the weather is flying, but even the wires of love are there, that behind one song here, well, what she sang in restaurants all over the country, and we have restaurants all over the country. you understand how much they paid there, in my opinion, 7,000 kopecks, and he said that he received about 3,000 rubles. per month. and when you get tired , there were more than one such places, so he was a rich man of the ninety-ninth standard. i say, i don't know what to do with this. of course, this medal also had its own flip side to tanya, which they envied and composed all kinds of gossip. one of them even reached the newspaper pages, they wrote in a yellow newspaper that tanechni writes his songs and buys them from people. it was a nasty, obscene article; tanya buys from unfamiliar poets. and signs with his last name. here 's this newspaper once. i saw a nasty dirty

newspaper, yellow. tanich after reading the slanderous note. he simply folded the newspaper and threw out the trash can after all the ordeals that befell him; such attacks seemed something like a mosquito bite. mikhail isaevich continued to surprise i was born, i was offended by you, i was offended by you again and again i was offended. this means i continue to shoot you continues. our love. he’s, uh, hmm, such a person, he always had such themes in his songs. well , i don’t know, but no one wrote a song about diet there, for example, the song jealous of me, which was included in the album weather in the house. there are words like that. why aren't you jealous of me and scream at

me to rape me? that's who no one else will write such words, however, with age , the heavy past began to remind itself more and more often. front-line concussion scurvy tuberculosis, suffered in prison, frostbitten on the logging legs of the heart, through which the poet went through so many experiences. in the end. mikhail isaevich had to undergo surgery and underwent bypass surgery, but tanich did not want to turn into a decrepit old man. i remember how he and i ran to the fifteenth floor, and he was carrying the battery from the car. this was after the operation, that is, it was quite severe, on the eighth day we took a break, stood there and moved on, i say. mikhailovich, come on. i 'll take the battery, he doesn't say it's not heavy, it would be good famous, but it's better to be a young champion. tanya hall everything is eternal. and he was so needed that quite a few people seemed to feel an invisible connection with him. she speaks directly. listen, he says, i had a good dream.

i have a feeling that she will die on my birthday. and then somehow from april 17 i go downstairs in the morning and katya is sitting crying and i can’t talk about this, this is a sore subject. when the person closest to you dies and is sick, this is the worst thing that exists, when your person fades away and goes away from you. eyes. however, as soon as mikhail tanich was buried, strange things began to happen. he apparently possessed and possesses such mystical energy from there, which spreads to all those who worked with him and communicated with him. so, probably, i have a dream in some moscow apartment. the big one is so round, and there is a white

shirt with a black tuxedo when he left. exactly in a week. i even woke up because i dreamed about him. he was lying in bed and already called me, he was already dying. i have a daddy of poems there for you. take her. some time passed, lida called me and said, mikhalych left a folder with poems there before you. yes, if we had not seen him in a dream, and he had not supported us, and i don’t know at all how we would have survived it. my mother saw him on the third day after his death in a dream. he said that he was alive, so that we would not become limp and not cry. we simply led us to our viewers , those who love his songs. it seems incredible, but just recently on the first

channel in the program. good morning. the premiere of the song based on the poems of mikhail tanich took place, world belongs to the young. yes i will love. may i always love isides, i will be i mikhail tanich adored young performers and knew how to discern talent in those whom no one yet knows, whom no one yet believes. he gave them his poems, like a magical remedy from which they spread their wings, and not years, nor even leaving this life turned out to have no power over this magic, happiness is such a difficult thing, sometimes far-sighted, sometimes close, often against, it seems, great black and white white white black hour is simply black white black.

didn’t betray, didn’t kill, don’t have pity, but there

last shirt, don't leave there. here i am there here i am there here i am yes by nature. i mostly live in camps in camps, like a monk, like a monk without sin. i am like mary without a rake, like mary without sin. i'm like mary for nothing, dad, on us. don't betray it. don't leave here. here i am, here i am there , here i am in nature, and before there was stagnation

