you were able to make a team not only with your mother, but also with your former mother-in-law, this is a huge achievement. it's great. that is, in my opinion, you are rowing in the right direction because you are asking questions and experiencing. this is fine. we are people. we are designed this way and worry about looking for a way out. and i sincerely wish you that you find that harmony in your relationship with your children, when no one will be in slavery to anyone, and everyone will be a little more happy about what i have, well, maybe let go of those things that seem to us are not quite perfect. this was a psychic podcast in which we spoke with our heroine vera who came to us with a request that she was in bondage to her four children. and we honestly tried to find a way out of this slavery, but we came to a conclusion that was probably unexpected. thank you, dear friends, for visiting us. come again, i remind you. why do those who want to become

stronger ask for help? you are welcome to join us for a podcast. come to us for a light violin affectionate so gently in this evening. i'm so lonely, son.

a drunk neighbor, and in the eyes of lust, fear, a friend of the meter, an accident, mademoiselle, hello, rochelle is sick today. my soul will throw away my friends with me. well look people. well, let's play, my golden one.

let's take pineapple candies not for a bottle of pomegranates. come to us to catch up on the matter violin and so

tenderly this evening. i'm so lonely this helped. hello dear tv viewers. as you understand, today a wonderful artist came to our podcast melody of my life, hosted by your humble servant valery syutkin mikhail zakhar shufutinsky hello misha valerochka hello, thank you for taking the time. i congratulate you on your anniversary year. thank you for being on the program, i’m very glad. you are practically one of the first people i met upon returning from america from far away here, and you and i immediately met and immediately remembered everything and immediately

appeared each other. remember in childhood. we had albums. we came and looked at the photographs. this is why we decided to revive our podcast. here's to the arrival. e mikhail shufutinsky on the screen. we we will display photographs, and photography is like music, like melodies, it is a catalyst for memories, you remember everything down to the smallest detail, not only what is shown in the photo, but all these years are connected with it. so we begin. you were born in moscow. yes, i was born in moscow, this photo is of saltykovka near moscow. there were photographs at my grandfather's dacha, they lived there. it's called, and a chansonnier was born. that's what i called her. this is my mother. unfortunately, she was too early for him. they lost her when i was 5 years old. mom is no longer there. here she is a very beautiful woman, amazing, she will remain in my memory forever. oh

, he’s also the one who did my hair. pay attention, yes, look. i mean, these are the grandparents of my grandparents. here i am with her already young. well, they were absolutely amazing people. grandma was a great theater goer. she knew so much music. she went to the opera. she sang arias for a period at home. i just grew up on it, as if we were listening to this music. well, these are already friends with janitors. yes, yes, i even remember that this boy’s name was kolka. and i think first class. this is the kind of school uniform that persimmon was required for. yes, yes, well, at that time, music was the first melody that you remember in 75 years of your life on this earth. i learned to play an instrument, but more on that later. and this was your first instrument. yes accordion. i

just played and sang the song. there were only 28 of them, moscow well, that’s already later. i’m already an adult here, i’m about 14 years old. and there i was just starting and here’s the first song this is the march of young panfils , in my opinion, there were only 28 of them, and behind me was moscow is very patriotic, but i liked it. it was easy for me to sing like that, but here is this photograph, and who was dad by profession? dad came back from the war, went through the entire war to berlin, returned and entered medical school and he would become a doctor , he would become a dentist, then he was the head of the department, then the head physician of the clinic. in general, he has had such a serious career. i mean, well, he was a very famous doctor, he was respected, and both patients and colleagues also remembered valera, how in general, what appeared in my life. how is it that music came to me, dad, and after that the post-war years. i lived in

