ha, they’ll give you a raise, that’s how we need to be addressed. ah, your lordship has prepared an unusual competition for you. we want to check to what extent he is a coffin of apples etiquette rules. ahh. that's it, i'll fall over. now i’ll show you a certain number of forks; your task is to guess. what is the object for? let's volodya, on this one, usually the word with forks is this. what is this? this is to remove ten, it turns out that most likely forging this for snails. also, think about what else you can give. the graph of oysters and snails is not suitable. remember, we ate these ate. yes no, crabs, cubes of lobsters, i haven’t guessed it 100% yet. even misha knows that. so he played, it’s

really for the fish. but this is for touching the fruit. everything is correct. but this beauty is taken from the general. yes, that is, well , i can say, you really are a graffiti defense. do you have any blue blood, or do you know, son? yes, i'm just a guy really. i’m a former police officer, so here’s captain yes, in my opinion, captain yes, i swear. well, by the way, tell me, now it turns out cool. we came around the corner. i took it upon myself to get dressed

late, i looked at the stars. look at this case. look at this sea. you see, this is all for the last time. hey, when i quit the police, i said, if i become popular, i’ll invite you all to my concert in kazan , i told him myself, and 3 years pass there. i come to kazan and all my colleagues and forensic experts. hello, everyone who will watch was invited by their families, there are a large number of people there, that is, i saw about 100 there tickets for them all to come, that is, a huge number of people, and they were the very first to run with me and take pictures. it was very nice. that is, tell me, my parents somehow participated. in your work , maybe they sewed you some pink hats, maybe, if at all they didn’t know that i

quit the police and went to moscow when i already got involved in a music project. then i told them that i was on a musical project. watch on tv, mommy granny hello, hello. we also pass it on. hello mommy. and dad. yes, tell me, well, according to all the canons, you should sing chanson. well, yes, i propose to close this gestalt now and sing a raspberry in a chanson, let’s begin. you are so sad, cold bitterness,

your eyes flutter from left to right. i came up with a super mega trend for an incredible song that is about to take off. now we’ll learn it quickly, then we’ll film it all easily, put it on the internet and gather everyone’s views, valya, we have to do something. let’s get up now. i will lead the whole parade, we will dance or sing like this, if you want, you can join very towards him. you hide your eyes from me and already in broad daylight, you are kissing someone else in front of everyone and you are clearly masculine

here. this is where i stand. so let's go in the eyes wow. that's it, a million views. i think i will have more fans, i definitely have a question for you. that's why you look like a teenager, how old are you? i'm uh, 33, the age of jesus, i understand, nations, well

, he looks like, well, he's really young, actually happy, because i'm 33, because now, well, i've come to this in a conscious way age. i don’t have any thoughts of spending all the money there on maintenance. on the contrary, now i do everything for the family, and for my relatives, for my mom and dad, and if i were 18 or 20 there, maybe, of course, i if i weren’t like that, i would be the other way around, uh, everything would be like that there. why not? it’s all just personal life, and there’s nothing to advertise, there’s just no personal life, that’s all. therefore no. my audience now is family - children of the family. my children really love your songs for children. hello transmitters. nice lisa loves it very much. and here there are very few girls your age you worry about. i’m not really worried, on the contrary, even this is cool for me, because , firstly , a small generation is growing up on new songs, which will be on those through me, but i think that everyone has done everything better, it turns out old age. well, of course i won’t be a count. and that’s why i’m even glad because i’m not distracted

by these meaningless connections and so on, so i just work and that’s it. well, if there is such a person, well, of course, i will say. so i got there young woman. i hope this will happen someday , definitely definitely. for his audience, an artist, if he works for such an audience, he must always be free, and they must always have the hope that he will only be free with it. we are not i have no children, the person said, of course, he is free. tell me when i came to the group, when i just came. i was already married. one day i was leaving, and my wife came to accompany me to the station. eh, he says. well, that's it, bye-bye. come on, have a happy day. look, he comes up and says, come on. so that your wife, as it were. well, i didn’t always see you off. i say, yes please, i say no problem. and in general, she says, it’s not necessary that she, in general, i say, you , please, are not a problem, as if my wife, in general, the first door is calm, and she didn’t

