collectives still exist and a legend who has worked with countless groups, the most prominent of which is nautilus pompilius aquarium - a drummer musician. now in agatha christie's group they are lucky to have albert potapkin with them. hello. albert hello vadim, good evening. the song fairytale taiga is a great hit, what did you call it ironic? mm? wait a minute, well, not a parody, but something like this. well, yes, there in a sense, yes and at one time it so happened that we admired this trick before, then the legendary project, like an old song about the main thing, you remember, because, frankly, such references to music, from gaidai’s film, zatsepin’s music is wonderful. eh, people are losing each other. so we deliberately went for this move , and it was easy and fun and we considered that this place and are still very grateful to the wonderful actors from the film ivanovich about

physics, who agreed, yes, who agreed to star in the video. yes, you changed one note. it was such a strong move, everything is predictable there there ta yes i’ll give there there ta yes, i'll give it to you, friend. well, actually the melody was written. she was a completely different author of the melody. uh, this is sasha kozlov, one of our founders, who, unfortunately, is already with us. no. here he is always, unlike us, a brother. uh, this musicians. eh, he was quite a pop person, who knows, but he, for example, was the author of the hit, love me, love. these scammers. yes , his music is sasha’s melody. yes , absolutely right, and he has a lot of pop melodies; in general, we are a pop person, so when he brought his material for agatha christie, it categorically did not correspond to what my brother and i saw, but strangely enough, we, of course, wanted sasha’s songs and melodies. eh, christy and we were animated, so it was fun that we pounced on them . and this lightness that we eh, we all

pounced on together, we must give it its due, sasha allowed him to experiment very significantly with his melodies. and that’s how very light, funny hits were born, such as the fabulous taiga helicopter carpet. uh, sailor. eh, that's all e! songs written to music by sasha kozlov 2001 was a very difficult year for me, and i definitely i remember this maxidrom, when i had the honor of representing you at this maxim. i remember i was in some kind of hmm clothes of a high-altitude fitter. hmm, the dirty guys made me up and there were forests, some kind of industrial zone, there were garages. here on this oxidrome. and i was sitting on scaffolding, tied to some kind of scaffolding. yes, i remember this industrial like that. yes, and i would just like to introduce agatha to the cross and say some words about sasha samoilov and about his departure.

this year it was 2001 and i remember that this was the main reason for me to be sad this year, because i adored agatha christie in that particular lineup. i always love it and still do too, but the golden lineup for me is uh gleb samoilov vadim samoilov uh. sasha kozlov and andrey kotov. this is the golden four. i know that sasha stood on the keys the whole time. all these, um, magnifying glasses, or what? or how to call it, on the guitar these are riffs, and when on the keys of this , in fact, we turned out to be the first of the bands in our time, which began to use these electronic cigar technologies in live concerts. and you know how it is at first well, it started, in fact, with any opium hmm and in which there were a lot of electronic pads of all sorts, what is now called and you and i carried it, you won’t believe it, a computer. or 1044, that is , they brought the system unit directly and ordered a monitor, because it didn’t exist then.

these laptops have convenient laptops that everyone now has. here, uh, but of course, this has significantly expanded our uh palette, because they are simpler minus easy to figure out. well, we are musicians after all. here. by the way, i want to say that we collided. we are alik this is the first drummer of the agatha christie group and we have always been faced with the fact that what is recorded on the album is then difficult to reproduce. that's the number of hands. this is what almost all musicians who create albums in studios face. and we actually created albums in the studios. that is, it is not just teleported and then the material is recorded. and this is like such a canvas hmm that is, i am one of those lovers of sound and production itself who like to create, that is, do. uh, audio recording, well some kind of work of art in itself. that's from a technological point of view . in fact, design for me is always interesting and beautiful, it is always complemented even when for the first time. came to

audition. i met vadim and sasha the goat right at the first meeting. our meeting lasted, in my opinion, only three minutes. eh, vadik said, he says come listen to what we are doing and the first thing that caught my eye. these were indeed such samples of the feast, let’s say in authorship. but what rushed the eyes are the producer himself. that is, people already immediately thought about how they wanted to sound about them. that is, at that time i was familiar, if not with everyone, then with many, that is , such a sverdlovsk party had already formed in the form of orphin jones, nautilus nastya and so on, the mogilevsky association i knew who played what. but when i first heard agata didn’t look like anyone at all, that is, uh, radio engineering education made it possible to embody all the ideas, and since sasha kozlov was also a sweetheart. he listened to a huge amount of music and he brought references and so on and so forth, and vadim, as a producer himself, discussed it with him. for me, this is an absolutely unsurpassed person so far, that is, his view of sound, in principle.

