and in the end they injected me with painkillers and put on special tapes. and at some point i just felt endlessly myself. it’s a pity i remember sitting and crying in the locker room. i’m still tired, you know, chronic lack of sleep , all this has accumulated. so at that moment you understood what sport is? yes, i realized that high achievements. he is absolutely fugitive , and at some moments he is absolutely not oriented towards your personal feelings, because there is a certain path that must be followed regardless of everything and you don’t you can stop. you can't quit the race. you can't lose face. you can't let people down, you can't, in the end let yourself down i thought. okay, listen, so many people were riding. eh, so many people were injured and it’s okay, perhaps, you know, it was a slightly different time, because the project was 7 years ago, in my opinion, it was about eight years old, and now it’s hype time. and uh, perhaps by now they would have made some kind of tragedy out of this story and promoted it. oh yes, they

should have served it under something so dramatic. a then we somehow didn’t even advertise it. well, like, well, the sling is broken, cracked, well, big deal, let's move on. well, in fact, now you are talking about how you realized that such a high-achievement sport is not easy. and in fact, i, too, learned a lot from you, i want to say that before i increasingly regretted that i was used to living in a routine, that i need to sleep get up for the first training session eat sleep come to the second training session recovery sleep, well, that is i lived in a regime for many years. here some kind of professional life began. and your rhythm is this frantic, when you and i agree, when we meet at the next training session. and you say, i arrive from st. petersburg at 5:00 in the morning, the train arrives there from the concert at 5:00 in the morning. let 's meet at 6:00, and i'll fly to vladivostok at 10, like we'll drive for 2 hours, and i'll fly

there to vladivostok to perform, and then i 'll fly back, then i won't have a day. i arrive in khabarovsk from khabarovsk at 2:00 am. let's meet, let's ride there until 4:00, and at 8:00 i'm going there to vologda and for me it was in general, which is what i say, so take the sapsan, you say no , but i need to sleep sometime, so i take night trains to sleep, i don’t fly by plane from st. petersburg, i go by train to sleep. you paid for it yourself and for me it was simple, what kind of people are these artists, and since then, in fact, i have also changed a little in this regard. that is, i can fly anywhere there. the next day, fly in and work. yes , it’s hard there, but i don’t feel so sorry for myself anymore, because i always remember how it works artists, but you know me, then my friends asked. why did i think about you all the time too? why does she need it? for what? crap? a? why do you need this, to get to know you?

what kind of passion is there anyway, why all this? why this sport? for what? yes, you bet your life on this. what did this project give me? i saw how professional athletes live. i saw that these are people who work all their lives from early childhood, people who do not study normally at school , people who do not hang out as students. you're just with early childhood you study professionally from morning to evening. you have three or four ices a day, you have training, you have no time at all for your personal life, for any entertainment at all, for anything, for friends, and then, when you finally achieve, yes , something? the biggest achievement is probably the olympic medals, well, in sports. yes , it is so accepted that gold is at the olympic games. this is the greatest degree i imagine what a person feels. it seems to me that it’s crazy , no, but in reality everyone feels differently, i can tell you that i don’t i know what the main reward is. grammy

probably, yes, eh, what if you get a grammy there , probably, this is how you get an olympic medal, how will you feel if you get a golden gramophone? by the way, i already have quite a lot. and if you get it, now you would like a tv, i dream of you, but it never happened. i would be surprised. honestly, tell me, well, it’s impossible for me at all. let people hear us. you know dafi, if anything, you gave us a ride in the ice age to third place. give us a test. but for those who only joined us let me remind you that this is a free program podcast. i’m maxim trankov, and my guest is yuliana karaulova, you’re the host. who wants to become a millionaire of the cult program. and if you have any questions about figure skating. can you give me a hint? in principle, as the host of this program, i have no

