[000:00:00;00] in rutakov kirill loginov channel one vladivostok is not only an attractive investment in the far east, but also to make the lives of ordinary people better; this task was set by vladimir putin during the plenary session of the forum, the president emphasized the development of the far eastern regions , a strategic priority for the country , one of the areas is transport projects necessary for trade with asian countries, i note that last year the trade turnover between russia and the asia-pacific countries increased by 13 and 70%. and in the first half of this year it added another 18.3%. here last year was 13.7 plus, and in the first half of the year it was already 18. as for social projects, the president proposed , among other things, expanding a two percent mortgage for employees of the defense-industrial complex of the far east. did the topic of special operations touch upon the ukrainian armed forces suffering huge losses, but not the ukrainian leadership

is strange, the west does not take this into account, said vladimir putin , commenting on reports from the state that kiev is supposedly ready for negotiations, the president emphasized that ukraine has a decree banning the carrying out of sentences, which for now no one is canceling the forced mobilization of russian troops, according to our ministry of defense. over the course of 24 hours, they repelled nine attacks by the ukrainian armed forces in different directions of the special operation ; more than five thousand militants were eliminated in the kopko direction; they were destroyed, including an american artillery system and a french howitzer. see you later. find out for real we turned out to be the first rock band in our time to start using these electronic secensor technologies in live concerts. and you know

how at first it started, well, actually speaking, from any opium and in which there was a lot of electronic padding of all sorts , what is now called and you and i carried it, you won’t believe the computer. here or 1044 , that is, they brought the system unit directly and ordered a monitor, because at that time these khlops did not yet have the convenient laptops that everyone now has. here's uh. well, of course, this significantly expanded our palette, because it’s dumb at minus three, well, after all, musicians. by the way, this is what i want. what are we facing? we're alik, that's just the first one drummer of the agatha christie band and we have always been faced with the fact that what is recorded on the album is then difficult to reproduce. that's the number of hands. this is what almost all musicians who create albums in studios face. and we actually created albums in the studios. that is, this is not just rehearsed and then recorded materials. and this is like such a canvas hmm that is, i

am one of those lovers of sound and producing myself who loves to create, that is, to do. eh, an audio recording, but some kind of work of art in itself. here from a technological point of view . in fact, design is always interesting to me and it’s always beautiful to complement it and and when i came to the audition for the first time. i met vadim from sasha the goat. just at the first meeting, our meeting lasted, in my opinion, only three minutes. eh, in these he said. he says come listen to what we are doing and the first thing that caught my eye. these were indeed such tests, a feast, let’s say, in authorship. but then leave it. from the eye - this is a sound producer, that is, people are already thought about how they wanted to sound about them. that is, at that time i was familiar, if not with everyone , then with many, that is , such a sverdlovsk party had already formed in the form of orfin juice nautilus gear and so on, the mogilevsky association, i knew who was playing what. but when i first heard agata , it didn’t seem like anyone at all, that is, but radio-technical education made it possible to embody all the ideas, and

since sasha kozlov was also a sweetheart. he listened to a huge amount of music and brought references and so on and so forth. uh, in one vadim, as a producer himself, discussed it with him. for me, this is an absolutely unsurpassed person so far, that is, his view of sound, in principle, really runs. it’s not something that runs ahead, but at that time it really was some kind of breakthrough, in fact, that is, it was, uh, real city pop, which i hadn’t heard from anyone. this is so good, and of course, then when gleb had already finished school and with his est, but poetic things, yes, then it came together from this one, such a triumvirate completely wonderful, who gave birth to that same agatha christie who blew up, so to speak , several times, uh, everything, the musical space. it was a breakthrough and really in terms of sound and mastering. it was something fantastic. it was completely uncharacteristic of russian rock in general and

the underground. in general, even the ekaterinburg rock-claude, the sverdlovsk club and the leningrad club were so dear to the club, there was electronics of the highest standard. for me it was between hmm so in a good way. no offense between kyo and depech. there will be musical material and you know we we even developed a technology for making musical decisions that was unique to the creative team. we voted, because situations often happen that one person likes it this way and another likes it differently. we simply voted on creative issues. you even called it a primary composer organization like the komsomolskaya, that is, directly. now, will there be a solo in this song? this is how they voted. so, someone always

