[000:00:00;00] the federal budget has allocated over 1 billion 700 million rubles for the reconstruction of protective hydraulic structures in the village of leninskaya for such purposes in the next 2 years. in accordance with the instructions of the head of state. these facilities should be fully ready by the end of next year. their total length will be more than 14 km, and they will protect over 5,000 local residents and prevent damage worth billions of rubles. emergency at the world's largest railway station in the us in nebraska, a car with toxic chlorine exploded acid, the container in which the chemicals were transported caught fire above the train, thick clouds of acrid white smoke rose, the wind carried them for many kilometers around the residents of the city of nord platov in which the station is located, as well as neighbors of the settlements called for an emergency evacuation away from the scene of the incident. and in conclusion, the story of rescue in kamchatka, there, after 9 days

of searching, emercom employees found two tourists for the last time. they made contact at the end of august from the bogdanovich glacier and at the appointed time time. the helicopters did not arrive at the next parking lot and, with the help of drones, rescuers examined more than 400 m² of hiking trails. parking passes. as a result, the man was found exhausted near the glacier; they were evacuated to petropavlovsk-kamchatsky and handed over to doctors. such news for this minute. see you later. by the way, i want to say that we encountered this. we are alik, the first drummer of the agatha christie group, and we have always been faced with the fact that what is recorded on the album is difficult to reproduce later. that's the amount hands this is what almost all musicians

who create albums in studios face. and we actually created albums in the studios. that is, this is not just rehearsed and then recorded materials. and this is like such a canvas hmm that is, i am one of those lovers of sound and producing myself who loves to create, that is, to do. eh, an audio recording, well, some kind of work of art in itself. that's from a technological point of view. in fact, design to me is always interesting and beautiful, it is always complemented and when i first came to the audition. i met vadim from sasha the goat, just at the first meeting, our meetings lasted, in my opinion, only three minutes. vadik said, he says, come listen to what we are doing, and the first thing that caught my eye was that these were indeed such tests, let ’s say in authorship. but what caught my eye was the sound producer, that is, people immediately thought about how they wanted to sound. that is, at that time i was familiar, if not with everyone, then with many, that is, such a sverdlovsk party had already formed in i saw there orfin juice nautilus and so on

the mogilevsky association, i knew who was playing what. but when i first heard agata was not like anyone at all, that is, and radio engineering education made it possible to embody all the ideas, and since sasha kozlov was also a sweetheart. he listened to a huge amount of music and brought references, and so on and so forth, and vadim, as a producer himself, was discussed with him. for me, this is an absolutely unsurpassed person so far, that is, his view of the sound, in principle, really runs. it’s not like he’s running ahead, but at that moment it really was some kind of breakthrough, in fact, that is, it was. uh, reality synthpop, which i haven't heard from anyone. this is so kind and dear friend. and of course, then, when gleb had already finished school and went to agatha christie , chewing with his est, but poetic little things, yes, then it came together from this one such truffery, absolutely wonderful, which gave birth to the same agatha christie who blew up, so to speak repeatedly. eh, that's it, musical

space. it was a breakthrough and really in terms of sound and mastering. it was something fantastic. it was completely uncharacteristic of russian rock in general and the underground in general, even yekaterinburg tam sverdlovsk and so on globa of the leningrad club. this was electronics of the highest standard. for me. it was between hmm so in a good way no offense between q and depech. 17 that is, i, my brother from sasha kozlov , brought their own and, uh, enough. well , actively bring, that is, everyone had a vision of what the musical material should be and you know, we even developed a technology for making musical decisions that is unique to the creative team, we voted, because situations often happen that one likes it this way, another likes it differently, and a third one likes it differently. we simply

voted on creative issues. you even called it a primary composing organization like the komsomolskaya, that is , right now, will there be a solo in this song to vote like this, so there was always someone, so to speak, who ended up in the minority, but it was a universal formula that helped smooth out, but all these excessive ambitions are their own. so, as a result , truly joint options were born, and the joint result, when it is a group , really multiplies. that is, it's all squared. cubed. this was marketing fundamentals in music marketing. by the way, here is the most frequently asked question. which we were asked. why is the team called agatha christie really? eh, with emphasis, we didn’t know the word marketing yet, yes, but in fact it was an ideal marketing ploy at the turn of the century eighty-seven, eighty-eight, just when mass clubs opened on central television began to show numerous rock bands and the task was to catch a name so that it would be immediately remembered and, in fact, uh, the name

