and so on and so forth, and today this is what we’re joking about, uh, because life has become faster. yes, we, well, we talked about this, it has become oversaturated with information that people receive before, people received information, where they talked somewhere in the dining room on a smoke break. they turned on the 1.2 channel tv for the whole country and told the radio station, which also told us how to treat varicose veins correctly there. nowadays there is an oversaturation of any kind of information, including everything related to humor. maybe that's why, that is, people are lost. they no longer understand what’s funny and what’s not funny, because there’s a lot of everything for you, you know? here's how we let you. well, we bought some kind of candy there, yes, there was some kind of candy there for the weekend, like a cockerel, and then you come to your room filled with chocolate and marmalade and so on and that’s it, and then i don’t want anything i overate there and so on i got my fill , maybe it’s uh, progress uh, which came to us in the form of all these gadgets, where every second. you can do

something with a claim, maybe that's it kills, in general, the perception of humor. listen, right? you said there was so much humor already. i think in kvn i'm joking, written about everything. uh, funny jokes about everything, then now on the internet. you can also see humor on any topic, and it seems to me that at some point now it becomes really funny, no joke. and from, for example, surprise or from the courage of what a person says. well, that is, before we couldn’t say something like well, you need to think yes just think, no well, that is, i i understand what you’re talking about, that is, the boundaries have expanded and now everything is me, well, yes, in the search engine you type, i don’t know, there, i don’t know the horse there, which has 70 nipples and those will give a picture there, yes, as if who i thought about it and drew this one. now i 'm speaking conditionally and there is it here in this here in

all the garbage. you know, in this bottomless dump on the internet, that is, there’s everything, but the most i’m talking about is that 4 seconds didn’t show those naked something there or someone something, as you say, didn't blather there everything, well, everything, is not interesting, that is, someone must show something, some kind of thing, or there, uh, something dirty to swear, or something that is just , well, not with humor not connected. how do you just speak with surprise, like, yeah, okay, so it's more like it surprises people. but to think about something, that is, well, it seems to me that there really is just a lot of humor and, moreover, in different, uh, genres. and miniatures and stand-ups and some funny songs and memes and everything, and therefore it’s difficult to surprise a person now and him needs to be hooked in the first place. that is, if you initially don’t somehow hook a person, uh, by telling a joke or some kind of video starts, then he i saw, i saw, i heard either, yes, or it’s not funny and moves away from it.

that is, you need immediately from the first what happens, right? all khan, we see what happens time is running. yes, we are all oversaturated . that is, in principle, there is no need to create any programs related to humor, because well, what new will they show? yes? i have already seen everything, that is, it turns out that you and i, uh, how do people who engage in humor are, to some extent, doomed or something, yes, that is, we are like the sunset on such dinosaurs that have not yet been killed. there the mother is already alive and extinct, and everything will still reach us, that is , it turns out the other way around, or what should we do then, look for some new forms, what? now humor, on the contrary, is so much in demand now stand-up is coming out. he has already reached a new level. previously , no one understood what a standard was. and why go there? now there is even a routine check of the material. that's when you go, that's when i come tonight, for example, in the evening, i'll go to pap's beer pap where will people sit?

and i’ll be there checking the material for 10 minutes, again and people listen with pleasure, and moreover , if i ask who came here specifically to listen to me. people will applaud, because they, well, it’s clear. yes, this is your audience. yes , he likes that shape. 20 people went there to spend the evening one day and listened to their favorite artist in a pub there. i understand, but i'm talking about the form itself. i still want to return this janner. i want youth again. basically you have to walk through them. there, the diet of young people should instill exactly this ability to be cool in a company, because you know how to talk about let’s call it a thing. this is a joke, that is, well, anyway, uh, in the company. let's not name. this is an anecdote. here they ask where the word itself is the word. you think exactly. yes? this is grandfather in fact an anecdote. he is a joke grandfather. and now you are the same as the boys, to be cool in the company you need to be

a grandfather. uh, just cross out the word joke, like, simple. well, cross it out and that's it. well fine. that is, do you think that this is what you will call the boat? so she swims them. that is , this is so new or like the latest joke, buggy. do you want boogie? here is already yes shmulku. now i will tell. why do you use any word, right? all at once? yes, i want to start going crazy. we have distorted our language so much. poor people even today sometimes understand what they are talking about in general, that is, when they talk to each other, okay, because this is a mess, that is, you need a translator to take into account. you know, there you will immediately find out to me, what does it mean, let's, that's what uh, first. thank you for your opinion. and , of course, there was something i could hear. well