, there was stagnation, and i was small and single. idle. ten commandments, many 10 commandments, many 10 commandments of god. but i, dad, am not a saint. don’t betray me, don’t betray me, don’t kill, and don’t kill pity, and there is the last hand. then i gave it away. well, phew, yes, that’s where i gave the matfu in kind. the nine commandments of hades i am you keeping without lying without lying, without coming, i betrayed

, did not kill, do not get sick, and there is the last one to the world here i am, here i am there here, i will give, in kind fuck. hello this is a podcast 20 years later, and its hosts are konstantin mikhailov and alexander anatolyevich this year. we are celebrating the anniversary of the wonderful mikhail isavich tanich in this song. centuries of a huge number

of hits were written by a black cat. around the corner to white swan on the pond. this is just about the black and white stripes in the life of mikhail tanich. we will talk to people who knew him well, who were friends with him. his favorite brainchild is our guest. lesopoval group musical director keyboard instrument. eh, mikhail isaevich, but we have a person who was friends with him , knew him personally and knows a bunch of stories about mikhail tanich. this is exactly veniamin. absolutely right , mikhail isaevich spoke with his listeners on behalf of different characters, for example, the volunteer rescuer with komarov’s hit song performed by

igor the sklyar or a young lady disappointed in love with the song knots. this, of course, is alena apina. and i’ll tell the whole world a secret that what impressed me most was that mikhail isaich. he could talk quite calmly with any age of any audience, even with schoolchildren, and suddenly in some nineties, when he was already almost 70 years old. he suddenly switches gears and organizes a group called lumberjack, which later becomes his favorite brainchild. and of course. eh, i'll buy you this one. tom was a hit and was in demand everywhere. in all restaurants. they asked him to sing for an encore; who could sing it? and whoever didn’t know how to sing karaoke until now, generally great songs, this song was dedicated to the summer keyboard player kozlova, uh, all the best, all the best songs were dedicated to

naturalness in the first half . every word is beautiful, benjamin. we record it because it is an eyewitness. thanks for the details. we are waiting for them. this is a line in the history of russian pop chanson music, whatever. you can call it that. although i think this is the worldview. yes, how do you describe your styles, and hmm, how do you describe the soulful songs themselves? soulful songs. it seems to me that lesopoval is generally a style that has already developed. somehow you and i discussed that even before such masters of chanson appeared, there was lesopoval , which people immediately liked. it is associated with logging exactly as it is. i would like to add that our style was described somehow on one of the programs. this is yard romance. we have a recording of the first concert, when mikhail isaevich introduced the lesopoval group, which was unexpected for himself. a cycle

of songs called songs of the former youngsters that is, the heroes of these songs are a thief, in this case a pickpocket, an unexpected, of course, hero for songs, but why is it unexpected? i think it's all the better for the nature of the songs. these songs are satirical social songs. well, in general, since the hero, the former yegor these are songs of repentance, he sings in one song there. i swung a beam and a shovel and built this chaos with you, but before you i am not guilty for everything that i have already taken. i served isaevich 6 years in prison for no injustice. he was imprisoned under article fifty-eight, a political article. it was denunciation well, yes, it was a denunciation. this is in

a casual conversation between friends. uh, the group will perform under the name lesopoval that's about it. so we fought a chanson somehow to someone, he was the founder of the creation of the lesopoval group . this is part of creativity. this plastic is so romantic, it could be associated with mikhalych’s worst memories, however, as far as i understand. creation or sapoval of his favorite brainchild. this is, after all, the bright streak in his life, the very creation, the existence of the person in general. it's like this some kind of outlet, you probably also know, the most beloved of children. yes, they are the most, the most sincere , the most hard-earned. that is, how much he lived his life, but lost his blood. you can say that later to create this group, what does it have to do with it? it was created. it

