don’t spray yourself, leave the rats alone, the city hall believes that 3 million people can learn to live with furry neighbors. new plan to focus on the bloodsuckers. bed bugs are now the main city animals, they have overwhelmed the streets, subways, houses, hotels, newspaper editorials, such an invasion is caustically called the open door policy. and while the newly created insect control committee is deciding where to start its work, the network is flooding with an alternative. logos of the paris olympics with the main characters against the background of five rings. it is even proposed to change sports slogan: faster, higher, stronger, rat bug. china sets a new record for passenger traffic. on tuesday alone , 16 million people traveled by train. this has never happened before. people travel around the country during the eight-day holiday. residents of the middle kingdom celebrate the main national holiday - the day of the formation of the knpf. and

mid-autumn holiday. to cope with the flow of passengers on the chinese railway , 11,000 trains started running. the record was set at the chengdu zoo. view in 3 days almost 150,000 people came to see the chchima panda, which was used as the mascot of the world summer universiade. that's all for now, see you later.

i'm thinking about dirty deeds, the sky is grinning. the moon, the stars, as if there were arrows in the world, catching forces at gunpoint, it’s love again, laughing and gloating, and you and i are in the crosshairs, but with my hand, i’ll cover your heart, you can fly and not be afraid of anything anymore, your heart ... there is only one vurika on top, filled with light

wood, a stone bottom, a stone bottom, look at your eyes, don’t believe it, it’s hiding in the sky black beast, in his eyes i feel trouble, i didn’t know and will never know why i... he needs your soul, it can’t burn even water, but with my hand i’ll cover your heart, you can fly and not be afraid of the big ones brow, in your heart there is two faces, on top one is filled with soft wood, on the bottom there is stone, a secret misfortune, the heart

was tvuka on top, filled with soft grass, on the bottom there is stone, a stone bottom. i'm behind my hand, i'll cover your heart, you can fly and be afraid of nothing else, your heart, two-faced on top, one filled with soft grass, stone on the bottom, stone, its bottom, with my hand, i’ll cover your heart, you can fly and not be afraid of anything anymore, your heart is small on top, it’s... stuffed with soft grass,

stone underneath, stone bottom, stone. the podcast is 20 years later hosted by konstantin mikhailov and the promised second episode is just around the corner, here it is, we continue, but tell us how balabanov worked, you wrote a lyrical composition for his film, and look, i had the honor of

interacting with balabanov very closely three times, the first time it was a phase right when there was brother 2, yeah, we actually got along then and were close the story is as follows, which means that about a month before the premiere of the film, alexey balabanov calls me, so we got together as if we weren’t so friendly, he says: “vat, do you have any new song?”, otherwise he tells me the radio station sends compositions, i listened to them all, something fits, but he says there is a very significant place in the film, and nothing fits there, i sent him the album that had just been recorded then, another agatha christie, and he chose the composition never , since then, this composition, it’s straight glued with the hero of sergei bodrov, with this film, and this, of course, is one of our biggest hits, with which we complete our performance, here’s more, sergei bodrov was filming his debut film sisters, yes, and he met with us, with me, with

gleb, yes, and he came up with something, that is, he saw that in this film there should be a song by agatha christie and victor atsoy, the film group, at that time we were just finishing this album, and we, in addition to the old songs, we also we made a lot of background music from these works for the album. i spent about a month and a half at lenfilm, since i am a sound engineer myself, it was extremely interesting for me to mix it all 5:1, and as bandarchuk later told me, it turns out that we were the first in russia to mix 5:1 music in a film, and the third the phase is already when lyosha invited me to be a composer for his wonderful picture, it doesn’t hurt me, yeah, and there i’m already making music from beginning to end and , by the way, they entered there. songs from the peninsula album, from the peninsula project that i said, that's the song, call me heaven, you was entirely a composer, plus tracks, yes, but i must say that alexey balabanov in general was very fond of sverdlovsk rock, specifically ural, this is a very noticeable film, it is also a documentary film, documentaries and his first work, i have no friends with yegor

