well, in creating any content, in addition to the necessary and integral creative component, you also need an organizational one, so the work of such professionals as stage managers and producers is one of the cornerstones of production within any industry. dear screenwriters. i am responsible for this part , the main thing is that the story makes the listener feel better, not worse after listening to the story , but better, laughed well, cried, felt better, saw some tragedy, decided to change the world so that such tragedies no more happened, these are all the criteria , everything else is from the evil one, well, that means so, state manager olga dudina, moscow, producer alexander gaptar, moscow,

screenwriter, a girl who has a very scriptable surname, daria suzdal, moscow, well, we move on, and it's time to return again to our new established special award, great masters. the competence of composers, in this competence there is no doubt a legendary master, whose works are familiar to all generations of domestic audiences and his music is a phenomenon of an entire era. his work evokes a wide range of emotions in several generations of listeners, from childish joy to sad thoughts, from melancholy contemplation to the desire to break out into a dance. people's artist of russia, maxim dunoevsky, author of music for hundreds of films, plays, cartoons and musicals. the most important recognition that an outstanding composer can achieve. and what

maxim isakovich achieved is when the talent and skill of one person becomes part of the cultural code of a huge country. great master, maxim isakovich dunaevsky. and to present the award , the head of the office of the president of the russian federation for public projects and the chairman of the organizing committee of the national open championship of artists’ creative competencies are invited to the stage. thank you very much for all the creativity, for the music, for the inspiration that you gave with your melodies not just to those who are sitting in the hall, the creators and the masters of behind-the-scenes professions behind the scenes, but also to thousands, and i think even tens, hundreds of thousands of young people who are based your music will make their own, no less i hope great works, thank you very much.

thank you, i am flattered by this award, this championship with such a sporting name, i think, shows us, the masters, and those who are performing here today, the masters, uh, can be confident that very talented, very worthy young people are emerging behind them, which will replace them, this is the most important thing. song, oh this evening, at the piano maxim isaakovich dunaevsky, during the day the city is like a city and people are like people around, but the evening comes and changes everything. suddenly, on the faces

actors, he puts on a mysterious make-up, and hamlet suffers, sings again, lyngrin, oh this evening, crafty steam, dressed forever , in the purple temple, the candles will go out, love will go away, but this evening, it will return again, again caramels, they bring slaves and wine. in the arcs that have been trembling

at the bottom of the ocean for a long time, the voice of distant but true love is heard again. that similar to the planet has not yet been discovered by people, ah, this evening, a sly move, forever dressed in a purple frag, a purple frag, the candles will fall away, love. love is coming, but this evening, but this evening, a lot will return, you cannot enter this world, no leaving a trace, and the evening wizard will remember us

all forever, and new people, in the distant unknown. when we are gone, we will be played on earth, oh this evening, wicked ma, dressed forever in the purple temple, in the purple temple, love is coming. the selection will go away, the newcomer will return with me.

in nagaska, love will leave in the evening, but this evening it will return to...

ahead is the awarding of the winners of team competitions in the field of cinema, our participants shot five films, but only three of them will compete for the right to become a champion. team competition arters, in direction of cinema are presented, a short film swallow, look what we are doing, you bastard, all aboard, all aboard, key to start, state sex, but i came to talk to your husband, it’s late, he ’s what, a short film, glad not happy, got sick with a boy van, as they say, apple from apple, you know, it’s a little disappointing that you didn’t share your secret with your mom’s friends, mom, short film, temporary musician, it’s me, vladimir lasko, i’m an unfulfilled musician, but i don't lose heart

i even tried out for the festival of author 's songs in the eighty-first year, to award the winners of the team competition in the direction of cinema... the general director of the presidential fund for cultural initiatives , roman karmanov, was invited to the stage. it is, of course, a huge miracle to be present at the birth of new stars, and of course, an even greater miracle is to see how these stars merge into teams, but an even greater miracle is to see what works these teams create. i congratulate the guys who won for finding their team. and created talented cinema, who is it? we'll find out now. so, the winners of the artsters championship in team competitions in the field of cinema are the team of authors and the film crew of the short film. rado is not happy. each

team is representatives of different competencies, which were determined at taurida absolutely by chance by drawing lots. and that's where the idea was invented. then in moscow. filmed, but here, here it’s already receiving an award, they say whatever you call the ship, that’s how it will sail, our film is called rada, not rada, but now glad, obviously glad, thank you very much, i hope that this short film will be a big step towards a great career for everyone here , thank you, at bigfest you definitely choose, one of five application products at a very competitive price, our sales were purchased on the new