worry about this topic, she says, well, you’re like your job, please, yes, and i didn’t worry about what we seemed to be saying, we didn’t advertise our questions, that’s all. i also have two marriages. uh, my daughter is over 23 years old, and my little son is 3 months old. there are also four children, which means the daughter is 8 years old, the son is six, the middle one is four and the youngest is two. this is a second marriage, a second marriage. congratulations, you, as a khabib woman, are free. no children, no marriage, no no, but i heard that you had a competition to see who spent the money the fastest so far. let's talk about fees. by the way, honestly. so, the story, i know, is that there was so much money that you even created a separate establishment where you could eat. uh people, right. it’s amazing, don’t

worry, people organized it for those, uh, people who, by the way, they were engineers and people with higher education who simply could not get a job and had nothing to eat, and for this we created a free canteen for people. they could just come and eat. the first second and there was no need to say anything, the password was delayed. you had the very, very , largest fee, died, that with mice, that we sent sports bags from the tour honestly. we don’t know if you had paper dollars, could you make money, carried them with bags of cards, there weren’t so many good ones. well, in short, per month there since it’s 150 there are 100 concerts there, so where to put them? of course, we spent where we could. uh, i occupied, anyone there, do you remember we an- in moscow we had, uh, a trick like this, we went to

pushkin to the monument to alexander sergeevich pushkin, people without uh, a specific place of residence often gathered there. let’s just say, we also collected food there. they sat with them and communicated there , talking, that is, we, we, we did not save money, not there, did not invest it anywhere. they just let everyone spend it and go for a walk. please tell me which one you have. the best memorable fee , the biggest fee i probably haven’t received yet, well done. we will strive for more, but i can’t give any numbers right now, but probably, uh. the most important thing is that i didn’t waste this money. well done. and, of course, i didn’t open the canteen like the guys? this is a very cool thing, on the contrary. i have a slightly different story. he gives me a lot of toys. i think that these toys are also given to you a lot of toys. i take them to one place and then go to an orphanage and give them away so that they can gain second life. well, how at the same time

do you do such a mini-concert there for children, because they don’t have such attention and you want to give them more, and your love and your attention. moreover, well, children, they love , they know for them, small berries are such an unrealistic anthem for all children, so then , of course, they don’t hug me on them. this is something special, so it’s cool to be able to give them this love, an apartment, bought a car, bought it. i don’t have a car; i can get there or not, either by metro or by taxi. that is, you hiding rational metro. say the opposite, i'm going down, i'll take pictures with people. cool i really like it. in the finale, i suggest you cook a hit musically. we have khabib's sequence as it looks like this. well, great. oh -oh-oh forgive me, forgive me, the war has stopped loving me.

you just stopped loving me too much, boy, young man. one, two, three, two faina's war stopped loving the boy, stopped loving the boy urgently urgently patented - that's how it's all written down, friends. it's all up to you, it turns out. you would have agreed. it turns out like a boy clogged? on the air of our podcast

, the exclusive group na-na and khabib agreed that they would record a hit together, this is a wonderful chord, one might say, the big point in today’s episode. today we had a group of na-na in the format studio. khabib, my wonderful co-host karina cross's name was carnival, a group of gypsy bangs. i am anton lavrentyev, on this energy we give in to this stage, he is being bullied. i'm ready to pray , my head turns and i feel sad. i’m

already sleeping, number one, my fairy tale, where are we jeans, when you rivers rivers rivers rivers rivers rivers rivers rivers rivers rivers rivers rivers you are above me with you tra-la. yes, fuck, i got it sandu movie hunters in the movie, then at least to the moon. i don't care. i say you get knocked up, then you are sad, cold conting, who are your eyes? leo to the right? i’m ready to pray, my head turns and something like this flies up.

