tv PODKAST 1TV September 13, 2023 12:55am-1:36am MSK
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the only one of the actors who came for her was a bus. then-beginning directors alexei german, he told me, you know, then i was the second director. i hated her fiercely. we came to pick her up for the shoot, and i sat in that car for 40 minutes. i was waiting for her. i was going crazy, she was mocking ours. the funniest thing was that it was true. she did make them wait for 40 minutes, but then we were already together, i knew. how does she live? she would go on stage with the main roles, and in the morning she rehearses, and in the afternoon she did not leave theater she simply slept in a rectangular position from
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this insane fatigue, and on her day off she decided to film and so she moved like a sleepy fly and was late. and he was not late, says that during the screening of his older sister in italy, the famous director. franco zeffrelli, not yet really seeing doronin in the general plans , exclaimed excitement during her passage along the embankment. only a brilliant actress can walk like this in her homeland, according to the cult magazine soviet screen , tatyana doronina was recognized as the best actress i was 33 years old then. do you love theater? i want to ask, do you like theater? how i love him, that is, with all the strength of your soul, with complete
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enthusiasm, complete retreat, which only ardent youth is capable of. greedy and passionate impression of the elder sister's graceful tax. this is already humiliating. for me, this is the beginning of my work; during this time, i managed to do a lot much better and return to what it was, sorry, 50 years ago. this is humiliating and undignified. you don't like movies, i don't like them. i don't like fuss. smoothest of all, because human values are that he will always be athletic, he was talented, sharp with his tongue in company. he was so very bright. this is where i was arrested in this house. it was april 30th. seven years ago, not a single second
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of my life, and apparently, the lord arranged everything so that i would also serve a man again, if he promised to break something, but they would simply make a human being in one family. the same little conflict. they had great love. and the day after his death in in a dream he said that he was alive, so that we would not become limp and not cry. for us it simply led to the centenary of mikhail tanich. premiere on friday on first good, to be famous, but it's better to be young. the key to the wave in sound we in zodia believe that there is no bad or good song.
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no, did she love him as much as she loved her theater and machine? sorry, she was so famous that she left the best director in the world, did he persuade her? but he didn’t tell me anything, he was a well-mannered man. sacred, educated and intelligent. and you? she was smart. and what did you say to him? he didn’t say anything about how things are not so simple for you. no, it’s just the way it’s supposed to be for me. that's when she came to the moss in that created by stanislavsky and nemirovich danchenko and where else to go where i dreamed of serving since my youth? and where was she once rejected? just think of the best studio school graduate. the moscow art theater was not accepted into its native theater.
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there were various rumors, either he said something wrong, or someone else said something, because independent roads were discussed at komsomol meetings. the word was even sought out by prima dons. yes, you have a curious character. you just need to understand what they are saying. you need to gather them all and tell them well. the cup of patience is supposedly full, a provocative incident before the start of the graduation performance, the future star whipped her bad, ironed skirt with her costume designer's nonsense, of course. nonsense, i and no one else works besides me. wasn’t there such a disgrace? of course not, no that didn't happen. i saw her when she was still, firstly, studying in the studio. well, she came
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behind the scenes, our actresses are these androvskaya. there, tarasov all praised her, that they were delighted with how she taught them corinths and dedicated one of her most confessional performances to doronin to her teachers. an old actress for the role of dostoevsky's wife. i want to warn you. i worked in your house during the stagnation, i saw such masters. this matter. what's my side now? the old people
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complained that suddenly the performances were taking up little, in fact. it was a denunciation of a benefactress, for example, for me, the amazing thing in the theater is betrayal. what can i tell you? calmly it enters the theater. you love the theater, comrade, you should know that there is also this, because doronina’s theater definitely would not have survived the very dubious forces from within. and the fact is that it was an attempt orchestrated by someone. doronina had no doubt. if the division of nature that was accomplished is multiplied into a division into those, uh, several
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people who, either by agreement with efremov or with some group of them , deliberately went to destroy what was left to do this, uh, it’s impossible. it was necessary to get down to business. the temptation was that in a conversation with doronina, the minister gave her the ill-fated letter from the scoundrels. doronina now knew by name. what did you do with them then? nothing. or rather, because some of them were talented. i made sure that they received the title that i, uh, that i know these letters, they don’t know. i didn't even give a hint. they were not carried away, and they did not receive the title.
