well, to be honest, that’s why there was a sin in the government even then, and kudrin, and all of president vladimirovich putin’s colleagues, and they all supported many projects that you , without some kind of human beings , it was once impossible to do the reconstruction of a large one. well, this is the worst nightmare of my life. that’s right, then we gave him a start and off he went, the minister of culture is the minister who means only good news, there were a lot of good projects and the shelter comedian and life is beautiful and the cultural revolution and so on, but that’s all it is equally clear that a certain task is being performed, and so on, but it also had popularity for its meaning. after which project e did you feel this way, generally speaking, and through the star too? and it was important to you, but i always laugh. so how's the tv star? i still have a little, uh, well, the beetle

is so different, a little bit of life. i don’t live in a television life at all and i am grateful, so to speak, to both my television colleagues and konstantin lvovich vera and oleg borisovich dobreeva in general to everyone that they put up with me, as if, like a person, in general, yes, the person was the same butler-like person from the outside , i’m a little bit, well, from the outside in this matter. but i watched with great pleasure, hello comedians and so many yellow press, when suddenly direct contacts arise, you communicate and these stories and people who are next to you, who are loved by the whole country and you with them, and it was such a breath, but human for me. this was very, very important, because the person did not need contact. here he is an artist. that's how he is what it is, and you gave it to people and seriously not very much. i really liked this project of yours and and you in your charisma, the way people remembered you, you really are you. duser of your artistic self i would

say, yes, you did it very consciously, as it now turns out, and you did it for a purpose that had a beneficial effect. as a result, for your entire apparatus, when we were making the moscow musical theater, i understood perfectly well that we would never make a broadway connection. what if? no, i deliberately didn’t want to. we can't make the tramp leave because we're working on pushkinskaya square. we can do a show on pushkin square. uh, i mean, now it’s not the quality, but the relationship with the public, you know, because in everything that we do there in the theater, what i think is important to do, we need to do some simple, clean ones, this is the most important quality today, or what? or people shouldn't be deceived. that's your passion. yes

, so to speak. but i immediately love that old country, which i first heard there, probably in the fifth year. you know, you are one of mine. a successful interview on the culture channel was elena volshebny, the giant one the great singer herself who sang lilies of the valley. eh, for which then the next day they came out and devoured how the newspaper destroyed the truth about this matter. eh, i love pop music. i fell in love with joy, that many people love and have loved and will love the stage, and the musical theater. this can be said to be the exception, not the rule in our country. although any television project, if it includes a musical part related to our past, it immediately becomes popular , everyone knows this very well, but at the same time, well, you

know, the project was closed. life is beautiful in at some point, i felt that i really wanted it. eh, do something like this in this direction and here it’s my misfortune. i read. eh, the story about the brothers, i’ll paint, i’ll say briefly e four brothers so far, that three of them wrote songs, two of them were great soviet composers dmitry and days and daniil and samuel who wrote an immortal song from taiga to the british seas of the red army of all crevices, he became a great american composer and uh, throughout the thirties and late twenties he worked in hollywood and there was a lot of that. here if you are there take some film, the great waltz is a famous hollywood film, and strauss yes , the music arranger had this dmitry tyomkin composer who is one of the greatest american composers. for

many, popular men are irving berlin , who is generally from the cantera family. yes, he came and they are all natives. it’s from somewhere around here, and american music from our region, and here’s american music from the late twenties and thirties. it was very similar even to the forties, and uh, it was similar to what our composers did in the twentieth and thirty. i just wanted to say nothing more about it, and then you know, when you want to finish the bun. you must first, uh, sow the bread, uh, squeeze it into flour, make it, there, and so on. this is an inevitable process. nothing worked out, and i was forced to invent this theater, which we created with david shmelyansky together with sasha popov, who, unfortunately, is no longer there. we understood that we were doing one project. and then we will need to move somewhere, because we incurred a lot of debt. well, we didn’t fully understand what we were getting into. and it's clean

automatism of course, but when you put on music, it’s an expensive business. and uh, debts appear and they must be repaid. i said that i would die. uh, then when we pay off all the debts, that's why we do a lot of countries and i'm not glad that he forgave the ocean. rush fifteen he was drowning. but he never even glanced at his muzzle, and in trouble and in battle he sang his captain’s song everywhere.