belkin, these are his diploma works that he did, he always showed his love for ural musicians and never ignored any group, this is really how he formed the same way as vadim, he called all the musicians, guys, i have a place for a song, send me, because brother 2, well, it’s clear, he’s just a legendary film thanks to the soundtrack, including, it seems to me that with brother 2, you know what a unique incident happened, in general balabanov’s handwriting is usually, he takes what -one artist, and this artist sounds completely, and even quite ascetically, that is, literally several versions of songs, a little faster, a little slower. plus or minus, yeah, as for the film brod2, as far as i understand, and alexey was counting on one composer, who should and something didn’t work out for them, things didn’t work out, and he urgently had to look for some kind of musical material, turned to just one of the rock radio stations and they started giving him a selection

of what was happening now, this everything ended up in the film, and i also think, i told alexey about this, that i think that due to the fact that such a multi-genre soundtrack is only a plus for the film, there is some additional lightness in it. it did not become so arthouse and in many ways this may be adding to the success of this film. listen, you’re not alone now, let’s say with gleb you scattered all the things you sang before into two vocals, how are you coping with it. look, when we perform at concerts - the good old hits of agatha christie, yeah, we have a stage set, there are five of us on stage, and we all scream them, just everything, in the style, in the style of just the good old one. this aesthetics she got in there somewhere, that is, when several men sing, even in unison, there is still something in it, it’s something so old and good, well, not to mention the fact that

if you sing the fabulous taiga there or like in the war at a concert, well, actually everyone sings, so everyone dances, from the same movie, right? listen, yes, the fairy-tale taiga is, of course, a legendary thing, it turned out unexpectedly, probably, you just decided to, well, joke , as i understand it, play with the song, yes, that’s right, it turned out... a good joke, yes, i really, every time at the end of the concert we perform it, i look into the audience, and i don’t understand what kind of madness is happening to us, to everyone, but i think the present moment is already a frenzy of memories of youth, people are simply immersed in that same 20 years ago when they were young, energetic and i am very glad that at concerts we manage to reproduce this atmosphere, that these people are themselves i feel again, in general i think that this is a time machine. to a greater extent, these concerts are a kind of psychotherapy, well, against the backdrop, yes,

against the backdrop of this active, very cheerful , perky music, and the trance that is necessary, listen, but there were foreign ones the tour, how you were received, i don’t even say emigrants, but was there a foreign audience ? for the first time, we went on a foreign tour, just when alec was still working for us in 1989 in scotland. and what intense tours there were to germany, and to france, to bulgaria, to scotland, where we were only in cyprus, and we sang in russian, before for the aborigines, then there were no russian diasporas practically anywhere, and even this was a big a challenge to us, that is, such a test of the consistency of you as a musician of your material with forelocks such, but with forelocks there was no surprise, but what i mean is that you just go out and sing in another language, in russian, which, well , phonetically, in general, is okay for the bulgarians.

exam, that is, you come out despite the fact that i sing in a sound and language that is incomprehensible to you, this is my music, and when you see what people perceive, react, and like, they evaluate it commensurate with what they have them in large numbers on their radio stations, this, of course, gives very great strength and motivation to move on, we are pleasantly surprised when the group comes out with an opera, well, the christites are the period when they see, they hear such a sound from the russians, for them it was somehow incomparable, it seemed like such a grotesque, this is a herringbone, this is a merging of reality and fiction , that is, on the one hand, they all really left with positive emotions , when they really come to that concert from which they received the maximum

