a hundred years ago i could take years or a decade, but today some symbolic 9 months is all, because the president has set the task of building the most modern version in the country olga knyazeva gennady korostelev. sergey mukhin alexey dushinkov olga gerasimenko and yuri yarchenko. channel one, the meeting of vladimir putin with the chairman of the dprk kim jong-un may take place in the coming days, this was announced by the press secretary of the russian president dmitry peskov. according to him , the planned negotiations are in the format of a delegation. and then, if necessary, leaders one-on-one communication will continue to be the focus, bilateral relations between russia and the democratic people's republic of korea will be in the spotlight . as reported by dprk state radio from pyongyang in russia, kim jong-un left on a special train on september 10. the ministry of defense of our country reported that in the zone within 24 hours our fighters repelled 12 enemy attacks and destroyed a large amount of high-tech equipment, including foreign-made equipment. among individual examples of courage, the work on the front line of sniper-reconnaissance vladimir kravtsov, who , together with the unit, held the stronghold

point captured by ukrainian militants. the guard private discovered and attacked the enemy, despite the wounds he received, continued the battle, eliminated the enemy group , five wounded russian soldiers risked his own life, and was saved by zhanna timofeeva . the guard captain, despite massive fire , carried them from the battlefield on himself and evacuated them to a special purpose medical center. such news for this minute. see you later. dear friends we as you guessed , i welcome you to the podcastlap project on channel one - this is anthropology. how are you, you can probably guess that we are dealing with

sacred music, which you will never hear anywhere else but here. and it is extremely important for us that we show people who have not yet been caressed by the glory of this internet television attention, which means that they deserve it as well, but today the lord heard our prayers and did so, that literally for 3 days the most eminent today the vocalist of russia dear friends, well, this is everything from the opera oscar to the grammy caressed and covingardn. well, and the mariinsky theater dear friends. or maybe we should have started with her. well, the bolshoi theater, of course. well , dear eldara malysheva, let’s show it to our viewers. why are world

titles given today? why is the mint planet receiving applause today on all continents in all corners? show us something like that. let's talk a little. maybe we can talk at your discretion, but it seems to me that first of all these rewards are given for great work, great work, every day work and work on the works that he performs singer, when you have already passed some stage of restoration of the vocal apparatus. then, if someone manages to get into the opera house, and manages to work with wonderful conductors and wonderful directors, then you carry all this baggage, carry it, save it, save it for yourself. and if you are suddenly invited, caressed, it suddenly happens. yes, it usually happens. yes?

well, you’re doing an audition somewhere, maybe you win some competition and the director of the theater will hear you from i invite you to an audition, and to the metropolitan. well, either caressed or well, big the mari theater can hear you there. and suddenly a miracle happens, suddenly a of others appeared. what is it all of a sudden? i’m not inviting, please tell me how many of those very hours that you spent when no results were yet visible. there is so much of levin murtazina, who taught at one time, in ufa, in ufa, and at the institute of art. i studied with her every day for several hours and sometimes even on sunday . how old were you? i was 16 years old when my voice broke. you lost your voice at 14. i was still in high school at the time. here i am i still went to her and worked out

about once a week. we worked out a little bit. we're here for half an hour. she controlled her voice so much and listened to how the mutation happened. when all this passed , we need to start studying. now, then the intense process had already begun; we were preparing for one show jumping event. to the second to the third to the fourth competition for the exam, yes, because it was necessary to set some kind of goal. well, come on, we’ll still remind our viewers. eh, that 's, uh, the charm that they certainly experience when they listen to your voice. before how to start a piece. i would like to introduce my pianist evgeniy sergeev hello evgeniy sergeev is an amazing accompanist. i first noticed him at a competition in tver , the lemeshev competition, where he accompanied a wonderful competitor. and today he is a teacher at the gnessin institute. well, he also works at the moscow conservatory, and the first

piece that we will sing is probably we will sing an elegy.

what to breathe? came where are love's sweet dreams? no.