captain captain, only the brave conquer dear friends, if only the artistic director of the moscow musical theater were in front of us today, then we could probably sit down until the morning, in general, but mikhail efimovich is also a special representative of the president for international cultural affairs. yes, we talked to you and it was very interesting. that's all that's happening to me these days, and i generally treat it as if i'm watching some kind of movie that's not with me at all , you know, well, we noticed that, well, you know, i wanted to do a project, and it turned out to be a theater musical. you know, they wanted to find a little money here in general for culture, and then

somehow directly and so, in general, they wanted to make a program, but it suddenly became popular. yes, something like this, in general, mikhail thank you for this mood that you give us and have given us, i’m sure you will give us many more years to come, and life. i watched the broadcast with you this morning and they gave you a tie and said that mikhail viktorovich, we know that you collect ties. and you still, in general, no. no, in no case, and i decided to give you a tie from me and the piano, which is in the bushes, here’s a tie. and let him be somewhere in your corner from us. why why? i'm very grateful to you? yes thank you very much, but i understand that you can’t wear it to the ministry of foreign affairs. uh, due to the, so to speak, frivolity of uh , happiness, and you will lead it in this tie. you know, i really value

the fact that uh, when 15 years ago i, uh, sergei lavrov accepted his team. and i ’m really very good at it there, because my ministry has a lot of human things and a lot of professional stuff, really, friends. thank you this was a podcast about the creative industry on channel one. this is the anniversary issue on the occasion of mikhailachakov's anniversary. thank you very much. thank you, goodbye to your eighty-fifth birthday. okay good. thank you very much. hello dear friends. now is just the very meeting that, as a rule , leaves no one indifferent: someone

once took a melody from a company and published a record of hare prosada chauras. this probably had something to do with our friendship with mrs. indira. and this other thing happened, we began to listen to stew, we began to study this culture, and there are six thousand years in no way. none of us did hindu. you see, this is an orthodox cross. one does not interfere with the other, but this culture we loved our generation with all our souls and today we take special pleasure in welcoming these brilliant musicians to our studio. first of all, you need to know pavel correctly. this is the leader of the tireless composer ivan sui. here she is the same bansure on which the hare leaked into russia, because they saw it, yes, yes. they introduced me to me, my teachers they are relatives. wow, and here he said, you have great teachers. you

need to deal with them, and you will no longer be nothing is needed. this is not an arrogant person. he's the most humble person. this is the man behind the whole style of playing on banks , i administer people talk about him when he’s at the hotel , his relatives are all asleep, and he goes to our base and does it. he studies quietly so as not to disturb his sleep. but, and your like-minded people, who they are, well, this is a great honor for me. i don’t know how i got so lucky in life that i can play with these people. and he’s genetically, uh, in my opinion. yes, yes, a fantastic multi-instrumentalist, which plays both ottoman music and byzantine music. yes, yes, he plays with giannis the greek. and you sing traditional byzantine chants. here is india and right there, as well as greatness

, metal gadgets. we know what these things are, they make the guitar speak, as you understand, blackman. it's just a delay. here and as we call it, a heating pad, that is, directly . and of course, that is, it plays the bacitar. and this is an eternal conversation. yes, he is not just a sitar player, he is a sitar player from varanasia, he is his tradition in pineapple. that is, this is a city portal people come there. uh, hundreds of thousands of pilgrims come to, well, say goodbye and leave their life’s path. now, after listening to, uh, wonderful sounds, including the sitar. then let's not delay. let's do this procedure with our viewers right now.

