union because there have never been such conditions before. but nevertheless, uh, it happened like this. i also have the impression that since we have everything, once the work has already been done. why should we stay there? well, it's strange, because again, you know very well how the nhl works and how influential the players' union is there. we don't have uh here. there cannot be such an influence, because we have talked many times. we have discussed many times. yes , we have no levers of pressure on leaders, yes trade unions what do you think, in our country or is this just a private story? no, i think it is all, that is, any trade unions. in our country, they act in accordance with the law. yes , by federal law, you can't go to the side, you can't go further there , however. and i've been asked a lot of questions. let's strike. that's where the infringement is. so something hurts us there. they don't give us that , they don't give us that. i say ask a question. guys

come on, come on, let's do a strike you won't play you won't train. well , damn it, you will not receive a salary right away. all times in the locker room at the meeting. yeah listen, i have a minus a month so much no-no. i 'll be playing. let's not strike. again, let's not have unity among hockey players. that is, here's going around the club, talking to others. yes, there were moments when i talk about the fact that there is a problem in this club, they don’t pay money. there it would be necessary, maybe something there to help somehow inspire the guys. everyone asks me a question. listen, this is how i play, let's say. i'm playing in ak bars, what do i care about vladivostok and the admiral that they don't get paid. these are their problems. it isnot mine. and what do you think, why is it there? indeed , this unifying structure works. and we don't have this business. we talked to you, yes, and you yourself said that there it

’s business for you, it’s commerce and everyone understands that by uniting and setting their own conditions, without going out on the ice. after all, the leader is also lost. uh, presidents of a certain amount , of course, that's right, so there are certain levers of pressure on the same leaders there, on the same ones, but club presidents and so on. there are no such levers, well, yes, i was once told by one leader. he says great. do it says the strike is super. i say i'll save so much money, says a month before the sponsor i'll report there what i'm looking for in a year. i haven't been paid for a month. i saved money. you have them left, that is, here. uh, as they say, we have a different system, we have a different subsidized hockey, we say that there are state-owned companies, there are private companies that invest in the development of sports. but in america, still in the nhl -

this is a commercial project, they earn on it. let's just show and business are two different concepts. that is, we have e we have them then let's, in my understanding, let's break it down, yes, that is, hockey should be a show. yes, where the audience comes, where they come to throw out emotions, there after a working day. yes, someone is ill there to recharge with positive energy when the team wins, yes, or be disappointed there, but still it will splash out some kind of negative energy. yes, so that you can go quietly there to work the next day. this should be a show. it should be colorful. it must be beautiful. it has to be stylish, but business is another matter. what is business in my understanding of business is when you invest money, you receive income; it may be minimal, but it does not cover the costs that are invested. and we have the concept of limit legionnaires, yes, and now there are

up to three pigs. well, it's not about the limit, but the fact is that alexei morozov said that the league was against this, yes, what is it? well no great. this is not for development. in this case , the decision remains with the sport itself. but how is this in general, maybe, and this also applies not only to hockey, but also to football , that is, it seems, lika is an independent unit of the khl rpl, but at the same time, it, uh, completely depends on the decision of the ministry of sports. i believe that if the league is a unit on its own, it should approve its own rules and there is no need to agree on them, but simply for approval. in my mind. yes, there is some kind of consensus, e.g. in negotiations, but always when three independent units try to develop the same thing, everyone has a development vector. uh, pointing in your direction. we have swan cancer and pike. we have the ministry of sports, we have

the federation, we have the khl on some issues. they agree on some issues about her consolidated act. and on some issues they did not agree, and therefore, therefore, we do not have. and sweets, which should be like this and there are three legionnaires - this is too much with tightening. what do you think if we are talking about our pro-russian hockey, if we are talking about young people, then we must give them the opportunity to play and give them the opportunity. yes, as it used to be in good times, there are two leading links, the third is the middle link between the leader. and this, well, here it should be somewhere there and there are young guys who should study for a year or two. this is what the team consists of. my opinion, even in the current realities, it has not changed when we talk about foreigners. come on five. come on, three or there were suggestions. let's open the league in general, well, about the fact that if the leagues opened the league to open.