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how do you cope with grievances? but i can’t stand them, i retake them. i only have this job, you know. alone my whole life. hello, i was even surprised and thought, is she really capable of people who were actually ready to return there to ask her, even outwardly she was still, so to speak, demonstrating there for some time, maybe be such a distance from them, but i already saw that inwardly she had forgiven them. in this sense, she is a person capable of calling herself to some very big movements of the soul, so to speak, to go, which tatyana
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vasilievna does not tell about her spiritual movements, it would be simpler. maybe everyone would love it. i know that we have people in the theater who received help. they don't even know it's help. it's not hers. well, i didn’t know the actor, my voice was gone, i needed money. he received his salary. were still very small then in the theater, but it was necessary to go headlight. the bolshoi theater gave the money, and then they explained this to him. what was this money, allegedly sent, zhen, well, uh, 23 years old. you are an assistant director for a dear one, your favorite job is working with him. here's my favorite one. i will still do this, because there is a topic that is close to me, for me personally, we understood each other very well in the article on vasilyevna. the performance will be so, director tatyana doronina staged it based on
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the play. konstantin simonov and i tried to put all my love into this playwright, and all tenderness to the topic. this is my childhood and my memory of the war. the memory of the war is not only hunger, mother’s illness, fear when the postman knocks. this is also a kind of passage room in the house where tanya doronina’s family lived during evacuation, and in this passage room they periodically accommodated officers traveling to the front, who were not allowed to meet with their wives. i saw how they said goodbye, how
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they then cried alone in this passage room. i saw this, i know, the eternal task facing artists is to discern the unsightly pure essence. if you think about it, then all the great successes in history, world theater and doronin’s theater, among other things, are connected precisely with such searches. the play the marriage of a beluga is a classic, but the situations are typical today : a rich man, a businessman proposes to a beauty, the beauty is passionate about someone else, but the actress does not accept the proposal and the role does not work out. although it’s a shame she can’t understand what the director wants from her, dear, i couldn’t understand these moves. i understood them already, then during the performances. every time i remembered i thought, damn, she was right and
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what she said about this role, what she was right about, she must be truly pure. how does doronina know this? how do you think she is such a pure person? doronina, yes, yes. now i remember how you played young beauties. i played nah girls with breathless voices. they would be full of enthusiasm. they rushed vremensky, after all, he wrote it especially for you. and not only that. i really love this hmm role and very talented and creative who can do anything. i wrote a lot of plays for her for her and
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about her. she was doronina’s muse of rodimsky and the prototype of his heroine. it is from her experiences of captivity that his famous plots are captured, and it is their conversations that become the dialogues of his characters. what actress doesn't dream of becoming the playwright's prey? i ask you to be my wife. the love of the actress and playwright again and again about love they removed the bed wall in the pavilion and put a bed for the leading executive roles of tatyana doronina and alexander lazareva, the actress seemed unperturbed, but ordered the site to be cleared of all discs. you can get by by the bed. lazarev froze. i love you.
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you don’t like it, but you forgot to take off your trousers and georgy grigorievich, i won’t take off my trousers. i say, sasha, you shouldn’t walk on the street, metro buses. how can you be there? who is wearing only a shirt, i won’t take off my trousers from yara’s painting. i say, where can i film you when half the picture is filmed and they played sasha lyokha perfectly. and i took off one
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spirit. happiness has been introduced. like the beautiful doronina, all the girls of the ussr wanted to be like then , it was the sixties and seventies the era of stagnation in the ussr the era of stagnation in the moscow art theater in doronina almost never played in her native theater. she acted in films and was practically one of the first soviet actresses who tried herself in an enterprise. she literally scattered masterpieces then. how many people? have you decided to go for it? and how much more?
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will decide i propose my candidacy for admission to the moscow art theater school - this was my turning point in fate. impulsive emotional what is his riddle we will begin with the secret of grandiose intuition, well, a clear person can say, so the director who tried this profession can praise you with a whip of truth already, like a tiger, dangerous on vladimir menshov’s birthday when the first rain drops. the fingers that we have been taking since the first grade went to the wedding for a concertina, such a small round one, an accordion, now you can’t throw it away. the pace of life is not the same, where do you get businesslike, the only thing you are afraid of is that
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the country begins a new interest-free period of 120 days every month. make your purchases. give me my money back. so again and again free forever super rate from 9-8% apply online or select and get benefits every day a bird , in order to fly must become proud, once told his students the creator of the house, stanislavsky alas , the actors of artistic hope for a new look at the theater and steel and doronin went to theater named after mayakovsky mayakovka they were afraid of the new star, i can say why i yelled, she was different. she was different. it was visible, and i felt such sincerity and such poignancy and such truth. i an ordinary woman cannot talk to me.
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so, when vasilievna came out on stage, some strange effect occurred, because when tatyana vasilievna touched my head. i physically felt that i wanted to confess to her. i think that in my life i was very lucky that i went on stage with this grandiose actress tatyana vasilievna, the phenomenon of teachers , a serious wonderful partner , wonderful, because with her it was always difficult, because it had to be. informally, but get your manners in there dear lord , second compliment and in just 4 years.
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just think, you remember the first performance, long live queen vivat at the mayakovsky theater where i played two main roles and uh elizabeth i and mary erased this, as they say, no one in the world did, but i did i’m happy and and only because i managed to convince one evening that these are different eh? ladies and different personalities, uh, but also the fact that i had the physical strength to do it. what makes you and all your lords always and everywhere attack me and humiliate my dignity. is it really that i am the woman of my beloved elizabeth played by boris khimichev the rights continued behind the scenes. i
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think i was jealous of her for myself. she is for me. she was everything. your majesty is healthy. now your wife is also healthy. are you happy. i am the husband of my lady. it's your bushes that sounds slightly new marriage. little has changed in the actress’s life. it also looked like an endless rehearsal. we are with her very often. hmm sorry for the detail on the sofa jack. she with her book, i with mine then when working on this or that performance. eh hmm we intertwined a lot from our personal relationships. we allowed ourselves luxury.