right to give advice. well, wait a little bit there. well, it doesn't. clue. you can help a person reason, think , and ask him leading questions. does this count as a hint? well, okay, let's call it all in those words that you will do it for gold, because in figure skating, after all, it was already done somewhere in your heart. not in the question, firstly, uh, if i myself understand what i’m talking about, then in general, i ask some leading questions, as a rule, i understand, thank you. god's blessings. it all depends on what kind of question it is. how great is the responsibility in general, but as a rule, of course, if a person is lost, and if a person is difficult, it is difficult for a person, because a large number of cameras, a studio audience and one thing. you know the answer to the question when you're sitting in front of the tv and there's no one. the burden of responsibility of this pressure

is another matter when you are sitting in the studio, you understand that everyone is listening to you, analyzing your every word, naturally, everyone is afraid of seeming stupid, afraid of saying something wrong. that’s why i understand all this perfectly, and i ’m happy to help a person relax, but you get a kick out of what you do. you like being the leader. eh, such a great program. i really enjoy being a part. i really like it and i think you know, sorry to interrupt, the coolest ones in your program are that they brought back this topic. eh, with ordinary people, they are with stars. and when you have a chance to communicate, uh, with ordinary real people, it’s much more. it seems more valuable to me, or what? yes, i’m also very glad that they really returned to the old format, that ordinary people play, and i want to thank our guest editors, because from the huge number of applications they actually find real diamonds. we

always have very interesting heroes with their own unique fate, and with some interesting hobbies . and it's always super interesting, because people are very sincere plus up to the program. i always read the profiles of the heroes of all the heroes who are sitting, let me remind you that at the beginning we still have a qualifying round, we need to correctly arrange uh, some things. yes, that is , the sequence must be correct, and the one who answered correctly the fastest sits in the player’s chair. that is, in the end, per transfer i play with two or three people, but at the same time i study all six profiles. and i always it’s interesting to correlate the information that i received about the person before the transfer. yes, i read it through the questionnaire, and with the real picture that i see in front of me, so, naturally. i don’t just ask some specific, leading questions, because i already know something about the person, but because i’m interested in hearing how he feels about himself. he will tell him what he will answer, well, or to bring him to

some topic that was touched upon in his questionnaire. and again, everything that is indicated in the questionnaire, the participants tell about themselves, then there is no information there, you know, that we dug up and we want to touch something like that there, for example, no. we have a good program, thank god, and in general everything is good and good. and there is some special guest, perhaps, whom you just remember. listen, you always know it’s great when we come up with some funny moments. and when we laugh, when does this have to do with such a subtle art, when a person understands that there are some funny topics that can actually be dealt with in a good way other people in the whole studio laugh at this word, and he himself begins to pedal it. i always have endless respect for such people, i try to be like that myself. when, for example , i also come to some shows. i understand that if a person is there. and where yes, somehow there was a joke for a long time, i myself am the opposite. i make him say it, and he does it, because

in the end it’s spectacular. in the end, it’s great, and i always love our guests like this. it seems to me that this brings a little relief. well, it’s not like they’re setting it up, but you know they do this on purpose accents, you know what, then, for example, i ’ll ask about something like that, which then people will laugh at in a good sense, i’ll repeat this word. not to make fun of it, but just to lift the mood and really turn it down . it's always great. we met. when you were a super singer, then you became a figure skater, after that you began hosting a sports program on channel one russian ninja. that is, it was then that you became the host of a sports program. after playing sports. after that you and i went to who wants to be a millionaire. don't you think, dear juliana, that your career is on me? yes it seems that it’s already there, well , not that thanks to you, but i believe that i’m not saying that thanks to me you know. i believe that in general everything i have a little bit of fatality is not

accidental. i'm talking about figure skating and and this is all big and such a single mechanism in which every little screw matters. a cog and, of course, one pushes the other and that’s it. this. in general, a big, big lump that rolls, rolls and grows somewhere. i really hope to get around to it over time . that’s not what i meant, i thought i’d wrap it up a little with the fact that figure skating inspired you to such achievements that you not only became a highly specialized performer of your beautiful hits, but also became a tv presenter of such a figure show. yes, i remembered the pool scene. no, it's not connected at all. this is with my career. i’ll probably even tell you. unfortunately, it would be fun if there was something to do with it, but no, it's a long way off. interesting and also thanks to the project the ice age, uh, which took me a couple of steps closer to my dream