agatha christie invented that’s why the author , by the way, is the name there was alexander kozlov and we mean that it turns out that dahl laid down his initials, that is, there is also something about him in this. yes, this is a podcast 20 years later, the host konstantin mikhailov is visiting wonderful people in one samoilov and albert potapkin group of agatha christie when i tried agatha, i started to try uh, i’m on you like in a war. then i discovered the christmas tree and the sleeper. this is absolutely so strong , so a little bit on yeralash, such a sleeper, la-la-la so straight, i quite accurately once determined that agatha christie is handwriting. yeah. that is, we grabbed different styles. in fact, everyone has always been a musical polygot, and uh, no matter how we treat the musicians you froze,

here in one genre, one style, that is, we would always be curious about the musical process. excuse me, if you listen to every agatha christie album, if we take the second front and opium, we’ll say decadence and epilogue. these are completely different groups, but the group is the same, that is, for me, this is a group that not only survived , did not record 10 albums there, but lived through 10 different lives, that is, let's say. eh, cunning and love and i don’t know and a thriller. this is absolutely absolutely or miracles yes, that is, you will hear absolutely nothing from the past, this is a group that was repeated even in the sound sasha kozlov invited a lot of things, that is, we were constantly updating our own musical preferences and tastes from and this was displayed. uh, in all our albums, so agatha christie is really a signature. if we talk about forgiveness, i want to tell you, thank you for what you see in front of you. i don't know if i should thank you for this or not? i'm 30 years old. i even work on radio more, but for the first time i came to

the maximum of correspondents in the ninety-first year, when this station was born. then i took a 2-year break from higher education directing courses and didn’t seem to be planning to return to the maximum, but somehow at a friend ’s higher directing course, sitting in the kitchen during the day. i turned it on to maximum. and there was a song in the war, i feel like you are in a war, i was imbued with a tear fell on the kitchen table. it was so cool. i'm on you and i'm gone , the battle is over. cool, it just bothered me. i understand, so what kind of wave is this? it’s time to go back, i returned, and kozyrev was already there, who tried on all the songs of agatha christie and every premiere. we to all teams we just waited for the maximum, and when kozyrev gave us another compact, we were like, hurray, so that this wouldn’t happen. it will be cool and i remember

the mid-nineties and kozyrev finally introduces me to the samoilov brothers. he brings them to me. he says, this is gleb alone. this is our kostya, the host of the morning show, lark. i swallowed a lump and then said, hello, i am your idol. and now i just blushed deeper and couldn’t say anything more, because you really were idols for me. i just didn't formulate it precisely. a you know when e the shameful star came out, can you call him now? i think quite. let's try about the 2000s, what a renaissance butusov was with the song of going home, right? yeah, i feel like i'm using the connections of my other guests. hello mezla gennadievich

yes, hello. we are sitting here together with alik tapopapny, and even mikhailov, the legendary presenter. eh, radio maximum slava hello, vyacheslav hello yes, and we remember, with a kind word we thank you, you know for what , for the fact that you directly promoted the album a disgraceful star in his time, right, i know that he showed a lot of it to his musicians, for which you were very, very grateful time. album yes thank you. by the way, after this album, yes, in my opinion, we decided to work together. uh, over the titanic. well, the titanic was, uh, '93 '94. as far as i remember, you and ilya addressed me precisely in the background. eh, good luck with the album san-producing shameful star. and thanks to him , our interaction with you was wonderful. of course, there

was an avant-garde sound, yes, and thank you, too with a huge salik they also remembered working on the titanic. thank you for the fact that he gave a huge creative carte blanche to mock your materials, but, in my opinion, it turned out great. because thank you such material such a sound. yes, you had some joint tours with him and then staged a concert version of the titanic , it was a huge project in the concert hall in russia at that time, and we had existing drummers there too. and petya podgorodets played along, which means that the children’s choir sang, it was a very big project, yes, who also had the good fortune to direct, even played bass in the pools at one of the concerts. this is later and our program is dedicated to the 2000s and 20 years later, and we also remember with a kind word your wonderful hit song of the host.

you know, what surprised me most was that there, uh, your charming melody is there, it’s always clear, but i heard a smile all the time. here you are, when you sing it, i see a smile on your face, and this is a very special feeling. it appeared just for the first time in the 2000s, when i could clearly see it. this one i almost hear this smile in the song, perhaps it is connected with a certain thing. the result of the podcast 20 years later, mikhail’s bone says that in any condition we will be happy to see you on the podcast 20 years later, someday, when you get together, thank you, let’s have a good time for you guys, big big, hello, yes, goodbye. thank you words. well, yes, slava, as always, is not a verbose person; not a word is normal. he is always serious now on the road on the bus. yes