moscow on kaluga square. we had a huge barracks yard in the very center of moscow , we had about 50 boys of different ages in the yard and different people lived as front-line soldiers. eh, the former and those sitting are different. uh, foreigners. some lived, as if they somehow lingered after the war, in the soviet union. but it was very interesting and had its own specific life. one day dad brought home an incredibly beautiful accordion. i'm still just a boy. i was shocked by this instrument, these mother of pearl the keys of a trophy german folder accordion were very musical. he played the trumpet and guitar. he played it decided my life. i fell in love with music. in this case , the accordion became the conductor. i started studying and the teachers brought me. i started playing and ah, and i really wanted to somehow demonstrate all this, because only my grandparents sat down and listened

to me sometimes, my dad. and on sundays, when men gathered in the courtyard in our large moscow courtyard, sat down at a large table, played dominoes, drank beer, my grandfather i took him out by the hand during the day and set up a chair with this accordion. and i sat down and they played. and i also played, and i played. that's it, someone came down the hill. what you were like remained all these songs, i played. and this was my concert. this was my lucky moment of glory, because they even applauded me, they interrupted these knuckles. the dominoes were knocking. they started applauding me. so i remembered this story from my life. this probably tells me how you became a musician. and just like that, i fell in love with this, this feeling of that you are needed and what you do, people like the musician. e mikhail shufutinsky i remember perfectly that for the first time i learned that

there is such a person on earth because there was a song in the forest and you were the leader of the ensemble, so that it was not easy with a beard with a beard, in general there was a word. well, it happened much later, but i became the leader of this father’s ensemble. i was invited, but in general this is an ensemble known to everyone and they sang such incredible songs as they say goodbye to all train stations. e. do you want me to look into your eyes? here, yes, but we packed stadiums. you know , they just didn’t sing, of course, completely patriotic songs, but this is the very first group. well, in principle , i recommended vyacheslav dobrynin’s mouthpiece for hits there. yes, in this group of coats i was so fashionable, you yourself drank, i was then slender , ringing, thin with little hair at that time because

by training, i was a choir conductor, and with vocals. i had a normal one, but i’m not a soloist. and here is my elder son david, you see, he went on tour with us. sometimes. here he is sitting on this side next to me. david is now 50 years old. he has a recording studio in moscow. he works in the cinema and does it himself for the film. they started talking about children, so that they all feel that dad knows unconditionally. how many children mish i have two sons. two sons two sons the eldest david the youngest anton anton 2.5 years younger david yes anton lives in america because when we first came to america he was very little and he is more of an american, then later he served in the army. then he married african american. they have their own kind of different life just when i returned here. he still stayed there. well, he developed there. he graduated from university there. he. well, the rant there ended, in general, he

is such an american who speaks excellent russian. we communicate with him constantly. although i haven’t gone there for years. four years ago, grandfather mikhail zakharovich. how many grandchildren are there in seven? well, seven, these are two sons who tried, two sons tried, the eldest troy has two boys and a girl, and the youngest has three boys and a girl, and mish i interrupted at second to introduce the next song yes song from the newest. bomb, it came out this year. as a matter of fact, the song is called, since the entire album in black and white mikhail shufutinsky slammed loudly and can no longer be opened. i'm a stranger, you don't know each other, how

to live without each other. let indifference flow in waves of sadness, let only everything that has passed between us flow like a waterfall. i don’t want to let go in black and white, i’ll write, stop, stop, stop. whether you like it or not, i will always write us down in black and white. i just love you, that’s my whole secret. are you with every day the heart became further and further ahead of time. in this life i am again

a sad loser. fate's turn memories are knocking on the soul. i think i'm talking about you in black and white. like it or not, i am always yours. i’ll write our story in black and white. i just love you, that’s my whole secret.