you’re really not what’s running ahead, but at that time it really was some kind of breakthrough, in fact, that is, it was, uh, real synth-pop, which i had never heard from anyone. this is so kind and dear friend. and of course, later, when gleb had already finished school and went to agatha christie, chewing with his aesthetics, and with poetic things, yes, then it was from this that a single , absolutely wonderful triumvirate came together, which gave birth to that same agatha christie who blew up, so to speak, several times. eh, that's it, musical space, exactly. it was a breakthrough and i really speak from the masters. it was something fantastic. it was completely uncharacteristic of russian rock in general and the underground in general, even yekaterinburg, sverdlovsk and so on, the leningrad club. this was electronics of the highest standard. for me it was between hmm so in a good way no offense between kio and cheap that's a little, but like cooler. i think that

a very noticeable plus is why it happened, it was the group. it was a team in which these three components of us are. that is, i am my brother, and sash kozlov brought their own and uh, it’s enough to bring one so actively. that is, everyone had a vision of what the musical material should be and you know, we even developed a technology for making musical decisions that was unique to the creative team, we voted, because often situations happen that one person likes it this way, another likes it differently, and a third likes it differently. we simply voted on creative issues. we even called it a primary composer’s organization, like the komsomolskaya, that is, directly. now, will there be a solo in this song? this is how they voted, so someone always ended up in the minority, so to speak, but it was a universal formula that helped smooth out, and all these unnecessary ambitions of their own, so as a result , a truly joint option was born, and the joint result is when it's a group it really multiplies. listen to it all in

a square. cubed. these were the basics of marketing in music. as i understand it, marking, by the way, is the most common question we were asked. why is the team called agatha christie really? e with emphasis. we didn’t yet know the word marketing, yes, in fact it was an ideal marketing ploy at the turn of eighty-seven and eighty-eight , when mass clubs opened on central television and began to be shown rock band were numerous and the task was to find a name that would be immediately remembered and, in fact, uh, the name agatha christie invented only for this reason and the author , by the way, this name was alexander kozlov and we mean that it will turn out to be initials. yes, he pledged his own, that is, there is also something about him in this, right? in the sense of a future match against a world cup participant, russia kata live broadcast on september 12 at 5

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receive a deferment of the first payment for up to 90 days. he's the only one. this is a podcast 20 years later i am the host konstantin mikhailov my guests are wonderful people vadim samoilov and albert potapkin group agatha christie when i tried agatha, i started trying with uh, i ’m on you like in a war, then i discovered the christmas tree and the sleeper. this one is absolutely so strong, yes, yes, yes, a little bit on yeralash, such a sleeper, la-la-la-la so straight, quite accurately. once he determined that agatha christie is handwriting. yeah. that is, we grabbed different styles. in fact, everyone has always been musical polyglots and, uh, no matter how we treated musicians who froze in one genre, one style, that is, we were always curious about the musical process. excuse me if you listen to every agatha christie album, if we take the second front and

say opium, there is decadence and protein. these are completely different groups. well, there is only one group, that is, for me, this is a group that survived, not just did not record. there are 10 albums, and living 10 different lives, that is, let’s say. e insidiousness and love and there i don’t know and a thriller. this is completely absolute or miracles yes, that is, you will hear absolutely nothing from the past. this is a group that did not repeat itself, even in sound sasha kozlov died invited a lot of things, that is, we were constantly updating our own musical preferences and tastes. this is what was displayed. uh, in all our albums, so agatha christian really has a signature. if we talk about forgiveness, i want to tell you, thank you for what you see in front of you. i don’t know whether i should be grateful for this or not, and i’ve been working on radio for more than 30 years, but for the first time i became a maximum correspondent in the ninety-first year, when this station was born. then i took a break for 2 years to the higher directing course and didn’t seem