ended up in the minority, so to speak, but it was a universal formula that helped smooth out, and all these are such excessive ambitions, so as a result , a truly joint option was born, and the joint result, when this group is really multiplied. that is, it's all squared. cubed. these were the basics of marking in music. as i understand it, marketing. by the way, here is the most common question we were asked. why is the team called agatha christie really? e with emphasis. we didn’t know the word marketing yet. yes, in fact, it was the perfect mar care at the turn of the eighty- seventh eighty-eighth year opened it was just that mass clubs on central television began to show numerous rock bands and the task was to catch such a name so that it would be immediately remembered and , in fact, uh, the name agatha christie invented that’s why the author, by the way, this name was alexander kozlov and we mean , which will turn out to be initials. yes, he

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interest, and the one who invests in his son’s future, that’s why the card is free, and transfers without commission, we came up with the vtb debit card for people like you and me, you will have time to get your card for life on vtb.ru or at the bank office and everything will work out 20 years later, host konstantin mikhailov, my guests are wonderful people vadim samoilov and albert potapkin agatha christie group when i tried agatha i started i tried it on you like in a war, then i discovered the christmas tree and the sleeper. this is absolutely such a sleeper. la-la-la-la. she's so straight forward that they should be able to accurately determine that it's christy's handwriting. yeah. that is, we grabbed them for different styles. in fact, everyone has always been musical polygons, and no matter how we sit as a musician who is frozen here in one

genre, one style, that is, we would always be curious about the musical process. excuse me, if you listen to every agatha christie album, if we take the second front and opium, we’ll say decadence and epilogue. these are completely different groups, but the group is the same, that is, for me, this is a group that not only survived, did not record 10 albums there, but lived through 10 different lives, that is, let's say. eh, cunning and love and i don’t know and a thriller. is this absolutely absolute or miracles yes, that is you will hear absolutely nothing from the past. this is a group that did not repeat itself, even in sound sasha kozlov invited a lot of things, that is, we were constantly updating our own musical preferences and tastes. this is what was displayed. uh, in all our albums, so agatha christina really has a signature. if we talk about forgiveness, i want to tell you, thank you for what you see in front of you. i don't know if i should thank you for this or not? i'm 30 years old. i work more on radio. even, but for the first time i came to

maximum correspondents in the ninety-first year, when only this station was born. then i took a break for 2 years to take a higher directing course and didn’t seem to be planning to return to the maximum, but somehow i was at a friend ’s higher directing course, sitting in the kitchen during the day. i turned it on to maximum. and there was a song in the war, i feel like you are in a war, i was imbued with a tear fell on the kitchen table. it was so cool. i'm on you and i'm gone , the battle is over. cool, it just bothered me. i understand, so what kind of wave is this? maximum time to return, i returned, and kozyrev was already there, who tried on all the songs of agatha christie and every premiere. we simply expected the maximum for all the teams and when you trump us with another compact, we gave them such hurray that this would not happen. it will be cool and i remember

the mid-nineties and kozyrev finally introduces me to the samoilov brothers. he brings them to me and says, this is gleb alone. this is our kostya, the host of the morning show, lark. i swallowed a lump and then said, hello, i am your idol. i just blushed deeper and couldn’t say anything more, because you really were idols for me. i just didn't quite articulate the shameful star on tour. nautilus listened only to the shameful star. he didn't turn off. that is, everyone got on the bus with some kind of quote. goodbye was to say that our comrade slava butusov put in a lot of effort, he very actively promoted the album shameful star,

showed it to his colleagues. yes and here's a huge respect to him for one of his favorite albums. maybe we can call him now, but i think it’s quite possible. let's let's try about the 2000s, what a renaissance butusov was with the song of going home, right? and i feel like i am using the connections of my other guests. gennadievich yes, hello. we are sitting here with alik potapkin, and yes, mikhailov, the legendary presenter. eh, radio maximum slava hello, vyacheslav hello yes, and we remember, with a kind word we thank you, you know for what, for the fact that you directly promoted the album shameful star at one time, right i know that it showed a lot to his musicians, for which i i'm very, very grateful to you. yes, there was a time. album yes thank you. by the way, after this album, yes, in my opinion, we decided