that's my whole secret, i just love you, that's my whole secret. misha is the author of this song girl from novokuznetsk love alabaeva the poet is such a person, and when

the song gets into the repertoire they are sent by any means, they end up on the site in the mail everywhere. what's the truth? it’s not always possible to listen to them in a timely manner, but i try, i do it regularly, this song appeared to me literally 3 weeks before the album’s release. there was no title for the album yet. it was not the name of the album, it was planned differently, but it just touched me so much , this song sank into my soul, what did i decide? i definitely have to sing it. my agent contacted the authors because i didn’t know them and hadn’t met them before and said, mikhail zakharovich. thinking about somehow acquiring the rights to this song. they replied that mikha zakharovich sings, there is no need to buy anything, we will be happy and give it away with joy and pleasure. yes, yes, this is a rare song

that touched me very deeply. i immediately went to the studio. i immediately started thinking about it. in general, we recorded it, and it was included in the album, and it seemed to me that it was worth naming the album exactly, since the song and, in general, on april 13, on my birthday, it was released. in this album the melodies of my life are broadcast in black and white. my name is valery syutkin my guest is mikhail shufutinsky in your repertoire of songs and from alexander yakovlevich rosenbaum this oleg mityaev and now, i know that there is a very dear song about pashka, yes, uncle pashka uncle pasha uncle pasha , which was written by fedya solovyov of samara , an amazing musician, absolutely magnificent guitarist, singer, just so real. he and i are very friendly. this would also be very appropriate. the only thing is because it goes there. uh, the storylines of the song actually

take us back to our younger years, because that, well, we, as musicians , understand each other perfectly well what the delights of our work are with the love of the audience. it is always labor or deprivation of complexity. and here is one line in this song that takes my attention as much as possible . this is what he lost. eh, how did you wear out two suits during your first life? give me a suit and i lost three button accordions for weddings. yes, i lost my accordions, and in this volume is called the complexity that accompanies the life of musicians , three lost accordions are conveyed in one line. they may be lost for various reasons, but the phrase gives what i call the volume of time. from this time. we continue to watch the album - this is lesya's song. no, before that there was a period in my life in magadan when i stayed in magadan for several years as a muscovite. went to magadal. yes, as kokhanovsky

once said, “it’s not a stage, but just take off your hats.” do you remember? what did you say? he is vladimir semyonovich vysotsky. so i left for magadan, but for a reason, there were all sorts of events in moscow and everywhere it was such a difficult time. well, is it a philharmonic or is it a restaurant? northern huh? about why i was hooked by fedya solovyov's song three, i lost the button accordion once when i was a boy, i was still 14-15 years old. i played the so-called hackwork at weddings, sometimes they were invited, and one day i was standing on the phone talking to a girl, accordion, mine was standing in a telephone booth. i talked to her and hung up so excited, left the accordion in the phone, of course, he never returned to me. and when i heard, he had three weddings and lost his button accordion. it's about me. you just understand about me, all podcast episodes are the melody of my life. you can is it easy to find one

tv.ru on the channel one website? well, now uncle pasha mikhail shufutinsky uncle pasha the residents of our yard are non-puters, but a cheerful musician, uncle pasha, although he frowned in the morning, by lunchtime, having tied our fucking kushki, he brought it to a neighbor, as he always used. in his life he raped two suits and sent them. uncle pasha the sorcerer from children's dreams ordered everything that god wanted

to collect and taught. he plays the guitar for us yard boys. three chords to pick up a house in his pocket, he didn’t carry park tickets, he didn’t trust the authorities at all. he two suits rape and the wedding of three boyars was lost to the city event. his worn-out instrument on simple and honest holidays of the people’s house , he didn’t ask for a penny from anyone, he didn’t give at all, he never checked the sweep, we’ll wear out two suits and send

three bananas, lost, uncle. yours. oh, what can i say, it’s better to sing. yes, what was it that trembled one morning, he went out to smoke and didn’t run to the grocery store by lunchtime, and in the evening someone bled when he repeated the rape and the wedding. she’s lost yours too, uncle pasha is rolling time ’s arbat and she can’t be turned back. like this human destiny. he was just

giving a holiday to those around him at the plant, he didn’t push the plan, as much as he could . come and pick, he will rape two suits in life and send him lost through life. in life, two suits will rape and at a wedding three button accordions, then tigers.