hello

if i say that we have just become acquainted with the work of pavel’s project correctly. i guess that’s the name of the project. this project is called the light of the night, that is , there is a concept that it covers the daylight, uh, the light of the soul, and specifically at night,

when the sun lets go of the earth. we can see the inner light, and therefore there is a concept that the night ragas reveal spiritual light. have you just played traditional tunes or is it your work, these are traditional tunes in such a specific compilation. here came the uh, genre of kovali matkalander. this is a wandering dervish traveler who is looking for new places, new music , new knowledge, who set off with the caravan on the road. roughly speaking, i will say that we actually played a very famous song. uh, the kovali singers sing, so we played it instrumentally. we must ask you what enemies need to understand. and you need to understand and build a logical pattern called rhythms. yes, you perform them so many times, aktau, oh, god, no one in

the world will understand russian people. this is that group 1 2 3 4 5 6 7 1 2 3 7/4. wow, what else are there? now we were playing in the title. this is the one there on 16 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 how many years did it take you to master abacus since 1997? well, how many 25 years have passed? probably how it turns out that they have their own names for these two drums. this, that is, this is the one on the right, it turns out that he is a basik. it is designed like this, in fact , the instrument is designed in a rather mystical way, in general, it is a completely closed drum, there are no resonator holes in it, that is, the skin itself sounds here. as if due to this black flip-flop of ours, a lot. if

you take away this black one on the slap, then he won’t be okay at all, yes. if you start talking about the sitar now, we won't finish the show until the morning, because here i just understand correctly 18 resonator strings 20 lines. sorry, i didn't really steal. i took a couple off. so yes, probably, that’s because there are three groups of different settings . here's the main uh, two melodic ones. here the melody is played, mainly on one string. the second one is kind of additional, and it’s in the middle. yes it was more convenient. yes , it turns out that when i use rhythmic strings, the sound is cleaner, that is, there are a lot of innovations. thanks rabbi. shankar succeeded, but in italy shankar was not seen. it so happened that when i went to study, it was quite recently. that is, it was 2012 when i

went to india to study, and i just happened to attend his funeral, but i ended up in his house. so there was a concert there, where relatives and friends gathered. that is, i immediately found myself with you in this atmosphere. well , it somehow happened by accident. yes, the chain of events ultimately ended in varanasi. i went to university and studied at the music department to become a sitar player. this is how it got twisted in the game of the people, well, this is a rather complex instrument and you need to study for a long time in order to produce such sounds that attract attention to yourself like this instrument. he generally fascinates many with his sound. here. well, he attracted me so much that this is all i do. dear friends, this is

anthropology podcast on the first and our guest is the project light of night cancer. but look at bansure, you are not alone. here i actually have some brass instruments. firstly, this is turkish ney. and this is this, this is a bansere, and this is an armenian oak duk friend all civilizations had such a tool and the main thing is that it has not changed in 3-4,000 years. he hasn't changed at all. we say that sound is produced by vibration. this very cane, yes, it’s craftiness, yes, it’s reeds. here it is at the top, and this is the apricot base of the reed yes , yes, this is an apricot tree. yes, well, the armenians with the willads, the georgians have it, it’s only called the balafon of the new armenians, their own way, when you begin to immerse yourself and look at the history of mankind in all these cultural ones , it’s simply fascinating how much diversity there is. it’s probably like it was back in the day. tour dick. yes, i did it and proved that oceans existed, both as a means of transportation and

through music. we can cross these internal oceans. well, let's not stray too far from music. i ask you to continue to lead us on this journey. well, we won’t play the hussies, right?

well, grandiosely, we can say that a wind

instrument, what is interesting about breathing? this is essentially a cart for the spirit; it’s not for nothing that we talk about aspirated love and so on. then it turns out that the difference between those the instruments that you pavel brought to the studio are not only in the number of holes. well, many, many, uh, musicians, leaves. they say that it contains a wind instrument. this original human cries such a prayer. yes, prayer, and at the same time, breathing is also included here. here is the breath. this is the silent prayer that the hesychast constantly has: internal silent prayer. it seems to sound like this, but the power of these instruments plays turkic music, you appear sealed in a square. after all, this is a repeated phrase. this another pentatonic of these pentatonic

phrases. eh, there is a very complex system of some tones in e. in the ottoman language they are divided into nine parts, imagine, what kind of space there is, of course, i imagine, because in azerbaijan the shuks sings, so anyone who speaks vocal music takes their breath away, this is impossible there. such melismas, but, probably, she is also able to convey lyricism with these. well, well, my interest in it arose precisely in connection with byzantine music, because it was in ottoman music that they remained traces of byzantine music. well, our violin is idle. or you don’t intend to play on it, the time will come to do what you want.