to be planning to return to the maximum, but somehow i was at a friend’s higher directing course, sitting in the kitchen during the day. i turned it on to maximum. and there was a song in the war, i feel like you are in a war, i was imbued with a tear fell on the kitchen table. it was so cool. i'm on you and i'm gone, the battle is over. cool, it just bothered me. i understand, so what kind of wave is this? it’s time to go back, i returned, and kozyrev was already there , who tried on all the songs of agatha christie and every premiere. we waited the maximum for all teams it’s just that when kozyrev gave us another compact, we were like the eu. hooray for this not to happen. it will be cool and i remember the mid-nineties and kozyrev finally introduces me to the brothers. he brings them to me. he says, this gleb

is the only one. this is our kostya, the host of the morning show, lark. i swallowed a lump and then said, hello, i am your idol. i just blushed deeper and couldn’t say anything more, because you really were idols for me. i just didn't formulate it exactly. uh, shameful star on tour. nautilus i listened only to the shameful star. he didn't turn off. that is, everyone entered and exited the bus with some kind of quote. goodbye, little one. you were told that our comrade slava butusov put in a lot of effort, he very actively promoted the album “shameful star”, showed it to his colleagues. yes and here's a huge respect to him for one of his favorite albums. yes, that’s right, maybe we can call him now, but i think it ’s quite possible. let's try, if we talk about

the 2000s, what kind of renaissance was butusov with the song of someone going home, right? i feel like i'm using the connections of my other guests. gennadievich yes, hello. we are sitting here with alik potapkin, and yes, mikhailov , the legendary presenter. eh, radio maximum slava hello. vyacheslav hello yes, we remember, with a kind word we thank you, you know what, for the fact that you directly promoted the album shameful star at one time, right, i know that he showed a lot of it as a musician, for which i am very, very grateful to you. yes, there was a time. album yes thank you. by the way, after all after this album, yes, i think, we decided to work together. uh, over the titanic. well, there was the titanic. eh, in ninety-three ninety-four it was recorded. as long as

i remember. you and ilya addressed me precisely against the background. eh, good luck with the album san-producing shameful star. and thanks to him , our interaction with you was wonderful. of course, there was an avant-garde sound, yes, and thank you, they also remembered with great salism the work on the titanic. thank you for giving me a huge creative carte blanche mockery of your materials. yes, but i think it turned out great. thank you slav, what kind of material is that sound? yes , you had some kind of joint tours. let's have a concert version of titanic. it was a huge project in the concert hall in russia at that time, and the existing drummers also drummed for the rest. and petya played along with the gorodets, which means that the children’s choir sang , it was a very big project, yes, which

i also had the good fortune of directing at one of the concerts, played the bass on the bass, and then our program is dedicated to the 2000s and 20 years later, and we, too, with a kind word, remember your wonderful hit song of going home. you know, what surprised me most was that your charming melody is there, it’s always clear, but i heard a smile all the time. here you are, when you sing it, i see a smile on your face, and this is a very special feeling. it appeared just for the first time in the 2000s, when i directly reported it. i can almost hear this smile in this song, perhaps it’s true. tell slava that we will help him in any condition podcast 20 years later, michael’s bone says that in any condition, we will be happy to see you on the podcast 20 years later, somehow. when you get ready, thank you. yeah. come on, weak, good, dear to all the guys, big big, hello, yes, goodbye.

thank you words. well, yes, slava, as always, is not a verbose person; not a word is normal. he's on the bus on the road. yes, now seriously, fucking back, maybe in the eighties or nineties of the ural polytechnic eighth year. you are a radio technician performing with guitars in front of students. this was the first time on stage. how did you feel? how we were received in general, we were very lucky. alik and i often remember those times of the late eighties, the sverdlovsk club, and we consider that we were lucky. a musician, that we did not start with apartment dwellers, but we started precisely from the stage, that is, and the ural musicians already have this magic of the stage and responsibility to the stage. it was always felt, that is, everyone was geared up for some kind of performance. not just on the circle of fans around you, but on musicality, on music, on how it is