at the beginning of the eighties of the last century , your arrival in america happened, firstly, if you find it necessary, this is the reason for this ten-year voyage. well, let’s look at some american photographs, and you can tell us about this period of your work. this is the very first one here, the musicians are wonderful i must

try to see something else besides what i see. here i did it america - this is new york, yes initially. i arrived in new york. and now, well, this is already true, this is already in los angeles, but the photograph when it was, which was before this new york, was also not not brodskaya accompanied by a famous one, whom i once saw off, i arrived, and he immediately me invited him from the tour. we went all over the country to jewish centers, russian centers, the tolstoy foundation, and i compensated her with this money. i bought my own first tool. there are also very memorable events in america. this is later from the paradise restaurant this is my orchestra, atamant it is international, you see here there is an american girl. here are two. here is one japanese girl , another american. sabrina, all our musicians are, uh, russian-speaking. well, in general, such

a strong team was very much a more russian team. as it seemed , there americans came to us at restaurants called spiritual evenings, we played this entire program, all the raspberry knees, which perhaps were all the moscow evenings and so on and so forth, and thus we left abroad on tour. and from america abroad to israel in different countries. i also want to say that all the artists are actually returning, then we need our stage again. and lyuba uspenskaya and the carpenters. he is probably a stranger to the beautiful and that’s it, and you would help a lot of people in the development of their creativity by recording albums. and i produced a team here too. this was already the arbat restaurant in los angeles. yeah , famous here too international american everything, here, this is a girl until now his wife sings, but next to her, and in the middle with smooth-pyatkovic, the most famous yugoslav

singer, in my opinion, has now passed away. and this is alexei zubov, our great amazing mechanism. yes, he played. in my orchestra they invited him for i believed that he was the greatest musician, an amazing intellectual, that patrice’s man was an incredible saxophonist. in general, the team was very strong, very strong. and the return return to russia to moscow was in the early nineties. eh, because the songs had already reached me and started coming back even then, in the late eighties, they began to invite cassettes here, and they persuaded me. i was somehow very wary about going back to the soviet union because it wasn’t so easy to leave. hmm, but they talked me into it in 1990. i went to several concerts, and it turned out that 75 concerts happened spontaneously over three summer months. in all sports palaces. i

think already at that moment i realized what our viewer had come out with. this is where we say, i said, i want here. i wanted to live life here, i told myself, i felt it, you see, i needed to be here, i wanted to come here, because i saw that they know me, they remember, these songs are all this. well, you understand. and again the podcast of the melodies of my life is on the air. my name is valery syutkin, my guest is mikhail shufutinsky and it is my great pleasure. i want to state the fact that there is one absolutely, uh, mysteriously popular, well, she is popular on merit, but her popularity is mysterious, because uh, 10 years have passed since the moment. how did the song get into your repertoire? maybe a little less and i'm talking about song third of september igor nikolaev, the author

of the poems, my friend always said that there was no, of course. this is a date that was pulled out of thin air because the phrase sounds good. third of september. fifth will be karelia second. here is the third - excellent and written by igor, the melody ends up in the album song. in principle, there is a good warm relationship with her, but some time passes and through the mysterious mystical efforts of people with whom i am unfamiliar and have never asked them for anything, they begin to turn this song into a kind of cult, someone with such a feeling we rewind humor with brilliant someone in different ways, but the fact remains that the entire internet is in memes, i feel good about shufutinsky’s hero. i want to congratulate you misha thank you the most important thing is that all normal people understand that hypertrophied interest in a particular song makes it popular, but if the song is not worthy, it does not live longer, it is a year

and a half or two, and the work is 30 years old. she came out in ninety-three and appeared with me in ninety-three and ninety-four. it was released in the album and in the song of the year now 29 we are on the eve, as if next year will be anniversary september, yes. 30 years of which 20 i’ve already been singing at concerts, and i’m told i’m not tired of it. and guess what, it's phenomenal. you and i know when we have to sing the same songs at concerts. you begin even at this time, what else are you thinking about? yes, i never get tired of this song, one of those that i just love, because i love it. well, what can i say, we were fabulously lucky , he pleased us with stories about his bright bright one. mish is a testimony of life. i you congratulations. thank you my dears. and i want to tell the audience. if there is such a second, and i am very glad that valera still has me

