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thought about it differently, well, no one said, like, the climate, you’re normal, actually it’s possible make a film on earth, why take the risk, listen, colleagues were divided into two opinions, some said, are you crazy, i would never agree to this in my life and so on, and others said it’s cool, i again i say, i already filmed it on the ground, that is, if i had already become uninterested on the ground, if i were to take some kind of next step, and if they told me that there is no chance of flying into space, you should film another space film, like this one, for example, only on earth, it’s not a fact that i would do it to do, that is, but when there is a small chance, you immediately grabbed it, of course not, you know, i have, i said this, but i have intuition and some kind of premonition and as soon as i received this call, i knew that we would fly, so i had a feeling that that’s it, i feel like, no, we were just looking for an understudy for a long time, well, you understand that it was formally one who came, the other? i

didn’t have the slightest doubt that i would fly, that is, as if i were telling you, and it was right away, it was possible without an understudy, it would have been in vain they probably spent money on him, although he is a very good guy, not a good one, he helped me technically, say so, lyosha dudin, a very good technical specialist, a professional, and there are very few of them in our industry, so preparing me technically is also a big job, which we did, together with him in baikanur, together with sergei valentinvich ostakhov, who also helped us prepare very technically, together with the director of photography of the film boris letchenko, which we also came up with together with him are the lighting schemes, well, that is, this is all this one way or another, the team that surrounded me, that prepared me, you remember, well , it helped you that you graduated from the cinematography, and not just the director, that’s for sure , or how do we say a technician who became a manager? on the contrary, i

am a creative person, creative, as if i studied a creative profession and there was a need for me, i felt the need to study the technical side of the camera, so as not to... leave it to another person, which you are not a fact that he has different eyes, another person has different eyes , but he may see something differently, he may, he sees the world differently, when he tells you, you can’t take off like that anymore, no, you can, i'm sorry, i know, yes, that's exactly it, that's exactly it oleg, i thought who chose all the equipment for the flight, we did it together, we weighed all the pros and cons of different cameras and it turned out that this is a compact camera, it takes pictures , not quite compact, compared to others, this is the most compact in general and at the same time giving such quality, what did you approach more in terms of selecting cameras for cameras, for example, or for personal belongings? oh, i also wanted to take something of my own, listen, well, personal things for you, technical cameras, it was important to take everything, that is, in the profession

it’s all the same, it was important to take everything, well, of course, me, when i found out what they give there only three panties for 12 days, i thought that maybe i should still take a couple of my panties, but what are you, why are you still not, this is the cream, this kilogram that we are entitled to for example, what did you take, maybe you didn’t take anything so supernatural there, i didn’t take underpants, by the way, i took extra underpants and t-shirts, that i took some t-shirts, which are already part of the tradition, well, tradition is a t-shirt, that is, we do you remember, we still have some traditions of filming, yes, we kept them, we took a firecracker, a small firecracker, brought it, returned it, no, your t-shirt that you wear on the first day is everything, the first day is a t-shirt, that’s it, i shoot all the films in this t-shirt, we took it, i also took pictures in it, yes, that is, some of my personal rituals, uh, i took photographs in general, then it was generally a fairly standard set, basically yes, well, you remember at baikanur, how we checked all these technical ones, with cameras, with all

the tripods, clamps, flash drives, us something had to happen, it wasn’t us who had to squeeze something, clean it up, but we remember something , we called moscow. to our requests, it’s true, it’s very prompt, really, listen, when we started, we were still ready , petito and i were actually getting ready, yes, yes, we flew away, and we, in principle, well, weren’t on camera we worked, we just read the text several times, you had some doubts about our acting abilities, we don’t pass the castings, which. yes, of course, i understood all this, well, listen, uh, no , well, of course, i was afraid of all this, these fears were there, but on the other hand, but on the other hand, you in general, duplicates, you should have play, okay, we need one more, yes, and three, yes, three more, three more, that’s when

i stopped believing, everything, everything is fine, everything is great, it worked out, you’re already exhaling , you’re done, unharness, no, wait, guys , one more take to consolidate, yes, that’s true, this is my technique, how i’m filming on the ground, i had these concerns, but on the other hand, the roles were written in such a way that you, in general , would play yourself in the proposed circumstances, then as they say, according to stanislavsky, you didn’t play any other person at all, you actually at the beginning , when i read this, i generally played a person, some kind of astronaut, didn’t say anything, i didn’t have a single word, didn’t say anything , it’s just that there is also a commander cosmonaut, everything, yes, and then he forced me to to teach these, well, a script is a living organism, it’s... never, well, i’m always finishing it, reworking it, adapting it, then we met, i understood that you talk like that, you need to be in the scene so that you say it , i understood that i wouldn’t change your organics, that is, you will be one way or another, you obviously haven’t changed in such a period, you, yes, yes, that’s why i actually