let's go before the sanctions, yes, and before we were removed from the international arena , ah, there was such a negative experience, i don’t remember what years, but i know for sure that in germany , when they opened their league, they poured in. uh, foreigners flooded all the teams began to compete with each other and the german hockey team, it went almost down. they refused to limit this. again, we must uh clearly understand, they play important roles in the team. they bring results. yes but they occupy. uh, hockey, let's say time, but on the ice of russian hockey players who have one foot in our team, that is, it turns out here, we give legionnaires so that they bring results in the team, but we cross out some hockey players and do not give them

a full-fledged the game, that is, to suffer here, may already be combined, but the club receives dividends correctly, while , of course, the quality is not bad, to put it mildly, everything is in order, and this hockey player will no longer be ours in the national team, so to say that three or five, i probably wouldn't. i would become to talk about what positions these players play and what the club can do to ensure that candidates in the national team receive full time. we talked about this a lot, didn't we? well, we don't , we don't want middle- class foreigners to come. we want the stars to come. it's great. they make. the result is that young people learn from them 2 yes, but space does not care what will happen tomorrow with russian hockey. this year we have the same teams that played without foreigners at that moment ak bars lokomotiv please, then we have enough athletes

who can show the result on the other hand. ak bars can afford it, so how much is it like ogarlitsky and radulov, who gives this result, but again, let's go like this, uh, leave. uh, radulov will leave, shipachev will leave, as gorlitsky will leave. semyonov is all the players who are visiting. i'm from the forwards. and if he plays in the final, who will play for them. i don't know, that is the system of ak bars development vector for today, as i see it, it is to win the cup today. yes, what will happen tomorrow? i don't know. yes, we have promising youth, such as voronkov yes , we have safons there. yes, we have them, but tomorrow they will leave for the nhl who will play? therefore, the development vector of kazan ak bars is to constantly buy certain hockey players above the average level of stars there, or, well, our russian wells, who are in the national team , so that they show results. then why do you need a school, you support a school. you have built so many skating rinks for you young people

have nowhere to go to lokomotiv where the eldest played. now the youngest is playing. here vector development - it's a little bit different they have a school from a school from this one comes recharge. yes , they take them. they buy, but they buy them pointwise, but at the same time , there is no result of lokomotiv, 100 years already. and this is, uh, the problem is probably not the hockey players themselves in that system . every year they have new coaches. each has been there for a year and a half. yes, the coach came to the old yeast. he worked, then he didn’t show his own to remove it, as it turns out, it’s like the director of development is like that, but at the same time the boys have nowhere to go, people don’t win. yes, plus er, plus. eh, again we are talking about the same youth returning. yes, just the system when there is no place in the team they are sent to the major league and in this major league, many of them remain at the level in which we came, therefore, we say that it is a good school. good youth, but there is nowhere to play, because,

uh, they take certain hockey players under the result. well, in the final, but returning to the topic of confrontation between the two sports of hockey and football in your opinion. why is hockey this is not football, what is it about, what is not in football? or vice versa, probably more. i i don’t even know, i don’t communicate with footballers much. now, yes, we used to once when we lived at the base in cska, there was football on the second floor in arkhangelsk, we were on the third one, we had more communication than some kind of there, well, we shared our impressions. i don't know for me. uh, hmm , just hockey. it's closer, it's more of a contact sport. there are fewer people there. there are more opportunities, probably to show themselves as a leader well, in my understanding. yes, no offense to the players. yes, they also have an understanding, of course, they have their own leaders, but here i am in hockey, it was probably easier to prove yourself,

because after all, football is a platform, damn it, what is there for 60 that you need to run through? here, after all, 60 by 30 is the maximum, yes, that is, here, uh, it’s more convenient, probably, for me personally. hmm, to play according to the content according to the structure. but this is the same sport as hockey. yes , you can probably take any sport here, because in any sport, athletes, before competing. they are preparing, they are preparing hard, they go through three functional loads, physical loads, psychological stress. yet again. it is you who should be able to immediately rebuild after a loss, that you will go out on the ice again the day after tomorrow and you should already forget it all in any sport. they're probably the same here. they are similar here. thank you very much for visiting the hockey not

football program. this is a podcast on the first my name is denis kazansky yet. hello, i'm larisa guzeeva, this is a podcast of letters. today i have a guest honored, actress, director, artistic director of the theater practice maria brusnikin. hello maria hello. i'm so happy that you've come yet we have such a topic andrey vasilyevich myagkov and in what year did you enter and finished? here i have been bad over the years, but uh, it was a long time ago that the film about the irony of fate just came out. he was a super popular person. eh, and some kind of god for us for all and then you enter the courses. it was the course of oleg nikolaevich efremov. and andrei vasilyevich was a teacher there and also rarely

