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when people want and what they don’t want, you want to live a new life, they are not allowed to work, they are dictated that they live a virtual life, it’s hard, and it’s hard to see it, i can understand that because of this, many people fall into despair, in what- then our idea of ​​music is dying, it is deeply saddening that art is becoming less and less important, by its nature, it has always been somewhat ephemeral, but at the same time it evoked emotions, i miss that. that's why i

collaborate with others, that's the very essence of music, the inexpressible feeling of creativity. floating in the air when you play with other musicians, it’s hard to find words, but this is what i love, damon ahlborn is 53 years old, he is thinking about new projects, and lives by creativity, as long as the earth believes, he will have something. he will write songs and music for us and for himself. sometimes some themes, ideas take a very long time to mature, they need time , for example, the last album of the group the good,

the bad and the queen, after its release in our country it was not heard, but abroad it was received much better. there are these words in one of the songs: use it while you can, soon everything will be done will change, i didn’t think that this could happen, it’s strange that you write these words, and a year later it arises, this is exactly the situation, i think, sometimes. it’s important to write for the future, and if you write for the present, there will be no such resonance, i’m built this way, i’m slow , i once said, don’t listen to me now

, listen when i’m gone, only then my words will make sense, i’ll always it seems that my work is not finished, that it is... imperfect, although not necessarily bad, i love writing music, this is my life, written and directed by adrien pavilard, producer remy rebuyer, composer frédéric roux, cameraman jacob prout, the film was dubbed into russian by the film company abvi, commissioned by channel one. hello, this is the podcast mount with fire, and i, its host denis gorelov, with a story about

the main trends of national cinema, a digest of the most important national film innovations of the last 30 years and the extent to which this influences the current state and development national cinema. the country is developing quite intensively, but we live closely; since last year we have already started in my opinion, the third period of national development of a sovereign country, and the first took place in the nineties, it was a time of absolute anarchy in the complete absence of the state, such a process often happens when there is a change - social something similar happened in the world during the great french revolution and us during the october revolution , the state is slowly dying out, a new one has not yet been born, so there are problems, and the main spokesman for this time, according to

the general consensus, turned out to be alexei balabanov with the film brother to all the rest of his paintings. can you imagine how much time they spent in my apartment? how much vodka did we drink together, all the musicians hung out at my place, i was the only one who had my own one-room apartment, well, my own, all the musicians were jostling in sterlovsky, everyone fled there, somehow and when, well, when everyone left, it was in these conditions , in fact, a new stage in balabanov’s cinema began, he began with productions of kavka and becket, i was very interested in siamese twins, i read books about them, there were also czech girls, the same ones, well, that is, i was wondering about

everything so ugly, i suddenly read about these, you know, i didn’t know, about the fact that people are masochists. year brother came out, from that moment his cinema began to talk about a man maintaining self-respect in the complete absence of a state apparatus, the word man is very important here, because all the feminist heresies of that time still came from a post-industrial society from a push-button economy, which, of course, equalizes men and women, in our situation, where strong, there is still a strong

share of physical labor and there is no one hundred percent security, therefore, when protecting neighbors , sometimes it is also necessary to use physical effort, women in these conditions always lose, simply because they are not created for any physical effort. atuyara, sonboy, the main character of the film is dead. and in georgia 200 he has extremely nice characters. southeast in kochigarh the main character, as well as in the failed film river, in which all the characters died in a car accident, then to southwestern and caucasian asia, he was quite ferocious, for which he was actively criticized and persecuted by the domestic liberal intelligentsia, and the world community, the cinema community, simply did not take his films into competition. something even happened here.

it’s a paradox, because not a single picture of the person who held the palm of the national film championship, within the country, participated in competitions at international festivals of class a, in cannes, any of balabanov’s next films was sure to go to information screenings, but he was never accepted into the competition in his life, simply out of fear , what maybe someone from the jury or cinematography will like this movie. everything can be expected, they will take it and give the victory to balabanov; from the point of view of western cinematography, it was completely impossible to allow this. there was very little money, practically none, for film, for camera, but i filmed in all the places where i know something. seryozha, an unusual, very such a character, and then we sat on the beach, in a cafe we ​​drank beer, i don’t remember,

it was during the day, it was sunny, it was a day, i told him, let’s make a movie together, just for the money not it will be, he somehow simply said, come on, that’s it, i didn’t take him as an artist, but as a person who, well, together with... i wasn’t a director yet, i was so big then, although i had already made three films there before this, professional, i mean, but i didn’t feel like that, balaban probably didn’t give a damn about it, he stuck to his line, as was sung in the song in the film brother two, and i suggest watching a fragment from brother, completely. ..suitable for this line, come home with us, it’s good that i’m there

i will do, but what are you doing here, and i like it here, in america all the power of the world, where is the power, brother, that’s what, all the power is in money, brother, money rules the world and the one who has more of it is stronger, ok, that's a lot, what will you do? will i buy everyone, including me? danilo was a man who could actually make a goat's horn. his front-line past was clearly visible in him; every time he rented an apartment, he examined and figured out escape routes, back doors, and so on. arriving in st. petersburg, i didn’t go to my brother right away and maybe i couldn’t even explain why. he spends the first night somewhere, either in the attic or in the basement.