a little

amen

what

did you say just now? and this was bach’s aria and the lord’s prayer in army language. is this the language the savior spoke? yes, the fantastic aria bach couldn’t sing. well, in fact, i took it from a notebook from anna and magdalene bach, that is, it’s for children. in general , my son once performed the play. here i am, when i heard it, i thought it would be nice to transfer it to this guitar. just on this as you know, the simplest chords are the most difficult to play on the guitar, and that is, it can be compared to driving over rough terrain in a sports car. that's good, then

here's the question. these are not toys, wind instruments, the city is not suitable for rehearsing, but in order to play like this, you must not just rehearse on them, but sleep with them, when uncle jaman became the first warpetto master in the world. this is how the mountains of armenia helped him. he went to the mountains and rehearsed there. here uncle john was an artificial master of making duduks too. who thinks i’ll say fuck it anyway, as in armenian it’s an apricot stick. here in the sense that after all, tuk is a turkish word, and then you will have to keep in mind, turkish melos, but still, the armenians don’t give a fuck yesterday. although it seems like we were saying the same thing, so he gave me a wonderful instrument, personally made by his hands. i tried for 2 weeks to make at least one sound. and when she met for a week, i understood. i wish i didn't have it. so he is my beauty lies in a prominent place where you and these

tutors are. how are you doing? nadya is neighbors somehow. so i started doing all this. my neighbor on the left side moved in with a clarinet player, uh, from above, that is, the old man’s wind players appear, that is , when i lived in india there, uh, neighbors, they, in principle, came out at night, and seemed to order, directly stew asked for a concert. that is, how do people perceive they understand that here is a musician and he needs to play. they brought gifts, even i had one like that too. i was sitting playing on the scoreboard studying somewhere there in the shed, and the owner’s servant came to me, and he began to explain to me with gestures, like, dear, you need to go to the mandir to the commander. that is, in the temple square. go play, you're sitting here for some reason. yes, it was like that, even our friends can carry drums. um, when did you go to bed? i lived there with friends like that. such a swiss indian family. here it is. they asked me to play

the violin. and we'll go to bed. that is, you are playing here in this room, and we are there in another room, yes, that is, that’s exactly what i liked, for example, this, of course, the sitar is its own here someone is actually a person, take the tarot, he plays it himself. but in india they really supported me, that is, when i heard a knock, the door, when i started playing very early, i think, well, now they will swear. so they say that you play so little. yes, we need more. why are you coming here? let's get busy. let me remind you that this is an anthropology podcast on the first, our guest is pavel pavin with his brilliant project, the light of night crayfish, what should we understand about it in this raga? it also has its own phases, there is a whole the history of dramaturgy there, yes, well, firstly, of course, this is a mode that has an upward movement and a downward movement. and

the interaction of these two movements creates an ornamental pattern. and one more very important point. this is the race, this is the mood of them , there are a lot of them, maybe this can be said once and the separation of the race in love. that is, they they are very different very many different these times. and how would it be when you are immersed, uh, musician, he conveys this feeling of state. and as if samara, it brings this state, but he must work together with the musician himself listen. yes, yes, this is a process of precise listening by the viewer. calf play like this, play like this for me, please, like this, yes, then it goes down. yes yes yes. this , for example, is a performance by a tabla player - that’s what it is. in general, it’s an interactive thing, because the tables come out. he always has to say, i will try to fulfill. now such and such a kaidu there, such and such a composition there, which i composed. maybe there is my

teacher’s teacher or there, which i composed myself, all sorts of things happen. so, in fact , my first teacher is quisha the bees. audrey he told me i was talking about this too. well, in general, since i had never seen this, and they didn’t understand what it was, and then in india i saw how it really was. well, i saw in my face at the concert that he was a maharajik, unfortunately, he had already passed away, probably five years ago. but then i was present at his concert, and i saw some old men sitting in front, and they started talking to him, and my friend said to me. look, he orders it for him. he says, play me from the 6th beat, please, chakarda, right here at the waist. well, something like this and he tried and it didn’t work at first, and then the second time he succeeded. so it's an interactive sense of music, right? let's play something else then. i would like to play one composition. it's called zaf-dil -