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different seasons of the championship, but even within one season, because there are competitions not only for the main age category from 18 to 35, but also for the younger generation of participants, from 14 to 17 years old, this is the junior category. and about how the championship in this category took place this season, our next video: you know how to make our art, awaken their feelings, out of nothing to create a miracle with drawings, to play according to the script with light and sound, there are no limits to talent, all ideas are brightly colored, to the top along with the art, light, these are unforgettable emotions , this is something new, for me this is definitely not just an experience, this is for me already such, such a place of power, this is a truly gorgeous event and be proud that you came here, you represent the best creative forces of our

country, the zalats! it is this song that we, if you don’t mind, take for the factory group, when you look at you, you understand that everything is not in vain, you are great, thank you, a wonderful event and the only thing i would like to wish to all participants is, please don’t stop, don’t give up, what you are doing is very, very cool. we invite to the stage the first deputy minister of education of the russian federation, alexander vyacheslavovich bugaev. you know, we are all adults, we were creators in childhood, we are missing this moment, and it’s great that there are juniors who remind us how cool it is to create when you are still a child, thank you friends, thank you to our juniors, igor igorevich matvienko, right from the stage during the award ceremony, said the phrase that this is a cool song, this is a cool track, and i

’m taking it into the repertoire of the factory group, everyone has heard it, everyone has seen it. that's right, yes, they were witnesses, well, well, so, alena is now present in this hall, alena maksimova, a composer of popular music, it was in this competence that she took part in the junior artssters championship, and could she have imagined then what she is now will take place on this stage, the premiere of nesmeyan's song performed by the group. welcome, alena, this applause for you, i'm crying outside the windows, i'm a slirova in a minor key, and i won't smile at you for no reason, we need to play, continue these strange roles, and let everyone around me call me, not zmyannaya,

i can't tell you why i’m sad, it’s hard to understand, i drive my thoughts away on this moonlit night, i just cry again, people are calling me, i don’t care , i don’t care, i won’t warm up with you, i won’t dare stir mine , nights, nights, nights, nights, tears, tears, tears, tears, from the night, from the night, from the night, from the night, tears, tears, tears, tears, you know perfectly well why i frowned, check, i like you , look, it’s so obvious, i bite my tautly

scarlet lips until they bleed, i want you to think naively that i’m... defenseless, i can’t tell i can, why am i crazy, it’s hard to understand, i drive my thoughts away, on this moonlit night, i just cry again, not laughing, people are calling me, i ’m sick, everything will be my way, i won’t bite with you, don’t stir yours i dare, cry, cry, cry, i can wash everything, don’t

you dare, people don’t call me, cry, cry, cry, you come on! all deception, you will stir up your foolishness, alena sends us hearts, alena, are you satisfied? yes, you see, what a voice, we too, well done, really, i sincerely congratulate you from the bottom of my heart, i can imagine what emotions you are experiencing now, friends, all the awards in individual competencies have already been awarded, but there is still one more team competition left, a team direction. so, the direction is theater. artsters team competition. in the direction of the theater there is a mini-production based on the work of tom stopard rosenkratz and guildenstern are dead,

necessarily, if you like, killers, do not move, a mini-production based on the work of natalia rrezanova, other people's letters, and one and two, where to start? a mini-production based on the collection of fairy tales by alexander afanasyev, there once lived. and to reward the winners of team competitions. theater, the rector of the shukin theater institute, evgeny vladimirovich knyazev, is invited to the stage. the guys in the audience, the guys are worried, i’m worried too, because

