we will carry you in our arms and so, even if you see and you will be silent, and there is a new one . that's what. here you have come up with a new one for the last. here are 5 years. here is such. we 'll show you in a while. now there will be another song in a minor key, which we, well, literally really like, very expensive. just tell me who we'll see today sergey timofeev bass, guitar we know your timofey comrades alexei korobkov oh , drums. yuri smolyakov on the keyboard happy dima dibrov vocal fan no no, i'm an ear groups

teach me what to choose between black and white, so that someone else's good on yours and mine. give me the line part and whole and tell me the high

goal teach me how to live paper wings. for what was and will be , finally, i will calm down, give me a soul in the palms of water reflecting the stars. lived about nothing , i don’t regret that it’s up to my throat longing. i

can't do anything. and what i have is a shadow on the hot sand. by the lazy river

dear friends, this is an anthropology podcast on channel one, the sunday group is celebrating its forty-fifth anniversary before our eyes, led by alexei romanov. gosh as usual. please tell me, today you hear the hookah, how do they work? how do they write? if you see what is popular today, how could you compare, m-m trend is necessary in the description of songs in the late seventies and today it is not, dimask, i don’t take it, i don’t take it, dear, because now uh, every teenager on the ipad get a normal track. in the commercial sense, uh, corrupt, yes, and artefan intelligence. and here's another oh yes, because of this, we gradually stop. that is, it is charged with some channels there on tv and suddenly you hear this is terrible music and sound down then it's good that there is

a remote control. what about e? well, we were at the festival in izhevsk recently, there is an amazing team, they play the music that we understand, but the music that we do not understand. this is what they play in these dishes with speakers, these ones, they will grow up. eh, maybe, and maybe, he remembers what we will show people now. yes, not muscles, but you probably, time is up, yes, a post-covid song. yes, the texts lay for a long time. while i was thinking, what is it already burned the roof on notred and for me the song began to reach rather long and difficult for a guitarist. e tonality. yes, it doesn't matter at all, because now i'll try it, which means that this is

literally for her without a year of the week of this song. no, without for me without a week. this is the day before yesterday. i have this 10 years ago. and this is yesterday five years old song only written by the group and sunday. time is up, the die is cast the hour has struck luggage harvest, catch prey. the time has come for the river to flow. with a yellow flame, count the dead cards with an evil hope, burning out, secondly, a cog of gears

whose calculation is directly ringing like a post-station old man, they don’t guard the distribution of waste , they guard when they waste it, everyone will believe for the measure. too late to hide behind doors. speech is dark, indistinctly, no matter how the windy ones paint for half an hour, the fire walks here not nicely, there, not the holy track of the ear you nag, time lingers, dignified the overflowing bowl with a ringing

drop to overturn and run and hold mine. and the squirrel is not scared by the crazy wheel. and the unstoppable runs. squirrel crazy wheel, well, i hope that our grandchildren with you at this hour

felt this bite of moscow rock and roll, how would you divide lyosha his history of the group into periods. i came from the camps from the military shorn. yes , two of my old friends zhenya margulis seryozhka came to me, these are my precious friends. for there was an opportunity e before the moscow olympics in the eighties to put on the radio sea world service some soundtracks not controlled by the editor, then successful acquisitions sounded on medium waves. honor grubbs, boomerang just

who is there in general, and we found a place. dima linnik. it had its own uncontrollable no fanatic then we fell off somewhere to the south to swim, and the famous band returned , it’s definitely left only to start playing some completely. here. eh, actually. this is the first stage at which andryushka sapunov joined during the recording, who , in my opinion, had just retired from the flowers and entered the school, and helped to sing podgorodetsky on the keys. well, we, well, were furious, how could there, that 2 years. this, of course, is a feeling that i still know what age, when internal internal displacements have already begun to occur there, but zhenya morgulis went to lenkom varax. we did not have any