, to my result to what i have today and to the fact that i became part of the big family of channel one on the topic of media exposure of our athletes. why do you think our athletes of other sports are not as media-producing as figure skating athletes? well, firstly, because, probably, after all, uh, figure skating is one of the most popular sports, and the most spectacular, and with uh hmm, probably these, if we talk about the world level, the most, well, or some one of the biggest achievements. yes, there is something to be proud of, there is someone to be proud of, because our athletes are always very cool in this sport. we've already performed. there are the last yes decades. it’s pleasant when you drive something that you’re proud of; besides, now i don’t want to offend anyone. and i hope i don't offend you. still, what i saw is my personal experience, and the guys are in figure skating. well, not that they are more erudite, but let’s say they are more connected

specifically with the media sphere and with art . it was a great discovery for me that almost everyone figure skaters have a very good understanding of art , literature, and music. and, apparently, because you skate a large number of programs, including artistic ones. yes, there you are very well versed in classical music, cultural education, we have it, not that it is necessarily present at a high level, in general in our cheerful conversation today. there still has to be a fly in the ointment, so let’s talk a little about the removal of our athletes. e from international competitions. i know that in the artistic the sphere too. big problem, how do you cope? how do you artists cope without these international tours, perhaps, and where do you find inspiration for the desire to continue? and we, i think, have not suffered as much, in general, they have suffered compared to the athletes. my heart really bled

when i read all this news, because i can’t imagine. what does it feel like to spend your whole life working towards your olympic medal? that is, for you this is such a peak. yes , which you climb every day with sweat and blood. you put your life on it, eh then you find out one day that you cannot perform, that you are suspended or whatever, you perform with some restrictions. i don’t know what people feel, it’s probably some kind of total emptiness and disappointment. not just in sports, in life, in people. this is terrible. this is terrible. and i really wish all those. the atom who encountered this will still receive some kind of emotional return in the end, yes, from the results that they already have in the future. perhaps reach some other heights, but of course, i believe that this monstrous unfairly, because this is a great sport. this is an honest sport - people

who, through their physical labor and talent , prove every day that they are worthy. and why can't they perform? this is a big question for me, because in my opinion politics and sports. they shouldn’t be connected, i’ve already listened to you, yul thank you very much. i wish that you have only tears of happiness and never any other reasons make you stop smiling with your dazzling smile. i wish you to receive tefe, how better than my leader. thanks a lot. our guest was a wonderful singer, tv presenter and former ice age participant, or anna carlo . hello, i’m still dmitry bug, i still host a literary podcast with a very

catchy name. let them not talk. let today's issue be read by a very special one, because this year we are celebrating the anniversary of a wonderful poet. rasula kamzatova. it’s hard to say, he is a russian avar dagestan soviet poet, he is a poet of the planet. i am convinced of this and exactly that's why we decided to talk, perhaps gamzatore, anniversary year and that's why among our guests there are wonderful important people, first of all, of course. this is the daughter of rasulog zatov, uh, salikhat rasulovna gamzatova , director of the dagestan museum of fine arts named after. e. patimat saidov other gamzatova hello salikhat rasulovna. also our guest today is the actor of the moscow theater named after nikolai vasilyevich anatoly about the salon hello anatoly , hello, let's start, uh, salikhat

rasulovna and mmm. i know that self-name our podcast has some connections to rasul gamzatov. so tell me let them not talk. let them read. i remembered that i had such an incident with my dad on his eightieth birthday, they showed films about him. and i once saw him asking and he didn’t really like it, and then the schoolchildren came and read poetry from them. and i saw that i was very touched. and i was somehow surprised and asked him, what about dad? why were you here when the films were shown? you somehow didn’t particularly like it, but when they read it and you were so touched, you said it. why show me? so that it’s almost here there, let’s assume that our podcast is named with a quote from rasul gamzatov that but it’s nice, wonderful. well, of course you have absolutely invaluable