positive charge, it’s cool, but there was no temptation to stay; they weren’t offered anywhere, you know, well, alik had work experience and living abroad for a long time, well, it was like that, it was, let’s say, there were attempts to change the situation, to try , let ’s say, to move on, but i just came to the conclusion that where i was born, i was useful there, in order to succeed there, i need to be there ... yeah, here’s the group gorky park, they’re also a park , how did they differ from bondovi, well, relatively speaking, they sang and played that music, plus there was, that is, they played american such high-quality glam rock, moreover, they, as far as i understand, and the authors took part in some way, plus then there was this red wave, what was called, yes, that is, there was, yes, perestroika, on this wave, and of course, the efforts of stas namin as a producer. productive, which is there, all this is done through big labels, through big

connections, and of course, as a producer , he made a big, very significant story that he managed to bring out, an english-language project, such a lesson in commensurate, and it remained quite bright, death occurred as a result of mechanical asphyxia, ordinary suicide, ordinary suicide, unusual place, experts said that the lock in unicanova’s apartment showed signs of forced entry. wow, are you investigating the death of a fashion model? the books are lost ripples, there are from writers to diplomats, non-creatures these games are committee games, something is impossible, but calm down, criminal investigation, various farce opakis, comrades are understood , the refrigerator is being inspected, a dissident, a spy, listen, zuev, we are being followed ? stray.

you yourself or don't make me angry? it was not by chance that the truck drove into mayr’s car, did they want to kill him? don't you understand who you've contacted? i can't scare me, i immediately check. sergei bezrukov in the serial film by valery todorovsky. bison: the case of a fashion model, premieres october 9 on the first. we continue talking, we have a group visiting us. christie, vadim samoilov and albert potapin, and you had such a locomotive, such a producer who would help you, push you, or do everything yourself, there had not happened in our lives such a producer who pushed, firstly, we would not have gotten along, because creative freedom was always important to us, yes, we had friends there,

investors there, my friends, who, thank them very much, who invested some money in our videos, helped, that was, but as for... what to sing, how to sing, how to record, we were always on our own , well, that is, there was such sverdlovsk self-sufficiency in each group, that is, no one ever used any services of producers, everyone was purposefully focused on their own business, that is, and you remember the first visit to moscow, performance in the program look, this is the first a ray of glory, which, and i remember that at first we performed with you, it was a big filming in falsehoods, we also had some kind of festival in the eighty-eighth year, we already started going there later we went, moreover, the kingdom of heaven andrey razbazh znamenny shot our debut video, viva kalman, yes we filmed part of it in the circus, and part of it was filmed directly at his house on the treadmill , those were very good times, thank him very much for

our contribution, the program look, naturally , did not bypass us, here in the circle of legendary musicians, again it’s worth being sad that now this no, thanks to the same marketing, we used to tell people, listen to this, listen to this, now people tell us what they want to listen to, and we are forced to give it to them, because there were three stations, and now there are 73, the same with channels, so narrow segmentation was inevitable , segmentation is the separateness of all of us existing, yes, this can be said about cultural processes, about the

media, about us in general about society, yes, so this is the collectiveness of us all into something of some kind. the recollection that we are part of one organism, nationally, culturally , socially, this is extremely important now, that is, this gathering, it is inevitable, we simply cannot survive without it, and new music itself as well , listen, do you have a formula for the perfect hit that will be perceived by all the people, well, just like most of agatha christie’s songs, what it consists of, i was very lucky. i found and worked with people who were at least interested in each other, this and there is, this conglomerate of creative personalities, which gives an absolutely outlet, you know, people who are unpleasant to each other cannot do something masterpiece, this is impossible, rock roll is first communication, then music, why, because this connected with the textual content, if

a person understands that you have something in your soul, then that’s it, that’s it, if in jazz really. first music, and then communication, that is, this is the entrance ticket, just as you can speak on an instrument, then in a rokonol situation it’s exactly the opposite, plus some concepts of things, of course, so i think that the best formula for a hit is a group of people who want to do something together that we recently had, that same rock-roll brotherhood, it’s more about the blues, probably this singing , is there really no such group where there are just damn good musicians, they played great, they recorded great. played a concert and left quickly, it’s just that there’s no shower, but there’s no soul, that’s the point, there should be exactly this chemistry here, human chemistry, so that people would want to do something together, vadim and i recently discussed that at one time when we were recording, we were already involved in this process and even despite some flaws, we were already proud of the fact that we