sensible ones in return for the burning water of the bassist, and then on new year's eve seryozhka blue says, take nikolsky to the guitar. uh, the repertoire is the same, uh, and the name will also be like whether kostya was surviving or going. well, how we got along, fir-trees-sticks. eh, hmm, there was a custom to solder the team with nikolsky. we did not lose anything, but we were engaged exclusively in art. yes, but not bumps, the sections have been laid out. well, why does he need this one? uh, then there was a long long break; comrade mishkapnik started to celebrate some kind of millennium of the next resurrection group yes with three concerts. central concert hall of russia we have gathered for this

cause. uh, we rehearsed, prepared, played with great success and it turned out that in general, we can continue further, that we are, uh, quite a touring band. well, away we go, and since then there have been all sorts and you wrote wrote. i don't write like that, no, no, no, no, if it descends on me, then i will record it early in the morning. eh, not quite there yet. and i'm fixed on a piece of paper and we'll see, there let's see, let's break now, also relatively new, as they call it on the road to heaven.

return to the beginning. yes the earth will be round and cheerful in the name of mine has gone. the wife was. this

light on the third planet. on the way to heaven, and i do not choose to take, i die of love over the edge at the edge of paradise belen live love

angels saved me, four orderlies took me out and baked. and

i sing and play for you. you walk your shoulders. in the depths of the wilderness, a freely dissatisfied soul is your beauties. ah, dear friends, we are with you again on the 45th anniversary of the band on sunday

led by alexei romanov. we settled on the fact that the ninety-fourth sunday experienced at the annual, second wind. a second birth has opened, and you understand the situation, it was so. despite the fact that already in the ninety-fourth rock and roll were willingly invited to nightclubs. along with the accomplices, they began to write money in such a way that it was pleasant with money, and then you clubs bred, then, of course, like mushrooms after the rain, it was terribly funny, we played metelitsa on kalininsky prospekt, huh? as we had exactly two prostitutes. what surprises you? we are not surprised by anything , after some time never at all and nothing else that we are with you in the ninety-fourth, well , ninety-fifth, that we can still note, there was such a feeling. and recently

, we were talking with someone that you are climbing a slippery slope at the time when it flows on you from there. uh, liquid clay. uh, it was time, efforts further, well, uh, zero came, there was a lot of talk. uh, what e number does the ruler start with? yes, from scratch or from units, and i’m not ready to talk about changes by that time, it didn’t matter to me, because what depended on me. whatever depends on me, i will do what does not depend on me. e. i 'll miss it. and you will not reproach yourself, where do i burn myself? i already zakaril myself to me, to be honest, there in a frying pan instead of cooked. uh, but on sunday, the ensemble was invited across the country in

the 2000s and 10s. well, we were on tour. yeah, we're pretty good there, usually, this is where such tours, usually, this is a society book lovers. in urban no, university city. there are big sites here. well then , let's not be comrades. and this is to deny the pleasure of listening to one more song, which one. yes, some songs are comrades of the ballad hard, but here it’s not holy. well, this is fantasy. as it is said there, it’s not nice, it’s not connected here, it’s a fantasy that now

i’ll go again on the road of disappointments enchanted , i’ll pass the mind full of bright expectations, the heart senses a new trouble, but again i’m disturbed by a voice that calls from the darkness. be not yet passed here. staring,

where now? births

i hear voices that are always right and get scared. i'll go out

near the cemetery of doubt. in harmony, the sims of often significant dates will go down the road, disappointment will go.

when you sing along the road with disappointment and immediately remember the time when everything seemed so to us, is it clear to you? i'm flying towards you. you can see yourself not on the way. that's the focus of it all. uh, we rocked against the current for us in this guitar drums, and just like for all, probably, teenagers of the globe in those time. it was a wonderful soul and it is interesting that the groups all appeared around the drums of leningrad always for 9 rubles.