, it’s not that it’s unpleasant, but i actually learned something. and now, maybe, really. what are you talking about? hmm, can you change the name yourself? that is, if you go out there now and say, let's dance the mazurka. yes, let's say. what a mazurka yes, if you come up with a new name for this dance, and somehow do something there, i’ll say oh i saw a cool new dance they came up with, somehow i’m afraid to say a word, you’ll say something represents, but let's come up with an anecdote called small, let's sum it up for our viewers for ourselves time flies tirelessly. yes, we are oversaturated with everything, including humor, which is essentially perception. leads to the fact that you should be very quickly. well, it's funny. that is, you are not ready to sit and listen to a long story, an orthodox joke. yes , you need to immediately look ah. now this seems to be working more, yes, but that’s what we haven’t agreed on. that is, i still think it’s much more fun funnier good told anecdote. yes and you still

think that the future lies in this short form, yes, that is, well, transformed uh into being or not the way you think life is. well, i don't think so. okay, then, then i'll just say, then i'll emphasize. what were they talking about, that, in principle, even the new genre of stand-up that has come there in the subconscious of people. yes, when people come out and tell some interesting stories, because, in principle, you can weave in an anecdote with your experiences. come on, don't call it. here 's one like in that story funny. but how remember, yes, i'm just so funny. i now remembered. dad always says until now , and he will always warm like that. oh, like in that joke. i would be interested in what kind of anecdote it is, when any situation in his life is like in that anecdote, from which he thinks that i know that anecdote. he fits so well. you know that zhenechka, he

emphasizes that for almost any life situation. there are a lot of anecdotes. that is, like this, well, for any situation. there are a huge number of works, there are romanovs, that is, in general, but in this case, and jokes, too, say anecdotes with something that friends figured out today. it was a podcast of jokes and today. e , my company was made up of my colleagues in the workshop, and people who work with humor are alexander schneider. and evgeny and skandarov. zhenechka sasha thank you my friends. all the best good mood until we meet again. hello dear friends. we as you can imagine, i welcome you as part of the podcastlap project on channel one, this is anthropology. as you can probably guess,

we are dealing with sacred music, which nowhere else you will never hear otherwise than with us. and it is extremely important for us that we show people who have not yet been treated with glory by this internet television attention, and therefore, how they deserve it, but today the lord heard our prayers and did so that literally for 3 days in moscow was the most eminent on today the vocalist of russia dear friends, well, it's all from the oscars of the opera to the grammys caressed and coven garden. well, the mariinsky is also dear friends. or maybe you should have started with it. well, the bolshoi theater, of course, well, dear eldar marshal let's show our

viewers. why are world titles given today? for which today they get applause on all continents in all corners. here are our vast planets. show us something like that. well, let's have a little. we can talk, but at your discretion, but it seems to me that these awards are given first of all for great work, great work everyday work and work on the works that the singer performs, when you have already gone through some stage of restoration of the vocal apparatus. then you, if someone manages to get into opera house, and if you manage to work with excellent conductors with excellent directors, then you carry all this baggage, you save it for yourself. and if you are suddenly invited, caressed, it suddenly yes, it usually

happens. yes? well, you are doing an audition somewhere, maybe you win some kind of competition and the director of the theater will hear you from i invite you to audition, and to the metropolitan or caressed or well, you have a big mari theater there, they hear you. and suddenly a miracle happens, for whom all of a sudden and others what is all of a sudden? i don't invite, say please, how many of those very hours that you have spent, when no results are yet visible. how much is there that golevin's murtazina, but who taught at one time, this is in ufa and at the institute of art. i studied with her every day for several hours and sometimes even on sunday how old were you i was 16 years old when your voice broke down you passed a lot of voice at 14. i was still at school in high school. but i still went to her and went to work about

once a week. here's a little fun. we for half an hour. she controlled her voice so much , she listened, like what's happening here is a mutation. that's when it all went away. we have already begun to work. so, then the dense process had already begun, we were preparing for one show jumping. to the second to the third to the fourth competition for the exam, yes, because it was necessary to set some kind of goal. come on, after all, we will remind our viewers. uh, uh, that fascination that they certainly experience when they listen to your voice. before starting work. i want to introduce my pianist evgeny sergeev hello evgeny sergeev is an amazing accompanist. i first noticed him at a competition in tver , the lemeshev competition, where he accompanied a wonderful contestant. and today he is a teacher at the agnesins institute. ah so same works in conservatory. here, and the first work

that we will sing, probably, we will sing an elegy.

what to breathe? here it is. love sweet dreams yells.