theater seems to me to be the best form of art. and i would like him to the winner, who is in this envelope, and all the finalists who made it to this wonderful holiday. today with their art in the future they could amaze us and surprise us. so, the winner of the artistic championship of team competitions in the direction of theater, a mini-production based on the fairy tales of alexander afanasyev, was the director maxim lakomkin. it was a really swashbuckling competition, and you won this tough competition, who will receive instead of maxim, well, of course

you are a great storyteller then, congratulations to you it was great, yes, you say, thank you very much for such a high award and high appreciation of this outrage, which you have already seen on this stage today, but this, of course, is only a hint of the performance, in life there is not enough fairy tales, probably for everyone, and this project , which we lived, were, the audience will definitely see, thank you, and now the finale, dear friends, we declare the fourth season of the arters championship closed, thanks to everyone who was with us this evening.

my friends, we are accepting applications for a new project, artmasters regions, created under support of the presidential fund for cultural initiatives and aimed at the development of regional cinema this year, see all the details at the link that you see now on your screens, all participants, all spectators, all masters, all our guests, rise to the stage for a group

photo for a long, long time memory, although it’s sprung from a class of people, you decorate the stage, we set a price in the workshop, the first day, at the entrance, hide it from people’s eyes, you decorate the woman , we know the price of skill, you can do anything, well, thank you very much, it was cool.

i was thinking about dark things, the moon is grinning in the sky, and the stars are like worlds of arrows, catching power at gunpoint, it is again, love is laughing and gloating, and you and i are in the crosshairs,

with your hand you can cover your heart, you can fly and not be afraid of anything anymore, heart the cave is filled with soft wood on top, the bottom is stone, the bottom is stone, look, you can’t believe your eyes, there’s a black beast lurking in the sky , right next to your eyes... oh, i feel trouble for him, i didn’t know, i’ll never know, why he needs your soul, she even water cannot burn, but with my own hand, i will cover your heart, you can fly, go crazy, nothing else, your heart, vunika, on top

there is one, soft grass, on the bottom there is stone, stone pedo, the heart was on top, filled with soft wood, on the bottom there is stone, stone bottom. i will cover your heart with my hand, you can fly and be afraid of nothing else, your heart, two-faced on top, one, filled with soft grass, stone below, stone bottom, with my

hand, your heart, i will cover you can fly and not be afraid of anything else in your heart your two-link is on top with a soft grass tip underneath rock rock bottom rock rock bottom.

podcast 20 years later, host konstantin mikhailov and the promised second episode is just around the corner, here it is, we continue, but tell us how you worked with balabanov, you wrote a lyrical composition for his film, but look, i had the honor of working with balabanov very closely three times interact, the first time it was a phase just when there was - brother 2, yeah, we actually became close friends then, what song was it, and the story is the following, which means about a month before the premiere of the film, alexey balabanov calls me, so... we got together, as if we weren’t so friendly, he says: vad, do you have any new song, otherwise he tells me that the radio station is sending compositions, i listened to them all , something fits, but he says that there is a very significant place in the film , and nothing fits there, i sent him the album of the next agatha christie that had just been recorded, and he chose the composition never, since then this composition has been right glued with the hero of sergei bodrov with this

film and this is of course one of our biggest hits, which... the film should be a song by agatha christie and victor atsoy , the film group, we are in a stupor just finishing this album, and we, in addition to the old songs, we have done a lot background music from these works for the album, i spent about a month and a half at lenfilm, since i am a sound engineer myself, it was extremely interesting for me to mix it all 5:1, and as bandarchuk later told me, it turns out that we were the first in russia to mix music 5:1 in the film, and the third phase - already, when lyosha invited me to be the composer for his wonderful picture, it doesn’t hurt me, yeah, and there i was already making music from beginning to end, and by the way, it included songs from the peninsula album, from the peninsula project that i said, that’s it song call me sky, you were entirely a composer, and plus tracks