my fairy tale, we hold the jeans ready for you, rivers, rivers, rivers , shore, i have you, now we are with you tra-la-la, yes, polya took sanda to the cinema. but you don’t want to go to the movies to relax on the moon. i don't care. i’m ready to pray, turn my head and fly, then you’re so sad, cold continent through the eyes of leo to the right. i'll come back turns his head and flies up, then you're so sad, the cold brute is blinding his eyes left prank ah-ah-ah-ah-ah-ah-ah raspberry oh-oh-oh, you're my brisket, ah-ah-ah raspberry oh-oh hello,

here's a literary podcast. let them not talk, let them read. my name is dmitry bak. today we will talk about a person who, uh, is not only a great poet or playwright, but a person who, with his whole life, made a huge contribution to russian culture and behavior and fashion style. this is vladimir vladimirovich mayakovsky this year. we are celebrating 130 years since the fire of his birth and today we are talking about mayakovsky with our wonderful guests. this is marina mikhailovna krasnova, the head of the department of the house of pointed-ears in the horizontal bars in the museum, which bears the proud name of the state museum of the history of russian literature named after vladimir

ivanovich dali hello marina from anton dmitrievich buglak actor of the satire theater hello anton hello let's begin, perhaps the most important thing. and what does mayakovsky mean to a modern person? it seems to me close to, uh, just any young generation with its sincerity, its uh, teenage or youthful maximalism. it can be harsh sometimes. yes sometimes it can be sharp. eh, this is probably the youthful youth left in him. eh, until the end of his life, it is certainly absolutely projected in his poems, the young people agree. i absolutely agree. it’s surprising to me that there are such individuals who are becoming more and more popular every year. ranevskaya mironov vysotsky and including mayakovsky there are a lot, and social publics networks group that replenish are performed and

this is not uh. well, let’s say, it’s not just stylization like, well, any 13-year-old girl who finds herself in st. petersburg takes a selfie, two crayfishers and write brodsky doesn’t know anything, she doesn’t understand anything, that it’s just him so bad, maybe , she will come to reset. there is a slightly different point here, it seems to me that if we remove ideology, in general, from this poetry, what is now difficult for young people to perceive remains. eh, the lyrics, the early ones are very sincere, this is probably what catches you and, probably, some kind of satire. for me personally, there are a lot of satirical ones, well , anton’s thesis is wonderful, it catches the younger generation, so some harshness for me, please, well, this is necessary, do you think, who is there? it seems to me that this gives the right to remove? this superficial reverence, when at school they say this is such a poet, but a really young man

reads and likes it, and treats him as a contemporary. well, indeed mayakovsky is the author of such absolute discoveries, for example, hard poetry. there are only three systems of all decompositions, just three rhythms. one such skill doses. rest in peace for a short time, without forcing my hands to peru, but the second pushkinsky is my uncle of the most honest rules and finally, listen, comrades, descendants of the loudmouth agitator, mayakovsky came up with a new system of versification, and it is completely different. well, let's try to read it. i remember a wonderful moment, as if in mayakov’s accented verse. i remember a wonderful moment. you appeared before me, yes, you are amazing. eh, extracted from traditional russian verse. uh, absolutely new notes well, uh marina, but still, if we talk about the wound in mayakovsky, poetry is dissolved in his

other skills. he is not only a poet and not so much a poet. he doesn't know himself as a poet yet. he is studying to be an artist. he is looking for himself in a profession. he doesn’t really understand yet, he’s an artist. he is, but he wants to be more than just an artist. he outwardly positions himself as an artist. he wears. eh, hmm bow blouse. this is where it comes in handy. we have pictures of him earlier with this incredible tie. this is all poverty from poverty, in fact, yes to the beginning. only i think that this is also a search for some kind of external identity. yes, because what do teenagers do, for example, at the age of 17-18 they dye their hair different colors, and put on earrings and or some completely unimaginable clothes , lighthouses do the same thing. he is looking for himself in exactly the same way. well, this is mayakovsky and what kind of poems does he write anton let’s maybe