passed right here. hello. good to start

our conversation, because here these notes are forts that are loud. well, of course, this is easter as it is. just generally everything vibrates, and then these emotional accents. this is how this ending is when you sing forever, right? it's not bass. this is a completely different voice paint, then what to call it? e yours no, well, look, and there are different gradations in the voice, that is, there is a loaf. dramatic lyric. yes, there is bass. we have, as they say, a superfundo bass, it is a very low bass , a medium bass is a high bass, and there is a cantabel bass. this is also a high bass, but it implies a more continental repertoire ; more bundles allow you to give out and such thin tall. yes, let's say, yes, low, bass,

it will be hard for him to sing such an average bass is also hard. here but here is a high vasu yes drunk, and they do it to him. here are the nuances. yes, it is easier for us , and composers wrote more for such a voice than for low basses, there is a party for low basses. yes , but they are not the main parties in the first place. i sang igor here, well, in the future, when they sing both bass cantabile and low baritones also sing boris godunov, they also sing, both low baritones and high basses. that's why it's here some. well, the gradation of the voice, how your voice will lead you, how your timbre will sound, because one voice is only

the material, of course, here, and there we already work on the subtleties of it ourselves. and then , here's what we heard. and in general, everything you do, it's a whole performance, since your voice allows you to find any colors. what is necessary for the motor, but let the performance suspects the figure of the director, among other things. and who is the director, and who are you with ? what tone what paint take it you're putting on this show? or you do not have a director, yes, who gives the task. it may be, let's say a performance, if we take boris godunov, which we recently performed in a caress. but it was a modern production. and in a modern production, it was necessary to find a modern, not even modern sound,

but a modern approach precisely as dramatic as an actor and also sound, so that it would all be as it were, but in one whole, or analyzed. you can show at least e, at least uh, any passage from this, what did you talk to me about? well, let's say, if you take how they sang, here in the time of fedoron chaliapin yes , i will now slightly portray how this thing would be fedor ivan chaliapin a single stain accidentally wound up the soul will burn. the heart will fill with poison, you will become hard eyes fingers yes boys

and so on, yes, that is, this is this , take chaliapin and the time when it was today is a little wild. that is, today we have a different theater. today is another opera. today we want to do more to give. uh, let's say, as the composer wrote , we'll take the composer's line more then. uh, boris godunov simply has another version, and i think there are four different versions. yes, and here. i feel.

lord, is your strength like fear? are you whining about it? i accidentally took up how i am with my steam, our heart will soon fill up. with a curse and strangling something and the head is spinning in the eyes of the cub. but

this grandiosity was more in the time of fyodor ivanovich chaliapin. and today we need to find something between, let's say, the stage last. heights soon.

that is, here already thanks, here already. it creates some kind of aura. yes, yes, yes, this is the meaning of live singing of living art. all belly theater. first of all, you need to understand that this is how your work is built. at first you seem to be sketching a sketch. e, this or that party, and then already together with e, experienced with

a shared cell. you sit and perfect everything from the conductor, because conductors are the ear from the audience, which must listen to everything, which must clear the orchestra so that your voice is heard in the hall necessarily. oh, here there must be a very, uh, such a subtle approach to all this , right every note, so that it is cleaned out in the orchestra. each is so made to every instrument that sits in an orchestra. every musician heard what the soloist was singing from the pit, what was recorded. this is very important if he does not hear, as the conductors say. so he covers the singer. this is an anthropology podcast on our first guest, ildar abddrazakov. here, let me try now on your ears, and come to

wording, what is talent talent? i'll quote this now by john who, in my opinion, is the best guitar player in the world. and my friend is also interlocutors. here, he says talent. this is when a kind of mystical action occurs: someone hears something that is still completely silent, and then makes it audible to others. well, depending, of course, on how much art he can interpret? so someone hears something that is still completely silent, which means someone is sending abzakov a drawing of the steering wheel. yeah he's right hears it and that's who sends. but i don't know from there. why don't you send others? maybe the channel is closed, but how to open it?

it depends already on myself, at one time i was lucky that i was born in the rural union , we had free education, when i was in italy , they asked me, if you were born in italy , would you sing, i said it’s unlikely, because i didn’t have money to do vocals, and here i was lucky. i studied here as much as i wanted, when i wanted, well, thank god that i had such a teacher, such a mentor as misha murzin what is the name of your first teacher or shagolevna? murta yes, and she is alive, yes, yes, 1,000 years. health is what the boy is like, but she believes that no matter who came to her in class, she did her job in front of humanity. yes, andrazakova she did, right? or at least not trampled his talent, no-no. well, you didn’t trample, she controlled me very much, at first she directly said, what parts to sing? which do not sing that fit here neatly here. here think about it about that, and the style and so on, and

and she really moved me so uh, let’s say, moved me along carefully on the rails so that i do not get off the floor, so that i sing my own repertoire, so as not to harm the local apparatus. this is very important at 16:00. yes, at 16, well, at 16:00, i only started losing the first sounds, huh? ah, well, let's say at 18:19. yes, already then there were competitions and so on, concerts and met irina arkhipova, who invited me to her concerts , can you imagine what it is, you run an exemplary, yes, academy, st. petersburg, yes, yes, how it still doesn’t affect a person do you know such a degree of glory? what is not no valor to maintain a virtue that no one encroaches on. and if every second you goats beards the way between. and if it’s already 30 years old, you can’t take a step, because you are an ildarach. you