among garbage bags, but he comes to his brother already armed, which is also important, perhaps he wanted to feel the revolver in his pocket, this is very serious and says a lot about the person, while they said about brother danil, everything was done well by a professional, deeply paradoxically symptomatic, what a wonderful wrote a biography of alexei ktebrinovich... the lady who is the main lobbyist for domestic feminism, at least among film critics, kuvshinov, marusya thus... at the throat of her atlantic song, although she acted in a purely american style, she did not express her fabrications about certain films, but chose approximately 20 people who knew balabanov best, including there were people from his environment, and people

slightly from the outside, able to appreciate him from some neighboring territories, it warms me... that i was included in this number, uh, and maria herself, spent hours interviewing these people with a voice recorder, about alexei himself, about how he understood the surrounding life, it turned out to be a rather voluminous picture, which, in general, was recognized by the entire russian public, the book went through several reprints, it completely corresponds to the task, but the truth is that masha, it seems, felt that she was too led by the character and began to publish her texts about that , that in particular, as it seems to her, the main character of the film brother is not brother danil himself, but a german, as in general a person, a bearer of a moral imperative, who utters the most accurate and important maxims on this

subject, to this i will say that with that same success one can... say that the main character of the book about baratin is a cricket, he is also a bearer of a moral imperative, he also says the absolutely correct things, but still , frankly speaking, the main character is the acting hero, the wooden man buratino, and the brother himself was in some way, a wooden man, he could protect himself completely, uh, but frankly speaking , only ... a lone man is completely invulnerable, people who fall into the same orbit with him are under threat, as for sveta’s friend, then quite understanding, abomination his own brother-in-law, he calls him from her apartment, and thus sets her up, because brother vitya immediately writes down

the number, then leads all the gang on him, and in the same way , the director stepan, who accidentally wandered in there, takes a very big risk in the thieves’ apartment, to whom danilo says, that of course i don’t really like the director, but you’re a normal guy, no one will touch you here, i promise you, after which he completely irresponsibly leaves to watch butusov, and if he hadn’t returned and delayed at least a minute, then of course stepan would also be in danger immediate death. uh, another thing is that all this was redeemed by the absolutely excellent charismatic smile of sergei bodrov jr., everyone was in love with him, at that moment the gangster theme was absolutely dominant in cinema, all the films, the best films about bandits were on the b. brother, boomer and brigade. following - the time without

a state, came a time of relative order with stability of calm, some sudden abundance for our population accustomed to difficulties, and - this period was best expressed, in my opinion look, zhora gooseberries, here of course, but there is no consensus decision on this person, but i continue to insist that he is the best exponent of this period, as for: new times, the director who will express it in the most accurate and beautiful way thus, he has not yet come to the forefront, but what exactly is, let us clarify, the number one director, the main director of national cinema, is not always the person who collects the biggest box office, and this is almost never a person

recognized by national intellectuals in circles, the main director, number director... is the person who most accurately and vividly conveys the state of the national mentality in a given specific period of time. as for our national cinema, in the first 30 years of soviet power, the main director of the country was joseph vaseryonovich stalin, it is unlikely that there was someone who was able to follow his line, or rather there was such a person, his name was sergei mikhailovich izenshtein, imagine , the fact is that esenstein considered himself a figure of absolutely equal stature stalin, he felt. respect for people capable of turning the world upside down, he considered himself the same, and was not at all afraid of either arrests or any stalinist influence, only with

such a mentality was it possible to do what he ultimately did, that is, he reflected some movement, some change, the mass expression of the will of the nation, which at first seemed spontaneous, but then acquired some - some organized features in the battleship potemkin in the strike in october , the achilles heel of einstein’s work was still some of it archaic. sergei mikhailovich clearly understood that it was not my cinema that achieved the greatest emotional effect, with its hyperbolism, with its emphasis on both the camera and some excessive acting. as soon as sound came to cinema, immediately all the emotionality began to wane , misenstein tried how he could extend the period

