such an operation in nagorny karat by the evening, taking control of 60 combat positions, destroying almost 100 units of various weapons , footage of what was happening was published online by residents of stepanakert. sirens can be heard and the consequences of explosions are visible. zelensky, who arrived from a tour in the united states, spoke at the un general assembly, lied, and kept silent about the situation at the zaporozhye nuclear power plant , that the nuclear power plant was being shelled by nato shells, and complained that russia was deporting children from donbass, which is what he called the schoolchildren’s vacation. by the sea artek took offense at friends who refused to buy ukrainian grain to the detriment of their infections, but perhaps the most eloquent moment is his silent reaction to biden’s phrase, if ukraine falls, that is, the us president publicly allows this zelensky flew to the states to ask for weapons, but as polls show, more and more americans against financing. this is what congress barrel tailord wrote on social media. zelensky

is not the governor of the fifty-first state, but he has jubaiden in his pocket in the pocket of his sweatpants, at least. he could wear a suit and tie when he demands our money, but even then i will vote against it. until this moment, see you later. today we talked about the black and white stripes in the life of the great songwriter mikhail isaevich tanich, and we talked with the guys who are directly related to him. these are his favorite creations. the lesopoval group was on a podcast today 20 years later and we thank the guys for coming, we remember with warmth, kindness and with great

gratitude mikhail isaevich and all his legacy that remains with us. this is very great and now we will listen to the group lesopoval performing a song, again not typical for them, a song from the film big change black and white. who can guess the happiness?

that far-sighted hand stomp often simple seems to the side black white white black now forms, it seems to the obnoxious black white, white black. black white white

hello, i'm larisa guzeeva, this is a podcast letter. my guest today is the honored artist and artistic director of the tsaritsyno growth theater, but she is grishaeva. hello, hello, you have time to do everything. no? i'm catastrophically out of time. well, now i’m graduating students. i took a course at gitis. yes, you ’ll feel a little better now, but no, you won’t refuse anything to go to the cinema. i refused there was a period when i was invited to head the theater, and i took a break

to think about what i could give up in order to do only theater and there was a period when i didn’t act. yes, i needed to direct all my energy to the theater, and then, when the theater was already on track, and we ahh they started to take off. i came back again and started acting in films and on television , you know, i think about everything all the time, except for lyudmila kurchenko and you. even now i can’t remember anyone, when at the first time you say, it’s like an actress, as if you were born artists, and here are just two like that, maybe that’s why i play her, that’s why it’s because you’re bursting like this and in a different way i couldn't live. you can live without your profession. no. no, this is my air , especially the theater, which i cannot live without. and when i realized that you can’t, and i’ve been since childhood on the stage. yes, i know, and tell me about

the first time when you left the clinic with your mother, in my opinion, yes, i should have given it to you. yes , i was 5 years old, and uh, we left the clinic. it was the royal near the opera house. the democrat was filmed there; the photograph is on the wall. and i immediately heard music , grabbed my skirt and started dancing in circles. she immediately ran up to her mother. if you help, he says, i can have your girl in the frame. this is my first one. uh, i wasn’t with her, and you right at that moment. remember, yes, i remember. yes, i remember, and i remember, i’ve been doing solo concerts since i was 6-7 years old i arranged programs for my relatives, wrote the first number of the song, such a bass, i entered the graphic school. that's right, i entered ballet school for 7 years, and a music school, and then a theater studio, where i played my first leading role as a professional for 10 years. tell the stage of the odessa opera theater, but your parents blasphemed you, or it’s you, or

you’re in defiance of everyone, but you still went and signed up for these circles yourself. this means that this often happens most often, no, but my parents immediately realized that there was a geek in the family and, uh, they began to develop my abilities. that’s why my mother sent me here and there and there, and they didn’t tell themselves this banality. first get the profession of a doctor, and then fool around as much as you want. i don't know what's wrong with you. mom even went to moscow when she was admitted. i had such a homely girl. well, how was it possible to let me go alone in the nineties? you acted in everything, as we all do, uh, i came everywhere and when i went to the shchukin school i said, mom, i’ll study here, mom said yeah, yes, yes. i'm telling you, i feel it, i'll study here, and i slept for someone. i went to albert grigorievich burov. yeah, and then it turned out that my