recruited teachers, not a leader. no, the next course was where, natasha is not a year old, he was the leader there, and we acted, he worked. he says that pokrovskaya worked as teachers, and the main recruit was in efremov , but we had two groups. and we clearly divided one group was myagkovskaya, the other pokrovskaya. i got into andrey vasilyevich’s group gently crazy, of course, so i’m glad, because he is a teacher from god, i think that this is one of my main luck that i met this as a person. teacher, it’s just that there are some such people, that’s who shaped you and of course, andrey vasilievich one of them, but the truth is, when you came to visit him, he insisted that the students call him andrey natoy, but this was already we were the fourth year. it was already such that we were already quite friendly relations. and yes, of course, he insisted, especially with the guys there for a day of brusnikin. rum goat. he was still quite a young man. now when i understand, then it seemed, oh, it

’s easy at all, but in fact, there was even a little 40 something. yes, that is, asya voznesenskaya is some kind of completely girl. she came to us for second course. e, with some unimaginable haircut and to some extent i remember it now, such thoughts came into my skirts, well, just a girl, yes, well, of course, for us they were teachers, but yes, he just wanted consciously that yes, well, the guys already call such a contact more than some kind of human close friends. but not me. i always uh, very his. eh, somehow. well, i appreciated it. it's clear. it is clear that all the girls were in love, softly , this is understandable. despite the fact that i was already married there, i managed to get married for 18 years. this completely different, of course, the course for a classmate. god rest his soul, but this is some other love, this love for a person is endless, because there is a sense of humor. you know what you know perfectly by impressions. yes, a sense of humor, over the top, uh, wisdom intelligence. uh,

some amazing amazing completely human. he was very humble. that's right , you know somehow, but unnaturally modest for an artist of such popularity. that's when i was filming with him, but he's the age and my mom and i i couldn't even imagine. and what about an actor of such popularity of such magnitude? i tried to be invisible to everyone. so i never saw him, so he told jokes there, or he, yes, well, they were going, and we had burkov filmed georgy, who told all the time. uh, anecdotes, some stories all gathered around them. andrey vasilyevich was always somehow apart even when his wife came. so the two of them went somewhere, and it was so organic. this is not something that did not irritate or raise any questions. well just you watched with some admiration. yes you are right. this is incredible. not just modest, but a very private person. absolutely an introvert is a very

strange position in this. here in this profession, really. yes, there, as a rule, some other people, another way of existence. no closed indefinitely. well, he opened, probably, he opened with us with students. here are our all sorts of nightly gatherings at their homes, unlike you students. e. andrei vasilievich neighbors were never invited to the house to journalists. yes, we are lucky for you. yes but it was exactly the period. here, when we were students, then less often, then it was rather difficult to pack. later it was already quite difficult to ask for a visit. they completely closed, as if they closed the house. explain, this is for yourself. why did they have such a closed incident, there was some kind of self-sufficiency between the two of them. yes, there was some kind of rejection, maybe of what is happening around. yes, that is , after all, andrey vasilievich yes, no, then that's when it started, that's later, perestroika, the age already when and after the departure of oleg nikolaevich efremova yes, already some kind of life was so

closed. and how they had at home, what would they have. it is too. we are students there. here we are in this apartment. well kutuzovsky prospekt is also very fashionable strong. so, i remember that there are few white walls, who did it then. yes, everything is hung with paintings by andrei vasilyevich, he is even still an amazing artist. just amazing and very strange too. he's the same here, too. we are talking about this modesty , closeness, such intelligence of the intellect , the picture is insane, simply insane. here it is vision of the world - it's so colorful, distorted, some kind of peculiar perception. that's all about portraits. he has a lot of portraits there oleg nikolaevich efremova, uh, and. he's looking for the same, yes, yes, that's all. uh, very how to say? well, not not realistic, art is definitely all hung with his paintings. everything is very stylish very fashion house very comfortable anastasyntetina was absolutely amazing hostess and i remember it was amazing. she loved it when we came and received us. here's

a higher grade. that is, it is beautiful booze, fine food from the market. and as i remember, you understand some incredible little things, and i remember how i was entrusted, and i'm not very housekeeping. let's just say. i was instructed to chop some parsley. and i mean, unlike you larisa, i'm not very economic. i love this parsley, and she says so. why are you doing this? i'm talking like a stems. why chop, and these barvies . these are their little things. ruby remembered for the rest of his life that the ground of parsley must be taken out. even though she had no idea. that is, she is so of the highest category, and we were always fed, treated to all these endless conversations all night long. they were also very educated people. andrey vasilyevich read a lot and some of you always know a stream of surnames and you notice you remember what you need to read, what you definitely need to know, and what do you need to navigate? that is, they were educators. well, not only in the profession, but although in the profession for me, of course, andrey vasilyevich, uh, how to say? not well

