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play play the remote will bring share the business with yandex contribution the best percentage of the sphere with rate of up to 12 percent per annum rates on deposits in banks are all the same. how to choose is not clear which one. and how did you choose i chose the most advanced that was always there. it's technological and always there. open a deposit with the highest rate. this is the rarest case when it is possible for the actors to organize such extreme proposed circumstances that are adequate to the real ones.

that's it. it's of great interest to explore yourself in these proposed circumstances, how the preparation for the role went. who do you have i was inspired by it so that on these shootings i met amazing people and , of course, the inspirer of this process, dmitry olegovich rogozin. here is his belief in the popular science value of the project. it moved it and further the masters who know the cosmos and anton nikolaevich kaplerov and sergey konstantinovich krikov. and the wonderful craftsmen who worked there in the federal air transport agency. you know, this is the concentration of all science, but also including later the consultations of yulia lemeshepenko himself and the herring, who visited and

passed this test. the main distinguishing trait. these people absolute passion and absolute attention. genius - this is not retreating attention. for these people it is clear that they are in this problem, if it arises all the time the image that you sought to create. he what it was chief designer. this was the flight director, a man who had been in space more than once, possessing the knowledge , authority and experience of a person who knows the cosmos at that time. here is the existence of this problem. from practically, that is, moreover, if

he doesn’t know something, he knows from whom he needs hear, he organizes correctly. talented knowledgeable people around me. how long was filming? that's it for your block. well, it lasted in such small, uh , sections, because we filmed part of it in a built-in mission control center, no on objects. uh, they filmed this big ground part. and here is such a difficult moment for me from all this ground part. what was, probably, it was very important to combine e and, above all , for the director to combine here, what is happening in a plausible story in space with the fact that happening on the earth of the concept - it means to feel here to feel this atmosphere. attention, the need for need and salvation. and you had the opportunity, then

to talk to yulia and ask. well, how is it that an actor who is in space, it turns out, of course, is working on a role, that this is all going on a lot of talk about how, how , how. what are the feelings during preparations. uh, i know a lot of secrets, i won't tell them, but, but we don't have the opportunity. if we talk about preparation, of course, it's very tough. she was very tough, probably very tough correctly in relation to the actors and the director, in order to understand, first of all, the psychological capabilities of the organism. you know , we get to the orbit when we get into such conditions . hmm weightlessness. it is impossible to check it on earth for a long time, and klim and yulia, they were as charged as possible and, uh, and capabilities and organisms, and allowed them. and then there were

various activities that allowed them to show several times. with courage , the film is released to the extent that it can have an impact on our younger generation. how you think, of course, we are in the hope that the audience of the younger generation, first of all , will see this space with their own eyes and understand that a person can really do everything and that we are a country of great opportunities. this is what is probably important. each person still saw his goal after watching it. and your challenge. what is his challenge? therefore , this is the motivation to challenge yourself sitting on the couch, and you have to run to draw, sing to learn,

this is the challenge challenge yourself first of all hall, it means that the mission of this in this picture was completed that you, as a creator, are driven by you do not stop, not for a second, i have seen a lot. i was in different proposed circumstances, both at work and not in different parts of the world. but basically my activity led me there, the meaning of our life, the knowledge of stanislavsky, this was said by self-knowledge. in this event, called art, there is nothing of its own. yes, there is nothing more interesting than knowledge, because knowledge gives inspiration, that is, a breath of the new, but inspiration. if you

are inspired to bring your attention, you you become your attention, it becomes a feeling where you live, you live, rapidly, moving towards a constantly achieved, but never achievable goal, and this gives life, like riding a bicycle, you don’t pedal, you fall, therefore, this is how you move what we love, on what we have to spend our whole lives giving impressions to the audience. i understand that the story will continue and you will again go to chersonesus and will again stand, the stage. and what will happen this time? it was an incredible experience for us, indeed last year was the presidential a pound of cultural initiatives has allowed us to accomplish this internal mission of ours,