on the program today, because he is a wonderful person. a magnificent musician, an artist of the highest class, with whom i love and respect, and today is just my day of happiness, thank you, thank you. i wanted to say at the end. it’s a pity that the person who misha is speaking now didn’t come, but it’s like nothing valery syutkin mikha shufutinsky podcast melodies of my life listening to the song september 3 and let this meme, as he says, uh modern youth. may this work please us for many, many years to come. all the best. until next time.

everything is wrong, you are my friend. i'm your enemy. how is everything with you and me? it was accepted and we swore our love, but alas , a yellow leaf flew along the boulevards of moscow. september 3rd is the day of farewell. i'm never

completely alone. i turned the calendar over and again the third of september is in the photo. i looked at yours and again on september 3, but why, but why did we have to break up and everything was serious with us on september, but why, but why we still had to break up because everything was serious with us. september, your

daughter and my son everyone wants warmth and affection. we are in love, like in a cold game with you, but i came. i turned the calendar over and again the third of

september is in the photo. i looked at yours and again on the third of september, but why, but why did we still have to part, because we had everything in earnest on september, but why did it come to us to part, after all, we had everything. surrem and

again the third of september in the photo, i looked at yours and look. hello september.

hello, my name is dmitry bug. i the host of a literary podcast called let them not talk, let them read, and i and my wonderful interlocutors talk about this sweet, wonderful process, because reading e in many ways allows us to live another life by reading books. we observe landscapes, we see pictures of the past. we penetrate into the secrets of strong characters. we meet wonderful people. in a word, read. it's fashionable cool wonderful. this is absolutely not an outdated way of life. this is life itself, so

today we will have a wonderful conversation. uh, our guest is the famous prose writer sergei shurgunov. hello sergei. i am glad to welcome dmitry, and now, according to tradition, in the middle of our program we will turn to the poems of another poet, namely a book. so we continue our conversation in the next episode of the literary podcast. dmitry bak. let them not talk. let the wonderful guest sergei shargunov read. you remember, of course, our dear tv viewers, that i really like to show you books from my library. this time i brought you a wonderful book. this is legendary to everyone famous. uh, the collection of nikolai alekseevich zabolotsky called stolbtsy is the debut, by the way, the debut collection is the zabolotskys, who then, and became completely different after his arrest after his

ordeals after the repressions, and this is the publishing house of writers in leningrad, 1929, pearly beautiful book, in which zabolotsky, well , seems to be trying in a vestic way, or something, to somehow dismember a single picture of the world and show, but some kind of holiday that arose. right in the middle of everyday life, if not kopirosmonashvili. he’s probably a pirosmane, that’s how i’ll read it too a poem about football not only because i once played football seriously, but because i think this poem is beautiful. look how this game grows there at the house of some universal events. and how wonderful it all is here, football nikolai zabolotsky rejoices forward as he runs now , what does he care, as if his bones are protecting his open body, like a cloak flies his soul, the collarbone knocks loudly, and the interception of his

cloak dances. in the ear, the membrane dances in the throat of the grapes and the ball flies over the row. they grab him, poison him at random, but heels iron poison is worse for him than you, so glad they fell into a heap, the bindings are the defenders, the back, the defender. the bindings, swollen from the draft, fell into a heap. and now, across the seas and rivers , the expanses of the snow area, having spread out its lush armor and rooted in the meridian, the ball flies into the meridian , the forward rejoices at the fire, bending his iron knees, but a fountain gushes from his throat. he falls, screams, the treason of the balls spins between the walls, either it’s a ball, or it’s the globe, smoking, bursting with laughter, and squeezing his eye. good night. the peephole will open good afternoon and he wants to torture the forward