were creating something, that’s the only way, that’s the only way you can develop to a very striking works that really what is an iconic work? this is a striking event that is recorded in history, so i believe that it was precisely by arriving at such a formula for an absolute hit, as it seems to me, through precisely this path, plus, of course, we need to add to what we all say, russian rock, is he there? whether it exists or not, but i believe that it exists indisputably and its distinctive feature is that it contains that very mysterious, russian, which is called duusha, if let’s say there may be american british rock. content into something personal, it goes like this, then everyone starts adding it, our russian rock hits are born, so for us this is the state of the group, the state of camaraderie, the state of this brotherhood,

it is extremely important, but doesn’t this interfere? let's say, kitchen practice, professionalism sounds of the group, when, well, no, these are parallel things after all, yes, well, we in sverdlovsk were lucky that in our groups there were amateur authors and professional musicians, probably sverdlosk to a lesser extent than other cities, there was always a conflict between professional musicians , aspiring amateur authors, we had more or less all this well, we had entire communities of professional music school graduates, then they worked in restaurants, many performed in some professional groups participated in the life of a rock club, they helped amateur musicians perform, and this gave this interpenetration, that is, some kind of interesting creative idea, and quality. its expression in musical terms, class, if there was an opportunity, we would like to go back to 2000, on a certain day, on the best day of

your life in 2000, i would go to the premiere of the film brother-2, because at the premiere i just enjoy this amount of filling pauses with an explosion of laughter in the hall, for every phrase, i don’t remember this for a long time, to be honest, it was in a concert hall in russia. after each phrase, and there, well, it’s not a phrase, it’s basically gold, yes, the hall just exploded, and balabanov was so able to arrange these pauses, he gives a place for this laughter in the film, yes, that is, using an example, this just a bang, and then there was a concert, or maybe it was later, there is now a series of concerts, yes, dedicated to the film brother 2, which is now naturally relevant for other reasons, because many thoughts in our home in the world, yeah, well, for you, here’s the main idea from this film, well,

i believe that the hero created by balabanov and bodrov, the lyrical hero of this film, that is , danilo bogrov, is such an archetype of our national hero, something between ilyum muromets and ivanushka the fool, that is, on the one hand, he is... absolutely, well , unsophisticated, yes, he is truth-telling, he has specifics: right, wrong, that means fair, unfair, he has a gigantic strength, that is, it is not wasted on trifles, on the one hand, on the other hand he is ready, just to bite into it, if there is injustice, he has a gigantic spiritual strength and strength that he can use, so the truth, well, the strength is in the truth, the russians do not abandon their own in the war and there is a whole scattering of them still there, and even that farce

, which appears, but it’s a little bit in the handwriting, he, he’s still around a believable hero, this is precisely the fantasy of these films, i believe that, of course, danilo bogrov is the quintessence of the work of alexei balabanov, this image, and i can say , i travel a lot. from the age of fourteen there to the donbass, and i saw militias there, i saw there, uh, those who came as volunteers from russia, i saw the look of danil bagruv in the eyes of each of them, that is, it’s just such an idol and a banner of today’s times, that’s the most important thing there there is morality, and you talked with seryozha bodrov, how we made a whole film for bodrov, i say, about a month and a half. on vasily island in an apartment, balabanov, that means, taught him

how to make films, how it was in the sverdotsk club, what the atmosphere was, in general, he said almost the same the same words that we said here many times today, it was a very good, good time, and of course, the charm of sergei himself, being a superstar, how we walked with him through the ordinary streets. yes, very simple, with normality in moderation, so to speak, he was moderately sociable, kept his distance, i spied a lot of things from him for the future in the sense of how he communicates with fans with what dignity, openness, restraint, yeah , and as an actor he has very modest facial expressions, but at the same time he has a very warm charm goes, yes, i was also lucky enough to communicate with him and somehow very quickly, it wasn’t even me with him, but he got along with me, it’s just that the distance immediately collapsed, and he just...... well, there , like, what do you think, this is normal, i’m like that, they ask me, i’m really interested in my opinion, class, vadima, how did you select songs for the sisters, and for the sisters