because our theater with 400 seats is small; here we faced a very difficult task - an open-air hall for 1,600 people. and it was necessary to win the confidence of this hall, it was yes, indeed, we would be very worried, because, but we were and really deliver 300 seats in this sense. it went very well. and for us, it's in this atmosphere, of course, we brought the sailor's silence of alexander galich to our performance, which was staged by oleg pavlovich what did he call tabakov? this is our seagull, that's how dramahata was seagull so for our basement theater. this is a play that was banned from this play , the sovremennik theater was supposed to open it, oleg nikolaevich

efremov staged it, the role that i play. i played the greatest genius evgeny sancheev stegneev, and unique ones did it. there was a hmm dress rehearsal for a woman from the ministry of culture and so on and closed this performance. for 30 years the plays have been coming, we have restored them, and you know how interesting it is. alexander arkach galich small was in sevastopol until the age of 23 and these impressions of sailor silence, but about what he was talking about, uh, they were born there. this atmosphere is there and this year we will take it. uh, our performance is based on the play by the great and with the music of vladimir dashkevich, a passion for bombarash. it will be once again the challenge we have through the performance is absolutely me, well, in the hall in the theater

it is unbelievable that it will be in the open air. even scary all the representatives. yes , please, we are waiting for you somehow imperceptibly. we have reached the end of the program. but here i can not help but ask if there is a dream idea, here, which has not yet been implemented, but it is in the future, so to speak, somewhere here is a distant phrase here life is that life does not end with us very important. whoever goes further will continue this work. just as passionately, therefore, here is my dream for the guys to be engaged in this activity, successfully fruitful with discoveries. but in stanislavsky, i once found a favorite quote for myself, i won’t even quote it, but the word such a concept is better than emission, for which it was criticized, because it

some kind of metaphysical form, so i want to say, it's your turn. he made me inescapable. thanks a lot. yes, but they really scolded him, so when he came, did you emit better or not? did you somehow attract him or not? see there. thank you very much and thank you very much dear friends creative industry podcast. on channel one , elena kiper roman karmanov was completed with you and our guest is people's artist of the russian federation, artistic director of the moscow

oleg tabakov theater vladimir vladimirovich mashkov thank you hello this podcast life is wonderful with you writer rector of the gorky literary institute alexei varlamov today we will talk about the wonderful great actress of the legendary actress faina georgievna ranevskaya and in our studio people's artist of the russian federation evgeny yuryevich steblov big to you thank you evgeny yuryevich for coming to this studio and we invited you, because, as far as i understand, you knew faina georgievna and you can tell her to share her memories and thoughts about this amazing woman. i worked with her on a play. the truth is good happiness is better, which is sergei jurassic kingdom of heaven. when he moved to moscow from btt. in my opinion, this was his first production at the moscow city council theater, and i really loved this

play. and even an excerpt played. at university. the whole idea of ​​staging this play was for the sake of the fondurna ranevskaya playing the role of a felitsa there. this is actually a role the role would probably be physically more difficult to play, and in general, she herself chose this material, by the way, so you called ranevskaya faina georgievna, and we are all so used to calling her foil. but when we said goodbye. at the memorial service, the situation was so comic that all creative people turned to the departed fen georgievna and all people were official officials, they turned to the military grigorievna because in fact she was a military grigorievna according to her passport, but

she liked me to call ranevskaya - it's actually an alias. well, you know how uh she rarely went to the theater, uh, you couldn't see her at any meetings, she didn't attend social events. well, i was filming at the time. i no longer remember what the picture was, but i will later. uh, started rehearsing my first time. uh, i was rehearsing the second part of the guys, there are young ones, yes, and here i come about a month after the start of the revolutionary period. i appear in the evolutionary hall for table rehearsals, well , they said hello, so they sat down at the table. she to me says plato number one or plato number two. i say i'm plato number one. she says, yeah, that's what she sort of

found out for herself. and they began to read. and uh, as usual, at the beginning of the revolutionary period , a lot of such uh conversations happen at rehearsals. e of a direct relationship, like not having a job, and i told. i don't remember, even now what it was for me when i was a baby in a cradle. uh, bitten by a rat, uh, and my mother woke up and saw, she threw it there. mop, right? or that you are a rat, naturally ran away, but i then wore on 40 injections in the clinic. here, i told it the same way as it tells you now that wallpapers were born. i told her, i made such a neutral face and said no to

an intelligent family. just uh, the war ended in 1945 and 1946, and i was born. in the fifth to forty-six there was still famine and there were a lot of rats. she immediately froze. and excuse me. well, we began to work to read, but, to be honest, there i had one paired scene with her, when she appoints plato to my hero. e date, well, somehow it didn’t stick, to be honest, because in our business it’s as in love and, probably, immediately somehow mutual understanding. well, it’s not instantaneous right away, but since it doesn’t work at all, that is, you didn’t succeed with it at first. no, there wasn’t any, it seems that you or she have a reason

