and once upon a time, almost a century and a half ago, we met in this school. well, they missed each other a little, because bunin was a member of this gymnasium or left this gymnasium a little earlier than her came here in this wonderful building, and with the pink one they coincided and rozanov himself played a huge role in the fate of prishvin because at first he really appreciated this stubborn dreamer, this dreamer who dreamed of making a journey. one day he ran away from school with his friends on a boat along the quiet pine river. caught by a police bailiff and returned to the gymnasium of the boy and exactly. i supported him in this action in this escape, and then they quarreled, because there were two such roosters, two very proud independent people. there was a conflict between them, this conflict led to the fact that

rozanov kicked prishvin out of the gymnasium with a wolf ticket and actually broke his fate. or maybe, on the contrary, he gave him a destiny, it’s really surprising, because the boy expelled from the yeletsk gymnasium went to study in siberia there in tyumen he is he graduated from a real school , from there he went to riga, where he began to study agronomy, since his mother was a middle-class landowner, she wanted her son to receive such a normal, solid, very useful profession. well, the boy was a dreamer, and there in riga he became friends with the marxists. and the most important action that they performed in riga was these young idealists. these are these young dreamers. they destroyed a brothel in riga to protest against humiliation, and for all these women prishvin was sent to prison and he served a whole year in prison

solitary confinement. actually. after that, he forever quarreled with the revolution. he fell out with this revolutionary project and the dream of transformation, and the society was on a fair basis. but another interesting event that happened to him in those young years, and their e. once we were sent to practice in georgia near the city of gore, and in order to study how grapes grow and fight diseases, and grapes have such a disease as felaxera. and prishvin, uh, later remembered and wrote in his diary. what did they drink in the evenings? wine and looked at the young people who were dancing lezginka and among these dancers there was one, not a tall, stocky young man with backs on his face. well, most likely, this is a legend and the meeting between young prishvin and young stalin hardly took place in reality, but in general he was a great hoaxer, he loved

to compose his life, he loved to invent his life, and and this fusion of fantasy and reality is dream and reality. this is such a very important trait of his character, which determined a lot in his life, and after this one-year sentence in prison, and mother, who loved her son very much and felt that something should come of him, collected money and sent him to study abroad. he studied in germany and one day during the summer holidays he went to paris on an excursion. and there in paris he met on a tram a russian girl who lived in paris. her name was varvara petrovna izmalkova. and this is a girl with whom he knew for only 2 weeks, and it was two weeks of such, and chaste walks along the seine and this girl played huge role. in the fate of prishvin the writer, but in reality, but in his soul,

and the poet, but because and there was nothing more between them, except these walks and conversations. they broke up and never met again, only occasionally corresponded, but prishvin forever preserved the image of this girl, like such an unattainable dream of some incredible distant and beautiful love, and in his diary he wrote to her many times, and returned, dedicating his works to her, dedicating his stories , maybe you remember he has such a wonderful prose poem called phacelia. and that's all she is filled with love for the same one, and varvara petrovna izmalkova, after studying abroad, we will send him back, and to russia and for some time she actually worked as an agronomist in the klin district of the moscow region and i met a simple peasant woman, and

who left her husband with a small child left, unable to bear it , and the beatings, he and prishvin came together and began to live together. she did with his common-law wife. and prishvin was subsequently very grateful to efrosina pavlovna. so her name was frosya efrosyne, because she was completely illiterate and could not read and writing she spoke about such a beautiful russian language. she knew so many fairy tale songs so well, and felt the russian soul , the russian element, that in fact it was she who discovered prishvin’s russia, and this discovery of russia, the root national people’s russia , meant enormously to prishvin. well , he was already doing a lot well for 30 a and it’s clear that he doesn’t want to do agronomy, doesn’t want to do that. well, prishvin tried