of cinema a little in mexico, where sound cinema was of course bad due to technological backwardness, and then alexander nevsky made a not very successful film, complete some kind excessive pathos, finally, on ivan the terrible... he understood how to return, not my cinema, he moved on to truly operatic aesthetics, majestic scenery, music of his constant colleague the great sergei sergeevich prokofiev, constant either dancing in the frame or negotiations , with such a demonic , harsh recitative in the style of classical opera, they were able to once again bring back the spectacle of emotion. no one else could, when he died, instead of the main national director remained vacant for quite a long time,

primarily because the country was changing its system in some way, moving from bolshevik absolutism, with stalin and khrushchev in the center, to still the collegial brezhnev leadership, the system was changing slightly, to express this, not everyone was ready, there is a feeling that in 11 years khrushchev's rule, no serious and accurate exponent of the surrounding life did not appear, but he appeared exactly after the borezhnevsky coup in sixty -four, in 65 leonid gaidai's film operations and other adventures of shurik was released, and the fact is that it was at this moment that the middle class began to take shape in soviet russia, with its... very specific urban approach to the realities of life, to the needs of certain freedoms, and so on

, and shurik, on the one hand, was the unconditional representatives of the middle class , and continued his work, semyon semyonovich gorbunkov on the other, shurik was the first student in many years, on the big screen, nikita sergeevich hated the student, for 11 years not a single picture was released in which the student was a positive character, shurik was actually the first , moreover, he not only crammed lectures and answered sapromat, but behaved like a full-fledged romantic hero, fought on balalaikas with shpanna, then fought with her on rapiers , then wrapped lumpina in wallpaper and carried out educational work with her, and this clearly produced an indelible impression on the most beautiful girls in moscow and the moscow region. death occurred as a result of mechanical asphyxia, ordinary suicide,

ordinary suicide, unusual place, experts said that the lock in the apartment was unicono, traces hacking, wow, you are investigating the death of a fashion model, the books are lost stripes, there are from writers to diplomats, sedentary games do not exist, something is impossible? calm down, criminal investigation, different scammers, comrades are understood, the refrigerator is being inspected, a dissident, a spy, listen, zuev, and there’s a surveillance behind us, he got lost in his hometown, or something, you have problems, in your situation, you can’t trust anyone, it’s clear, you decided to drain it, whether you did it yourself or didn’t make me angry, it wasn’t by chance that the truck drove into the car. major they wanted to kill him, you don’t understand who you contacted, the road, me you can’t scare me, i’ll go straight away, bison: the case

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the sun never sets, you already 38 million, those who we trusts, and we do everything to have the right to say, tinkov, bank of the year in russia, on the anniversary of the great actress, girl, you are dancing, you are coming to me, of course, you are surprised, do you want to act in a movie? i want, but what? for life to be full and joyful, my tsukol, but he’s married, so what? but why did they hire you to play in a movie, and not some actress, she’s a janitor, the reaction is the same and the temperament is the same, take care.

filmmaker, this is pasha, pasha, pasha, why, pack your things, get out, sign, no, no, no, no, no, no, this is jeanne dark, some kind of hooligan, i’ll leave my mark on the girl in art, and then my arkash will admire me, he will come back to me. inna churikova in the film started on sunday at first. this is still the podcast of mount fire and i, its host, denis gorelov, with a story about the most important events of national cinema of the past 30 years, about the leading trends - the development of national cinema and where it will move in the very near future. as for the senior economist at giproryba,

semyon. semyonovich garpolunkov, then he was a bearer of deeply traditional values, resisted in every possible way the various temptations to which the foreign world offered, uh, where he traveled on a steamship, mikhail svetlov and the carriers of the ideology of this world, gesha and lyolik, and semyon semyonovich stood firm, rejected the gold- diamonds, and a robe with mother-of-pearl buttons, and even in general, at critical moments he would tell me beer, if he went out drinking, he would always sing the russian national anthem, a song about hares, these were the main ones... of the emerging new world, another thing is that in the seventies, gaidai’s cinema really deteriorated, perhaps not through his fault, the fact is that reality deteriorated, within

the new middle class there appeared its own rather specific a layer of money-grubbing swindlers, and the gaidai simply could not help but notice it, on the one hand, because he was quite a sensitive and understanding artist, on the other hand, because he himself loved money very much, he did not hide it, there are 12 chairs in the film, that’s all the heroes were swindlers, there can be no pozashchenko in the film, all the heroes were swindlers, and even in the film incognito from st. petersburg according to the auditor, all the heroes were also swindlers, even in ivan vasilyevich changing his profession, the weight of the swindlers was such that it is quite difficult to say who in the film... is the main character, ivan vasilyevich appears quite rarely, and at the end he is taken away in a straitjacket, as for shurik, who appears there under the name of engineer timofeev and transports ivan vasilyevich and the manager bunsch back and forth to