, yes, but i must say that alexey balabanov was very fond of sverdlovsk rock, specifically ural rock, this is very noticeable in the film, and he also shot a documentary film, documentaries and his first work, i don't have a friend with yegor belkin, that’s it... all his diploma works that he did, he always showed his love for the ural musicians and never ignored any group, it’s really interesting to me how he formed, just like vadim, he called all the musicians, guys, i have a place for a song, send it, because brother 2 , well, it’s clear, he’s just a legendary film thanks to the soundtrack, including, it seems to me, that with brother 2, you know what a unique incident happened, in general , balabanov’s handwriting is usually, he takes some... performer, this performer, sounds completely, and even quite ascetic, that is, literally several versions of songs, a little faster, a little slower, give or take, as for the film brodvat, as far as i understand, alexey was counting

on one composer , which should and something didn’t work out for them, things didn’t work out, and he urgently had to look for some kind of musical material, turned to just one of the rock radio stations, and they began to give him a selection of what was now, this all ended up in the film, i also think i i told alexey about this that i think that due to the fact that such a multi-genre soundtrack is only a plus for the film, some additional lightness appeared in it, it did not become so arthouse, and in many ways this can be an addition to to the success of this film, listen, but you’re not alone now, let’s say with gleb you scattered all the things you sang before into two vocals, how do you cope with it, look, when we perform the good old hits of agatha christie at concerts . yeah, we have a stage, we have five stage, and we all shout them, just everything , in the style, in the style of just the good old vocal-instrumental ensemble, so i don’t feel any shortage, in this regard, on the contrary, i’m very happy,

apparently from childhood i have this aesthetics, it’s where it’s at -it got in there, that is, when there are several men, yes, even in unisson, there is still something in it, it is something so old and good, well, not to mention the fact that if you sing the fabulous taiga there or something... at war, at a concert, well, actually, everyone sings, so if everyone dances , your films, yes, listen, yes, taiga horse racing is, of course, a legendary thing, it turned out unexpectedly, probably, you just decided, well , to joke, as i understand it, to play with the song, so yes , that’s right , it turned out to be a good joke, yes, i really, every time at the end of the concert we perform it, i look into the audience, and i don’t understand what kind of rage. in general, it happens to all of us, but i think the present moment is already a frenzy of memories of youth, people are just immersed in this, those same 20 years ago, when they were young, energetic, and i am very glad that at concerts we manage to reproduce this atmosphere, that these

people feel like that again, i generally believe that a time machine, to a greater extent, these concerts are this kind of psychotherapy, well, against the backdrop of yes, against the backdrop of this active one. very cheerful, perky music, that trance that is necessary, yes , listen, but there were foreign tours, how were you received, i don’t even say emigrants, but was there a foreign audience for the first time we went to foreign tour, just when alec was still working for us in 1989 to scotland, and what intense tours there were to germany, and to france, to bulgaria, to scotland, where we were only in cyprus, and we sang in russian. a test of your worth as a musician with materials like that, well, the forelocks weren’t surprising to anyone, but what i mean is that you just

go out and sing in another language, in russian, which, well, phonetically, in general, okay , it’s still familiar to the bulgarians, but for scotland there or france germany, but this is very unusual, so it’s like you’re taking an exam inside yourself. that is, you go out and despite the fact that i sing in a sound and language that is incomprehensible to you, this is my music, and when you see that people perceive, react and like it, they appreciate it immeasurably with what they have in large numbers there on their radio stations, this, of course, gives very great strength and motivation to move on, this period, this period of traveling to festivals and performing for that the public - this is a completely different story, it was a very good experience and baggage, because they were pleasantly surprised when the group came out during the opera period, well, yes, christie 's rock opera period, when they see, hear such a sound from the russians, for them it was .

reality and fiction, that is, on the one hand, on the other hand, they all really left with positive emotions , when they actually come to that concert from which they received the maximum positive charge, it’s cool, but there was no temptation to stay, you weren’t offered anywhere, you you know, well, alika had experience of working and living abroad for a long time, well, it was like that, it was, let’s say, there were attempts to change the situation, try to move on, say, but i just came to the conclusion that where i was born, that’s where i was useful, for in order to succeed there, you need to be born there and absorb this whole background, yeah, here is the gorky park group, they too, how they differed from the bandovi, well , relatively speaking, they sang and played that music, plus there was, that is, they played american such high-quality golemrock, moreover, they have as far as i understand, the authors took part as... as a productive producer

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