experience, because you grew up in a wonderful family. uh, artists, creators, and i would like to first hmm hear your story about your grandfather about gamzatetasa gamzata-dassa, an absolutely legendary dagestan uh, poet, figure, culture told or told you about him. who is this for you, of course, for me a hamsatz, first of all grandfather well, when i was born and was no longer there. he died. well, uh, that's why it's like that i perceive it indirectly, but i always saw, firstly, how badly i told my father with great respect and uh, i’ll try a very interesting poisoning. well, if you put it this way, yes. listen, what does he seem to hear, that when there is no father, he asks

a question. this is who i am now afraid of, who to obey, and as if he hears the voice of his mother, who is also no longer living, that he just wants us all to end her years and just listen to him, that is, this is his father for him. and you are such a criterion of what one should be and dad was very uh such a devoted son, he was not obedient , they said there, here is him. um, that's his sister over there. you understand that he was not a good helper in the house, so to speak, but he was a very devoted son and even tell a story that when he was little, his grandfather went, well, i won’t give my father a relationship, yes, hunzakh, and therefore, because that the father's healing. yes, yes, i even know the name caucasian, originally from the court. yes, little daddy always went to meet him, and one day

, hmm, in the winter, grandpa stayed late and dad he was sitting there waiting for him, and he was even cold, and uh, so to speak, my future other grandfather, my mother’s father, he walked and saw. this frozen child took him and brought him home healing, maybe this is where it all started, probably there is some kind of connection. he behaves very well around you. eh, basically a family. yes, here we are just saying, that’s what i thought. this is how the little boy sits, waiting, and he gradually falls asleep, but he doesn’t go home to you warmly. but he wants to wait for his dad. yes? this is so touching. that's exactly what we're doing we see, e gamzatsa dosa and khandula gaidar gadzhievna, and his wife and your grandmother and i think this is a great photo. look at the faces. and outwardly he was a very attractive man. he was such a real idiot, he was always smart

and there were a lot of people like that about him. eh, memories indeed. i have legends. he , uh, lived most of the time in the village, but then he was given an apartment, and on the main street of makhachkala, uh, and so on. it was lenin avenue, now it is rasul gamzatov avenue 4 near the square. and where is it there was supposed to be a government house. there was then a market there and the grandfather of many people who came to makhachkala and had nowhere to live to spend the night. according to this mountain tradition, he invited a guest to his home, yes, that is , workers who enter the house and so on, people who, well, receive some of their relatives, and just nearby people who ended up like this uh hmm without blood, probably, after all, not everyone led to themselves. my grandfather was such a person. he was left an orphan at an early age and was brought up in the house of his uncle, an arabist and

maybe, that’s why, as it were, seeing life from the inside out. but this one can do this, therefore, this is the cucumber code. he was very observant. this is also a very important story. now it’s the turn to talk about the museum that you head, the dagestan museum of fine arts named after patimat saidovna. and gamzatova well, here we see rasul gamzatovich. and if we also have a photo of the gamzat spouses of your uh, mom and dad. this is a wonderful photo of these cheerful people. tell me, well, this is our guy a very famous photographer, kamil senses, and he has some kind of photography business, then it means questions. i don’t remember, even this camille feels it or dad said, come on, that’s why she was in the kitchen and like, let’s take off under

the burka, and she also laughed like that. yes, burka is very big, yes, and he said just like that, come on, like this, so this is the main thing about the selection, because such an artist was laughing, he was very good at playing up the situation funny, and he called her like that. they've been here for mm hours when they filmed this, we didn't even think that it would be somewhere printed. so they somehow, damn it, bourke’s hat and tie, you don’t even notice right away, but it’s very harmonious, but the most important thing is that these people are happy. yes, because these from saidovna, of course, are a muse. e rasula gamzatovich is not only his wife, but his muse , the inspiration of his poems, and he created a museum there for her, yes, this is her brainchild. yes, that means we had a local history museum, and not in