structured all this work with you so that you would be as natural as possible in those circumstances that the script offered you, well, you all coped very well and in fact, the audience... appreciated it, it’s thanks to you, you, yes, yes, under clear guidance, thanks to experience , some hints, cinema allows, and there are many examples in world cinema when non-professionals play the main roles , because they are simply suitable for these roles , or the script is written in such a way that it is enough to simply pull out of this person his natural organics, or there is simply no choice anymore when you arrive at the station, and you have no choice either, and this too, i knew that there would be no choice. v at the very beginning, i knew that i would not have the question of casting cosmonauts, i knew that you would fly, you and petya would fly, that is , that’s all, i knew mine, it was a given, and then i worked with this given fact you, i have good experience, i studied at an acting studio, and i saw how you can work with

people who are not actors, and how to get them out of them, then well, listen, every person is capable of playing one role in this life , really, that is, you no longer invite us to you, the only one who lives, i just know that, in principle , this person can play himself. it’s just a further question of the technique of work, why there are so many takes, so then, so that later, so that you can edit, one replica from this take, another from another take, a third from the third take, that is, this is what these takes are actually made for, this is not because everything is very bad, and for the fact that sometimes you need to have a choice later precisely because we had the opportunity and you, even with a squeaky heart, went for it enormously. the takes that i did were precisely because of this in

in the end it was possible to put this puzzle together and the viewer believed you, and at least some image of the station remained in your head, because as far as i remember, you worked from morning to evening, worked, filmed, filmed, filmed, then dropped it late at night all the materials, do you have at least something in your head, just about some evenings, about dinners, before landing it was a movie, it’s just real, i understood that klim, he didn’t see anything, if you say, they landed the ship for 3 hours before the start, yes, then we couldn’t push him in before’. well like i didn’t see anything, i saw everything, really, but only, well, i didn’t do it all the time, sometimes i did this from the camera, i remember the last dinner, we were still eating, talking, the wedge was just tumbling, something... then he looks out the window, and he felt such a kind of relaxation, why am i asking, is there any image of the station left, yes, it remains, i miss it, because it’s precisely because of this, because the fact that 12 days is not enough, well, it seems to me that even 20 would not be enough for me, well, i don’t know, you understand, 200, it is clear that you are already in favor of this

time, that’s why he didn’t come, what would you do for 10, 10 days, shoot a film, yes a series, why a film, series, series, series, listen, children are already born, he has all this, everyone quarreled, got married, it seems to me, i would have found something to do, but i don’t know, well, it seemed to me that a month, a month was what we needed. you were sleeping, well, of course, i remember, i was sleeping2, there was a cabin, i had a whole compartment , a vip sleeping bag, a vip cabin, a vip cabin, with two huge spacesuits on the sides, two rooms, with two windows, no, no, i had excellent conditions, i'm not complaining, you the spacesuits didn’t frighten me at night, they didn’t frighten me, no, on the contrary, they reassured me that if anything happened, i’d quickly get into this spacesuit, where i always go, you had some favorite place, here in the russian segment, at least, yes, of course , well, about big.

in the mlma, where everyone was sunbathing, petya then burned down, also burned down, burned down too, yes, this place , well, kind of, because this is the most viewable place on the ground at the station, it somehow attracts your attention, because from there you are observing the earth, i shot a lot through this porthole, so i know very well, but i actually shot the view through all the windows there, so i remember them all very well, i remember every angle, then i watched a lot of all this material, that is, i constantly watched this entire station. i saw, that is, i flew away, but i constantly rewatched this material, rewatched it, you know why , as it often happens that when i finish filming, then i don’t miss the actors anymore, because i see them every day in editing, so same station, i then spent so many hours on the ground looking at everything, this one take, not this one, this one is here, as it flies, so i know her very well , of course you are better, but once there again, i won’t need an excursion, well, you were in the dome, and i was in the dome. officially there were two times, officially there were two times, unofficially we were there three times, the third time

we were just before - before departure, already without cameras, we flew there with yulia and just then we just what is called flying, looked, looked at porthole, and without a camera, and without a camera, and so to speak, enjoyed this stunning view, hello, this is a space stories podcast, we continue the conversation about the filming of the first film in space with director klim shipenko, cosmonaut oleg navisky and i anton shkaplerov, you even filmed the excursion, let's see, come on, i just didn't