classmates were on vladimir vladimirovich ivanov’s course. masha armanova. anya dubrovskaya is a hairy teacher. so what, you immediately entered shchukinskoye, my mother didn’t leave me. why and, because she came to the hostel and saw, and grandfather thought, yes, and said no no, you won’t stay here like mom. no, she took me back to odessa and entered the vocal department of the odessa peasant. i studied there for a year and whined to my mother all year, why are you ruining my fate? i can't. i want to moscow i want tell me, is there some kind of apartment with your grandmother, so she can look at the money with you. we lived very modestly, but it still worked out in odessa this year. yes, you know, private, yes, and i passed the exam in vocal and acting skills and the director of the music school called my mother and asked what your girl is doing with us. take the documents , take the child to moscow. and i came for the second

time. my teacher, professor valentina petrovna nikolaenko, recognized me and saw me. he says, my little bird has flown from odessa. where did you go, then that year, sit down 300 people in my place remembered me. i say, my mother took it away from me. she says, give me the documents immediately for the third round, and yet i stayed in the same hostel. yes, but what to do? and after college all the theaters wanted you? well, just everything not all, but three, uh, wonderful theaters and in lenkom they took me to the vakhtangov satirics and i chose, of course, my native bach tankov. it seemed to me that they knew me there; there was no need to know different things. oh no, i had to prove it again, like and for how many years. and it seemed to me that everyone from yuri yakovlev was carrying themselves in their arms. this is all it was much later. i played for many years, only small roles, tiny little ones. yes, yes, yes, for many years and i’ve even thought

about leaving for another theater, because here they won’t give me anything anyway, but in the end. uh, when i managed to break through and prove, this is a very long path of three programs. that’s enough for me, but still i’m incredibly grateful to vakhtangovsky for the fact that my partners with whom i played love were yuri vasilyevich yakovlev vasya semenovich, it was absolutely happiness. these are people who, despite their status, their stardom. yes, they were absolutely amazing partners. firstly, they are men, and you are a young girl with a pretty, uh, who suddenly fell into their tentacles. why not love you? you know, uh, i once had a funny story with yura vasilyevich in the play the three ages of casanova where i played him, and the last beloved francesca eats

everyone. and they warned me when they brought me in. well, the performance went on for a long time and they brought me in. i was told that yuri vasilyevich sometimes forgets the text and thoughts that suggest you should learn both yours and his, i sometimes suggested. well, once i failed to do it. he missed one word, and uh, hmm, everything was sent out to me. no, the meaning has changed. i’m even a saint of his poems, you know the fairy tale, there were two people, and in his more beautiful he and i say, brother and sister. he says, i say, that means you and i. igor vasilyevich forgets one more beautiful word and the meaning completely changes. he says, listen to the story. there were two people, she was his, and he was me, and he looked at me. what can i play in poetry? i say brother and sister, he says, hmm. i say, that means you and i and bury myself

in his lap, because we are both split, like garbage plays. that's all, when we were injecting drugs, they didn't notice it in the hall. they don't hear. they do not understand. it seems to them that this is how it should be, either because they are always attentive. not always, because i had another opportunity to save semyonovich. he just completely knocked me down, and he himself always told this story, and i played in the play frederic or crime boulevard. it was for his anniversary that he played the great french artist frederic maitre, i am his mistress with a young artist, a beauty for me in the verses of the forest. i come and say, good evening. i came for my evening kiss. he says, good evening, my joy. good evening, my sweetness. today, therefore, we were having fun, spreading our wings on the boulevards, showing off our legs, coming out of this is me , i say, yes, yes, 18th century france, and suddenly vasily semyonovich tells me at one performance, today, therefore, we were having fun , spreading our wings on the boulevards

showed off their leg as they exited the trolleybus. 18th century france, getting off a trolleybus suddenly why both himself and himself, of course we split up with lanova and if a friend yes, so that suddenly someone doesn’t know this oh well, they heard it in the hall. these, of course, are those who are partners, they will definitely hear there on the balcony, maybe the sound doesn’t miss, but the meaning doesn’t reach here. that's what oh well, it's hard to miss trolleybuses. do you understand 18th century france? oh, well, if semyonovich is a different story altogether, i was incredibly lucky once, and valentinosefovich loved my work very much. here, i even signed a book, and he invited me to st. petersburg to receive an award. he wanted to give me the figaro prize and uh, we went with vova simonov uh wonderful.

seryozha makovetsky i was at a dark performance, can you imagine, we left on the train in the next compartment and valentin iosifovich woof and vasily semyonovich lanovoy were riding and they invited vova and me into their compartment and until 5:00 in the morning larisa we were present there is such a modern word battle at battle of these two great artists, they read poetry in turn, and volodya and i were in a taxi, because uh, valentinovich in mostly know as uh hmm the person who wrote the epigrams, yes. yes, i know, we communicated very well with him. she didn't write an epigram for you. no, well, he said these words to me every time we met, that wings grew on me. just growing up in crimea