read, maybe one of the most famous poems, brilliant, i’m not afraid of this word. yes, of course, i mean, and you could i immediately smeared the map of everyday life, splashing paint from the glass. i showed on a dish of jelly the slanting cheekbones of the ocean on the scales of a tin fish. i read the ulcers of the new lips. could you play a nocturne on a drainpipe flute, short, what is the genius of the poem here? the main thing is that the artist puts his strokes on the canvas? yes, here he smeared the map of everyday life, like your jackson shelf, yes, who splashes paint, and such an absolute avant-garde, that’s why nocturne is played not on flutes, but

on drainpipes, this is futurism. yes, here's to play on, uh, with your whole life, yes , to express yourself unconditionally. here. to me it seems like there's still a moment. eh, of course, because mayakovsky’s absolutes smiled in his early poems, the city appears as a living organism, so the flute of drainpipes. therefore, the lantern takes off the uh, black stocking. yes, and he is a part. this city and that is why in his poems he perceives him as such a dear person, not just as some kind of architecture. and as a living , absolutely living person, this is second nature. you correctly said the word urbanism - the city is not the enemy of nature. and this is a new nature in which modern man lives, therefore, by the way, in the famous phrase from a manifesto dedicated to public taste, uh,

which has four authors, including mayakovsky. there is a phrase: let's throw pushkin, tolstoy and dostoevsky from the ship of our time. this is very important. mayakovsky lives in the city and in the city he experiences very vivid feelings. e he loves about it. we will talk more than once and maybe anton you will read a fragment from his wonderful poem in 1915 . it was published in the fourteenth , and the clouds are on me now. don't know we could. the sinewy colossus groans and writhes, what could such a lump want, and the lump wants a lot. it doesn’t matter to itself, whether it’s bronze or whether its heart like a cold piece of iron at night wants its own ringing. hide it in a soft woman’s and now i’m hunching hugely in

the window, melting the window glass with my forehead. will there be love or not? which one is big? or a tiny amazing text we know that all this is connected with maria denisova i’ll come at 4 maria said 8, 9 10 andrey sinyavsky, the most famous russian literary critic, consequences an emigrant and a very great connoisseur of russian literature. i remember he thought so. uh, an excerpt from a cloud of pants that the watchmen began to avoid, thinking that something had happened. he 'll come like that, at four she said, maria eight nine. this is amazing sincerity. you can't understand clouds in your pants. is it rebellion or just sincerity. there are also slogans down with your art. down with your love. yes, and the main thing here is love

or protest. that’s what’s important, but, it seems to me, one doesn’t separate my pieces from the other, and love for him is both protests and, uh, at the same time revolution and and i think, not by chance later. he will write that love is the heart of everything, and poems and deeds and everything else unfold from him, this is an absolutely key concept for him. that is why he writes equally passionately about the country and about women and about the revolution about this little a little later, because of course we have to come over. here to this screen to this filter, yes, which is between us and the text mayakovsky tribune of the revolution and so on, this is a little later. and now we will talk about one more side. that's creativity. you said he's an artist a professional artist who is specially studying to be an artist and in the future he is famous

for his graphic works, windows of growth, but there is also mayakovsky in cinema. let's not forget about this. these are the very first years of the national one. yes, yes, of course. i couldn’t get around everything that was definitely new. he was interested. and of course, he wanted to be everywhere, but first, and cinema - this is about the same as a podcast now, right? or a public page, or a block, well, essentially. yes, of course, he wanted to be heard. and as many people as possible so that you can see as many people as possible a and cinema in this regard, of course, a was, uh, the same, a springboard from which one could speak to the world. not just with some small audience, but with the world and well, here, of course, there are still moments that lilya brik, uh, mention,

of course, i didn’t want to act in a movie and especially for her, for example, mayakovsky wrote script of the film chained films. let's talk about the film, not for money, not born for money, born lily. we 'll talk about it later, naturally. here's, uh, how once uh frame from this film and well, it’s a well-known fact that the script is built on the model of jack london’s novel martin eadon, where a person dreams of achievements, but only this is the soviet martin eden, his surname ivanov is only broken in half ivan nov. yes and, uh, mayakovsky also plays a role in this film. moreover, it is known that he seems to be even dissatisfied with the screenwriter or director, he well, of course, all the films in which he appears he still participates in the description of the script hmm and, in general, he even always interacts with the director. this is also like this