, the season premiere of the voice is no longer children tomorrow after the trailers time. let's rewind maybe the eighties or nineties ural polytechnic 88. you are a radio technician performing with guitars in front of students. this was the first time i went on stage. how did you feel? how we were received in general, we were very lucky. so we often remember with salik those times of the late eighties, the sverdlovsk club, and we consider that we were lucky to be a sverdlovsk musician, that we did not start with apartment dwellers. and we started precisely from the stage, that is, with the ural musicians. this is the magic of the stage and the responsibility to the stage. she always felt, that is, everyone was geared up for some kind of performance. not just the circle of fans around you, but specifically the musicality of the music, how it looks, how it’s presented, how it’s performed? i think that this is such an excellent handwriting, and

as for sverdlovsk, it’s that i’m an engineer, listen, almost everything is music. you graduated from some other universities in our country. now, as for me, i am a radio engineer by training, so our homemade studio was located at the faculty of rathetics. upi, in fact, is there rehearsed and recorded albums together. but it must be said that the sverdlovsk musicians were not spoiled by the conditions for recording, and each of them really had their own, that is, unlike the leningraders and muscovites, who still had more opportunities for this, the sverdlovsk musicians were limited. well, almost every group had the opportunity to rehearse right on stage. and we went on stage, as they say, not bent on the floor. we already felt already. as a matter of fact, how practically at home, yes, that is, they were also apartment dwellers. it was already really like that. maybe this is the secret. uh, for me , svetlovskaya is the main forge of musical talents in general, rob, and not only horn or electronic talents in russia, too, because you can have a different attitude towards the st. petersburg

underground lesson. there you can go to moscow, but the brightest groups are in my opinion. these are the same ones there i don’t know there teas semantic hallucinations nautilus pompilius agatha christie in the end. this is what has to do with sverdlovsk is the main forge of such talented groups. this is the main rock smith of the country, well, thank you for such a high rating, is the group strictly the best? well, of course, these are some of the best, but undoubtedly our colleagues from st. petersburg and moscow also gave very high results, as far as the stupid ones are concerned. e sverdlovsk ural rock. it seems to me that in it, most of all, the two principles are correlated : physics or attack lyrics, we had rather modest conditions for recording, therefore , after each group there was some kind. eh, some kind of soldering iron a radio engineer who came up with the idea of ​​somehow making the famous colonel alexander who recorded it. eh, legendary track, straight up. on the fly, the studios made themselves, and

this was the collegiality between creative people. and those who are involved in music production and sound production? this is one of the generally distinctive features of sverdlovsk rock, but because there really is always some kind of sound, so that it is somehow recorded. uh. and this is not just something you know. well, let's record beautifully so that it takes place like the art of sound recording, which we have already talked about today. i really felt this, plus the merging of the fact that if you take any sverdlovsk group, then there is either one or two people from a music school. that is, in any case, someone had a musical education and that’s all. and so otherwise. yes, of course, the level has already improved. that is, there was a fusion of technology and professionalism and musicality and simply natural talent. this is how i am taken away, and here i am the formation of musicality, nature. you see, this is exactly what played on the fact that, as we recently discussed with vadim, that the sverdlovsk, uh, groups have no followers,

they are alone and are not like anyone else. that is, they all seemed to be. each occupied his own shelf. well, yes, techies or hard workers, like chaif ​​is also a shakhrina. he was a construction installer there, almost not working. yes, they were a little different from the sverdlovsk club. yes, they seemed to be in the sverdlovsk club, but the style that they promoted was exactly the kind of rhythm, blues and such from rock and mouth, traditional. so i think that they are great fellows, that they kind of kept it, insisted on their own, because they, of course, were significantly different from everything else on the ural rock tour, but you see, it’s time to put everything in its place. they did, people love to stay in yekaterinburg. why, now special people from yekaterinburg have flown to us for which thank you very much. in general , the team now lives in three musical capitals, now ekaterinburg, part in moscow , part in st. petersburg, so we we’re moving in, yes, uh, we’re working. eh, and then we leave. listen again, first of all

you had a project called rog heroes, in my opinion, if i’m not mistaken there. chicherina makes sense, you are hallucinating , this is what we were talking about , music production. eh, this topic is very interesting to me. and it’s interesting for alik, we worked quite a lot. with expressive studios, we helped start-up groups. that is, you take it, like this one. um, as i’m talking about them, my task is to take your diamond and make it into a diamond and come up with a cut for it. yes and to he started playing, that is. these are the first steps when a young aspiring author or musician takes these processes, as if he is passing tradition energy through himself. eh, and some kind of update, no doubt. this has always interested us. let's say this. so, not the most gratitude. in fact, for an activity, investing in a young person, he then expects to receive some kind of return for himself as a young person. when one becomes a star, of course, it happens that the tower is torn down? well, this is a normal