, i’ll tell you everything now, but i must say that yursky behaved with her in an extremely complementary , very respectful manner. and so to speak very affectionately, and fondurina - this is already later. uh, it became clear to me. she did not like it when they looked into her mouth, but she seemed to check for lice, you know, there is such an expression, she even provoked a person with something there , well, it didn’t come to that with me, but at first it didn’t stick, and already when the rehearsals went on stage , they began to go out already in costumes and now the first rehearsal on stage. i think, but it is necessary to somehow put it in its place. in terms of our mutual understanding. here, and the text there is the following, which means she sits down, uh, gazebos. uh, it means in the garden and she turns to me and

says, dad is listening and you are a winner. i don't imitate her. well, so conditionally i remember her, how about her conversation. here i am i say, wait, do not interfere. my fantasy is playing out. she says i'm your ambassador. i say, yes, nothing good, i do not expect you, and then she said some phrase. i don't remember now why i turned to her and said. well, what else is in the text? what else? and then i decided to put it in its place a little, and i took this phrase, this one. well, what else i turned around grabbed her by the blouse, but her costumes and how i shook her, and the whole room. here is the theater on the council there is a huge hall. we both barked at the whole room. what else did she describe? and

says, zhenechka. that's been since then, which means that i guessed exactly what is needed and since then. we had some pretty nice ones. actually relationship. one time, she asks me. neck, have you ever been in love? i say loved the family she says so what and what? i say, well, got married? she says, and now and now i'm talking now, well, i would not like to talk about this topic. what is it? i say, well i'm in love with another woman now. you tell someone, i won't tell anyone. so i paused, then turned uh to her and said you great, she again was taken aback and said,

naughty. well, in general, there were the sweetest relationships and there were no more partner problems, but she was an actress there who played my mother, she idolized her. and she brought her to tears every other time at a rehearsal in foil. she didn’t like it when she was somehow too complimentary towards her. and it's generally known. here they are playing words, yanych, then silence, the performance of the unknown , and such an illusion has been created that they are such very good partners, but in fact it is it wasn't like that. uh, of course, they were both professionals from novyansk, with whom i partnered a lot, and he once told me, zhenya, well, you know, it's like here in the zoo

people come to watch giraffes there. that's how he treated her that, supposedly, she comes to the zoo to look at her. well, it wasn’t that it wasn’t a conflict relationship, but, nevertheless, such a somewhat ironic one. here is what she said. slavik you are a hack, why a hack, because he worked a lot on the radio, but she considered it. how to say not the main work what you say, of course, terribly interesting, but it turns out. so, if you understand correctly, it is a bit exaggerated. yes, that's her role, and it was originally mythologized, in part. and now the question arises, what is the mystery, what is the secret of this woman, who actually did not play so many roles, but nonetheless. look how many books have been written about her. how much is filmed by the company in what? mystery? what is the secret woman? i will now try to answer this question, firstly, this is me and from my experience for so long hmm

63 years old. i work in the cinema in the theater 66. it seems to me that recognition, uh, popularity is called fade, whatever it is, it's still a factor of fate, it's not always. in my opinion, it is connected with some kind of work, because there are, well, i know a lot of such cases when unique artists and they are absolutely not popular enough and it 's fate. you believe that fate is fate fate. someone is destined to be. e, like this, but even if you want an idol, but someone is not destined. and for this, therefore, the decision of merit. there is no person here. no, i i would not use the word merit, because it is not connected with merit, it is connected with the quality of the individual with the need of society. there are a lot of

facts here. eh, you see, well, this is such a very delicate matter. well, anyway, i my opinion is that such a direct dependence. here is a wonderful artist, he would become popular, even if he worked a lot in many. or the performances are wrong, it's very interesting. and do you think this applies only to acting work or does this apply to any creative profession, because to me, for example, it seems that the literature is a little different. yes, if you write good books, then, well, you become a famous author and that's it. that is, it is the concept of relativity. it just seems to me that the peculiarity of acting talent lies in the fact that the actor is extremely partly not an independent figure, because so. well, wait, it depends on the director. no, it's not called that. tell me it's so pure. sorry for the primitive ethical perception, not fain georgievna