this is my composition based on the words of bhaudin. this is uzbekistan wow, this is bukhara, this was a sufi , to whom timerlan came, dismounted and listened to him, well, explain, who is usually this within islamic culture, this is a wandering dervish who seeks the truth and sufi in the east. they they were part cultures, they for example. it is believed that avicenna yes, he was a sufi. yes, i am bukhara, uh, this is the place where, uh, where bahuudin nachbad is like, an amazing place , people come there from all over the middle east. and this is a song with a few of his basic phrases. e. dil-bayoru yes with bakur e hands in labor heart in god

hallelujah

forever orange

well, here you can say, dear friends, it’s better

not to even say anything, but to keep an eye on the tour posters. now we have to repeat it again. that's right, actually, pavel is right. this is what needs to be said, but there are children in the country or only in moscow well, in general, there are a lot of trips , news with completely different different projects, and i recently came from krasnoyarsk, i’m playing with such an interesting very interesting vocalist gurude, there is such a project e he’s from a originally from sakhalin about such a he has interesting throat singing, and my mother is also from sakhalin. oh, so we go, uh, yuzhno-sakhalinsk. give it a listen, listen to the whole thing. well, who isn’t called guru? yes, listen to this, like ivan ivanov . please tell me, could you finish with something? this is for our meeting. well, there are, uh, we

would like, probably, maybe in the immortal words of kabir. it translates into a simple meaning, no, no matter who you are, a christian, a muslim or a hindu, if the lord is the wind, then he equally complements the sails of everyone coming to him, the main thing is to go. this is something worth thinking about. eh, for now he will listen to this composition. we thank you for your attention. may god grant you success in everything. what are you doing? well, of course, the main thing is health. all the best. thank you.

share tailwind. quiet, my song tell everyone in your heart secretly who is the only one for you. but no grief, no worries. you my friend, don't multiply. give a motive on the sly to those who

go on a journey into the distance. i was starving. mine never will be.

hello dear friends. this is a podcast free program with maxim tankov and today i have the most long-awaited guest for me personally, empress elizaveta tuktamysheva hello hello maxim well, finally you ’ve reached us, finally the schedule is very long now, because a lot of ice shows the season is over, let us down , the results of this season for myself. and the season turned out to be very good for me, i didn’t miss a single start, and

i was on the podium at all the competitions; i won two grand prix; russia started; i became the third in the last 8 years. and for me, this is a brilliant achievement, so overall. i'm happy and hmmm happy with the result of this season, because it was worthy. i consider, uh, some kind of start for myself this season. especially. well , maybe not the place, but your feeling. well, i think that this is the russian championship if we are talking specifically about competitions. uh, official figure skating. uh, because what happened on the russian call, i had different sensations, but very strong ones. and if we talk about some competitive programs, then this is probably for the russian championship because it is always exciting, but i probably haven’t been able to perform as well as at the russian championship for a long time. i felt this flow of energy. i really

enjoyed performing because i was in good shape and was able to, uh, maintain both my form and my psychological state. together, they didn’t bring me to the pedestal, so for for me, this was probably one of the most important starts. let's then return to the russian challenge, because since you yourself mentioned this start, how did you feel at that moment. ahh. to my surprise, i was incredibly worried, and we set up the program, it was fast enough, but there wasn’t much time with the machine. i had to work on ice, because we ordered a machine. it was the wrong size at first. he was very tall. i couldn’t physically be there, but i could do some tricks and literally in the last days. we found the machine with the correct dimensions. i was most worried about it, because it’s something new and plus you don’t know absolutely. how the studios will evaluate you. and that's most of all.