pickups. that's all. if you are romanov , then you already sing this, but you can’t get it anywhere, and first of all, principals of schools bought overland, engels drums from the city of engels are better than nothing serious. this is serious. yes, well, well. naturally, the question of alexei is what kind of assault fruits do you know, we worked for some time in a pop program, so with alik yakulov it was such a violinist from the elusive colorful such, uncle. what creative plans does the grave have in store for me? i think not. and just refutes. this is a statement the next love song. that's about love, dear friends on this note, we just have to part with you, and with the resurrection, on the contrary

, stay on this note thank you resurrection group romanov comrades. thank you for your attention. cooled down dragging in the morning, if everything is as it was again. eternal yesterday the light of heaven will be me.

dark completely under the bridge through the fog , looped between sleepy grasses, do not leave me alone, do not leave a when in darkness over

the earth? what about me?

hello, my name is dmitry bak , the next episode of the podcast is on air, let them not speak, let them read the name itself. you, of course, understood that we are talking about literature about reading about how books are written , how books are read . century, and in the theater, of course, before and about everything about this. today we will talk about a wonderful guest. today we have a folk artist. e russian federation vanguard

nikolaevich leontiev hello ivan says nikolaevich hello. dmitry petrovich is very glad that you have agreed to come to us, to talk about theater literature, of course, and according to tradition. let's start from the very beginning. well, how did it happen with you that you became an actor a banal question a strange question. well, sometimes it happens, by chance , sometimes it is the essence of the life of the most childhood years, as it all happened with you avangard nikolaevich my father dreamed of nikolai ivanovich he dreamed of being an actor, and even he entered, he was engaged in amateur performances in the city of orel, and even he entered. uh, to the seld-meerhold i wrote for the highest director's course. uh, the explication of the play on the children of vanyushin was found and he should have been accepted or

accepted, but my mother, and they didn’t get married at that time. here she is somehow bohemian. i was afraid i shouldn't have allowed my father to go. you are her representation of the theater - this is, first of all, what kind of scenes after such. i think mom and dad loved each other very much and were faithful and all life. a friend about housing has been together for many years, but they were very jealous. i think my mom was jealous. so i think that this is, of course, not a matter of bohemianism, because the theater it doesn’t happen, it doesn’t happen that the theater of a person. secondly, the theater is another life. it usually draws the person in. well, of course, well, by the way, orel is the literary capital of russia, so this black earth zone is considered to be boris konstantinovich zaitsev, our most famous and writer, who lived in exile. uh, most of my life. he said that the russian north gives birth to saints, and the russian

black earth region gives birth to artists. this is a very accurate look, because the eagle is tied more easily. who is not connected. yes turgenev bunin andrey leskov giant peaks. it was somehow in your mind or not. or is it just a family thing over time. over time, you know, my brother was brewed the eldest to him, 8. 2 years old, he wrote a book, even oryol stories. he sat in khimki in the library. there, the department of the main library of the country, which we call leninka by inertia, he read all the newspapers that were published in orel all the way up to the seventeenth years of the xx century. well, there was such an intense artistic life, literary life and journalistic life. yes, from there from the newspapers, so everything is connected, and with these names that you named and some kind of plots there turned out to be small

, such crumbs, so peculiar. and just imagine, here he is so carried away by all this so that our oryol roots. here we are now , especially with age, we feel, well, how did it happen that you were no longer amateur. actor how is your father? and uh professional it started before uh, school moscow art theater studios yes, it began at home at all kinds of family holidays, he always performed. before school, valery also tells me that i’m somewhere on the christmas trees, you know, this is the new year, this is a company to take children there for matinees. and that i was reading mikhalkov's fables in the background. i don't remember this, that is, it was so long ago, you know. it was so early, childhood, i still wanted to speak publicly. i wanted to perform. yes, it's

great fun. that's why for some people like me, for example, well, it's very clear to me, i also teach at school many studios. i see these people. but there is also a very important story here, because there are many famous actors who are famous for their roles, but not all, but have a taste for reading from the stage. this is a special profession, but in the soviet and public soviet times they said that these are the masters of the artistic word of the legendary people. nikolaevich zhuravlev yes, yes, yes, these are all people who traveled around the region. yes, i was very lucky, because i'm already engaged in amateur performances as a schoolgirl. introduced the circle dramatic in school, but still, uh, a smart person advised me to go, uh, to the house of pioneers city house of pioneers. i came to the studio