passed here. eh, as soon as it comes to life, it’s good to start

our conversation, because here are these notes, which forts are loud. well, of course, it's easter as it is. everything really vibrates, otherwise there are these emotional accents. this is how this finale is, when you sing forever, right? this is not a bass. this is a completely different voice color, then. what to call yours? no? look, there are different gradations in the voice, that is, there is a loaf. dramatic lyrical. yes there is bass. as they say, we have a superfund bass. this is quite low. there is bass, there is mid bass, there is high bass, and there are bass contabels. it's also high bass, but implies a repertoire of more continent more ligaments allow you to give out and such thin high ones. let's say, yes, low, bass,

it will be hard for him to sing like that. it's hard for the average person too. here but here's to the tall you, yes, do it for a drunken drunk. these are the nuances. yes , it’s easier for us and composers wrote more for such a voice than for low bass there are parts for low bass. yes, but they are not the main parties in the first place. i sang igor now, well, in the future, when bass contabels and low baritones also sing boris godunov they also sing, both low baritones and high basses. that's why there is some here. well, the gradation of the voice, how your voice will lead you, how your timbre will sound, because one voice is only material, of

course, and then we ourselves work on the subtleties. and then this is what we heard. and in general, everything you do is a whole performance, fortunately your voice allows you to find any colors. which are necessary for magic, but let the performance suspect the director's figure, among other things. who this is the director, and who are you with? dear icera, does she find where which one to take? with what timbre and what paint should you use this performance? or do you have a director? there is a director, yes, who gives the task. it could be, let’s say , a play, if we take boris godunov, which we recently performed at scala here, but it was a modern production. and and in a modern production it was necessary to find something modern, not even just modern sound,

but a modern approach, namely dramatic as an actor and also sound, so that it’s all as if it were, but in one whole, or cut through, you can show at least , uh, at least some passage from this, what are you talking about, well, let’s say, if we take how they sang, here in the time of fyodor and he chaliapin yes, i’m a little bit now -i’ll depict a little how this would be fyodor ivan chaliapin a single spot accidentally started up and the soul will burn out. your heart will fill with poison , your eyes will become heavy, boys, yes boys.

and so on, yes, that is, this is where we take chaliapin and the time when it was today is a little wild, but today we have a different theater, today a different opera. today we we want to do more. uh, let’s say, as the composer wrote, we’ll take the composer’s line more then. uh, boris godunov simply has another version , and there are several different versions, in my opinion, four. where am i going? i feel.

a curse and strangles something and the head is spinning in the eyes of the child.

but this grandeur was greater in the time of fyodor ivanovich chaliapin. and today we need to find something between, say, the last scene. from

my meek, pure heavenly ones , some kind of aura is already being created here. yes, yes, this is the meaning of live singing of living art. that's it, the theater is alive, first of all you need to understand that this is how your work is built. first, apparently, you sketched a sketch from one party or another, and then together with the dirigol kerem.

you sit and hone in on the conductor, because conductors are the ear of the audience, who must listen to everything, who must clear the orchestra so that your voice can be heard in the hall . there must be a scrupulous approach to this, right every note, so that it was cleaned, and in the orchestra everyone was made so that every instrument that sits in the orchestra, every musician heard what he was singing from the pit from rocky whose pit that belt. this is very important, if he does not hear, as they say, it means that he is blocking the singer there is a project for the world exhibition. i don’t see the point in building something and then immediately tearing it down; you have an answer to everything. life has taught us to prepare. hello, i was hoping

not to see you again, listening. i need an idea for a world's fair. here we need a bright and bold. the course of the tower is 300 meters, entirely made of metal, this is a challenge to gravity. he loves me. i can destroy him, there will be a scandal about this. you thought we would do something that no one had ever dared to do. we will build a dream. this is a tower for france, they say

it is impossible, but we started building it together and we will finish it together. i love you. on saturday on the first this is an anthropology podcast on the first we have ildar abdrazakov , let me try now to come to the formulation on your ears. what is talent talent? i'll quote john now maklafelina mahavishnu, who, in my opinion, is the best guitarist in the world, and my friend are also interlocutors. here, he says talent. this is when a kind of mystical action occurs: someone hears something that is still completely silent, and then makes it

audible to others. well, depending, of course, on how much art he is. can he interpret? so someone hears what is still completely silent, which means someone is sending a drawing of the role for someone, and he directly hears it , but who is sending it. but i don’t know from there. a why does he send others to me? maybe the channel is closed, but how to open it? it depends on myself. i was lucky at the time that i was born in the soviet union, we had free education. when i was in italy, they asked me, if you were born in italy, would you sing? i said unlikely, because i didn’t have money to do vocals, but here i was lucky. i studied here as much as i wanted, whenever i wanted, well, thank god that i had such a teacher, such a mentor, like a ball, what is the name of your first teacher?