does some kind of delivery look like, how is it executed? i think this is such a distinctive handwriting, but what about sverdlovsk is that i’m a radio engineer? well, listen, almost all rock musicians in our country graduated from some other university. now, as for me , i am a radio engineer by training, so we had a homemade studio located at the ratification faculty of upia. actually, they rehearsed there and recorded albums together. uh, tube ones, well, i must say that the sverdlovsk musicians were not spoiled by conditions for recording and each had their own really some, that is, unlike the leningrad muscovites, who still had more opportunities for this, the sverdlovsk musicians were. well, practically every group had the opportunity to rehearse right on stage. and we went on stage, as they say, not half-bent. we already felt already. as a matter of fact, practically like at home, yes, that is, these were not apartment dwellers. it was already really like that. maybe this is the secret for me, sverdlovsk is the main forge in general

rob's musical talents and not only rock, russia's electronic talents too, because you can have different attitudes to the st. petersburg underground lesson. there you can go to moscow but the brightest groups. that's my opinion. these are the same ones, i don’t know, there are teas. semantic hallucinations. well, thyus pompilius agatha christie after all. this is why svetlovskoe is the main forge of such talented groups. this is the main rock forge of the country. thank you for such a high rating, the group is seriously the best. well, of course, these are one of the the best, but undoubtedly our colleagues from st. petersburg and moscow also gave very high results, as far as the stupid ones are concerned. e of the sverdlovsk lesson, it seems to me that in it the two principles are most correlated: physics and attack lyrics, we had fairly modest conditions for recording, so there was one near each group. uh, a soldering iron, some radio engineer who figured out how to do this, the famous colonel alexander who recorded, uh,

the legendary track, that is, they made the gadgets on the go and assembled the studios themselves. and this one, a collegiality between uh, creative people and those who are involved in music sales there , sound production. this is one of the generally distinctive features of sverdlovsk rock. but because there really is always something, so that it’s written down somehow. and this is not just something you know, as it were. well, let's record beautifully so that it takes place like the art of sound recording, which we have already talked about today. these are very feelings. here’s another plus: if you take any sverdlovsk group, then there’s one, then two person. yes, that is, in any case , there was someone from musical education and that’s it, one way or another. yes, of course, the level has already improved. that is, there was a fusion of technology and professionalism and musicality and simply natural talent. this is how i am taken away, and this is where i am educated in musicality and nature. you see , this is exactly what played into what, uh, how. we

recently discussed with vadim that sverdlovsk, uh, rock bands have no followers, she is alone and is not like anyone else. that is, they all seemed to be occupying each his own shelf hmm yes, techies or hard workers, like tea is also shahr. there, almost a non-working installer was a builder. yes , they were a little different from the sverdlovsk club. yes, they seemed to be all in the sverdlovsk club, but the style that they promoted was precisely this kind of rhythm plus and such traditional rock and mouth. so i think that they are great fellows, that they kind of kept it and stood their ground, because they, of course, were significantly different from everything else. at that time there was ural rock, but you see it’s time to put everything in its place. they made people they love staying in yekaterinburg and why are you now special people from yekaterinburg have flown to us for which thank you very much . in general, the team now lives in three musical capitals, part of ekaterinburg, part in moscow, part in

st. petersburg, so we are coming together, yes, uh, working and then we discharge. listen, you produced, you had a rock hero project, in my opinion, if i’m not mistaken, chicherin means you’re hallucinating. look, this is what we were talking about, music production. eh, this topic is very important to me. interesting and interesting for lika. we worked quite hard. eh, with parents in the studios, they helped the starting team. that is, you take it as if it were this one. eh, as i say about them, my task is to take your diamond to make it like a diamond and come up with a cut for it. and for him to start playing, that is, these are the first steps when a young aspiring author. or the musician does these processes, as if passing it through himself, giving him energy. eh, and some kind of update has undoubtedly always occupied us. let's say this. so, not the most gratitude. in fact, for the lesson, the producer invests the young man and then expects to get some kind of return for himself as a young man. when he becomes a star,