his peculiarity is anton, as if they would have looked if they had won some role, you are engaged in several uh, performances of famous and alters. and suddenly you cross some boundaries and start pointing. everything you need to do. actually, if we talk about drama, for example, and this has always been a common thing when ostrovsky is in the maly theater or chekhov is in eostrovsky. well, after all, they could work now. and they also worked for bulgakov, here and now and they came from the artist from the director. uh, so to speak, a question in the form of an uh comment, but as it is said, but, in principle, this is normal and synthesis. well, okay. well, there is still one exception, well, occasionally he was an actor, but neither chekhov nor ostrovsky the saint were actors. they gave. well, gogol once upon a time gave instructions to the actors who would play the inspector, but mayakovsky’s all this is straight

from the inside. yes of course, of course a. well, in fact, mayakovsky still remained a mayakovsky. and no matter what role he applied to himself, he still remained himself, difficult to separate. oh his charisma, by in fact, he was playing at himself, that’s why lilya brik well, lilya brik, well-known, the heroine of mayakovsky’s fate, mayakovsky liliya yurievna brik , born kogan and hmm, who was probably mayakovsky’s deepest affection throughout his life. but this was written directly for her. yes, he writes specifically for her, and of course he films. yes, in order to play with her, to play with her, and mayakovsky plays. uh, an artist. she plays a girl who has come down as a scientific poster. yes, again

modern, that is, computer reality, which turns into life, and, and mayakovsky was also going to write a sequel, unfortunately, this story didn’t work out. and so, in general, like in modern films , the first part, the second part, that is, in this he too, but he stepped over time, in general, in many ways he steps over seconds minutes for a bicycle. the movie, how long it was. well, uh, how familiar it would be to a modern viewer. well, in fact, a small piece of this film has been preserved, but the entire film, that is, is not usually preserved, well, usually these films were shown by hooligan young ladies for about 40 minutes , for example, yes, not my film, but already a funeral the footage is quite voluminous and long, but the most important thing here is, uh, there was some other kind of government moment, yes , because in

the film uh hmm the lady who is shackled in the film, then they said in the feminine gender of the film she is therefore not a mistake. she then goes back to the cinema there in this plane of the screen. well, pilili yurievna never belonged entirely to mayakovsky, i guess you can say that, yes, yes, but again, it’s also interesting, in general, everything that concerns cinema, but because i wasn’t born for money. this is also about the poet ivan nov and in essence too. eh, in a way, there is some kind of prophetic story, yes, which did not take place in the same way as the death of mayakovsky in a hooligan young lady, when he is killed, ah, but this is such a completely bright death, and then you endure it. it’s on some other plane, when you watch it, it’s in the cinema now. well, what about

a literary podcast? let them talk, let them read. i'm the host dmitry bug talking today with marina krasva, an employee of the state museum of russian literature named after vladimir ivanovich dahl , a specialist in the work of mayakovsky, and with the actor of the satire theater anton buglak. i remember, uh, the book by yuri korpchievsky, an essay on the article on the resurrection of mayakovsky, which he also repeated. unfortunately his fate is yuri korpchievsky. er, for the first time, perhaps, in the late eighties. yes, this was the first time i looked at mayakovsky without. eh, these same filters. yes, because uh, i heard an anecdote that when uh they were preparing the exhibition 20 years of work to reproduce and konstantin mikhailovichanov had a hand in this , thank god, then the guardians of officialdom, uh, offered well , a biography of mayakovsky well, somehow clean up

this risky moment, and lily yuryevna is just this risky moment. yes? well, yes, yes, the conflict between a lily brik and lyudmila mayakovskaya and, accordingly, an attempt to somehow clear this story, yes, a from the biography of mayakovsky a but in general it is very difficult to smooth over mayakovsky, it seems to me, about such a phrase that there is someone... then supposedly, i don’t know if it’s true or not, but it’s well thought out ben-truvatov, as the italians say . that is, even if it’s not true, it’s good. invented , yes, uh, someone allegedly said that you are now going to say that you are a suicide. well, what can you do, he’s not a banal suicide person who couldn’t bear the fire of his heart and creative love . yes, that’s really all my kovsky. now let's take a step uh to our next hmm those big mayakovsky and after the revolution. eh, he also predicted