, who is not dependent on anyone, and your obedient servant too i've never considered my profession in this way. it depends on the quality of the individual. here, uh, and in general this is that the artist depends on the artist, just as dependent. how much the director is dependent on the artist is mutually aware of it, it's like a family relationship. yes. here is faina dahlia. well , what can you say for sure, she was always a very independent person, and now we will try to figure it out, firstly, again. well, i have my experience, so i don't have this lack of modesty. i will refer to myself. it's just that it's, well, closer to my own experience, it's a sin for me to complain about the fate of a sin to complain. well, i had a lot of conflicts. uh, although, although, all my life i was a leading actor in the theater, but also in the cinema, but these conflicts were connected with

creative search, and not uh with manifestations of a bad character. here is finderny, too, and she didn’t fit too much into any framework. although you can and wanted to fit in like any person, and it seems to me that in principle, she was a very lonely person very lonely. and here are her many so-called aphorisms. well firstly, there are a lot of fictitious ones that are attributed to her. yes, not reliably, but even those, as far as i know, are reliable, anyway , i had the impression that she was being invented. itself, too, some combination of such verbal as here is a writer, and i also published two books, so i understand what writing is. so, she amuses herself, and then brings it, that means to work. so i think that this is so, but again

it always went through conflict with her. for example she is often at rehearsals. true good happiness, better said jurassic and you need to speculate on my name. you see, she has the same uh, the conflict turned out with a factory lawyer at one rehearsal, i myself was not present, it was much earlier. he told her that he was from the stage , she immediately told him in response, he left art and left. it's not a myth it was actually it was, but i didn't i participated in the presentation of this series. uh, the theater of the mass council and its premiere was, but the series itself. i have not watched some fragments and i can say. uh, this is not the first attempt to play ranevskaya? before that, in some series, it was not vasilyeva who played her, but it seems to me that this is masha, daughter lyuba polishchuk the kingdom of heaven,

she, or rather felt it. here, uh, she caught something. eh, here in my idea of ​​​​ranevskaya in my understanding. she sensed something in her. why is a credit savings card the most profitable in the country every month a new interest-free period of 120 days begins? make purchases return money so again and again a free forever super rate of nine eight percent. checkout online or allocate and benefit every day, which was the most difficult thing for me to leave everything in the big city and return home. in fact, sasha was a valuable employee there, he won competitions and returned to start working for himself. start a business with a savings

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play play remote will bring share business with yandex go free vtb super credit card is 200 days without interest on everything and 20% cashback. go to vtb and everything will work out. okay, read alice, don quixote by monday you will have time to turn on don quixote act the first happiness. i think from yandex.station mini. we in the scooter knew that people needed unusual gel for soul, and svetlana knew how to add spice to them, we do well together , that if you look at the usual in a new way, take a thin body of billions and an anti-reflective coating, add powerful sound from yandex's flagship acoustics and voice control without remote control, which understands what i want recommendations and all the possibilities

of the station alice what is the weather like rain in the evening? alice continue the movie tv or station all at once yandex tv station pro mega profitable with a mega subscription new tech nakamon 20 pro at a super price and save money and new the smartphone will be only in megaphone we continue our podcast with you. life is wonderful, and in the studio , the rector of the gorky literary institute alexei varlamov, we are talking about faina ranevskaya, a wonderful actor, evgeny yuryevich, the stem of the family, ranevskaya, she migrated to romania, her father was such an average oil industrialist in taganrog and then, when she was already, popular a well-known actress in the soviet union, she had a trip