to work together. uh, over the titanic. well, there was the titanic. eh, in ninety-three ninety- four it was recorded. as long as i remember. you and ilya addressed me precisely against the background. eh, good luck with the album san-producing shameful star. and thanks to him , our interaction with you was wonderful. yes, sure. avangard facebook was yes, and thank you, they also remembered the work on the titanic. thank you you for the fact that he gave a huge creative carte blanche, that is, mockery of your material. yes, but i think it turned out great. because you thank you what kind of material is this sound. look at your joint tours. these are the ones to stage a concert version of the titanic. it was a huge project in the concert hall in russia at that time, and the existing

drummers also drummed for the rest. and these podgoroditskys played along, which means that the children’s choir sang, it was a very big project, yes, that too i had the good fortune to direct, even at one of the concerts i played bass on bass , and then our program is dedicated to the 2000s and 20 years later, and we also remember with a kind word your wonderful hit song going home. you know, what surprised me most was that there, uh, your charming melody is there, it’s always clear, but i heard a smile all the time. here you are, when you sing it, i see a smile on your face, and this is a very special feeling. it appeared just for the first time in the 2000s, when i could clearly see it. maybe this one i can almost hear this smile in the song, perhaps it is connected with a certain state. tell slava that we will be on the podcast 20 years later, in any condition, mikhail says that in any condition we will be happy to see

you on the podcast 20 years later, someday, when you get together, thank you. yeah let's weak good way to all the guys, big big, hello, yes, goodbye. thank you words. well, yes, slava, as always, is not a man of many words, not a word is normal. he's on his way here. now it's serious. let's rewind ago, maybe in the eighties or nineties of the ural polytechnic year, you radio engineers performed with guitars in front of students. this was the first time i went on stage. how did you feel? how we were received in general, we were very lucky. so salik and i often remember those times of the late eighties, the sverdlovsk club, and we consider that we were lucky. a musician, that we did not start with apartment dwellers, but we started precisely from the stage, that is, and the ural musicians already have this magic of the stage and responsibility to

the stage. she was always felt, that is, everything were already geared up for some kind of performance. not just the circle of fans around you, but specifically the musicality of the music, how it looks, how it’s presented, how it’s performed? i think this is such a distinctive style, and sverdlovsk well, what about the fact that i’m a radio engineer? well, listen, almost all rock musicians in our country graduated from some other university. as for me , i am a radio engineer by training, so our homemade studio was located in the therapeutic department. actually, there rehearsed and recorded albums together, but it must be said that the sverdlovsky musicians were not spoiled by the conditions for recording and each had their own, that is, unlike the leningrad muscovites, who still had more opportunities for this, then the musicians were from sverdlovsk. well, almost every group had the opportunity to rehearse right on stage. and we went on stage, as they say, not half-bent. we already felt already. as a matter of fact,

practically like at home, yes, that is, they were not apartment dwellers. it was already really like that. maybe this is the secret for me, sverdlovsk is the main forge of musical talent in general, and not only rock, but also electronic talent in russia, because you can have different attitudes towards the st. petersburg underground lesson. there you can go to moscow but the brightest groups. that's my opinion. these are the same ones, i don’t know, there are teas, semantic hallucinations, well, theories with agatha christie’s pompilius in the end. this is why svetlovskoe is the main thing, the forge of such a talented group. this is the main rocksmith with sides. thank you for such a high rating that the severe groups are better. well, of course, these are some of the best, but undoubtedly our colleagues from st. petersburg and moscow also gave a very high result of emphasis, as far as we are concerned. e of the sverdlovsk lesson, it seems to me that in it the two principles are most correlated: physics and attack lyrics, we had fairly modest conditions for recording, so

there was one near each group. uh, a soldering iron, some radio engineer who figured out how to do this, the famous colonel alexander who wrote it down. uh, a legendary track for everyone, the studios made improvements on the go, and this one, and the collegiality between uh, creative people and those involved in music production and sound production. this is one of the generally distinctive features of sverdlovsk rock. but because there really is always something, so that it’s written down somehow. eh, and it’s not just that you know, as it were. well, let’s record everything beautifully so that this happens, like the art of sound recording, which we have already talked about today. it really felt like a plus another merger is that if you take any sverdlovsk group, then there is either one or two people. kalny school, that is, in any case, there was someone from music education and that’s it, one way or another. yes, of course, the level has already improved. that is, there was