the revolution. yes, the sixteenth year is coming in the crown of thorns of the revolution. today is the wrong year. we know that every revolution passes, then in the termetarian phase the reactionary phase often turns into dictatorship and turns into unfreedom. well, how can i describe these years that mayakovsky had already spent? hmm soviet time in soviet reality, because there were contradictory things. there were wonderful things, for example, he continued to be an artist. windows of growth tell us about them, they are kept in our museums, yes, actually in fact, despite the fact that this , and such was a waste job, in fact , because the circulation is huge, and up to 100 posters a day , you drew it by hand, but then again what mayakovsky comes up with windows of growth to make it clear. these are news sheets because no. no, uh, internet, and growth is the russian

telegraph agency. is this what it is now when mayakovsky comes? uh, accordingly , to work for this telegraph agency, it was large texts, a small picture, and he says, we need to change the system, it won’t work. most of the population does not know how to read what mayakovsky did very well. did he understand who he was doing what for? everyone knows this, yes, who e has no idea what mayakovskaya did in the windows of russians now says the target audience. he understood the starget group man very accurately. yes, yes, yes, he traded on the level of understanding of the audience; he removes all the text, but he reduces it to a minimum. these are short phrases, and the main emphasis is on the pictures, in fact. these soviet comics are also very generalized. yes, this is also a very important point.

he, for example, plays on color, and he uses, for example, to designate the soviet power of the worker, the color red, and illness and everything connected with it. this is such greenish color, and bourgeois and everything connected with it was always introduced or had some kind of blue colors, that is, it works with color. it influences the viewer. this is no longer media , this is just some kind of psychology of perception, yes, well, really. this is the side of mayakovsky’s life that he did rather positively. here we see the cover of mayakovsky’s book about this with the brik lily depicted on it and yet, how mayakovsky combined the personal and the common socially, because the soviet reality of even these first romantic years of the twenties years, and yet she focuses on

the collective on the general on the conciliar on the social on the class. and about this this means about the intimate, of course, the mayakovskys came up with exactly this, but at the same time, for example, it is with this poem that the first issue opens, and the left front of the arts is not the lion beast, but the left front is an abbreviation. well, although there is also a consonance with leo here, it is not by chance leo the left front of the art of this particular poem opens, because on the one hand it is about the personal, but on the other hand. this is about the general and this was very important to mayakovsky emphasize. and by the way, it is in the poem about this that meikovsky’s famous ladder first appears, and before that, he does not break the most valuable verse. yes, in fact, he is accused a lot and more for this, by the way, by his contemporaries. that’s what they said and, uh, questions

were also asked, but in this way mayakovsky wants to be closer to the reader. here in this book, a theme is inserted, hmm. well, if not tragedies, then dramas, because his relationship with lily developed unevenly sometimes. this is widely known. sometimes. they themselves they put themselves to the test and tried to separate for a certain amount of time. this is also the story of the writing that she forbade and forbade seeing each other. yes, he is with her and there he is. i am completely cut off from life; the saleswomen laugh at me. and he came, either new year's eve or christmas eve. uh, twenty-two twenty-three. brick he stands there and he began to write a poem about this very important thing. this is still related to my question. eh, personal things were allowed, but in the soviet years. the first, of course. uh, christmas trees weddings. not to mention religious rites. all this was crossed out.