1958 they made a decision to create an art museum, because by that time there were already a lot of artists and uh, in the thirties they transferred it to the local history museum a large collection of russian and western european art, including painting, and in 1958 the museum of fine arts opened. and strangely enough, although this is so. it would seem like a beautiful organization, well, until the year sixty-four. there were six shifts there. and here are about five or six or seven directors, 6 years, yes, practically. so why they changed so much and didn’t want to get involved in museums, i don’t know who these people were. well, that means very much . so they took turns and as if there was no person who wanted to do this, and mom went there and she turned out to be a very good leader, and she told the story herself. that when she came, she was surprised that uh, hmm , money was allocated for the purchase of exhibits,

and they were written off due to non-use, that, as if they were not engaged in this collecting activity. well, of course, this activity has developed and we have all the collections of decorative and applied art. very very good very good insult to not preserving, i’ll tell you items from the museum’s collection, as we are looking for here about 19. uh, now uh, 1,000-19,000 units. here. well, when mom i didn’t, i was 16 something great. well , only we have 7,000 units of silver. this is a special storage mode. yes, you and i know how to preserve things. well, these are 7,000 storage units. they were put together perfectly with her. we mentioned that we would listen to poetry today, and performed by anatoly prosalav. now this one has come and we will now listen to a poem, uh, which is dedicated to the mother,

but it’s called mother, because uh, mother for rasul gamzatov and in general, for people from the caucasus, this is, uh, something absolutely sacred. so anatoly prosalov reads his mother's poem. as a mountain boy, i washed away all your instructions with unbearable hearing in the circle of my family and rejected all your instructions with stubbornness from adults. but the years passed and i did not give birth to them before fate. but now i’m often shy, like a little kid in front of you. here we are alone in the house today, i no longer melt in my heart, and i bow my gray head on your palms. i'm sad mom. it's sad, mom. i am a captive of the stupid bustle and i have felt so little attention in my life, you

are spinning on a noisy carousel, wherever there is a little, but suddenly your heart will clench again. really? i started to forget my mother. and you lovingly bear the reproach, looking anxiously at me, you will sigh, as if you had inadvertently shed a tear, a secretly armored star, sparkling in the sky, flies on its final flight. do you have your boy in the palm of your hand? he lays his gray head, perhaps it would be appropriate to ask you. well, how did it happen that you began to read rasul gamzatov’s poetry professionally? what happened to you when you started reading rasul gamzatov’s poetry, what about translation? do you know if you were interested? well, in general, tell me this is a little terribly curious. you know from the other end of the family. yes, not from dagestan, but

from your side. it seems to me that like most, let’s say, soviet children. we all started with the cranes, because i am the grandson of front-line soldiers, my grandfather fought, my grandmother was sent to a labor camp, and the theme of the great patriotic war is very close to our family, and that’s why the song “cranes” has been heard since childhood, and always when you hear it, they fill you up with tears. well, you know the song, but even as a child you don’t understand who author and you don’t show interest in this, but already interest in rasul gamzatov and the realization that the song is written on the poems of rasul gamzatov i learned this in high school, when a monument to the cranes was erected next to the school in my native lugansk in the park at the tomb of the unknown soldier and there are quotes, of course, there is a quote, uh, there is a red army woman, turning into

cranes, a very touching monument. and there the quote is not in the ground. they once lay down, but turned into white cranes, that’s why i even speak and this melody sounds inside these words sound. you remember them, you probably know the most famous lines of gamzatov’s pickle and maybe, well, those that have absorbed a lot of meanings. it's not even literature. that's right. this is something more than literature. this is inside, and therefore without this uh victory day and makhachkala in dagestan was in makhachkala uh. here's an amazing story in 2010. we were on tour with the gogol theater, and uh, we already saw the monument erected, and the taxi driver, who uh, velosoft boasted and talked about us, and rasul

gamzatov, our famous poet tovarsky and lenin avenue were renamed in his honor, which is absolutely fair, and we wow, how interesting, and at the end of the tour , the administration of makhachkala gave a gift to all participants in the theater actors. it was a collection of poems. and then i read the collection for the first time, i already looked at some things and selected them for myself, thinking that maybe someday i ’ll read them somewhere from the stage. and now, actually , almost 13 years later. it's great that a good story has emerged, really. i remind you that i am dmitry tank here and now literary hint. let them not talk, let them read. please tell me about your dad’s journey, and through dagestan, around the country, through the soviet union, then around the world. they somehow responded to the family, he