to romania and met her family there. even later, her sister came to the soviet the union and lived with her was yes, yes, yes, and in my opinion, she left the life of the soviet union , she was absolutely powerless. here she could be torn on someone there, here is the general staff there, and at the same time there. uh, suddenly finds out that someone has a birthday, yes, yes, and perfume perfume, what to give? it was a very hmm expensive gift. she wrote endless letters asking for money. she, uh, sent this money to the management of the theater of our late director, or did it start. well, they found some way to make up for her her, but her salary of all the people's artists of the ussr was the lowest, because

she was. well, she did not participate in any social processes with them, because, uh, she was not some kind of absolutely political figure, and well, and the testament behind this, of course. nobody took revenge on her. naturally, and in general , the government did not treat her very well. and she was awarded, and even here she is. uh, when brezhnev told her during the awards ceremony that i didn’t have the sea, yes, she told him. how are you? yes, say, well, in general, she is alive her independent life, the only being she was attached to. it was a boy. it was a dog. eh, a cur, who, well, enough of such a tacky dog ​​was.

but when we kept the fondure, he behaved surprisingly tactfully, he simply stood there at the coffin. everyone was surprised . in general, the funerals of ranevskaya themselves also had some kind of tragicomic character, for example, here we were in the process of everything, and there was a photographer who wanted to take a frame. this is all a funeral procession, and he retreated retreated fell into a flower bed. then it means, uh, when they began to say goodbye. here it is on this pedestal, which then go down yes, as you know, down in the crematorium. mikhail lvovich lvov is my partner, by the way, we also worked together. uh, in the play, it’s really good and happiness, the best fondure in the theater was called fufa. her nickname was fufa, no one called frenga. did you see fuf there or talked to fuf. i don't know if she knew about this nickname or not, but of course, no one

called her that to her face. here and now he approaches the coffin all in terrible excitement. and u say fufa, u the coffin pause again. yes ah and there abnormally with tears. here's everything i liked. i think so, because she was a paradoxical person. she was friends with love petrovna orlova, but lyubov petrovna was an aristocrat. although she was a brilliant actress and aristocracy. didn't interfere with her work. that's even clear to me. why they were friends, this is how it is humanly understandable. and then this friendship was embodied in their joint. e work in the film spring. well , lyubov petrovna had a completely different nature , but again, lyubov petrovna plays

the main role, and the war. yes, it's bad there, but she's not crazy, she can't play. and perhaps even as regards ranevskaya, you know, after all, i cannot say that she was a very intelligent person. no, for example, i happened to work as vladimir hyacinth as a leading actress of the second moscow art theater. and so i worked with her at the theater sound of the komsomol. she was indeed an aristocrat. no, she was, in general, the daughter of the taganrog oilman. well. it was a lump. you see, it was natural. it was some kind of gem. i think some very hmm internal volume was very large, it was very paradoxical and quite

significant volume in her, a lot of things were mixed in her soul in her talent. well , it's just that i have a feeling that she was not realized enough, that her huge acting potential was not fully used as a person. i agree with you. she, of course, opened up enough to remember that she was friends with tsvetaeva with pasternak with mayakovsky and akhmatova, they were just friends, and more than that, the leader on chukovsky was simply jealous when they were in tashkent was jealous of this and the question of the intelligence of a woman, intelligent and suddenly akhmata spends so much time with this one, because the first natures and embraces without a doubt very much to demand. yes, very tough domineering. brings her closer to him. it's just a lot more mountainous. we got together in some weird way. and this, of course, is the limit. and you know talents, when i read, e, notes of ranevskaya herself, then perhaps i was most

struck by her memories of her childhood, when she was 4 or 5 years old, and her brother died. lazar died, brother laser. she was very worried , she cried a lot, and then as she writes. she looked at herself in the mirror as she was crying and at this moment. she realized that she would be an actress, to be honest. i thought that i most likely recomposed it retroactively, it’s unlikely there, i think that she didn’t even write, i don’t know, it seems to me that i’m interrupting. as far as i know, she wrote, then she destroyed it. here is an opinion that something was buried and whether it was her. it seems to me that it is very similar to it exist. yes, i agree, i accidentally said that i didn’t have to play. you need football, hockey , something else on the stage, you need to live, yes, and that's what, that's why it seems to me, that's a creative person. such a grief happened in the family, and now one after that will begin to write.