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playing for each other and this marriage was also doomed. we broke up. and at first , wanting someone to flatter me , someone said, it’s probably good for me that you broke up. how could you put up with something like this for so many years, i tell mega. and where did you see him, he says, no, we parted nowhere. so that in 30 years. i probably regretted it. when will you return from crimea? if
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possible. i'd really like to see you. do you understand that you see a man in front of you, who can say he loved you from the first moment? yesterday i saw how your heart burned from me, your heart burned, it’s not about the heart. in that i saw and felt what remained in my soul, like the best dear memory, this memory of boris petrovich for a long time was haunted by memories of a woman unlike
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others, i witnessed one stunning scene. main director. andrei goncharov is leading a rehearsal on doronin’s stage. she sees that the main thing is that he is distracted all the time, talking to someone. she's slowly slowly out depth of the scene. as if, making her way through the streetlights, which for some reason blind her. she slowly makes her way all the way to the frame. and with your charming voice. with the degree of intelligence that is present only in her, she is addressed through the ramp. address to the director, dear, i noticed. what's stopping you? watching the rehearsal, i thought how
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difficult it will be for you, my dear, later. make a remark you were lucky, you had directors who showed what kind of person you are here. you know, you also need to think about it. with directors in my life is over. so, are you making noise? i always leave myself as soon as i finish filming. what a shoot, but it looks like the time when the director can be shown the door, in doronina’s theater didn’t come right away, they didn’t go to her, the directors didn’t go or didn’t let her in , they said that roman viktyuk, who was told, well, look, you’ll have not very
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pleasant consequences both from critics and from those who rule the theaters said. and you should go. it was there that he staged a wonderful performance on the theme: in one theater there is one conscientious decent people who understand, who will say that i can still do a lot with viktyuk , other directors came to the theater, and each of them had to dare to take this step; the unspoken ban on working in your house named after gorky has not
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been lifted. was there a friendly shoulder you could lean into in those days? hu is tatyana doronin's friend. why didn't you come to her? she probably needed to be supported. why why think about the fact that i had to live these 30 years. today i might go. but even today they say no everyone will decide. overcome this distance. tatyana vasilyevna is not yet a very simple person. now we would like to smile and run, no, but at this moment she doesn’t want to smile at this time. i ’m in no hurry to play nice with her, it’s true, it’s true, i don’t know her home phone number and some. uh, there you are from abroad. she says you
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should call her. tell me that, uh, tamara and new york have arrived, and we want you to play this play on broadway. i don’t have such a pause, as it’s been played like this for so many years, of course, if i come to the fifth floor and if i knock on the door, they will open the door for me, and we can talk about any topic, but i don’t abuse it. there are all sorts of harmful old men like you, what a son of a bitch i am. okay, it works, he's an amazing artist. he is wonderful, a true khatov artist in depth in relation to his work, in temperament , in taste, he is a rare artist, and you are a corpse. you collect like there is no collection. and as a collection of corpses, as corpses should be collected, a wonderful corpse has been raised. there are very talented
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artists and people's artist valentin klementyev and wonderful honored artist. maxim otdohnenko and absolutely amazing andrey chupchenko , alas, gives the actor only movies like doronina’s . vasilievna does not hide the fact that she doesn’t like movies. in the opinion of some people , doronina’s theater has a reputation as a serf theater. after all, she does not allow actors to act in films ; there is no serfdom. and if someone talks about it, it means it’s beneficial and interesting to someone. to spread such rumors or someone, maybe this theater has offended someone. and we film, we bring our children to the cinema and tatyana vasilievna takes great pleasure
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in meeting children. the division of the moscow art theater into friends and foes is now a story that most viewers don’t even suspect. each theater has its own audience, but the information blockade around doronina did its job. theater criticism. little is known about her performances , and journalists know even less and ask the actress exclusively about how she is similar to everyone else, and her ex-husbands, their children, and the great actress shows her character again and again. tatiana vasilievna, you are not featured in our lives at all. you will now play you at zheleznov . let us film you backstage. you filmed from, uh, backstage without me. you don’t need to bother me endlessly, no, in this case you don’t
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want to interfere, and they are very responsible, uh, with uh, performance. it's scary there. this is the scene when our husband poisons us. this is worthy of shakespeare , you know, someone says that the rainbow cannot be exchanged for different numbers, that this is the rainbow , such an understanding, and there is such an understanding as the homeland. how can you tell a secret? actresses, i'll be an idiot, this is a miracle,
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how can you decipher a miracle without going crazy? this is absolutely ridiculous. it's an era. how can you decipher an era? how can it be separated into its component parts, it turns out, suddenly it’s mine? in order to become a young handsome man, and there cannot be another such partner. it’s just that if a gift is given to russia in another 10 years, then it’s already good, not a single dummy. although vasily has never allowed herself to go on the road in all these years. vovchy lonely actress
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