to become a writer, so he tried to become a journalist, but it’s easy to say. after all, these were years of the silver age. the silver age is real. such a very special, very complex, very subtle epoch in the history of russian culture, and one of the features of this era was that there was, so to speak, very high competition, there really were a lot of excellent ones. the makings of a genius: poets , prose writers, playwrights, artists, literary critics, who all started very early, who made their debut very brightly. well, remember the fate of the white block. and bryusov voloshin annensky akhmatova tsvetaeva mandelstam can be called many wonderful names, and which glorified russian culture of this time. here prishvin is not folding, strange , statue-shaped, as he called himself and

compared himself to such a clumsy hatchet. here he is trying to enter. here in this brilliant society, in this cultural environment, which does not want to accept him, which pushes him out, because he is a stranger to it and his literary experiments are met with ridicule and rejection. well, prishvin was an outstanding talent, one of his main and most beloved occupations. was that he was by his nature and his psychology he was a hunter, and he was a hunter from god, he was a born hunter. and as a hunter. he understood perfectly well that his happiness. you have to be able to shoot a wonderful abdominal story, which is called the hunt for happiness, and in this autobiographical story prishvina tells the story of his own entry into literature. and this is how this entry happened. by god, this is a very interesting

first book. he wrote in karelia it turned out so that, and in st. petersburg he the neighbor turned out to be a famous folklorist named anchukov. e. he proposed to his boyfriend. although the young press was already 33 years old, and the neighbor would go to the olonets province of karelia in the summer, they called it that way and write down local fairy tales traditions song that prishvina did and an amazing story was brought from there. today we would call it a travelogue, a story of a journey, which was called in the land of unafraid birds. the publication of the book was his first literary success, and then he caught it, and this success moves on to north, arkhangelsk solovki kola peninsula. norway he brings the next book, which is called behind the magic bun and with these two books. he wants to enter the culture of the silver age. what does it mean for

preshen to enter the culture of the silver age? here was such an extremely important fact; an extremely important pass in st. petersburg there was a religious philosophical society, which included the elite of the then silver age. it’s better to write or philosophers, church leaders, priests, they gathered, and in this religious philosophical society for discussion. the most important problems of russian life in the pre-revolutionary period - this is the very beginning of the 20th century and before he dreamed of being a participant in these meetings, but the people in charge of these meetings did not want to accept him. eh, that was the wonderful marital trait of zinaida gippius and dmitry merezhkovsky. she is a poet, a critic, such a rather angry and bilious one, who wrote under a pseudonym. anton extreme he is a philosopher, a thinker, an author of historical novels and a symbolist poet, dmitry

merezhkovsky, it was to them that prishvin showed up with his first two books with such a kind of pass into great literature, but he was not allowed further, the threshold and they said, get out of here young man, read the captain's daughter, but prishvin was not easy either. he chose the right place for his third trip. this was lake svetloyar , a famous lake in the history of russian literature and as a culture in general in russian history, because it is with this lake that the famous legend of the city of kitezh is associated. yes, there is the very city that sank to the bottom lake, when it began to be threatened by an attack, uh, by the tatar-mongols, and uh, oh, this legend was very tenacious, uh, among the russian people, and every year for the summer solstice holiday , a variety of people came to lake svetloyar, as a rule, these were representatives of various christian religious denominations

; they made a religious procession around this lake. moreover, it was a procession of the cross, kneeling, that is, they are on their knees , the lake is not very large, but not very small . about 3.5. a km in diameter. here they are crawled on their knees around this lake, sang songs, and it was believed that the one who is pure has a very pure heart. this is how it can be spiritually. the city of kitezh can see the light at the bottom of this lake, so prishvin went there and wrote his next book, which was called at the walls of the invisible city. and when he brought this book to gipeus and emerezhkovsky, and they themselves had visited this lake several years before and the peasants who came there asked prishvin to hand over dmitry sergeevich merezhkovsky to dmitry sergeevich merezhkovsky. hello actually with this hello prishvin and. and he came to the house of a hippe. from