formed, yes, he helped me a lot because that i was very afraid of oleg nikolaevich efremova, and in general with him. eh, he was also some kind of authority for us. just crazy and they could normally exist with him. here are the older guys who were there, damn it, goats lingonberry infections, such a team we had. yes, yes, we are all the same, dear friends. ah, the girls were all little after school, and of course we were afraid of him. well , we had a version that was not afraid of anything, but it came later, yes, but it kind of came to us after the academician later and was incredible fear. and softly, because i was still in his group. and i understood that he treats me very well and i felt it, and he, of course, he he time with me was incredible there i hated sketches. uh, i could be doing a sketch and something i didn’t want to, it didn’t work out, and i said, i won’t leave anyway. he kicked me out of work. i sobbed, so i went and was kicked out . it was a very funny case when they finally came up with the idea of ​​​​going to the course. and well, like these

something like this, this means you entered something happened and you change change. i say sasha sasha nikolaevka is a wonderful theater actress on bronnaya street, now sasha says, come on. here we are with you in the audience. i punch you in the face. you cry and we leave. here are the events, and we entered, i jumped her police sobbing and myagkov was like that, well, now, on the contrary, i remember it very well. that is, we are brought up like that. so he helped me a lot, because he took acting work with me in the second year. it was metel tsvetaeva and i was given the role of an old woman. it says tsvetaeva old woman throughout the 18th century. i cried a lot. why they gave me an old woman was terribly worried that the girl has all the heroines, and i'm an old woman. and here he is with me in verse like tsvetaeva is clear, and now he was very tormented with me, because i understood everything inside, but i couldn’t reach that e, that volume, that latitude that he needed and that’s how he already i jumped and showed me everything just with his hands, everything, as it should

, and at some point, apparently, but he told me. here's what else i have to do for you to play it and something makes me feel ashamed, i took it and played as a result, plus then there was skill, but it’s myagkov, he’s some kind of lever, and you turned me around, that i started to open up, open up, or what? so what do you get, right? or you are delicate, but i? and there was no head, in general, there were zero brains from the word at all, when we were filming with him, and i understood that he was old. well age my mother uh and somehow hmm well , he wasn't brilliant, he didn't take care of course, everyone always looks at young artists. andrey vasilyevich no, i wasn’t afraid of him, but i was gathering in his presence always. here he somehow stricted me with his presence. here he was guarding and he could whisper something like that to help at some moments to suggest. here it is, yes. yes, i remember such

a good word strozhil. he also stricted with us , for example, we were not allowed to laugh out loud, because you sit there and react to someone who plays something and ha ha ha. well, as a friend such a hard look. oh yes, so you can’t express your emotions here. there he hated bows. yes, that is, these here, when bows are built, if for a long time i bow even to the music i hated such a separate play. he thought it was just absolutely not intelligent. they went out modestly bowed and left. now just a whole performance suits this bow. and all this is left in us and, uh, and you are your student there. yes, you always pass on some of these things from them. he had two words, but for him, it was just that the biggest curses were that for days it was kashunism and why i still don’t know what it is and some kind of booty. here are two words to scold the latin, what is it? well, look it up in a dictionary. here. latin and non-koshenstvo are two such curses of andrei vasilyevich because he had impeccable taste. but

existence on the site. yes, look, she played some, as losers say today. yes, then who do we want to play. uh, studies at the institute, prostitutes and a drunkard, yes, and homeless people uh-huh , because it's bright it's easy. all. this is how he played this same loser in an office romance and in e. in the irony of fate, an alcoholic is not an alcoholic. you are very human, but everything is like this, according to the top such a picture, yes, but nowhere did you overdo it that you never played it anywhere. that's all for me, no less. is it true. come on , organic, amazing, amazing, because it is very strange that such an intelligent, as it looks, gentle, modest person. and such a powerful nature of acting. yes , but characteristic with such a spirit, yes, yes. do you know what i regret? so my fate was reduced to such, but personalities. and it seemed like it