the middle ages and back, he is clearly losing the platform to the surrounding baggage, and even his wife, the beautiful girl lida, leaves him for yakin. therefore, the truly bright people there are zhulik miloslavsky, zhulik shpag, and the petty rascal director yakin, this is a rather frank and correct reflection of the surrounding reality, it just so happens that even in sportloto 82, the film that was gaidai’s last box office success, there are swindlers performed by pugovkin and kakshenova to perfection... outplayed the bright and beautiful positive hero, played by algis orlauskas, not because arlauskos is a worse artist, because in life the swindlers won , this, in fact, was the end

of soviet aesthetics and soviet life, it came to the point that - at the same time as balabanov, almost in the same year with my brother, a wonderful painting by maxim pezhimsky came out, my mother was in awe. where the myth of such a bandit christ was actually being worked out, and corrupt police officers and bandits from different sides were looking for a vulnerable, some kind of mythical creature on nicknamed sailor, every time they practically grabbed him by the tailbone, some grace found them, they let him go as a real, real christ, our jesus iosifovich, because they felt that he... was walking the right road, and even if goes on a long journey, he always remembers that his homeland is waiting, there is no place in the whole world, we are dearer than our native country, the song was sung just at the credits, in fact, but somehow

, and only representatives of gangsters groups, and many decent directors took up this cause. and moreover, around the time of his brother, a year after its release, there was a default in the country, and the ruble, of course , fell, television simply did not have the money to purchase foreign series, at that very moment the formation of the national series business began, producer kopitsa released in ninety-nine , the first season of the streets of broken lamps and the first season of a national security agent. unfortunately, then the series deteriorated, because that, uh, some kind of law enforcement pathos had already become applicable to him, and somewhere in the fifth or sixth season , it became completely impossible to watch all this, first

the main directors fell away from the series, uh, then kopic himself died, in 2004, if my memory serves me right, then eventually all the main characters began to drop out one by one. in general, by the sixth season there was practically nothing left of the streets of broken lamps, what was in the first and current viewers is quite difficult to explain, uh, what a sensation it created. this is still the burn with fire podcast. and i am its host, denis gorelov, with a story about the most important events in national film production and national film distribution over the past 30 years, about the main trends in the development of national cinema and how it will develop in the very near future. the country has changed and some have already.

balabanov remained in charge until his death. my star is always with me, in 2013, in my opinion, but at that moment it was already quite obvious that a new time had come, a time of abundance that suddenly fell on my head, a time when all around is quite predictable, stability, and td, and here a new director was needed, he... andrei pershin, gorko, pershin’s name

is absolutely unknown to anyone in the country, because he shot all his films under the rollicking pseudonym zhora gooseberries. these were gorka, and gorka 2, and let 2, and the best day and the series call, in times of stability, people most often. begin to engage in personal life, mostly the paintings were concentrated specifically around personal internal relationships in families, and completely it’s no wonder that in almost all of the films listed , kryzhovnikov’s then-wife, yulia alexandrova, his then muse, played. the characters in the films were, in general, quite strange, it cannot be said that in the film... kryzhovnikov there is at least one positive character, on the other hand,

one cannot call them all at least unconditionally negative, these are people who can kill even with a bottle give you a head, on the other hand, pull you out from under the fire and become your best friend. in general, our compatriots around us, and very exact view, perhaps, with the most sympathy he treated precisely the wife of her characters, but when - his wife in the film the best day took a crowbar and tore up a police car, it became clear that this, of course, was a real storm in the desert, she also needed to be with her to keep at a safe distance, as is common with all of us, while, to be honest, all the problems that happen in the films are miraculously corrected, and even in a truly magical way, remember how in the film

the irony of fate at one time , everything developed from a moscow doctor and a st. petersburg teacher, not quite in the right direction, when they had already started dancing among themselves, things were openly heading towards sex and it was absolutely clear that if something happened between them, then there would be no continuation for this couple, that’s all saved by a drunken ippolit, who kicked the door for a long time , shouting that he had been warmed up and robbed. in the same way, in all of kryzhovnikov’s films , something unexpectedly beautiful, magical always happens, which corrects all the misunderstandings and returns all the characters to the correct orbit. let's kiss now, let's jump, no, well, this will be our ceremony, come on!