yes, well, it’s ashamed to be intimately vulnerable, you have to be powerful, this poem is about that too, but, because this is precisely about the fight against philistinism, a topic that was very important for mayakovsky and uh, this is it, uh, personal in general, because the idea of ​​the commune is the idea of ​​living with common humanity. this is exactly where he talks about it. yes, there is a tragedy involved, and uh, without it it would be difficult. although, uh, it was the poem about this that has preserved drafts and you can see how he is trying to smooth out this tragedy how much harder it was for him at that moment. how sick he was, because he really was in a confined space. he's sitting in the room. this is 11 m². and there is one window in the room, and in another place. and he he yes, he uh the only thing that

connects is the phone cord. and this , too, in general, is precisely the main connecting link in this poem, the connection between lubyansky proezd and myasnitskaya well, of course, it is very important to remember and know what the first edition of mayakovsky’s books looked like because, well, it’s not for nothing that he called his books. so catchy, for example, me or vladimir mayakovsky so the books are not confused. his also looked very bright. and it's brightness, uh, and in the color of the cover. eh, maybe we observed that not all the covers were the same and the color was not quite the same, because in my hands, of course, i have a modern reproduction. they are a genuine book, but still. these were bright colors. it was such a font size, a large font size, which is very important, these books are now being published. they are very inexpensive and are not collectible. i am very

i recommend that everyone who doesn’t talk about reading, of course, pick up these books - it ’s quite easy to see what, for example, the poem cloud in pants of the fifteenth year or the flute spine looked like. this is also a wonderful publication. here's a full playback of it. here is a huge commentary, it is very important that modern literary scholars devote such extensive comments to mayakovsky and his texts. after all, they are much more voluminous than the text itself, but let’s turn to this simple, like a mooing book from the sixteenth year, too, and it is reproduced from a unique copy. here there are, uh, mayakovsky’s edits and others, by the way, used for the first time. and the photo show in the form of an illustration by rodchenko is, of course, made by alexander rodchenko. and the cover is also what was left of us from several images or is it a legend? uh

, there is only one shooting, although it is used by modern artists, and modern artists use this image because it is really very bright, and in various variations, so this is also such an interesting story with a continuation. well, mayakovsky connects, as it were, such poles with one on the other hand, he is still a loving, vulnerable person. this is exactly what yuri korpchievsky rediscovered , krabchevsky says that this is dostoevsky’s hero come to life, this is exactly a powerful man , large, loud and vulnerable, like a child. this is very accurate. well, it’s interesting, for example, memoirs of korney ivanovich chukovsky which says that and when i first read mayakovsky i saw, only his texts were not yet familiar with him. it seemed to me that he was so small and fragile , but it turned out that he was the same as tchaikovsky himself they are both very tall. well, mayakovsky still communicates with the strongest, for example, in one photograph he is shown in the company of the people's commissar of education anatoly

vasilyevich lunacharsky, who is leaving the administrative building, where they decided the fate of mayakovsky's cinema, and lunacharsky and yes, he makes the order such, and mayakovsky ’s first soviet play mystery appears about this, it must also be said that mayakovsky is an amazing playwright mystery buff and hmm guy lobnya yes theater world chord meyerhold, again avant-garde again alternative my my favorite moscow found my theater. it’s just the director, of course, of course, but it’s interesting that, for example, mystery boof first appears on stage in the role of the lesser century and greenlinsky, which we all, well, many of in other films. oh and others from soviet films, we know about him for the first time. they cooked it exactly, after

mystery buff you can clearly trace it when the twenties end, there it was first a bug, when triumph is the twenty-ninth. yes, about a year now, well, the end is the end, yes, the twenties are 208. and the bathhouse is already write. there yuri oleshek writes that there was no worse failure, times have changed. yes, you want to say this has changed, of course, and the perception, that is, at one time, satire seems to be absolutely there, uh, toothy, of course, and and like a happy holiday settled down, and suddenly everything is fine, firstly, you everything is no longer perceived. it depends on the time. this depends, of course, on the means of expression, because it seems to me that mayakovsky is very difficult to stage on stage. now let’s return to the social order and tell us something about ivan kozyrev yes flew by ivan kozyrev please ivan kozyrev about the universe to a new apartment. i , the proletarian, have lived too much to explain, just as my mother

gave birth. and now my workers’ housing cooperative gives me an apartment. here is the width and height in a ventilated room, illuminated and warmed. everything is good, but most of all i liked it , it’s whiter than moonlight, more comfortable than the promised land - yes, what can i say about it? this is the bathroom water in the tap, the tap is extremely cold, you can’t touch it with another hand. you can wash the crest cold, hot water. on tap one says cold on the screen, the other a bugle. you come, tired, you want to hang yourself. the beggar is not happy with any tea, the bubbling, and the seagull and the dead man will burst out laughing from this shoulder tickling. as if he came to visit socialism with pleasure