a fusion of technology and professionalism and musicality and simply natural talent. this is how it is with vadim and here i am teaching him musicality, nature. you see , this is exactly what played into what, uh, how. vadim and i recently discussed what the sverdlovsk uh, there are no followers of rock groups, it is one and not like anyone else, that is, they were all, as if each occupied his own shelf hmm well, yes , techies or hard workers, like tea is also shahr. there, he was almost a non-working installer, a construction worker. yes, they were a little different from the sverdlovsk club. yes, they seemed to be in the sverdlovsk club, but the style that they promoted was precisely this kind of rhythm plus and such from traditional rock and mouth. so i think that they are great fellows, that they kind of kept it, insisted on their own, because they, of course, significantly different from everything else. at that time there was ural rock, but you see it’s time to put everything in its place. and what did they do? people love to stay in yekaterinburg. why, now special people from

yekaterinburg have flown to us for which thank you very much ; in general, the team now lives in three musical capitals; part of ekaterinburg, part of moscow, part of st. petersburg, so we’re coming, yes, uh, we work and then we discharge. listen, you produced, you had a rock hero project, in my opinion, if i’m not mistaken, there is chicherina sense you are hallucinating. and look, this is what we were talking about - music production. eh, this topic is very interesting for me and for lik. we worked quite a lot with parents in the studios, helping start-up teams. that is, you take it as if this uh, as i ’m talking about them, my task is to make your diamond not like diamonds but to come up with a cut for it. and for him to start playing, that is, these are the first steps when a young aspiring author. or the musician does these processes, as if passing it through himself. energy, uh, and some kind of undeniable renewal. this has always interested us.

let's say this. so, not the most gratitude. in fact, the producer invests the young man in the business and then expects to get some kind of return for himself as a young man. when he becomes a star, of course, it happens that the tower is torn down? well, this is a normal situation. here. and what about the roger project? yes, this was just a project that we also did from a music radio station, since there is a lot there. myself. you know what's on the music station types of cds were brought. well, i decided to just do a review of them, listened to them, and thus, first, it turned out to be some kind of mail, then it turned out to be a whole platform. eh, that's a huge number of musicians. by the way, i ’m going to, uh, project hero , put the belt on again, because now, uh, there are a lot of young talented musicians and they’re asking what and where. the question is often asked which was easier. eh, now for musicians or for us then , this is right, i think there are pros and cons, that is, yes, there were a lot of us then

less. we didn't have that kind of access to technology. here on one side on the other side. we still had a limited quantity. well, there are a dozen bands from st. petersburg, a dozen from moscow, and now there are thousands and an amount of musical material. it is completely unsorted . okay, the platform makes some selections. by what criteria to make all these selections, we don’t actually know. therefore, i believe that just as it was in our time in the late eighties, when ro clubs were born, now in fact musicians and the music community. those who are engaged in video sales for us there , management there, designer, photographer, that is, a new one to unite. and this is a trend about the creation of new youth cultural clusters. this is a trend. in my opinion this is correct. because here we are, having lived 30 years of this, well, a liberal and one-man mentality, yes mentality, that is, everyone is their own success, my path, so to speak,

we are all even competitors of each other. yes, now it seems to me that we have arrived and how, society and especially since young musicians are back to that story when, in order to develop further, they need to get to know each other, support each other, exchange energy with each other, and move on. that's actually the hero's project. he is talking about this and cultural clusters, which now need to be created creatively. i don't like the word creative creatively. well, in general, a lady of culture, i think this topic is good, especially in small towns or real crimes , exactly. uh, so that it was a community, because that's what it was sverdlovsk club. there was just no one there. there, in addition to musicians, there were music lovers, there were absolutely all photographers, designers, historians, journalists. of course , these dalaban headphones are all one core of the art association. something is born from it; at that time, let’s say there was an educational radio station, at most.

we tried on everything that i have now, that is, we were an educational platform, a kind of beacon that we were reaching for, what could happen now, could there be some kind of radio station that would play non-hits, because that’s already the case? is there, which i would talk about, only fresh new russian groups, or it should be some kind of internet platform, some kind of portal, on which, firstly, there would be a very correct moderator, like you or dima, who would select i would pass through tons of this musical information and would select and post only the best, people would come in and vote and download there. eh, i don’t know these hits and then based on the results of , say, an annual vote. we would organize some kind of rock festival with young artists i absolutely agree, and these two ideas, it seems to me, can be combined into one, that is , is there really some kind of portal? yes , the selection that would give listens. everyone wants it. i think this will be a breath of fresh