, i wanted to do something even more. and what amazing things he wrote, not epigrams, but simply dedication to the artists. he is long-suffering. faina dear slammed piano of sad notes, there are exactly half of them that were not played, it’s a pity. well, he went through it, i want to tell you in our brother and sister. and so, in general, you know that a lot is attributed. yes? yes, we were sitting with him at this award , seryozha bezrukov came on stage, and he leaned over to me , as he says, an epigram is attributed to me. i didn't write it. i love him so much. it seems to me that in the process he fell in love, for example, with actors and gave up a lot. well, i just said that it’s not me. this is also very boyish. i am eternally grateful to the vakhtangov theater for providing me

with such an amazing opportunity to communicate and work with the greats. when i came, my debut was the novel grigorievich viktyuk and in the play i don’t know you anymore, dear partners. and the makovets films sherin and lyudmila vasilievna maksakova i remember that i then plucked up the impudence and asked roman grigorievich. you arrange your bows so carefully, it’s a separate performance. that's why it's like that why this is what he answered me, i remembered for the rest of my life, he said 3 hours he gave them energy for bowing and took it back. i forgot, there was an exchange of energy. no problems for diagnostics, everything is clean consumables, spark plugs were changed, we changed them, that is. heaven don't guess at

love, let your heart tell you. handsome season premiere i remind you that this is a podcast of letters, and i’m visiting, but she’s a sinner. you sing great and move professionally. you are a dramatic actress, and you are a showgirl, and you are funny. you can be funny and at the same time you are beautiful, because, well, rarely does a beautiful woman allow herself such luxury. well, yes, be

funny, be ridiculous, and so on. this was shown by all your uh, wonderful parodies on channel one. i think that your most wonderful parodies are - she loved markurchenko. you somehow felt it and understood it. you have very similar natures, acting, very similar. i’ve never made a parody of it, never like this, i think i’ve seen it, no, it was e in the program one on one, probably it was one on one night, a short serious number that was kind of my kind. and now you are playing a play, say this is based on her, and this is based on two of hers. applause and lucy stop like this this is my favorite job the hardest physically and mentally emotionally probably because 90% of what i say on behalf of lyudmila markovna. these are consonant truths, right?

we have so much in common that you say, it seems to me that she is so prosperous, but she was married. well, quite a lot of years. well, yes it happened, so it was your second novel. if you want, uh, i’m forbidden to talk about this topic there. i'll stop, but everyone is interested in personal life. she's not like you. eh, stormy, like lyudmila markovna, just think, well, there are three of your famous novels moreover, uh hmm as they say, the first extreme marriages ended in marriage and gave birth to children. but lyudmila markovna was still better off with this matter, right? of course, but there was this long period when they weren’t filming and nothing happened. i started acting after 35 years. boris well, look, well, lyudmila markovna was filming all the time all the time , of course, but there was no level of coronation night . and there was no such audience recognition, but

she was filming, she was always doing tiny little roles, like how the colonel took me away the cordon she broke through and gave away. but there were no big roles, but there were no such main signs, and only then later did the beloved woman and the station or two appear. let's go already. let's go to work again. fate brought you a great deal. no, no one time. this is where our performance begins. i 'm talking about the one and only time she walked by backstage. and i because i idolized her all my life. i got stuck in a wall like that, and i couldn’t approach it, i was afraid. i have never spoken on television. now i’ll tell you lyudmila markovna starred in a cruel romance, uh, the film was based on ostrovsky’s work and she played

an actress from a small town. ildar alexandrovich cut out her entire line. so they fit in and i sat there doing my makeup. i was still young and i was scared, but somehow i was different from everyone and suddenly i was such a star. she said, as you say, so the surname is guzeev, change the surname . you will spend your whole life, well, act in an uzbek film, then she will be a make-up artist. we told him, there’s not enough russianness in this girl, remove her eyebrows. i never had the right to vote. i'm not talking about this i never told him in any interview anywhere. uh, and my make-up artist took hydroperite and repainted my black sable eyebrows red and there are, for example, frames. ah, well, i can see straight away, then they grew back. mine were getting dark. and hmm, they removed my eyebrows and made them red, and she also said, look, i’m thin, and i have round cheeks. and i had sunken western actresses pull out my teeth, and she said

for the suit, i swear. lyudmila markovna are you looking at me now? don't be offended. i’m telling the truth, and i couldn’t do it then like i can today. was to say the make-up artist. what are you doing yourself ? why? and instead of emphasizing the chips, they made me white, then it was difficult to spoil me, but that’s all they did. yes, you understand, and i was afraid of her. i was very afraid of her. so what i want to say is that our sister is mixed up. i wouldn't deify anyone. but here are such bright characters. uh, these are such bright people who, uh, go through their fate. of course, they toughen you up a lot and they shape you, and they’re more interesting to play with. naturally. well, who would you play , the wonderful vera vasilyeva with dimples? which to everyone, kindness and red play with fate, of course, lyudmila markovna has always been for me e with such a guideline in the profession