would always be like this. why was i inattentive? why didn't i listen? why didn't you ask questions? why didn't i try to learn something to peep. here's some experience. i'm so sorry about this, really. there are three vasilyevich, the same lidia smirnova, it seemed that it would always be endless, and then i still have time. and i have one photo, well, between, uh, filming or there between houses, i don’t remember the hooligan one with andrey vasilyevich, where we kiss with him, because it didn’t happen. uh, yes, well, according to the plot, i got to the koran. i don't have that close. so i curled up with him and smoked a cigarette, and then i said to teach you gypsy. this is when i drag on and and i

was taught in gypsy, andryusha kudashyan is also mine classmate. by the way, yes, also a student of andrey vasilyevich well, in general, i really regret that i had to sit fools write down everything, look with all my eyes, but there was some kind of young life of my own, i wanted to do everything there myself, but then it really seems that you still have time. now i also really regret that i had to communicate more persistently lately and ask more, but well , it was difficult, and he didn’t even come to see me at the performance. so i called already, when i became a director, i began to stage performances, thanks to strength. come look never came and at some point like that. well, why don't you come, and i'm afraid you'll be disappointed. he jokes all the time all the time. yes, i'll come , i'll like it, i'd like you. well, how? well, what can i say? tell me, why are you masha if marina has a passport? i'm marina when i entered the school studio moss, it just immediately called me masha all steel. my name is masha but i'm like marina never. because

then i was baptized by masha , the only person who called me marina was oleg nikolaevich efremov, he is so marin to the end. well, everyone calls masha absolutely and was baptized. i’m masha and i was baptized already as an adult, because when the child was born i was born to grow up or maria, and therefore i think that i have absolutely two names and now rarely someone calls me marina and everything is masha well , this is a light hand, dmitry brusnikina happened you were also wonderful couples and everyone always talked about it, very beautiful, very kind of correct ideal. well, yes, i was very lucky in my life, very lucky, and i continue to live all the time, as if measuring myself and i think, so that dima would say and, as it were, so as not to let him down, that such happiness was dima, then he also took courses and taught, right? this is a podcast of letters i remind you and my guest is maria brusnikina. what do you think, did they create that they did not have children, or was it absolutely meaningful, uh, such a choice? i

don't know you can't get in there. this is their personal life. i don't think it was a meaningful choice for them to have a niece. yes, they were very much engaged in mash, well, it was great love, just great i am another such i don’t know an example, but it’s true that asya loved detective stories very much. and when she had already read the whole thing and suffered from the fact that there was none. well, no, no, nothing fresh. there is nothing new. he said, i will write you myself a detective, and you began to write, and they were successful and filmed. even had one of them. i read. i bought it, read it, called and said that it was interesting, yes, yes, to my beloved. well, he actually worked out. so i think that when we talk about this closeness. and he was realized in these pictures, he wrote, yes, he seemed to be, well, yes, this is some kind of departure from public life, conscious of course. someone from the theater is conscious. and then, of course, he took care of anastasia intina, who was sick.

and, if she did anything, she, besides her main profession. i think that she seems to be andrei vasilyevich with each other. yes, but she was generally very fond of poetry, she read a lot. she always had some plans, when he had a plan to make some kind of program, she also called and read the name. i’m on the phone all the time, it means the elements of akhmatova lokhmatova, just at her a and somehow on well, that's the book house. but look how interesting it was, er, their fate in the cinema. eh, she very early began to act very early. major whirlwind yes, the first role where she was both young, beautiful, unusual , he is generally a brightly characteristic actress. yes, she is a heroine, she was a beauty. and so she declared herself and andrei vasilyevich did not suffer, he did not have any complexes. oh yes, that he lives with such a young one, and then everything changed. they began to invite her less often and andrei

vasilyevich set conditions. what will he be act, and if they invite, yes, well, he did a lot of work. konstantin helped her a lot. that's for sure. that's why fate develops this way, but here we can't do anything. no, of course, it's fate here. they were together, there was no jealousy for the success of the other, i don't think there was a lot of love and respect. it was. it was also some kind of service to each other. it seems to me so, i 'm so envious, how i would like, but in such love in such respect, at least a year to live in my life. well, i'm afraid, seriously, even a year hmm, then everyone has their own destiny. this is now, when students are finishing their fourth year. i'm just a favorite form. why not envy anyone at all and not compare anything. that's absolutely. everyone has their own destiny. here is your fate, where are you now live shows in the theater of all. the difference is a terrible time, by the way, the center of vasilyevich also has