of course, it happens that the tower is torn down? well, this is a normal situation. here. and what about the roger project? yes, this was just a project that we also did from a music radio station, because there you know a lot that types of cds were brought to the music station. well, i decided to just do their review, listened to it and so so at first it turned out to be some kind of mail, then it turned out to be a whole platform. eh, that's a huge number of musicians. by the way, i ’m going to, uh, revive the class project, because now, uh, there are a lot of young talented musicians and they’re asking what and where . the question is often asked, which was easier? now, for musicians or for us then, this is right, i think there are pros and cons, that is, there were much fewer of us then. we didn't have that kind of access to technology. here on one side on the other side. we had still a limited quantity. well, there are

a dozen bands from st. petersburg, a dozen from moscow, and now there are thousands and an amount of musical material. it is completely unsorted. okay, the platform makes some selections. by what criteria to make all this selection, we don’t actually know. therefore, i believe that exactly the same as it was in our time in the late eighties, when clubs were born, is now actually a musician and around the music community. those involved in video production we need management there and a designer and photographer, that is, to unite again. and this is a trend about the creation of new youth cultural clusters. this is a trend. in my opinion this is correct. because here we are, having lived 30 years of this, well , liberal and individual mentality, yes mentality, that is, everyone is on their own, my success is my path, so to speak, we are all even competitors to each other. yes , now it seems to me that we have come and how, society and even more so, how young musicians are back to that story, when in order to further get divorced,

we need to get to know each other , support each other, exchange energy with each other, move on. that's actually the hero's project. he's talking about this and the cultural clusters that now need to be made creative. i don't like the word creative, creative, new. in general, a lady of culture. i think this topic is good, especially in small towns or live performances . live and precisely. eh, so that it was a community, because that’s what the sverdlovsk club was. there was no one there, except for the musician there were music lovers absolutely all photographers, designers, historians, journalists, filmmakers. yes, alexey balabanov is all one core art, united. something is born from it; at that time, let’s say there was an educational radio station, at most. we tried on everything that i have now, that is, we were an educational platform, a kind of beacon that we were reaching for, what could happen now, could there be some kind of radio station that would play not hits, because there

already is one, but , which would only play fresh new russian bands, or it should be some kind of internet platform, some kind of portal, on which, firstly, there would be a very correct moderator, like you or vadim , who would select, pass through tons of this musical information and select and post only better. people would come in and vote and download there. eh, i don’t know these hits and then based on the results of, say, an annual vote. we would organize some kind of horn festival especially for young artists, i absolutely agree, and these two ideas, it seems to me, need to be combined into one, then there really is, uh, some kind of portal action, yes, a selection that would listen. everyone wants it. i think this will be a breath of fresh air for the country, because there are a lot of young teams that are looking for this contact, but they can’t go anywhere. uh, that means moving, and so this is definitely the phenomenon

of my rock hero project in 2006, when the internet was still weak, yes, but only because, uh, i gathered young bands and immediately staged them. they immediately appeared in the portal. this person just posted a composition. you know listen and a hit parade is formed. there , a community of people very quickly gathered there, who themselves composed something, sang something, and did it. eh, frilt set a mandatory condition that download these songs and use others on the air. there radio stations don’t have to pay for young performers. eh, what do they call copyright? well, i argued with this, because they are extremely young. listen to this for promotion later yes, that’s it, they are already leaving this portal, and then they are taking copyrights in addition to those ideas that are now on this occasion, i want to say that it is essential that the community of musicians listen to themselves with each other, communicate with each other, interact, and that the choice of which of them is better is made

by the musicians themselves, as was the case in the sverdlovsk club, and so in the st. petersburg family and moscow rock laboratory and we still have it . eh, russia doesn’t have any music awards that would come from the academicians themselves from the musicians. so i think that it’s all in one, so to speak. here are a few ideas that would help consolidate and the musical community, because, well , there is a lot in music and i can tell you, she is a very advanced people. now the youth. eh, there’s one that’s simple. well, if the result is not fantastic, it needs to be regulated somehow. the platforms need to show this. i really hope that hero version 2.0 will happen because, well, we are already big monsters. yes, and of course i want to dedicate it. eh, the rest of my creative life. that is, this is not only very strong. actually, our new creativity, but also to water this clearing here we need someone to follow us further to eat. they communicated with each other, just as we used