. it seemed to me that if i were to be an actress, then one like her, who might not exist anymore. just nothing but a dusty pavilion. well, i didn’t need anything, neither husbands nor children, but in words you say, you know, and i don’t need anything except the stuffy pavilion of the engine combat team and a wonderful state of bliss when it turns out what you think is worth it, well, put it here. art on the altar of fate. yes no, so you don’t have that much in common, and i draw conclusions and therefore uh, i’m alive, otherwise for me family hmm is a priority. yes, because i realized very early that life is primary, art is secondary. in general, when i remember people like paulo spekaeva, well , truly a genius, they left so hard. and they had such a complex and personal life

, and they sacrificed so much, especially women , yes, who sacrifice children and uh, don’t give birth and so on, but they still have to, old age, loneliness still comes and these are no longer there roles, and our roles end very early, because every day they come across, and new ones jump in and sin. you understand, in some we educate ourselves, so should i really agree with you completely? that is why i try to spend as much time as possible with my family. well , you’ve already managed to do so much today, so if you don’t act again, you’ll never get a course, you won’t go anywhere. you're already uh. look how much i managed. it seems to me that i still have so many plans ahead. and here, and do you think your personal life is happy, yes? but tell me, this

first trial marriage somehow fell apart, huh? through the fault of your husband, you did not ask for success; you were colleagues. we were colleagues. no, well, i just don’t want to talk about it. i fought honestly, but i couldn't win. illness, then you had a second man for quite a long time. yes, your love and your best friend, who doesn’t speak at all. now i have completely forgiven everyone, everything is fine. you forgive easily. no, it's not easy, but i'm working on myself. i know that insults are evil. and this is very bad for your soul, first of all from resentment, all sorts of illnesses, so i work on it and try to forgive. and when

i really forgive, i immediately feel such relief at a certain time. i was so stressed out that i just said, that’s enough. eh, i already have it. well, it's just not that last straw. i've already had it all poured out. and at a certain age i stopped taking a blow completely, that is, i have no skin left, and i can’t take a blow. no, i'm just dying. and i learned. it's just on the way i’m just beginning to feel the intuition of an animal. i just understand that this is where i will suffer. moreover, it’s scary. this is where i get hurt. and here i will die and you know, i say, no. no. no, he tells me , you are mistaken, larochka no, we will blaspheme you, cherish you, and you will only love him. but i know for sure that they are deceived and i say frankly, thank you. i can’t do it anymore, that is, if i was 30 years old, i would run away and think nothing, i’ll still be afraid of this volume, now this limit is over. it's good that intuition works, and i also have a very strong intuition and i always

know i feel, i have already learned to listen to it. and there were some stories when intuition helped, when they told you, but find it, but she will do it, but you didn’t do what you heard yourself and still do. do you remember and have never regretted it? i’ll tell you a lot of stories like this. a no , basically, the theater and i, when i left the vakhtangov theater when i was very seriously offended, i left. and only then a few years later. i understood why the lord sent these trials. if i hadn't left, i would not have been offered to head the theater. i would have sat there and continued, they said on shift at the theater, nonka is probably going crazy. who leaves such a theater, right? tell me, in a family, you have two children. um, how do you educate um? what is the main thing you are conveying? here i am, for example, sometimes

it’s not me who says it, it’s not difficult for him to explain it. let's do it this way. it’s simple, well, in terms of seniority, just take my word for it. um, because i'm older, but i just know for sure. well, because i don’t have time to explain this experience to you, just take our word for it, you definitely don’t need to do it there, through this door, you don’t have to believe it. now i say, mom. yes, cool, but very rarely i can say there once every 3 years. for example, you have something from which you directly shield your children and say, you don’t need this experience and will never need it, of course, that’s exactly what i’m saying. like you just believe. you understand what mom wants. so that everything goes well with you. here, just believe me, they believe there. yes, in general, in communicating with children. the most important thing is love and trust. the child must trust you so much that even if something, well, a catastrophically terrible thing happened. he still must trust you so much that he