situation. here. what about the project? that's exactly what it was. the text we did with also with music radio station because there are a lot of you know that types of cds were brought to the music station. well, i decided to just do a review of them, listened to them, and thus, first, it turned out to be some kind of mail, then it turned out to be a whole platform. eh, that's a huge number of musicians. by the way, i’m going to, uh, projector hero again, i ’m going to revive the class, because there are often a lot of young talented musicians and they ask what, how where, they often ask the question, what was easier. eh, now for the musicians or for us then, this is right for me it seems that there are pros and cons, that is, there were much fewer of us then. we didn't have that kind of access to technology. here on one side on the other side. we still had a limited quantity. well, there are a dozen bands from st. petersburg, a dozen there, and now there are hundreds and thousands, and the amount of

musical material. it is completely unsorted. okay, platform. they are making some selections. we don’t know what criteria to use to make our selections. in fact, that’s why i think it’s exactly like that the same as it was in our time in the late eighties, when rock clubs were born. now, in fact, musicians and those around the music community, those who are involved in video production, management, designer, photographer, and others are uniting again. and this is a trend about the creation of new youth uh cultural clusters. in my opinion, it’s correct, because here we are, having lived like this for 30 years. well, a liberal individual mentality, yes mentality, that is, everyone is on their own, my success is my path, so to speak, we are all each other's competitors. yes, now, it seems to me, we have moved on and how , society and even more so, as young musicians are again in that story, when in order to continue getting divorced, they need to get to know each other, support each other, exchange

energy with each other, move on. that's actually speaking to the hero's project. he's about this and cultures. pastors who now need to do creative i don’t like the word creative creatively new. in general, houses of culture. i think this topic is good, especially in small towns. yes, exactly the live intro and exactly. eh, so that it was a community, because that’s what the sverdlovsk rock club was. there was no one else there , except for musicians, there were lovers of music, absolutely there were photographers, designers, historians, journalists, of course, and alexey balabanov - this was all one core of the art association. some of it is born, something is born at that time, let’s say there was an educational radio station, at most , we tried on everything that i am now, that is, we were an educational platform, a kind of beacon for which we were reaching out, what could be now, could there be some kind of radio station that would play not hits, because there already is one, but that would play only fresh

new russian groups, or it should be some kind of internet platform. the platform is some kind of portal. in which, firstly , there would be a very correct moderator, like you or dima, who would select and release tons of this musical information through himself and would select and post only the best, people would come in and vote and download there. uh, i don’t know these hits and then uh according to the results say annual voting. we would organize some kind of rock festival, especially with young artists, i absolutely agree. and here are these two ideas. it seems to me that it needs to be combined in one, that is, there really is , uh, some kind of portal, yes, selection, which i think will be a breath of fresh air for the country, because there are a lot of uh young teams that are looking for this contact, but they can’t nowhere. eh, that means, and that’s why this is exactly the phenomenon of my project hero in 2006, when the internet was still weak, yes, but

only thanks to the fact that i gathered young people. strength and immediately installed them. they immediately appeared in the portal. this person just posted a composition. you know, listen and a hit parade is formed. there , a community of people very quickly gathered there, who themselves composed something and sang something, with completely different features. do e put. uh, it's a must that you download these songs and use them on air for others. there, radio stations can be used by young performers without paying. eh hmm what is it called copyright? well, i argued with this, because they are young. listen to this for promotion, then that’s it, they already leave this portal, and then they take the copyright. here is an addition to the ideas that have now been voiced on this matter, i want to say that it is essential that the community of musicians listen to themselves, communicate with each other , interact with each other, and that the choice of which of them is better is made by themselves and the musicians, like this

was. yes, that’s exactly how it is in the st. petersburg club and the moscow rock laboratory and here . nowadays, uh, in russia there is no music award, which would be from the academicians themselves from musicians. so i think that it’s all in one, so to speak. here are a few ideas that would help consolidate. uh, the music community, because there is a lot of new music, and i can say, they are very advanced people. now the youth. uh, there’s one that’s simple. well, if the result does not give a fantastic result, it needs to be regulated somehow. the platforms need to show this. i really hope that hero version 2.0 will happen, because, well, we are already big monsters. yes, and of course i want to dedicate it. eh, the rest of the light-creating life, that is, very much not only. actually new to our creativity. well, in order for this clearing to be watered, we need someone to follow us further and communicate with each other, just as we help each other with our time through communication. in fact, we have developed just as

completely in this way. yes, that’s why all young musicians are invited to listen to each other, of course, communicate, yes, don’t perceive each other as competitors, this communication will enrich your creativity. this is very important for everyone competition should only be positive. yes, and there is already this polyanka. where should you send me some directly , just find there asus networks send compositions. eh, it’s just that now i ’m just finishing it, finally here’s a big post on agatha’s album and i’ll be able to get serious about it all, because