to help each other communicate with our opinions. this is actually how we developed. it’s also perfect, so i invite all young musicians to listen and communicate with each other, of course. may you not perceive each other as competitors and your creativity will be enriched. this is very important for everyone, competition should only be positive. yes. and there is already this polyanka. where should you send some to me directly, they just find it there and social networks send compositions. eh, it’s just that now i’m finally finishing a big post -agatov album and i’ll be able to get serious about all of this because the demand is great, it’s very simple , will there be a third album of remixes or what? it’s just that after agatha christie you can’t. in the ninth year, my brother and i officially separated. i have released several singles and several old solo albums, but i have never had such a large full-length album. and now, uh, now it’s almost

ready like a hot cake. everything is fresh, everything is fresh. yes very cool. i don’t know. is it convenient to ask what happened to you? why did you stop? and the moment that we had to separate from my brother. he was obvious from the very beginning when you were on the cross, because it was clear that he had his own creative system. i have my creative one for a while. we existed. what did she write, and how exactly? the author, like the musicians, as it were, israel yes, from the early uh, well, there ’s quite a lot of background in the second album. yes, the birth of agatha christie is considered - this is already with gleb. is that we are growing up. yes, if we are still in our youth, well, we can have fun . even though the images are almost theatrical in the compositions, yes, there in creativity. we have not yet lived our own drama of life as we live through this drama, but we, as poets, want to express some of our more personal points of view. that is, we are moving away from the fictional hero more towards our personal hero. my brother and i are very different, very different in many ways and antipodes, so it was

clear that ours were these personal heroes. they're in at some point they will diverge, that is, for me it was obvious from the very beginning and arik witnessed that gleb understood this from the very beginning, so agatha christie separated by decision. we decided in 2008 that we were recording a farewell album, going farewell the tour itself. these are also zeros , that is, these are adult decisions suddenly made by adults who realized that they needed to move on. you said you are so different. i remember you on stage in the golden period of agatha christie for me and you were similar, because that you had similar identical haircuts, such were forelocks and and i was like, damn it, this is definitely inspiration from robert smith from ekir, but the influence on gleb was drained exactly big, as for forelocks, but i don’t know, i don’t think i know that yet there was an early period of the left dated hair, literally you had similar ones. this was the ural scam. honestly,

i’ll tell you the shirts are covered in cucumbers. and here it is. yes, and to add in the 2000s, in my opinion, these were your first, uh, two solo albums that you recorded me. yes, within the framework of agatha christy vadim has recorded two solo albums. it turns out that there is more to listen to on the peninsula. two of them have published good works. yes, the podcast 20 years later i am the host konstantin mikhailov and my guest is the agatha christie group the end of the first episode of our conversation, the second is coming soon school as stress for parents for children, how to actually withstand it, how to properly adapt children to first grade? well, moms too, to all classes at once

, our today’s expert knows what we are talking about, he is the father of your children, he is a family psychologist ph.d. andrey beberovsky. hello. hello andrey. hello anastasia, congratulations on the beginning of the new year. thanks a lot. as i understand it, this is not your first parenting experience; this is not your first time sending you to school. yes, that’s right, i have two children and my eldest daughter is already in sixth grade, so first grade. i've already passed. i already have some experience in this matter, and this year, this year, and this year my youngest daughter is going to first grade. she is 7 years old. and in general, in fact, i came to you on the program precisely in order to possibly get some hints. yes, live this experience again, because as i understand it, it will be a little different, based on what kind of younger daughter they are because they are very different from the older one, and the younger one is very emotional. she

takes everything to heart and sometimes even if we are at some birthdays, for example, when emotions are overwhelming. yes, even if these are positive emotions, and in the evening, and very often this happens to her, what she needs. that's what filled it up during the day, and loading it too hmm usually happens in the form of some kind of hysterics, and, well, absolutely out of the blue. and actually hmm, because when a child goes to school, his life completely changes. yes, that is, a certain routine appears, and the load on the child is great , emotional, mental, including, yes, and, in addition, my children also do additional sports, such as sports acrobatics. that is, this load will also be in the evening. yes, our work is different, so hmm well, how can you make sure that the child is your youngest girl? no, it's the eldest one she just went to first grade and that’s when the photo was taken, but this is the youngest, already a cool girl. they