did you select seryozha’s songs? yes, yes, he is a director, this is always the director’s prerogative, yes, he sees, then he can say, here some kind of theme is needed, i say, let’s take a theme, for example, from the song there, little red riding hood, for example, and from the album, gleb also actively took part in the discussion of creative moments , so yes, the work was so good, but we must give credit to balabanov and bodrov, on the one hand, they have a clear idea about the role of music, how it should be, yes, but they give a certain creative freedom too, i know. certain interesting, non-standard literary preferences, what is your favorite book, author? you know, i didn’t have that friendship with the artistic literature, like my brother, for example, well, naturally, i went through the entire school curriculum, but somehow very unexpected things stuck in my mind, for example, i was sick of bianca, but suddenly paustovsky struck me, it would seem about the same thing, yes , that is, about streams about nature, yes, but in general i was

a scientific amateur. science fiction and my favorite author stanislav lem, well, lately i’ve been reading a lot of philosophical literature, a lot of literature on spiritual development, so i continue to love physics, so i continue love quantum physics, all sorts of theories, well, pirilman - yes, i had a reference book at school, this is a person whom , at the age of 5, i just took the book out of my grandfather’s closet and didn’t let go of it until i learned to read the book. also, because i was wildly interested in this fantastic, entertaining physics, he was a great educator, yes, yes, and now there are also a lot of interesting things that connect quantum theory, and that is, macrocosm and microcosm, it’s all very interesting, in general, it seems to me that it’s civilized and all aspects of the humanitarian, scientific, civilizational, we are approaching such a leading edge, yes, when everything is already becoming on the one hand less more, at the same time, we have already climbed into the human genome, we have already climbed into the microcosm, that is,

by... it is not possible that humanity is approaching the brink of knowledge, so to speak, of all the subtleties from which god created it, but this entire universe, and here, of course, there is a huge danger, because, well, man is an ambitious creature and often falls into such pride, yes so great that i now i’ll surpass god the creator, whether you believe in him or not, someone created all this , you know the understanding, listen, and we have already created life like gods, this is a network, well , i don’t think that this is... life, i’m just trying to advance this topic, you still need to give a report, it already thinks, it doesn’t think, it selects options, and this is our emotional response when we look at the results of what it selects, as if we were inside we animate it ourselves, no, it is still not an inanimate creature, there is no need to deceive ourselves, that is, we really we are approaching this threshold, and we will either once again destroy ourselves as humanity , i am absolutely convinced that this has already happened on this planet, or we will jump over everything...

into some new quality of this same cosmic humanity , which will already go to the stars, because you can’t go to the stars from expansion, it seems to me that in order to survive and move on, people must transform their understanding of coexistence with each other. there is a russian spirit here, it smells like russia. we we are used to seeing mikhail zadorny on stage, at concerts or at some events, when he was in the image of what is called holding his face. he's nobody. in a broad sense, he was not allowed into the family, it was a strictly closed territory , for the first time we have the opportunity to see him as only those closest to him, his daughter and wife, saw him , the gatherings were always lively, and you are sitting in dad’s place, it happened, yes ? unique footage previously inaccessible to outsiders, there was this difficult period when he was treated abroad, michal nikolaevich’s sister, lena and