’s like childbirth, too, and hmm, not everything was born right away, like, he came in pain. yes, in the throes of radio, these poems were born later. eh, lidiya nikolaevna actually encouraged mikhail savich to make this material public, like, well, he was at first in the elements, i suppose. here you go, i feel a little ashamed, in general. for this. well, imagine, yes, serve in prison. you have a lot of poems on this difficult topic. it was a decision, but at the same time, and you are a creative and subtle person, at the same time you need souls. make it public, that is, what you were already sitting in, like a big revelation , it’s already ashamed, like a little bit, but don’t let you go to some cities or towns. you have a lot of things closed. you feel like you’re hissing from some kind of hiss, but at the same time you have a lot of subtle spiritual material that you have felt and now you can completely step over this and open up. this is a very big step. i'm being frank. i think, and in principle, this all confirms the information that a woman still plays a big role in life, in general

a man. yes, and that’s why nikolaevna ’s people, as far as i know, well, according to my information, for about 10 years, they just constantly go to one point. she beat him, beat him, so that he would somehow start showing these songs to people, directing them, yes, yes, because i think she was proving to him that people need these songs, that is, that’s what friendship is, too, friendship with the first soloist. we know what happened to sergei korzhak. at mikhalych's she was very honest. friendship and cooperation, because sergei wrote music, yes, yes, and i sang and it was the hardest. as i understand it, it’s just the moment when sergei passed away from mikhail isaevich. naturally, our hands gave up. but what inspired him to decide to continue the lesopoval project when seryozha torzhokov passed away from all over,

sveta began to receive letters, under no circumstances close this lesopoval project and from those people who were imprisoned, they began to receive half-joking ones. and maybe even serious form of a threat if you close the project. then you will have to give up your life, so to speak, but in fact, mikhail isaevich, he could not finish this project, as soon as he began to talk and broadcast about it. that's why it was organized. so to speak, casting and a lot of guys come themselves. yes, they came and chose new soloists. so the work continued, but in memory of seryozha zhukov. so we carried it at each end. to this day, too, and we always mention

mikhail savich and seryozha ryzhakov and all the guys, who worked and left the group untimely. now i want to listen to your performance. no matter how paradoxical it sounds , something that mikhail tanich did not write for the felling of the forest. i mean legen. the song black cat, of course . only the song is not at all if the black cat was screaming, but for now, on the contrary, only the black one

who had to meet. he will cross the road, but for now it’s the other way around, only the black cat is unlucky. from ears to tail, this cat was blacker than blackness itself. yes, and a song. in general, black cats are said

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come back. apply for a loan with increased cashback knocked down with prime more profitable this is a podcast 20 years later and our guest today is the legendary group lesopoval who now commands the team gladolaevnu team no more questions or me? and you, when you came to the team, the glory had already fallen upon you, how you suffered, in principle, our life is

diverse and wonderful enough to ring in it every day. lidia nikolaevna lesovoval there, i think, lesovoval again chanson and then , but when i started learning the song material, i didn’t even know at all, when i worked in a restaurant, that the white swan was lesopoval for his shame. i had white swan in seven minor written down. yes, great, and then, when i started teaching each song, how you approach it, try to put as much of your soul and all your capabilities into performing it well. yes, and the tanichayas have these poems and songs. what, when you start learning a song, you start singing it, at some point there’s a lump in your throat , and i technically can’t reproduce it further while they rethink their life, here at this point i’ll rethink it, i’ll go and pay. maybe there’s something else there and then i can perform this song. that is , like words that occupy with you. you

you understand that tanich songs are like such programs that are very useful for the human soul. what are your favorite lyrical songs in your repertoire? well, generally different, to be honest, at one time i really liked the branches of the moss there were words like that and we are inveterate we were experienced warmth from the fact that there is everything in this world, love and nothing more. well, i periodically have different songs. prayer. i really like my mother’s letter to my mother. it turns out that you will go on stage in turns with different songs. do you understand? what kind of story are we getting? completely different images and people who come to our concert. they seem to read this into completely different results. yes, actually. yes, yes, today the lyrics will be performed by you. well, of course, that's true. let's listen to the lyrical song about love in the podcast 20 years later performed by

the group. logging song is called don't slam the door. when will it turn out that there is no love? and it will become clear that the glance has slipped. go away, let's all say goodbye. and there's no need. notify about this with a white light. don't slam

the door won't change anything and slam the door don’t explain anything and slam the door and leave, remembering evil, in the name of the love that was. is it easy for me to tell you to leave? when your whole life is in loss and loss, and everyone is right and no one is to blame. but our conversations are behind them, slam

