read literature less often. maybe i'm wrong, but i rarely read plays and dramas. fragments. concert concert. of course you do, i think york girls read literary money. or just yes? this is also a parallel profession, because there is no costume there. no, playography. no, there is nothing. yes, you yourself depend on you, of course, first of all, on the author, of course, and the author leads the video, you understand, and the height of the author of his equipment, the author, mmm. this is, of course, you. well, like how you are not alone, after all, you are not alone

, you have a huge range, uh, different registers. i really love your work, including e in the genre of reading the artistic word. as they say, maybe uh, so improvisation, you would agree to read something. you mentioned maxim gorky's childhood , it will be . you know , i'll read a small piece . this is his grandfather. yes, this is ded kashirin alyosha - this is gorky next year's writer himself. yes and so, uh, when he was punished for a childish prank there, it was very cruel. now you know why? yes if you spotted me before losing consciousness. they write bitter things in this book, and then the boy gets sick. just

got sick. i came to myself from feeling bad, and could not lie down. only on the stomach, the back was all broken. with rods, they began to come to visit a family member and grandfather himself came, by the way, he apologized for what he had done and then gorky wrote that i realized that grandfather was not angry and not terrible, but the main gypsy came there. it was such a foundling brought up in the house by a grandmother, and this gypsy came to visit alyosha, a square , broad-chested with a huge curly head, and he appeared in festive dress in the evening and in a golden silk shirt, you send pants and creaky boots with an accordion. glittered it in his hair. sparkling, cheerful slanting eyes under thick eyebrows and white teeth. under the dark

stripe of a young mustache, a shirt burned, softly, reflecting the red light, the inextinguishable lamp. you look from the red scars yet. much worse, it healed, you can feel how the grandfather began to enter into a rage, i feel and see he will constipate. he began to substitute this hand for you, waiting for the pond to break, grandfather will depart for another. and you will be dragged away by a woman do not alimate. well, the pond did not break flexible soaked. and only that you got less. yeah, you see how much he laughed again with a silky gentle laugh, laughing, looking at his hand and saying so i feel sorry for you , i feel trouble, and he whips a snort on the horse mot and with the head of the gypsies began to say something on business immediately close to me children's simple. i said.