his first wife, velta, faced with the misfortune of grief and... did not unite, the three of them lived in the same apartment, cooked in the same kitchen and took turns coming to mikhail on duty, the daughter turns to him, realizing that he is out there somewhere , and he hears it, don’t take it as a posthumous empty compliment , my father’s feelings are more important to me, most likely at this sad moment, god needed you more for some reason, our exclusive... the family archive of mikhail zadorny. exclusive with dmitry borisov. premiere on saturday on the first and always on 1tv.ru. listen, what are you saying? now you read spiritual literature, some retreats, maybe some spiritual trips. of course i am in so many ways. in fact, many people are now interested

in meditation and yoga. they go on retreats , visit goli and all sorts of other exotic places, no problem, i came to the ball there and saw that there are whole large , fashionable restaurants there that are vegan. in which very beautiful people with very beautiful tattoos are sitting, all sorts of mermaids , space, crosses, something else, but then, when i was there longer, i found out, that this one threw this, this is this, that is, i am leading to the fact that knowledge of the system itself , the structure, but as it were, does not guarantee, there must be morality within all of this, that’s because knowledge of the instrument, how the world works, yes, how it works soul, how you can control some processes of your life. this is one thing, but morality is another , and therefore, why i consider orthodoxy very important for myself, because orthodoxy has this ethics and morality, no matter how we treat it, for some it does not sound

too, well, so conservative, and it looks, and indeed, if you look at the church, it looks, well, let’s say, for some modern enlightened person there, it may look too archaic, and i suggest to people who, well. .. some questions - after all, they pose moral ones for themselves, treat this as an institution of morality, first of all, how i came to understand what a higher power is, in general, what is meaning, yeah, i ’ve taken it up again for scientific literature and here's how once i read theory to them, i read string theory, at some point i had an understanding that all this is not just alive, but that all this is the result of a creative plan, there is all life in this, there is life in everything, this is... nomadism of a person - you know, makes us think that everything that does not have a brain, like the one in our head, is all inanimate, mineral, life has completely different forms, and a person must understand this in order to move on, all the commandments, they

fit into one phrase: do not do this to others the way you don’t want them to treat you, that’s it, all these kidnappers of goa and bali, they’re all the same, they’re all underneath it, they ’ll do anything, just love, love is not something abstract, that’s... they all say, the world is about love, there, love is what you should feel for the world, yes, thank you, albert, what kind of view do you have on me, in fact, i will say that i look at the world from the point from the prism of creativity, i believe that any creativity unites, it is spiritual salvation for people, and unites them as creative and non-creative people, absolutely everything, that is, our world is, in principle, one big, in fact , the creation of everything, everyone... in fact , came into this world to do something, to unite with someone , to leave something behind, so i have this attitude towards all this, that is , i am a person who relies on fate in everything, i am still grateful to fate that i

know vadim, i have a clear conviction, that after 30 years i’m going out with him, it’s just not, it’s no accident that i’m not now i play drums, i play bass and guitar, because vadim has known me for almost 40 years. and knows all my passions and love for the guitar and bass guitar and for all the creative musical emotions, my vibrations, you get multi-instrumentalism, so no one else would have given me this opportunity except him, i would also like to add these wonderful words, you know that we have the term creativity in general the word creativity has recently been to some extent usurped by the creative class, that is , creativity is a must to sing and draw dance. well, that is, something like this, although in fact, if we talk about creativity , if we remember the metaphor that god created man in his own image, creativity is in every person, absolutely, and what we do is one of

forms of creativity, this is art, yeah, but isn’t an engineering solution, an advanced one, not creativity, then you just get excited about a person, see some goal, want it, motivate yourself, take steps and produce something, right? this is creativity, it’s in everyone a person exists, that is continued, and strictly speaking, or this is a society uniting radio engineers, musicians , any people who are associated with some kind of creation, this is creativity, they create something, thereby they create the world, they create something , what does common humanity use, well, i think that the logical conclusion would be a song, this is something new, the age of aquarius, yes, maybe a few words about this song before we hear it, history, well - the age of aquarius - a very famous term, the age of aquarius has been known since from an astrological point of view, and from an astronomical point of view too, but there is a correspondence here, because few people think about it, but our solar system fluctuates...