brought gifts, told something about where he had been, who he liked to meet, because, well, his fame had grown. he didn’t tell the children that way. well, mom too, when they met with adult days, she somehow didn’t tell me. and i remember that almost my entire childhood. here we are, waiting for my parents went somewhere, came back and got bored, and i remember what the story is, my sister told me that he was a classmate of one of them, it’s so sad, something is wrong with my mother. for 3 days now i’m paying for the procedure . there she is crying, what should we wait? and you often have you, please, mom came back and said, i’m telling you, they had a fight at school that you didn’t sign my diary, and she signed it for me 2 months in advance. and another month

ahead. this is wonderful. you can get deuces, just kidding. here's a great photo the gamzatov family and here are the three sisters. yes, yes and again it is clear that these are happy people. yes , maybe tell your sisters, where you are alone in your mother’s older sister’s arms. and here is my sister, just a classmate who would not understand if she was crying. fuck why is she crying like chekhov's three sisters? yes, yes, let's go with tradition now. eh, let's move on to the author's section. e in this section we either read that something is from the classics of the 19th century. either we comment on some poems, also classic ones, or we show books; this section is called old book. well, it’s somehow not very correct to talk about the gamzator, as this book is about old books that are alive, which are with us, but still they were published a long time ago. here it is in my hands. eh, three collections. eh, rasula gamzatova is just off my bookshelf

. as is always the case, the museum objects are not in storage from the museum. and these are just my own books. just a few words about them here, and one of them is a book that was published, uh, soviet russia is distributed and a star speaks like a star, and for someone who knows, uh, poetry, it’s clear that sixty the fourth year is the year of the sixties. this is the year of popularity of andrei voznesensky, white akhmadulina evgeniy yevtushenko was so okudzhava and it is very important that in the sixty- fourth year. here in the same series of publications. uh, a book. uh, rasula gamzatova and this is a very, uh, important fact. this means that he is already in the circle not only of avar dagestan literature, but also in russian literature, and the second book , uh, which i would like to show, is a book that was published in a series of collections that meant high awards. here's to this book

poetry. eh, high stars. it's called the stars again. by the way, this is me, only now i realized, high stars. this book is published by a soviet writer. it came out a little later, a few years after the first, but this is already a book by a lenin prize laureate, that is , several years pass and rasul gamzata becomes such, and one might say, if possible, a recognized classic poet during his lifetime. but what should i add anyway? gamzatov has his own view and attitude, this is also gagarin’s flight into space and the name, and so on. very fashionable. this is a braid. so to speak, theme and he has high stars, but these are people , people, high stars. they would have been given to me only before you. great, what did you mention about this? i was born in the year sixty-one, so in my generation everyone was yuri, that is , there were a lot of yuri, because gagarin is an absolutely cult figure. and, of course, this title is in the spirit of the times and

the dagestan book is also very interesting. and again here is space as long as the earth rotates. by the way, the poem objects to him, of course. of course, i think maybe we’ll do it now. yes, that is, we see that it is no coincidence that this is the formation of the poet of the village and the planet, because rasul gamzatov is based on the values ​​of family traditional, rural mountaineers. he, of course, enters a different orbit if we continue this style; this book was published already in the seventies in makhachkala. but in russian, which is important. and translators may also be important. mention, and as far as i know, the translations were made into russian by his classmates at the literary institute, yakov kozlovsky, naum grebnevoy , and it seems to me that the wide audience is precisely in their translations, sunny and accurate. yes, it seems, and understandable to the russian reader. eh, i don’t know whether you’ll say this later or not, but i’d like

to say that it’s for the avar people. and rasul gamzatov did a lot. he translated pushkin’s poems and lermont, of course, and introduced them to them. here is yesenina. well, yakov kozlovsky comes to mind with grebnev, of course, these are classics, but they were translated by a lot of translators. yes, of course, the ancient casusans will not come like this , even such outstanding poets translated. e simonov and from birth. rozhdestvensky is here, that’s why they translated it and you can see the snow and or she nikolaevskaya i live with a classmate who translated for her on the street. yes, yuna moritz really did have a lot of people using this translation, well, well-known ones translated. uh, it was translated by marina anatolyevna akhmedova, also a very good poet and uh, she worked as a writer for many years.