four goals. the pipes fall in a row above them and the trumpets do not thunder. he counted them and wiped the melancholy goal with a rag, kiper and shouted. night comes night, strumming the diamond shutter. she leaves a black key. a hospital has opened into the atmospheric hole, alas, here is word aids without a head above him, two copper spears, a stubborn ball being tied with a rope from the afterlife slab. the water flows into the cut-out holes and the grapes dry in the throat, sleep forward backwards sleep the poor forward above the ground. the dawn has fallen deeply , the girls are dancing at the dawn by the blue stream. all the wallpaper in the lilac house also withers in peace and grows old. mom sleep every day poor forward we live very important that this

poem was subsequently rewritten and edited. but this is an early edition of a wonderful poem by nikolai zabolotsky , yes. yes, when he was close to kharms kvedensky, as a group from albania , on the one hand, it’s hallucinatory, and on the other hand , a very realistic poem, we must tell the audience that dmitry petrovich and i are both football players and we had the opportunity, uh, penati, to pass the ball to each other in tolstoy yasnaya polyana history, when there were five or six fat ones in the clearing. yes, it was a wonderful thing. well, let's talk now about, uh, one of your main books, this book. here in my hands is one of her publications. this is a book called kataev's pursuit of eternal spring on the book of valentina petrovich kataev. how easy is it to guess the titles? what is the mystical connection with the hero here? after all, the author can’t just write someone

’s biography, maybe because he, uh, hmm , is connected with the yunost magazine, like you, or not only that connection continues. yeah, because that i became the editor-in-chief of youth after writing this book. maybe this was the reason why the yunost magazine came. well, i dreamed about him shaking hands, and then they called from there and said, listen, come by this time. they wrote the book, yes, that is, it was such gratitude, that’s how i perceive it. well, it’s wonderful, i must say that for me this is a wonderful, excellent stylist. eh, just a wonderful writer, and literature is artistic for me. that's the most important thing and i just enjoy it. e reading kataev a. blood and everything else. i wanted to unravel or at least try to somehow comprehend his action-packed life, he was both red and white , he was almost shot in the basement of the odessa cheka, on the other hand he is hanging as a product. this is

a whole story for the development of literature. he constantly gave way to the young, without him there would not have been many names in literature, as it all was, and i want to say that this book continues, because new and amazing documents come to light. i think there will be a re-release because it was opened for example, proto-interrogation and it turned out that at the same time, when he was sitting , that’s where i expect to be shot, his friend eduard bagritsky, the poet, was arrested, to whom kataev, in general, then gave a start in literature, that is, he brought him to moscow and began to appear in magazines and made him a famous poet. well, in general, there are a lot of important, interesting, uh, and here , yes, and in this book, too, i felt like a hmm thing. eh, just doing some research. and there are a lot of uh, unique letters here. and lesha we are further there and many

others. uh, there's evgeniy petrov, valentin's brother kataeva this topic continues, skating, an excellent writer and for me this is the main thing, but this is also a person. eh, who gave life, by the way, to the generation of young twenty-year-olds who then came in their youth. and here i want to trust his daughter evgenia, that same zhenechka from the seven-flowered flower, who says that dad would be happy with the life of today’s youth; this was already ukataev’s life later. here we are, our dear uh, tv viewers went through such a very wide circle, because sergei shagunov was a guest , no one will be about sergei sherburgunov. we we also talked about how a writer can and should write about personal will, about what he perceives in his creative solitude, and ended up talking about the writer who

organizes the process. eh, literary does. eh, a lot is everything for others , this is, sergei shergunov, and it is with great pleasure that i thank you sergei aleksandrovich for this conversation and i am sure that we will meet with you more than once. thank you very much. thanks from the support. so our dear tv viewers. it was a literary podcast. uh, dmitry bak's podcast is called. let them not talk. let them read today's issue. we spoke with the wonderful writer sergei shergunov, and together with sergei we tell you, consider it with pleasure. subscribe. holy love my lord, lord

lord stand on the earth oh-oh-oh