merezhkovsky they told him to go through and go through what they said about us. tell me further, she was invited to make a report at the meeting, and the society and prishvins. what made this report brilliant was that he was a very artistic man, despite his statue-like appearance. what did he call himself? well , at some point he dropped to his knees and crawled across the stage, then went down to the zri zal , crawled between the rows, shouting, crawling, everyone was crawling, the audience was in ecstasy. and in a sense, that’s exactly how he crawled into the big one, and russian literature is a project for a world exhibition. again, you start to hate the point of building something and then immediately tearing it down; you have an answer to everything. life has taught us to prepare for surprises. i was hoping to never see you again at the world's

fair. a bright move is needed here. this symbol is paris itself, its radiant place in the world. he loves me. i can destroy him , there will be a scandal about this. you thought we would do something that no one had ever dared to do before. we will build a dream. they say that this is impossible, but we started building it together and we will finish it together. i

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the first payment for up to 90 days. apply for a loan in the tinkoff application and receive a deferment of the first payment for up to 90 days. tinkoff is the only one. this is the podcast life of the wonderful with you. i will slander his leading writer alexey varlamov. today we are talking about a wonderful writer and thinker philosophy of mikhail mikhailovich prishvina prishvina made him a truly great writer, like many others. in fact , the writers of that time made a revolution , a revolution that at first he did not accept, and even more so in january 1918. prishvin was arrested, a new one was arrested, and the authorities imprisoned him in the peter and paul fortress. so for the second time in his life he ended up in prison after the tsarist prison. it was, uh, bolshevik prison, fortunately i tried there for not

very long, only 2 weeks. well, but when he left this prison he caught his eye, an article by alexander blok, whom he was very fond of, an article that was called revolution by the intelligentsia. and a. prishvin reacted with anger to this article, where the bloc called for a russian. the germans listened to the music of the revolution and gave the bloc a rebuke and a rebuke and wrote that there was no music in the revolution. and that revolution is a boiling vat and it is not the artist’s job to rush headlong into this vat , as the blog did and calls on the russian intelligentsia of the artist’s department to do the same , is to stand on the edge of this chan and how to fix it. yes, it’s summer to write, to honestly describe what is happening around you, so he’s at odds with the bloc. what happened to the sender? why? he nevertheless accepted , accepted, in the end, soviet power, and

how did this happen? the fact is that prishvin set the revolution to the civil war - this is the russian troubles of 1917. and this, it’s true , is very important, first of all, a historian briefing , and first of all a writer with a huge public temperament. the point is that in the course of your life. he hid this passion of his. he hid it in her a diary that was intended for future generations, but nevertheless in a diary carefully kept by them - all this is read today. so we’ll send it and install it. eh, the russian revolution and the diagnosis is that this is a war between the peasants and the bolsheviks. it is very important to emphasize that in this war prishvin did not initially take either side, because that was his nature. here is a personal individualist for him. the most important thing is that there was a cult of creativity in man and he believed that both the bolsheviks and the peasants were

enemy. this personal individual principle in a person, but at some point, because men are sewn with it in their eyes. there you can agree to disagree on his view that men carry within themselves such an anarchic beginning, an anti-state beginning. the beginning is self-destructive, and the bolsheviks are the state’s will, but the will is very cruel and in fact. this very popular anarchy and this state principle in the bolsheviks. this is the essence of russian history after 1917, and at some point prishvin who at this time lives in a russian village and sees with his own eyes the processes that take place there, in principle, he comes to the conclusion that the bolsheviks are the lesser evil. he has such a wonderful story called the worldly cup and one of the heroes of this story is a commissioner named persyuk. and prishvin writes in

his diary about this commissioner that persyuk, in his drunken hands, kept our russia from collapse. this was his own conclusion, which he came to at the cost of his own life experience and that’s all. this was reflected in his prose then. he also wrote this acutely social fiction, and then he wrote this very story, which i already called the worldly cup. and this story. he tried to publish the civil war had already ended. the nep began , publishing life revived, and they came to me and ran into soviet censorship, which was very strict. then what is published in our country then, taught by a wonderful soviet writer, with whom prishvin was not exactly friends, but at least maintained such friendly relations. so here's the pelnyak request. prishvina handed over this train to trotsky, and it was lev davydovich trotsky who was responsible for soviet ideology, for