the door, nothing, slam the door. he won’t explain anything and slams the door. go away, not remembering the evil in the name of your love, which was, don’t slam anything because jesus slams nothing to explain them slams the door, go away and remember the evil in your name. which was sasha

listened to you, like the soloist mikhail isaevich himself tanich it’s an old story, it was just in 1995, when the tragedy with sergei korzhikov happened, some time passed and they began to choose a soloist. so, i came to moscow, completely impudent, and auditioned everywhere as possible, and it dawned on me that they were auditioning. my mother loved me very much or was sleeping. so i came completely arrogantly at the age of 15 years old, thin. i had a little white one, that is, the little one sang it himself. i'll buy you a house. i was told. well, it ’s like the guys there, what are you going to do there and that’s it. and actually, on that's all over. what year did we come together in the seventeenth and eighteenth? how did a friend call you in a logging camp?

and he asked if i would like to audition at lesopoval, i don’t know why this happened, but at that time you were doing what i worked in the metro and who i worked in the track service at night and decided that it was during this period. well, before that i served in a military ensemble. hmm, someone went to work in the metro and decided that during this period. i finally improved my vocals through these classes, i will take a certain course there, which i noted for myself and somewhere in the middle it all stopped. i called my friends and said, would you like to audition, when i said that i wanted to try, we called each other on the phone. he coordinated me, and he explained to me how to record songs, how to perform all this so that the indicator nikolaevna so at that moment it seemed to me that i could sing after a military ensemble. that's

all, well, it's clear. well, of course it is. so i recorded several demo tapes and sent them to vienna. he said it wouldn’t work. try try it like this. and i didn’t even know who he was in the team then. they just gave me contacts and said, here’s a man, yes. in the end, through the director , these videos reached lit nikolaevna and about a week later i was already there in my homeland in mordovia, the plant director told me that yo nikolaevna i just want to listen to you. yeah, i sang to her. she i remember right now, she shook her head like that. here he says, no one needs your vocals. no need here. you sang with your voice, but you should have used your voice heart and thought that on the recordings, then i was now easily like that. by that time, i had 27, probably or 26, and then she

said, i have all the soloists. hmm, i don’t know, he says why am i listening to you. i have a full squad that you came. well , he says, if you want to sing and practice, i ’ll study with you, because i see in you something i can work with. we'll get it out of you. if you have a desire, i know who lady nikolaevna is, said, naturally. let's study. she says, if you want, you can come. here's how much lasted. this training course , year after year , no one knew about me as a guy at all, except for vienna and lid nikolaevna then said that until you are completely ready, you won’t be taken out. here at this level, like each of the group. i won’t introduce you to the guys only when i feel that i can show you off and introduce you, so that no one in the team has any questions, that here something needs to be tightened up, something else and then that day has come . and then that day came. i come for

a rehearsal. so it was a concert. it was concert in serpukhov uh-huh yes, we went in the winter, yes, when there was no road. yes, it’s completely rude to everyone, the guys accepted you as a young person then. immediately , human qualities have normal, normal significance, as in any team, especially in a creative one. of course , each team has its own crown. what kind of crown do you think the logger has? what do you think? well, of course, until now i have not doubted this answer. well then , the white swan on the pond.

i'll buy you a house near a pond in the moscow region and bring you into this house of your own. pigeons. and with you and with love. we will plant lilacs. under the window and with you and with love. we will plant it under the window and a white swan on a pond

shakes a fallen star on that pond where i have not yet yard or garden. so that i can lead you by the hand. let’s guess with you, i don’t need it myself. we’ll guess our five numbers out of six with you, i don’t need it myself. out

of six which numbers, if he is not

a deceiver, which we will get

we are on the air again, this is podcasts 20 years later and today we are celebrating the centenary of mikhail tanich. our guest is the group lesopoval let's ask konstantin, he so solemnly holds a long pause that only a serious professional, like a music director, can withstand. say absolute obedience in terms of music, because, well, these are different instruments with different levels of training.