are doing sports acrobatics. what are you worried about? well, i'm actually worried. these are the possible evening hysterics. that is, their probability. yes, uh, how balanced she will be. yes, how much it will be. her calm emotional background worries me very much. well , actually mine too, because, well, the burden is heavy on the parents, too, yes, even despite the fact that, for example, i have an eldest daughter. she's already in sixth grade, though. i still supervise some lessons. yes, there is something to send from some parent chats and to her for some kind of information yes, which she cannot receive from other sources, except for the way i control hmm , because i am engaged in raising children, in addition, i also have and there is work. yes appeared from this year in connection with the newly revealed marital status. yes, we can get a divorce, that is, the child has additional stress, well, stress.

yes, well, i think that today our psychologist will have something to talk to you about for me to listen to, but first i wanted to ask this question andrey and that’s why the beginning of the school year generally looks like school, this is such a radical measure, such a radical turnaround is simply 180°. that is, the child lives his normal human life. yes, he gets up, plays later, some circles go around. and suddenly it means that the guillotine is rushing on september 1st of the first class. well , that’s it, they turn the uniform over and put on the briefcase and collect their teeth for school by eight. cleaned on on the way, without waking up, the lessons were brought by the parent chat. and that’s it, that’s it, that’s it, a bunch of wishes from the class teachers of the line and so on. and that we can’t gradually take our children to school, but why are we putting this emotional meat grinder on ourselves for our parents and children? why can’t we do it

gradually? well, look, this is stress, which undoubtedly occurs; it is due to the fact that the child is a preschooler and has a limited set of social contacts. she has a teacher and a nanny. well, one or two people group a small person, respectively, that is, the child is still isolated. he does not interact with children from the other group. actually, not by other dionic educators, that is, the child is in some kind of soap bubble. yes, in such protective contacts, as it were, there is less stress, he receives less, respectively, when a child goes to school, there are a dozen teachers there at once. as a matter of fact, even if an elementary school, it’s still like there is a fizruk, in fact, there are substitute teachers who have to get sick, the teacher, in fact, there are simply other efforts that make comments to the child. and there are children correcting classes. sorry senior and even now. although we are reducing conflict and, accordingly, stress by highlighting primary school. this is already a separate progress that has happened over the past 20 years, as it were, when we removed

first-graders from communicating with eleventh-graders there or ninth-graders, let’s say, this is already the removal of a certain stress there from the negative impact the child there, well, doesn’t see for a long time, at least there are people smoking there or drinking around the corner from the school. yes, unfortunately, this happens in reality there. therefore, a certain minimization of risk occurs, but the number of uncontrollable social contacts becomes greater. uh, changes in the child's routine. eh, it requires a change in the parents' regime, adaptation and plus. the most important thing is that for us the builder is the most terrible thing. this is the uncontrollability of the environment around the child, when we pick up the child at 6 o’clock from kindergarten. we understand that the child there is a true background. he didn’t correspond with anyone there on any incomprehensible lines, i went there, so the school opens such a pandora’s box precisely in social contacts. this worries us, of course, but in fact i want to say that in many countries of the world, private kindergartens are still trying to operate at the level of the preparatory period. and several teachers who come and the child

already understands that there can be different teachers. yes, that is, it expands social contact, but of course the transition from kindergarten to school is everything, but a huge stressful story for child, and here, of course, it is very important to immediately give our drivers advice so that we parents do not increase the burden on the child. eh, this pressure of stress is caused by intimidation. look , you went to school. now no one will feed you here. you won't sleep. everyone will question everything there more harshly. watch how he will offend you. you've grown up. yes, you have grown up and now you will be offended here and there, as if a child is already he is often intimidated by us parents at this stage and intimidating the child in the form of the child’s frightened eyes. we could too let's get scared further. although we ourselves are the source of this intimidation, so it is very important, of course, to treat this as calmly as possible. a dear child is a plus, not a minus for you. yes, that is, it shows that that’s it, now everything will be worse. on the contrary, you're great. you've grown up. you have grown up, in this case we have a wonderful car.