soviet culture, and in general for this soviet agenda. trotsky read and made such a verdict, i recognize the story as having artistic merit, but it is entirely counter-revolutionary and counter-relational, and when prishvin read it, he made the most important conclusion for himself: that he will not make a writer who writes on social issues, that he needs to move away from this social agenda to leave from politics to leave public life to find a niche for himself , and nature became such a niche for him. actually. so he started with this from the other side. yes, his first things are also largely devoted to those of nature and man. and he seems to understand that he needs to return again to where he started, it is nature that will save him, nature will protect him , will disguise him, and he begins to write these wonderful books of his, and such as springs of berendey is another thing. the title of this

story is less political; it is no less like the calendar of nature. then he writes a wonderful philosophical poem in prose called ginseng, where he also glorifies this theme of lost unity.

which fly, it means back and forth in the fall and spring, and this is the bond in the image of nature in the form of birds, animals, dogs. this turned out to be surprising. ahh, requested by the reader. and in principle, the authorities looked at this normally, the authorities admitted that even if in this palette of soviet literature he is not very rich, but still in the palette of soviet literature there will be such a a strange writer, whom we will allow to write on topics far from the topic of the day, and in fact, this is how prishvin became established during his lifetime as a wonderful writer, who

had everything, he had books published. his collected works were published, he received large fees, he had a wonderful apartment, then he would have a wonderful dacha, and he had several cars. in general, he really loved cars. it's interesting that this writer is here. it would seem that by such nature a person adored the achievements of science and technology. that's how he is i went to the extremely frightened birds with a camera and brought back wonderful photographs of the olonets region, and now he traveled in his own car. he had a rather large car , an suv, as we would say today, and in this suv he traveled to a variety of places, went far from moscow in different seasons, and floods, floods, and rivers. he has such a wonderful tale of nature, which is called not dressed, but spring. and here is prishvin the traveler. prishvin the hunter prishvin who is actually in he wrote in his diary that all this was given to him

by soviet power. after all, it was the soviet government that paradoxically nominated this writer. it’s as if i raised this writer from the third row to the first because his competitors, in quotes, either ended up in exile, or ended up in the underground and prishvin becomes such a very important very large figure in russian soviet literature, but at the same time it is very important to emphasize that he doesn't sell himself. he doesn’t make any compromises, he really found a niche for himself, he found himself topic. he found such a position for himself, but not this, as if this were not all. this is not all about sewing. and everything about prishvin, as i already said, this is his diary, in which we will find such a not short course on the history of the soviet union, i would say a full course, starting with the first russian revolution, because he begins to keep his diary in 1905 and next world

war i. the revolution of the seventeenth year is a civil war. well, i would collectivize stalin’s terror and life is wider in soviet union in the thirties, the great patriotic war, post-war restoration and the death of stalin and prishvin himself died in january 1954 and kept his diary until his last day. here is all this bulk, all this complexity, all this colossus of the then russian soviet life in its most dramatic, and fractures, all of it is reflected, and in this diary , a diary, which prishvin is a very smart , sharp-sighted person. i understood perfectly well that during his lifetime. this cannot be published, and he addressed it to you and me and it was his conscious life strategy. prishvin came up with an ideal writing strategy,

which was simultaneously focused on the contemporary reader and the reader of the future, and he succeeded in both, and in this sense, prishvin’s biography is real. such a wonderful wonderful full-blooded biography. although it had its own difficulties, and one of these difficulties. one of these, how you can cut out one of the cracks , happened, as it seems to me, in 1933, when prishvin was just as famous and recognized, and the soviet a writer with a rich revolutionary past, and he was 60 years old. and so, in the year of his anniversary, prishvina went to the places where he wrote his first book in that very extreme frightened birds in the olonets region, where now everything has changed, because it was there that the famous white sea-baltic