it seems to me that there was pressure and caused misunderstanding, when i am not in control of the situation, i am always a little hmm worried. that’s why there were such emotions, but at the end, and after boris efman gave me his figurine. i was completely delighted and had positive emotions. remained very important from this special prize from elfman than uh, calling troika. 100%, i don’t know what kind of heaven i was in when i was in reception. a appreciated my performance because he is a genius and legend. i respect him madly, and that’s what makes me feel good, and to receive such a prize, you ’ve been performing at the highest level for 16 adult seasons. i know that you are already

tired of this question. well, tell me about this motivation to fight with new young hot girls every year and stay at the top. motivation, as i usually say, motivation is the desire to improve and as long as you have strength. i have so much strength. so do you have uh desire or not? or vice versa, you need to think about desire, then strength. well, in short, there is motivation and strength. i don’t know in what sequence, but for now i’m in the mood to come to training, while i have some inspiration for some images. but this is interesting to me. and as long as a person is interested in something, as long as it doesn’t cause him some absolutely negative emotions, then it’s not that difficult. well, for me and therefore, if it ruined my health or

my life, i don’t like it all. of course i would have finished much earlier. and so, uh, basically, i just found, uh, a triple axel there. during morning training, this doesn’t give me any major worries. it's fun and has a great team, and we're doing our best. and this is what i like. so, probably, the motivation is to simply improve and create comfortable conditions for me so that i want this. a little provocative question - this is about the next season. what are your plans for a very busy schedule? i to be honest, i haven’t thought about programs yet. i want to completely reboot and understand what’s interesting to me, because after all, i’m 26 years old, and there’s only one thing for me to do. and hmm, i can’t do that and i need to understand now what i should do next , and it’s possible, and of course, i want to ride, but

i also want to develop and engage in some kind of self-development, so that after finishing my career, i can calmly change my occupation. i have one more point that i would like to clarify for myself personally: in moscow there is huge competition among girls, and in st. petersburg, but basically throughout almost his entire career. you were the only one, that’s why they call you empress elizabeth of st. petersburg. it wasn’t always hard for you, that’s why all of st. petersburg, here they are , girls following you. no, i don’t see anything bad in this for me, and never competition, either in a group or tough on an ongoing basis, it doesn’t help me that much. that is, i know that there is. and yes, girls who ride and jump very cool, if i want to go on

world and european championships, i have to improve, but it was in the uh training environment that it was very difficult for me, i think, because i can’t, apparently i’m a weak person in this regard, and i don’t like to compete with someone . like, here i am and that’s it, especially if they start comparing, i can’t stand it. here, look how she does it. i can just get off the ice better and it’s better for me to never say such things, what motivates you when the coaches scold you a little like that. or, on the contrary , they praise you more, not very much at all fine. i’m somehow relaxing, apparently, but at the same time, the chief is somehow acting very competently. he praises at that very moment, he doesn’t do it so often, but it ’s so clear that it gives me, on the contrary , inspiration, but he can scold, just

force me to do something. well, very politely, that is, shout at me or swear in some way. well, it's better this way. do it politely. well, you need to skate it arbitrarily. well, the season is coming soon after all. well, that is, now there is no such thing, and that’s who i am. well, yes. yes it should be good. and that’s how we are with this, everything is very it’s tactful that the chief with figure skating is alexey nikolaevich mishin, our professor. legend of the coaching workshop. and he behaves the same way with boys, and that’s why alexey nikolaevich has no girls except you. mmm, i don’t know why we boys have a slightly different approach. it seems to me that he can still be harsher there and use harsher jokes on them, but it works and it doesn’t unsettle anyone, so boys. in

principle, it seems to me that all of them are more stable by such an external factor and when they there is competition, that too. it seems to me that it helps them, because now we have four cool boys skating in a group. and motya zhenya sebenenko. and gleb fulin and mishka yes, and they did one or four things between themselves there, the other will go, she will do the fourth and this is good for them. what a good workout. good motivation to be a better coach. well , i think i’ll always have time to be a coach. and while i have it. eh, my freedom of youth is creativity. i want to. this is to a greater extent to be used. and the coach. just me i understand that if you become a coach, then i can’t imagine how you combined all this.