now he heads our dagestan writers union. and now i recently translated the orutyun into a poem for my dad, that is, it continues, that is, yes, not what they translated. we are talking about transfers continuing, some people themselves transport dad and very unsuccessfully and for some reason from russian into russian, which is quite sad. yes, well, you know, on the one hand. it's sad on the other hand. this is slava, the people's poet. yes , anatoly, you promised us the elements. okay , i'm sorry, please. yes, the same ones as long as the earth turns. i drank the sun, like people stepping into the water across the highlands, towards the red sunrise, the red sunset, following in the edge of the steep and proud peaks, where hearts have a special fervor, i drank the stars from the speech of the mountains from the springs in the cold saws from the blue heavenly cup in

the green thickets and meadows. i drank air greedily. the sweetest infused with clouds. i drank snowflakes, where the paths intertwined over the steepness and i remember the snowflakes melting along the way , sipped by me. i drank a lot. when the ashes bake in the mountains, here and there, where the north is strong in degrees, i drank frost like they drink vodka, when i drank thunderstorms. whose glory to the lands? the road was like the top edge of a glass sparkling . the arc and again the rose hips bloomed, the prickly ones oozed, hops from the dark rocks, i , climbing the steep, inhaled the hop smells of the earthly beauty. i reveled, blessed her destiny more than once, fell in love, was killed, and drank songs as i sang songs. the nature of the human soul is complex. i i drank with friends at the same time, in an hour of joy, buza from

honey in an hour of sorrow, bitter wine. and if i drank with my heart, then i didn’t drink for fun and for those, i saw the ashes at hiroshima, i heard the festival and heard laughter and, blowing sharply, as if on beer, to blow away the empty foam, i sang the essence of life. she's not lying. it is true to life, the essence is i love and rejoice and suffer and drink my day to the dregs and again i feel thirst and that is the only fault of life, let me leave the world. one day i didn’t quench my thirst in it, but the earth turns to people. wonderful. thank you very much, i think it fits very well the nature of these lines. yes, this is a translation by yakov

kozlovsky, this is kozlov, this is kozlovsky , of course. kozlovsky is one of the best translators and think about it, what a poem, it really is a lot. yes, they are named here, and the photographs are very consistent with all this, because this man is flying. as a matter of fact, yes, and collections that are called to the stars and the stars are mentioned, of course, what does he see in the mountains. eh, in the caucasus the sky and stars are like unclean, so yes, this is a world of transparent air , such farsightedness and at the same time hospitality family kindness. also, what ’s important, yes, that means i just like this kind of poetry. there was even such a famous poem and song: yellow leaves, leaves, people are still falling. trampling with galoshes, trampling with galoshes in clay, or people have forgotten how much good these leaves were once crushed on them. i know that new leaves will grow and new gatherings will appear, but for

some reason it seems to me that the laws of nature are unfair. it’s so touching to write about these leaves. yes, and he seems to be well, something new or something well, autumn, i found them, they fell, that they still had no new feelings there, and he felt such cruel pity for these loved ones that people forgot how much good there was and emotions. once upon a time they gave me something like this. you even love the fact that alcohol understands that it is a law of nature. he says it's unfair. i think this is something like what he said about his dad and his parents. yes, which are the highest courts, yes, then what no longer exists, that is, we must appreciate what leaves people to climb and nature and the past. yes, there are a lot of these covenants. take care of your friends, he has them there, of course. and it’s more beautiful, and after the death of his mother, with such a poem, that this body is a living thing, who is no longer alive, rather than cry sympathetically with me, it’s better to feel sorry for your mother from all sorts of problems, from any troubles, protect

them at any cost.