canal was built on this trip, he went with his son. and he saw he saw what was built, he saw how it was built in his diary. he wrote about everything honestly. he saw hungry people. he saw corpses in the forests. he saw this heavy slave work. he saw here the price that the russian people paid for this construction. all of russia was on the channel, he will write in his diary and then during this trip, well, the nkvd people. well, more precisely, the ogpu then, yes, and the punitive bodies were called the ogpu. but it is clear that they accompanied him, even without their participation. this trip could not take place; they invited him to speak at such a spontaneous rally. this was, perhaps, one of the most dramatic moments of his life, when he was a prosperous, honest , wise writer, a teacher of life, a philosopher,

found himself in front of a crowd of prisoners, humiliated , powerless people. he had to tell these people something. it was very psychological. yes, it’s difficult and unbearable. he tried to find some words. he tried to reassure them. he tried to give them some kind of consolation; he told them that even in these terrible conditions one should not lose courage. and we must try to treat our work as creativity. and he himself understood. something sounded false, i myself was tormented by the understatement and agreement of what he said, and this was such a wound, which, as it seems to me, shook his integral, chaste life, and as an artist

, he felt at that moment that he could no longer write only about nature and beautiful birds and dogs; he could not only write about this journalistic beginning your journalistic enthusiasm. he can’t just hide it in a diary addressed to the future generation. he felt that he had to speak out. here and now it was, as it were, his human writing duty in russian. this it was very clear. and when he began to write his most complex, most incomprehensible, most painful novel, which later received the name sudarev’s road. why was roman so called, because in fact the idea to build the white sea-baltic canal originally belonged to peter the first, but peter could not do it. although i tried and tried to do it. this, by the way, is also very cruel means. prishvina has an entry in her diary that when peter

traveled to these places, and it should also be noted that these places are traditionally places raskolnikov is the habitat of the old believers, with whom peter had a very severe conflict. and when peter moved along this road, she was riding behind him to have fun. and on this gallows sat those peasants, those rebels who did not want to submit to him, and the briefer was already thinking about this sick nerve of russian history about this relationship between goals and means and, in fact, in the novel. sudarev's road of breishins, writes the first russians or the soviet gulag archipelago , the first work dedicated to this labor of forced labor, the situation of forced labor and the main characters of the novel are the prisoner guards. security guards. the head of the camp is the construction that is taking place and prishvin tried to bring some kind of harmony into

this terribly disharmonious situation. he wasn't trying to justify her. he tried to comprehend it. he wrote. i began writing this novel for many years in the mid-thirties almost until the end of my life. it was then that he wrote in his diary, there was nothing to do. i am a communist, because after all, he came to the conclusion that the soviet government was right. she was right about for his purposes and for prishvin, the soviet stage is, as it were, not the end point of soviet history. this is exactly the stage. this is precisely a cruel and difficult transitional moment, but it is no coincidence that he liked to compare everything with himself with his life and his biography. here, his geography teacher, philosopher rozanov, suddenly appears in his diary, who once kicked out a rebellious anarchist boy from the gymnasium and the boy suffered greatly from this; he did not

end in suicide, but managed to overcome his pain, his resentment, and became a great writer and philosopher. why soviet children learned to read and write books in the same way from the big country. something similar should happen. shaivism must give the russian people, the people and the vast country this inoculation to statehood, without which the country will not be able to move forward. the tragedy of the writer prishvin was that under the conditions of soviet censorship in the forties and early fifties, the topic of camps was strictly prohibited and he was simply not allowed to publish this book and it was published only after his death. and the last thing i would probably like to say is that prishen has his last book. it is called the ship thicket, it is actually a continuation of the story that you all probably read