of the artistic word, which was directed by anna gavrilovna bovshik, a former actress. the first art theater studio is a very famous one. she is a student of suerzhitsky. vakhtangov and stanislavsky stanislavsky was the passenger father of stanislavsky sent it turns out so yes. and so. eh, anna said it was. e, a completely outstanding teacher in recent years. she also taught speech in the chamber theater. yes and no only and, but here are children to children since the thirty- sixth year mm of the 20th century. yes, an actress with such a school to teach e yes. you know that the children simply adored her and she was simply a very honorable person for us. they didn’t know this word yet, but that’s how we

treated me with reverence and there i learned a lot. because it was a school of art theater. well, it's just such luck. she used to say she was an educator before the youth. yes to all the young it is divine. and, by the way, she was the guardian of the archive of her writer husband. e sigismund krzhizhanovsky, these are great, whose author during his lifetime very little was only printed there somewhere in translation, and so his books were not published. he died in the fiftieth year of the twentieth century. here she is, but she began to beat up the thresholds with the editors, so that something would be printed. well, nothing worked. she passed in the body. this is an archive and she said to me once that when i handed over the archive to sigism it was written. yes, yes, i passed it in skyrim, someday it

will print said okay, the idiot told her fifteen-year-old thought to myself never printed and now 2001-2002, i'm standing in a bookstore on pushkin square. and i can't believe my eyes. sigismund kryzhanovsky three volumes, yes, yes, a luxurious super cover with luxurious photographs, a wonderful author, never like anyone else, mystical , so vicious, that’s exactly the pessimism does not burn. you understand, so i remembered right then and there i bought these three volumes then went out. three more volumes, two dissertations were defended at the same time. well appeared in one perlmutter. such. it is very important that someone then not only him he did a lot, one overkill. yes, and in fact, who is yevgeny vorobyov, those who defended their dissertations after kryzhanovsky, so

that such a story happens, does it happen that a person? well, as it were, uh, during his lifetime, uh, is not recognized, and then gaining recognition is more difficult, because there is no record. yes, no, it doesn’t happen that one’s generation should live if they didn’t recognize him no further . no, you know, i have an old idea that the manuscript is actually on fire, because there are very few such examples when a person during his lifetime they do not know at all, and then he is resurrected, moreover, they did not know krzhizhanovsky for external reasons. these are simply censored soviet reasons, otherwise solzhenitsyn well, he still printed it. here is wardovsky, thank you. god during his lifetime printed one thing there. well, i didn’t want anything else there, two of them scattered the set , removed e, they didn’t allow it, and then they seized it all from the libraries and forbade it. the man

wrote wrote and that’s it. it can be read. well , also a miracle, a miracle teacher of mathematics from ryazan , unknown to anyone with such a camp experience , is alexander trifonovich into the new world tvardovsky. eh, brings this story or story in different ways and suddenly a miracle happens, yes, because it is a great text. well , we are together again, uh, literary clues? let them talk, let them read i'm still dmitry baka visiting us today people's artist of russia avangard nikolaevich leontiev well, what happened later after anna gavriilovna after he said i met dmitry nikolaevich zhuravlev, the great reader, the great people's artist of the soviet union and he told me prepared students for admission to the school. this

608 year 608 year. yes, of course, in the 60s and uh, he studied with me a little and selected the repertoire and introduced me to his student viktor karlovich munikov , the famous professor at the moscow art theater school. and he listened to me, and in general, i had support. already before the selection committee, because the maniacs were part of the selection committee , you still didn’t have any confidence, but such wonderful people supported me , they revered me, remember it’s interesting, i read a fairy tale about the golden cockerel. pushkin that you are gold cockerel is a cockerel, then he fed me. when i already entered the philharmonic in the shtetsky department of literature, thurs for children after graduating from the studio school and began to read concerts in schools, i