, he grabs their trousers on a hook. soap the blouse on the nail in your hand and you sit down and wash yourself for a long, long time. you sit while you hunt. it’s just that it’s summer in the room and the volga is just gone, there are no fish or steamboats. even though the dirt on you from ten years of experience is like bark. from a tree. the soot almost comes off, the bitch washes off and you're already steaming, you're getting hot, and here you're turning your hands and drops. the cool rain of souls from the holey iron cloud is your husband and the tenderness in this soul won't take you at all. the decline will stroke the vols, pat its ears and flow through the gutter between the shoulder blades into the water, wash the wet body with towels, like a furry animal, so that the heels dry, the floor spreads. i apologize for using cork language. having seen myself

in the mirror, set in the shirt , i wet the pure power and think, very correct, this is our soviet power, beautiful poems, my cat. i was just pleased that everything new was appearing, but here we see a directly detailed description, really a bathroom and a cold screen. this was also mayakovsky’s dream. for example, the only thing he bought was his apartment in henrik lane. he specifically makes a remodel so that there is a bathtub and we see, what a dream that comes true even before he buys a renault abroad. but we’ll talk about that a little later, and now let’s mention a very famous moment about the appearance of mayakovsky boris pasternak was once the first poet in his famous poem dedicated to boris belko. he said that the vacancy was left in vain, so it is clear

, if not empty, well, that is, the soviet culture was already built in the thirties. so each area had its own pattern. here in the literature. eh, this vacancy for a poet remained. eh, hmm free for a while. pasternak ran away from this vacancy to peredelkino, as is known, and mayakovsky posthumously received this vacancy. yes , it seems to me that this is also his tragedy. yes, because again in this cult, and also pasternak, they began to plant mayakovsky like potatoes under catherine, this was his second death, for which he did not obey, a letter that is kept in the mayakovsky museum , uh, resolution, and that we are cats, and it was still, in general, talented for the fifth year later. uh, five years. after after his death. well, we won’t talk about death out loud. we understand that this april. the day everything came together

and uh, such a tragic silent exhibition of 20 years of work and uh, relationships with veronica vitolina's stripe is also a key phrase, which in general for me, for example, explains everything, that is, this story and situation, when in his suicide letter, he writes me out. no, he won’t write, i have no choice. yes, he will write in the plural, because it seems to me that he was looking for these exits, but for himself he did not find the years that many people think are due to a russian poet. let’s not focus on this; it’s too delicate a topic, but the personal and public also came together here. uh, this is a very important moment, of course, 20 years mayakovsky did the work, and with great enthusiasm he attracted young people. and this is really for its time, again, and this is still the first performance. i think it's actually him acting as an expositionist. very talented

builder. uh, exhibition. he doesn't just present material, he presents stories, but most importantly, he says, touch. take it. yes, this is so unusual. well , perhaps this is the ideal of a literary exhibition. and when you can read, take, immerse yourself in the text, and what mayakovsky did at this exhibition, that is, general communication with the viewer. for him , the notes were always very important, which were also dedicated to them; the beautiful completes them , puts them in envelopes according to topic. yes, there, and the speeches and uh, a completely different image of mayakovsky emerges when you look at these notes at the end of the conversation. i’ll probably assume that that’s all, false superficial artificial tendentious things come in over time. yes, this endless living naked soul fades into the background and appears. talent, sincerity and focus on

young people who understand mayakovsky and we we hope he will understand in the future, because 130 years is not the limit. i’m walking beautiful, 22 years old now, mayakovsky is walking among us no less, beautiful, even more beautiful, 130 years old , and we all, marina krasnova and anton buglak and dmitry bak, are confident that mayakovsky is condemned to a long fate and his image and fate and his picturesque theatrical works and , most importantly, his books with his text, so as always, at the end of our programs, i tell our interlocutors to read with pleasure. great

mercy glory