and remember, the pantry of the sun, the ship thicket. this is such a sequel in modern terms. and in this thicket of the ship there is a very important image for prishvin of a small christmas tree, a christmas tree. this christmas tree grew in the shade all its life , grew in the shade of large trees, dense trees, and therefore it grew very poorly , frail, sickly, and the christmas tree, then they came people who wanted to help this christmas tree, who wanted to free it. these people cut down huge trees, and a bright bright light poured onto the christmas tree. and what happened to her? she became even more ill. she almost died, but still she survived and after getting sick, she began to grow, and she grew tall and beautiful for sure. prishvin was also confident in the russian

future in the future of russia, which had gone through all its trials. through all her adversity, she often takes offense and does not understand the meaning of what is happening to her, russia, and is subject to this growth, the development of blossoms in he believed this too. in fact, he remains in our memory, a writer, a wise teacher, connected by blood with the russian soil with the russian sky with the russian soul. this was such a wonderful mikhail prishvin this was the podcast life of the remarkable and i am with you its leading writer alexey varlamov

, and tatyana gevorkyan is with you and our episode today is very unusual. you and i are going on a time machine, the brightest and most unusual time in the nineties, and perhaps the brightest stars of the era will be talking with us about fashion and style of that time irina saltykova shura and sergei penkin then first sorry to everyone, i’m sitting in these. eh, tight shoes, i immediately say they forbade me to give them back in what i came in and they told me to wear them. this is how sasha behaved like a gentleman. i think i don’t want to go like everyone else. well, friends, this week we are discussing everything. tender may, because it was yura shatunov’s birthday. and, of course, we remember the era of the nineties, probably in our generation’s memory - this was the brightest and most adventurous era. what kind of

memories do you have, the best ones? hmm considering that i was in the same year when yura started drinking and i was invited to work in the group svetofor novosibirsk, it’s so funny svetofor because we stole traffic lights and put them on the stage. they blinked beautifully and we worked. eh, barnaul kemerovo tomsk krasnoyarsk i sang yura shatunov’s songs live after many, many, many years razin, when we met, they became friends, they say, and we were looking for you brutes. we were looking for you. we knew who sings it, we live all the songs now, maybe meet yura recently. may he rest in peace. yes, he is very secretive all the time led his life. that's the kind of boy he was in himself. well, yes, i would say. well, it’s interesting that everyone had a different style in the 90s yura he is such a generation, denim, in short, i realized that it was you who wore it. yes, the guy from next door. well, shura is simply the king of outrageousness. what was your

name? yes, i didn’t have enough money for pants. i went out in shorts, yes, and once i was an ex-symbol, but they added it all up, it was all there. all the beauty that was i put in myself. i am alisheru. god bless you. well, that’s only later, and initially yes, initially no, and you you can name the brightest and most fashionable stars of that time. in your opinion, of course, aguzarova. and who else? well, at that time, i still feel very sorry for it. why somehow we don’t talk about this singer. this is marinka opur irina, who gathered in stadiums and sang blues and jazz and pop songs. well, if we say take a group of technologies, they somehow worked for them like a peshmot, or like a durant juran. that is, there is a little electronic music, they were all in leather and black. but bright, well, that’s what i’m saying, only here she is guzarov. before fame. i was the most fashionable. now, i remember now, i ’ll tell you an incident, i literally just

remembered it, it happened then. yes and here are some fashionable shoes. you probably weren’t born there yet, but i’ll tell you now my story from the nineties, where i took things here. well, that is, my mother’s sisters, one of them is the manager of the store, the other one just, oh well, got lost. yes, yes, she has a lot of girls she knows, uh, who work in stores and so on. and that is, how did something so fashionable appear or be called? yes yes yes girls there. they called and naturally, i’ll definitely go there and buy something for myself, naturally , there’s a line of people there, it’s extraordinary there, i don’t know about 200 people, maybe, or even more. well, we have no queue and there are only red shoes for the whole, so to speak, the whole of moscow. well , let’s put it roughly, yes, and i called my friend and said, let’s go fight for the shoes. well, no, we have the opportunity to take them there at the back entrance.