must know that he can come to you with this trouble. what will you help? i had with my children, well, such a point of ethereal upbringing and dotted relationships, which i regret, there was no day and there was no night, so that i did not pray, did not ask them, well, for uh, forgiveness. uh, because i was afraid of not having time, i had no one to rely on, and i brought my mommy with me uh from orenburg and i had to arrange it all and break it down alone. i i understood that i had to plow. and if you already start plowing, this becomes part of your life further, when you get married and give birth to another child. and you seem to be protected. you still work like a horse. i missed a lot and i feel it, i have these bald spots. i can't fill them with anything. and no matter how i turn them towards me today. there are times when they directly say no. mom it's too late now. and you had enough wisdom and intelligence to keep your finger on

the pulse with children. with my first child. i am a lot i missed it, but i drew conclusions. i really wanted to achieve everything in my profession. but when i gave birth to my second, i said that’s all, stop trying. now my family comes first . here i won’t miss anything for only 10 years, and as soon as i said this, everything immediately happened in my profession. right away i’m like, how does this happen? but i still , uh, have a lot of work to do. i still tried not to miss anything with my son. tell me they are now showing you that they saw off september 1st. they didn't celebrate the birthday she promised for the new year. but they offered you a corporate party, no, but i refused. i hmm always birthdays new year always refused corporate parties

was always at home, i am my priority. mom, mom took it right away. um, as soon as i gave birth to my daughter 27 years ago, a year later i took my mother from odessa and my mother-in-law helped. ah, my mother-in-law died when i was still pregnant with my daughter, and there were nannies and my mother helped. everyone helped and then the second time, when i got married, uh, my mother-in-law, she still helps, my good attitude, huh? i remind you that this is a podcast of letters, and my guest. nonna grishaeva, you built relationships with older women, or everything was so great for you. well, this is how it happened . everything was not great with me since my first mother-in-law. and even

my own son couldn’t live with her, not like me, but what complaints i had against myself, well, there were a lot of people, but i was rushing about in the service. well, of course, and my son too. yes, yes, but with the second mother-in-law everything was different and there were no complaints, despite the age difference. i have family i accepted it right away. you bore him a grandson, wonderful, whom they adore. of course not, when the son brings his grandmother into the house, and she will not give birth to a single child or grandchild. but it would be offensive to you, it’s all offensive. but everything is fine with you, everything is fine, tell me the sword. you see, of course, you still can’t put it on. them, in general, you have dreams. i dream about grandchildren, of course, and i dream about roles, there are roles that are straightforward. here i am dreaming and keeping my fingers crossed. for god's sake, if it's not a secret, but filippovna is no longer there. no, thank god. no,

i dream about filumeni, yes, yes, i dream more oh no, in your hands. everything is your own theater. oh no, i dream of all the skills in the vakhtangov theater do you think that you can still have this romance with the theater? so i’m lucy where i play at the vakhtangov theater and you are on the staff of the theater, and they are under contract, i returned to the vakhtangov theater for a contract, they play in three performances, so listen, everything is playing in your power. and you have everything for filamena. yes? yes, everything is not so simple in the theater. and who are we, marcela? well, who do you want? well, who do you see? i see andrey ilyina yes, beautiful, but there should be something like this. this is such a breed of rap butler yes, uh, marcello, this is all of the same order,

as if the hero should be straight sugar and honey with cookies and marshmallow candies. he will be handsome, but not a little bit. the age is already gone, and the legendary performance of the vakhtangov theater where simonov played you remember him, but i didn’t see the performance and eduard defilip was at this performance and said that this was the best performance was lyudmila maksakova what are you talking about? do you know when eldar aleksandrovich came to for our graduation performance, i was removed from the role of the heroine because i missed a rehearsal there. she behaved badly. i fell in love and they replaced me with another girl. and the whole excursion took place above me, in my opinion, come, they came to look at you. and i knew what was on me. well, it kind of pissed me off that i had such a rally. and ryazanov then said, it shouldn’t be like this when on stage everyone wants a heroine, and in the audience no one knows what kind of

fantastic story i have. there was a big difference when he came to see. our parody of office romance. dima from burunova. i them he easily. and he said, this is a girl. i know she also parodied, imploring him in the garage. if i had known this artist before, i would have featured her in all my films. and my mother and i are already watching tv. we didn't see this. it's all editing. when my mother and i watched the program, we started crying during lunch. you can just imagine on the screen, you showed me great. i just remember how i hid from you. we met mark more quietly. how to explain on a swallow what is passing and he comes running and says, there’s an ultrasound of him . hide hee hee, i was hiding, because i think you ’re going to scold me, you’re too busy. do you remember i told you you