but if you are a coach, it seems to me that you too, you live by this and train your group day after day, trying, i don’t know, to achieve some results and there is no strength or time left for anything else. but this is how i see it, because i didn’t have a combination as such, because i know that they talk a lot about it specifically about my work, that i worked there badly, because i did everything there, but in fact i'm just coached, that is, i only commented on figure skating when i was at the same competitions with my own. yeah, there are other types, they don’t exist. i didn’t even comment, i tried not to take pairs, because i was unpleasantly biased against other pairs and in fact, in principle, especially in the last 2 years before the olympic games. i didn’t miss a single training session with the guys. that is, i didn’t have something that was directly combined and replaced. i didn't skate in the show, so i mean i wasn't seen in the show for a very

long time. well, the show is great here too it turns out. therefore, there is still an opportunity. i think it’s better to make the most of this time, and show projects. i don’t know, i have some ideas in my head, but coach, this is very difficult. it’s just she who will suck everything out of herself, so i want to save this energy for now, while there is an opportunity. listen , you’re talking about some kind of media development, yes, your own, but we have it now. now there’s just one square meter of figure skater, presenter. yes , this is also competition, of course i know, in your case, competition with the same people is the same everywhere

well, well, somehow i’ll have to be competitive, after all, in this case it was easier for me, because there was only lyosha igudin, and i, in principle, just took examples from him, i just saw that well, how professional he is in doing it there. i thought that maybe i can contribute at least 10% of what he can do due to maybe charisma or something else. well, you already have rivals. there are, but they are always there, but there is always a tv. now you are no longer the same as you were in '14. i've already learned. i have already become more confident in ourselves, so we'll see. if not, then i’ll find something else, there are always ways out , it’s important to always remember that you can always find some way out. look , you said that at the beginning of the season you always have some kind of goal, where you roughly understand where you should be. in this case, where do you think you should be? i don't know i host my own podcast. i

’m doing my show there at some venues and doing another show at some venues. it's incredibly difficult, but it's fun, the whole poem is some kind, but they're not podcasts exactly, but to make some kind of entertainment show. but it seems to me that i was able to entertain people , probably if i’m still here. i try to behave seriously, then in life i am completely different, but you know they confirm. well, uh, in principle, it seems to me that uh in figure skating. maybe it ’s developing very well now, and we already have a sub-cabinet and all sorts of projects. and this is just figure skating at the top level, but you can still make it even more entertaining, so that people not only come to watch figure skating, because what on tv, because they

only do figure skating and love it. but you just switch and uh find another new audience, like in basketball during breaks. they are doing great. cool exits. there will also be some kind of show at the fill. damn, i ’ll tell you all my ideas now, let’s cut out these ideas, we ’ve already tried them, even just a little bit. i do interviews while pouring. no, this interview doesn’t need to be done directly; it needs to be done directly. something cool, as it should be between performances. let's come and run please with you. yes, yes, something like a tournament, you mean. well, i don’t know, it’s just more entertaining, because we are all serious, this is a serious sport, we are still conservative and we need to bring a little drive of brightness. well, what we can bring with you.

well, it seems to me that people would be interested in this too, because they watch and they’re all like that. yes, it’s nice to ruffle them a little, but i don’t know, but it seems to me, it’s just always interesting to me when there’s some kind of joke, when it’s fun it's always catches attention. you somehow still rest on this. well, when it’s just there, either filling or constantly these ones. programs are monotonous or not monotonous , this husband can sometimes get tired in an ideal world. well, yes, because there are also athletes and coaches with whom it is very difficult to agree on something , and even elizaveta tuktamysheva on the free program podcast. we waited a couple of months. which there was no time at all. well, yes, this is in an ideal world, but i’m just telling you that it would be cool if we did something entertaining

entertainment is directly related to figure skating next season in figure skating in other forms, as i know how to combine, as everyone knows. who comments writes comments on social networks. we will combine, we will combine, yes lisa thank you very much, we are waiting for surprises from you. good luck to you in the new season. thank you for finally getting here. i think we had a really fun chat. thank you very much again. thank you, the conversation turned out well, in general, how 1 minute flew by unnoticed, a lot of topics were touched upon some interesting ones. i'm stunned. you were introducing me, but overall, it’s very cool, a good project. thank you. the king

of his saint