see it myself , to be honest, the toilet, a wonderful toilet, such a handsome man, everyone thinks, what kind of toilet, here is the toilet, here is the hose, well, figure out for yourself what is happening here and how to use it, we were trained, practiced, nothing worked out anyway, it’s still like the first time, that’s it, and we’re flying to the set . here it is, here’s the shot, we’ll shoot that here you can lower the phone like that. he will hang, rotate, film himself like this, oleg has flown, he has already filmed, and we are also now ready to film our final scene, dbc is doing, number 16, 14 16 daily conference, and i’m waiting for everyone at the crossroads, this pho, what is called

pho, i call it an intersection, where you can install a traffic light when there are a lot of people, according to it, here... i lived here, spent 12 days here between these two large spacesuits, here i slept, so here is my module, you see, since i fly, here it is, there a truck, basically, they throw garbage there, in general , i lived next to garbage, but it didn’t smell, the main thing is that it didn’t smell, listen. i remember everything very well, i remember every detail, because i was also involved in organizing each module for filming, so i tried to control every detail in the frame so that i understood that it needed, not needed, move it there so it doesn’t interfere, i understand, we asked you, if you took something here, return it back to its place, yes, then we spent two weeks returning it all

using the database, petya got it, is this what i ’m saying, let’s download the database, it should be there, didn’t i put it back? well, as much as possible, there was no time, now we can tell you, we didn’t honestly ask for the tank, give us 3 days, we’ll bring it back, because we can’t find anything, but they tell us something, i say, well, we have everything life here it was, i’ve been living at the station for 2 years now, well, the second year, it was lying here, it ’s not there, well, i didn’t throw anything away, well, i remembered dinner, so i remember klim is spinning, we are sitting at the table and klim is rotating there like a porthole, what - that’s true in itself, well, yes, besides filming, we also had personal time, well, personal one of these where you can’t look, either on the panel or behind the panel , navissky’s face is everywhere with the anniversary 5:00 in his favor yes, yes, yes, it was very nice when julia sang the song in belarusian, we specially learned it for you, we recorded it for you on earth

congratulations on earth, yes, i also remember there were such wonderful congratulations and then i called back to everyone and you received a file with these congratulations, you have it, not everyone really wanted to congratulate you, they really wanted you to feel so emotional somehow - good, everything is so great, you see people you don’t know, but you saw them on the screen and they played some roles there , but when they congratulate you, it just feels so warm in your soul, well, they were very pleased too, they really rooted for you our the film crew is for you to accept us, so in the end everything has grown together, so that you have a good anniversary, so that you are still cured, yes, so that you are still cured in the end, well , oleg was just lucky, i also had two anniversaries , there 40-50 years, but no one flew to me, that is, my crew and i gathered so quietly in the evening, but by the way, we have a tradition of watching films on saturdays, and since there was a climate there, we decided to watch your film exactly, it turned out that

not everyone, my partners and i watched yes, not everything everyone looked with such amazement, well, they were professionals. a couple of evenings i remember exactly how we had dinner and talked, and again we flew to them for dinner, they flew to us , well, i’m talking in addition to your anniversary , your anniversary, of course, in addition to i remember, but still i remember that at some point i said so, it’s time for me and went to reset the film again to talk yes, tell me, well , you and i are already talking when the film came out, was in theaters, now it’s out, we’ve already exhaled, on online platforms, how do you feel after of this film, your feelings have changed, just like ours, my feelings after the flight into space have changed, i began to feel differently, see the world, and so on, for me, i talked a lot about this, how do you

feel about yourself after that? experience, uh, after the release of the film, how it... became one of the highest-grossing films in the entire history of russian distribution, by the way already, yes, it entered the top ten, entered the top ten highest- grossing films in the entire history of russian distribution, as you you communicated with a lot of spectators, you fly a lot, they already know you, well you must agree that few people know about astronauts, ordinary people, now ordinary people have already seen a lot, i just wanted to say that now they don’t ask, it was you who flew into space, now they say it was you who starred in the film challenge, but to me differently, they tell me, excuse me, it’s you, our cosmonaut, i say, well, probably, but it was you who flew with yulia perez, i say, no, strange, it’s so similar, i say, it was she who flew with me, you weren’t there you're confusing, and so people began to find out, well, that is, did the film, in your opinion, popularize space and you like - astronauts, well, i think i would like it to be popularized.