are the most talented person i have ever seen, seen and will see, you know and remain such a person of light, like elena vasilievna and like dimulya, our eternal friend and fond memory. i am now leading a couple of words, of course, well, amazing, dear friends, what is it? for and what kind of duet was it when these two people towered on stage, this one a brunette, and that one blonde as gray as they sang? maybe i’ll remember something or he uh, we really don’t have these notes, but we sang peliador and bullfighter, and we drank. we are a duet from don carlos philip and rodrigo and before the duet, in general , we sang a lot of concerts together, but, unfortunately, unfortunately, we did not sing a single opera with him. well, anyway, dear friends, it’s actually customary, of course, to drag the blanket over yourself and throw it on yourself. eh, as far as i know, broken

glass to a rival on the stage of the bolshoi theater. i think it used to be like that, well, they used to close it. dimka could be just as jealous of you , no, but why not? i'll never forget the words, dima and what? i didn’t know, i somehow looked at the program where dima was talking about me, and then he said that today we had a concert and today they came to dmitry hvorostovsky, and they will leave with the name of eldar abdrazakov well, how can he not be such a person who so, he says he can't make some kind of basement, very good, you know, well, i must say that we, for example, uh, saw this wonderful creative group. i think for example to do charity there at a concert in ufa is dear. and i must say that you and dima did a lot to ensure that those who were not so kissed by the lord from birth. how would you, too, be

fair? at least getting something else is also extremely important, extremely important. it's your relationship to your hometown of the nation, you know, usually when a man succeeds, he's reluctant. so what city was he born in? if this, of course, is not st. petersburg or this is not milan, because if you say this all the time, that this one is from ufa, then you will and they will be like that, you know, but no, this is the ufa level, when i say that i am from ufa they ask me. yes where is it? and yes, i start showing on the map where it is, and then i say that vladimir teodorovich spivakov was born in this city, the new rudolphia grew up in this city, he began his

career. fedorova chaliapin yes, they were born in this in kazan. and in ufa, he began to sing like a soloist, oh, yes, yes, unfortunately, this theater burned down, which he drank, well , such a career began from there, and it’s not for nothing that everyone is so proud of you. it `s naturally. by the way, this is the pride of fellow countrymen, this is a comrade, by the way, an eternal recharge of energy. so what are you, i can travel, of course, but i have relatives there, my mother is there, i have friends there, but you can do something national bashkir. but the couplet is a pentatonic scale, it sounds very interesting to the russian ear. be healthy, how is there such a bashkir folk song called azamat one couplet? aside in

short, this is what it sounds like. okay, it looks like bashkir tatar songs. they are somewhere, it seems even and we are always in our family tatar songs and bashkir songs were also sung. and , uh, it means that a lot of tatars live in ufa. that's a lot of uh, mixed and uh families. that's why i grew up with these

tunes. i try to perform them with a classical voice as i would like, how it sounds, how it sounds with professionals who always sing folk songs. there are a lot of these colors, it's a mass. and from spiritual singing, you will hear something from the mosque. be healthy. what interesting vocals. uh, these decorations here, maybe from here, apparently, by the way, i didn’t ask such a question. but another interesting thing, comrades, is that the parents are not musicians. no. here is a very simple point : parents are not musicians. our mother is an artist. and my mother is an artist. yes, what am i talking about, i thought she worked in

the accounting department at the ufa meat processing plant. no, comrades, no. moms, we have an artist, and dad was, firstly, he was a dramatic actor. he then became a television announcer. wow, you are the first on bashkir television to have a voice from him. i think the voice and i'm a mom. yes, because we have mother sang. they just forbade my mother, father, her father, my grandfather to go to study. and so she didn’t do it, when the time came to ban her. so apparently all this was passed on to me by my brother, and then my brother, my singer oscar abdrazakov, an opera singer, where he sings everywhere, well, now he sings, uh, both in ufa and in the mari theater, and there is jealousy for you from your brother. he should be asked to get it

equally, how did mother’s love remain? and why do you understand it? you're ildar again in vienna and he's having dinner, uh, darki, and he's singing in ufa, and there are let's let it go, let's go, i'll let it eat after all. yes well you do ask him i rejoice in his success. he also presents performances. if this is the ussr, it ’s nobody for your language. my topic is the ussr, i ’ll tell you next, it was supposed to speak like that, who are you? well, i'm a singer. what is your profession? yes? yes, yes, in the evenings i am a singer, and during the day, how do you know this? story. what is in what do you know? yes, there, what is going to the entrance, we go in, it means that it rises towards the apartment and two men are standing. he says you will be third. well, let's just a little bit, because