a history when he scored a course after us. we have finished and have already taken the head of the course. he was a very bright course very bright course you have too, but we have yes, and. well, they just weren't distributed to anyone. i mean, here they are. finished and there were ten of them, no one in time, what troubles? yes, they fell into this kind of pit, it happens like that, but for andre vasilyevich well, it happens in different ways, but vasilyevich's drill this also speaks of his character. he, as it were, never came with a foot to the school studio of huts. he said that he would no longer teach, because if he spent money, yes, there is so much power uh for people and where he led them and something for them. well, he promised anyway, it turns out in the profession. nobody needs this, then he would look at this business more. and when hmm well, that's even on even completed this course. uh, it was the first year of perestroika, when everything became possible when little faith happened. and that's it. it seems to me that with such an attitude to the profession, as it was,

andrei vasilyevich had a friend to see such a thing on the screen. yes, then everything began, as through a carbon copy to shoot from the americans. uh, look, some fighters that are not needed have appeared. well, i can't even. i can't. i can hardly imagine the participation of andrei vasilyevich in this refused. he refused and left pedagogy. and then i dragged him one time it turned out to take her to a studio school for one of our courses just to talk to the students, and he talked like that. i again say andrey vasilyevich well, why go teach, but this is necessary. people don’t, this is character. this is such maximalism and also it is further, because in the sense that, and the street will re-educate. what is it like in dry land, or its meaninglessness. like, i don't understand. yes, because it suddenly became no longer needed by anyone in one day in an instant. it has ceased to be necessary and valuable remember. yes films of those years, as if the time were, but curious. but then andrey's next one had already stopped filming. it's further everything already. and

yes, another life. here's writing to escape with this, apparently, but traveled a lot. they really were very connected. uh, like human volodya pinechevsky is also our classmate. who went to denmark and they talked a lot hmm went to him traveled around europe with volodya volodya somehow took care of them for a very long time. but there is a terrific letter, which well, there is volodya a letter from andrei vasilievich a where he writes, in general, about what death is and volodya somehow read it to us. why after some time because of what year the letter is about already somewhere here, well maybe some anew before he died. well, it’s just that we were then or maybe a little earlier we were shocked then, but volodya read to us much later, when andrei vasilyevich didn’t even become, we were then shocked how much he thought about it in advance, how he formulates it, in general, what is human life. yes, there's just a level

some kind of hmm huge intellect and philosophical attitude to life to the world is closer to romaz, who has matured, yes, absolutely for 200 years. yes, i remember that at that time we were simply all shocked by the fact that how he formulates, how he thought, and in the general sense of life. that is , he prepares himself, when you count. yeah, well, he, of course, he thinks about what life is all about. but i don’t know this, i mean , i never noticed it, i didn’t see it. well , listen, what an interesting question, somehow i didn’t think about it, because it seems that yes. here it's their privacy. this is their modesty. yes, but such selectivity is not omnivorous, when there is no passion for money. e, how interesting we are. well, it's never been advertised. it's definitely the last time. i've seen andrey vasilyevich well, the funeral. it was the same with dima, it's amazing because he came. he already felt bad, it was obvious. here

. well, he came this last time we saw each other. oh, well, he, he was very loved, of course, and in general, we are some kind of big person in my life, such a beginning of life. yes since such a teacher, right? how much humor was there? how many jokes? it is impossible that the clothes are fools, all these feklists goat collars on these same individual people, as we had a rehearsal. she is in the theater to you hut. well, they were very much a student. for some reason, we wanted to rehearse for you here on tverskoy, which is a big one, this moscow art theater, which is now kekhman’s named after gorky , which also had a car there, and he’s a fashionable drill, that he was driving a car at the wheel then, in general, there was a car once or twice, miscalculated, but here this zhiguli and near the theater in the parking lot stood. and now the car was winter and these fools, therefore, started talking and rolled his car away, just rolled away and well, just a little around the corner and so happy. so everything was set up so that they leave asia after the rehearsal, so happy since there is no car. in general

, for some reason everyone thought that he would be very happy to laugh, as if their jokes, but he had such a thing in general, i remember getting angry and upset. well, he went along the track, looking for his cars, which means that they returned to there . well, idiots remember that andrey alekseevich is very, very somehow not here humor, i don't get it. and what was his reaction cursing? i swore at them very much, yes , this humor does not work, no. well, it was a lot of fun. he is certainly an incredible man's humor incredible. until now, somehow you appreciate all the time, that's in people. if there is humor, great, you know, a normal person never portrayed anything, never tried to please, and he always had some kind of readiness. and here is such a collection. you know that he almost died at our place during the filming. yes, this is a terrible story, an episode when he sails on a boat on swallow, and he is very close. i just don't know.