exactly his exemperi in this song that's for sure. yes, such melodies are such films, here are my all woven from this absolutely and with age with our already, unfortunately, not young understanding at the same time that it shaped us. of course, and again i remember vertinsky. when i read his memoirs, it produced a phenomenal effect on me, as he accurately formulated, he says, we grow up and try to protect our children from stepping on the same rake that we start. naturally, grumble grumble we are removed another dimension, like agents counterintelligence, so that we do not prevent them from stepping on the same rake, as for the first time, this is exactly how life is arranged. yes, yes, and when i did the program many years later, and lil vertinsky i also plunged. eh, in his memories, in order to better understand, to feel and a lot of

what he found for himself, it was artistically wrapped around his mustache, because he was not only a great artist, but he was also a very big person. this is very important, and it’s so good that he kept these memories, that this long road that any artist, i really advise everyone right now, regardless of the genre that, uh, you choose, but especially, probably, of course, to young artists. i strongly advise you to carefully read this book sash melody of sadness. let it be light sadness or you know there is a song it would seem about nothing, but you feel such a deep amplitude, or something sad life connected with you just with this melody, it happens. for me, for example, a sad melody has nothing to do with just when i hear it. uh, i have a beatle with uh, there are halls. yes, yes, and right there

, this right here, this plug, which he composed on the map like this, i stumble right on it, it’s understandable, and such sadness always comes. yes, well, of course, i could also name a few. the songs of the beatles are absolutely brilliant. they are, of course, unsurpassed melodists in many ways. that's for sure it's very nice that you are exactly what good taste is yes, a reflection of the tradition of our culture, so i will not knock you down correctly, but i have here in our tradition in our song e traditions. i have one song that even, probably, when i'm sad, i remember it and i can sing it to whistle. yes, remember her, remember the image of this song , because it seems to me that it is precisely such an image that was created in it . i can't

play it on the guitar. well, that is, i have never tried it, i can try it now. maybe you, uh, soon autumn will be able to bail. yes , of course i play. just great. all this is then just a gift for me. soon autumn is behind the windows. lee bushes and i know that you like me. why is

tosca numbing me. why are you sad with me can not, what comes true in early spring, what came true? and by the way, i absolutely agree with our viewers most of the time. that's right, he performed it, directly very sensitively. and who in general, what performance did you remember this song of her several times.

linskaya is a singer with a speaking surname, because her voice is crystal clear, i can’t help but bypass the period, yours is bright and the boatswain’s project and the tramp that you and garik sukachev, uh , embody beautifully and even return the guitar in no album. thanks, i just posted. well, it didn't last long. that is, it’s so huge, and there’s a pause, when i was a period when garik said, let’s do a continuation there, everything, well, somehow it didn’t work out. not in the end. in general, we abandoned this topic and it turned out that we abandoned it for a quarter of a century until, until suddenly , the stars suddenly converged so that we, uh, resumed this project. well, as resumed, just

did part two, that is bosmans tramp, 25 years later, this album has already come out that year. i'm glad that it happened and i also wrote a song for him alone. here is a song of ours about our youth , a song about, uh, how we felt then. that's when it was uh, it is called again the month of may and it is, as it were, a continuation of that garik's song for a cat a month a month. the month of may here is this song of mine i proposed to this project. well, i'm very glad that we did it, uh hmm, because something very important for us was then in this the project, which means that it has been preserved. this is what is important for me. this is good. maybe mountain. hello, little one. well, i am with great pleasure to my friend, with whom we have been together for so many years. and

i dedicated this song to him, that is, when it had already been written. i went directly to garik and told garik this song. and again , i dedicate the month of may to you and even gave him a handwritten piece of paper with the text, where it is written to my friend garik, all moves are fixed, right? and i want to live along the boulevard. and new sounds and new faces all around. i'm 17 again, i'm

a dashing tramp again. and the most beautiful girl. and again i meet the dawn over moscow and the river. and again, the month of may, my father and i go out. neighbor uncle pasha is chasing his pigeons into a corner on our bench;

men are knocking on dominoes. and my mother accompanies me from the window. such a month may, here is such a spring guys for my whole life, give me the allotted time. and the old ones will play forgetting the words. and we will build a house and take the children to school. and we will love you forever the city of moscow is our smart avenues and quiet

green courtyards. the echo of our simple voices will remain and young punks will find new rhythms. rhyming in a new way the old word love in a new way the old word love with pleasure i introduce you to the song of joy melody that helps construction sites to live, they say there you say oh, by the way, you continue the utyosov cycle too. yes, well, rarely yes, rarely, but i play. i just have a program, namely utyosov's program with maxim peganov, it's called. thank you heart, it's clear

good interesting utyosovskie arrangements. from time to time we, that is, it comes to life, leningrad bridges, trying to cling to the great glory, you know, of course. cabernet is the essence - these are people who had a timbre that i like to me. here it is, so to speak , attributed to a trusting cip trusting strong. understandable man. so the nation. that's right. this is after bernes not one performer with great ranges. yes, yes, i couldn't do anything. no, no, this is a special feature in the singing character that can be developed. but it still needs some preconditions. have. here, in bernes, it is simply presented in the most, probably, ideal form , right in front of him, that is, he’s right there, talking to you , he’ll leave, he sings smiling odessa confidential juicy, and bernes has well confidential in a cube. yes, that is how much

he owns your attention. yes, therefore , some of his songs are his performance. i just work for a wizard. it is approximately. well, that's just, but for me, that's it. you also know this, intonation not repeatable and not surpassed by anyone. this, of course, is the night. here he tells it to you directly. right here for you here you are sitting now listening, he tells it to you. yes, sash, you have all your creative, so to speak, he is in a very handicap. in this direction, relying on the best traditions. so you said what we are woven from here vertinsky utyosov vysotsky vysotsky , first of all, e, and rock and roll. you have some absolutely russian. but yes, but i certainly have my idols. rock and roll. we just didn’t talk about them, and i won’t be able to name a song there, much less perform a joyful one, but before you say something,

of course, i emphasize that you have, in blue eldorado or there is everything, all the authors that i see, this influence, it is clear and the presentation is all. you know right away, sotka on my from this time all the melody of alexander's joy. well, probably hmm, one of the melody of joy, uh, i would call the song of the moscow route. here is my melody of joy when i sing this song, and i rarely sing it at almost every concert. there is a concert when i don’t sing it, it’s wrong. do not sing such concert songs. i naturally this joy. i want to convey to my audience. but this is one of those few songs that i sometimes hum in a small piece, in general, outside the concert , not even the words themselves, but just the feeling itself, so i chose it. as one of the songs that can be called sklyarov's

song of joy, come on, moscow marshal, you 're familiar with a neighbor, we'll wave a bug, at random, to whom the little ring near the gardens is a little street. green yes, bring the old legends of the capital. the lilac look of plyushchikh three poplars your brown eyes on the pilaf of this station to the south will rightfully

be my train and i will go for a mask, i'm going nowhere. well, ah-la-lai, where the owl's cry is heard, where the ice of this horse is melt water. my life thank you for being with us and going through moscow routes and not only with alexander lesnaya thank you watch our podcast dear to my childhood my voice

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