one of the initiators of the yasnaya polyana magazine and then the yasnaya polyana literary prize. yes. that is, we can say that the writers’ meetings somehow consolidated the writers ’ community; in general, during difficult years, during the years of strife, we did not say hello to each other. yes, many, and now a group of writers emerged who worked in different genres, who became the center of attraction. everyone communicated and then corresponded throughout the whole year, maintained these contacts, a lot was done to somehow really connect people, but for me i think it worked out, it’s very important to me that there are always families and children there, it’s very important that there are children there, they’ve become friends, there are two dozen of them, children of writers, they communicate with each other, well , we talked about the fact that i’ve been from the clearing since

the nineties , mid-nineties, again became such a family place, a family place and great happiness that our children grew up there, well, first of all, my sons were born in yasnaya polyana, vanya and andrey, wonderful, andrey just got married, just recently, will continued here, of course, but how much in general, now the descendants, well, those living today, here you need to understand that we are fat, if you , as it were, we do not fit formally, yes, if these are the descendants of, say, the daughter of tatyana lvovna, they do not have a surname, but they are for us, we so we say, they’re just fat, of course, they’re family, they’re fat, of course , that is, a whole bunch of projects have arisen, the yasnaya polyana prize is also unique, i never tire of repeating, it’s unique in that it’s... a russian

literary prize, but it has international nomination, it seems to me that in russia and before that in the soviet union there was an amazing school of translators, uh, and our reader always perceived the translated literature as their own, well, yes, so the popularity of, i don’t know, himingway, the remark, and you can name dozens of names from different literatures, american, english, french, thanks to the translations, became part of our culture. yeah, well, then tolstoy is such a figure, a truly worldwide, international figure, and tolstoy is translated into all possible languages ​​of the world, and tolstoy is a reader, tolstoy is also a translator, of course, someone told me how he is one of the greats, in my opinion, one of the nobel laureates, after all, two nobel laureates, yes arhan pamuk and vargas llos, arhan pamuk and mario vargos llos, a turak and a peruvian, two great modern writers, lauraat.

yasnaya polyana, the yasnaya polyana prize, someone said that when he received a letter with a thick signature, i was just surprised, to put it mildly, everything was clear, yes, well, what else could there be an international nomination, what award, tolstoy’s tradition - this is a living tradition, yes, i am proud that foreign the writers who received our iznopolyansk prize are very proud of this, they all talked about how, literally each of them, what role did tolstoy play in their lives, what, how important is the figure of tolstoy for them, we are proud of all our laureates, regardless of where whether they were nobel laureates, whether they are known throughout the world or not, these are very bright writers, and i hope that this series will continue , last year there was a chinese author, we had a writer from chile, letelier, in my opinion,

wonderful , interesting, very, and such american writer of japanese origin ruth ozeki, became our first laureate of this award, it’s not that i’m not ashamed of one, but we’re just proud of it, don’t say, let them read, i remind everyone who sees us, hear, in a month you’ll learn new ones names, new names you will recognize, but tolstoy, with all his desire for tradition and for something familiar, uh, he is still a very modernist person, yes, he, for example, loved technology, in 1908, edison gave him a phonograph, leo nikolaevich was very fascinated by this, at first he even thought that it was can replace the secretary, she didn’t, but nevertheless, here is the time to move on to new technologies, is tolstoy compatible with what is familiar to the younger generation, here’s thekla, i know, everyone knows that you are...

an initiator, a participant, the mastermind of several large projects, here we have marathons, readings, maroon readings, but look, i would be here, of course, the technologies are excellent, but just like... in the recordings of ilv nikolaevich’s voice , it is important for us not only that they exist, although we hear his voice, but what he said quite important, also technology, then now, it is important that they serve some things that are more serious and more meaningful, but of course, i think that new technologies inspired lev nikolaevich, i think that he would very much support, say, the internet , because he was for absolutely... free and preferably free distribution of knowledge, yes, of his texts, he creates an intermediary publishing house, which, the books should be as cheap as possible, so that they can buy everything, or, for example, refuses copyright right, here on these

beautiful books of the ninety-year-old, it is written that every reprint is allowed free of charge, and we, inspired by this and in general, continuing absolutely... the covenants, we probably posted on the internet 10 years ago, here are 90 volumes of lev nikolaevich, they were scanned, but it’s difficult to read the pictures, then with the help of volunteers, the main thing is that the volunteers who competed, how many to whom, no, we were interested, we had a plan for several months there, everything was done in 10 days, all plans went to hell , because, because people from many countries with such joy, of course, are russian-speaking. they helped us proofread tolstoy so that these texts would be on the internet, and when we asked them what made you take dozens and dozens of pages, and help again and again, they said, of course, what was written by lev nikolaevich, this project , yes, this project is living pages that we make, and

this is also a way, we do not add anything, there is no interpretation, literature-knowledge, but here there is help for the younger generation... well, somehow get in, some login scenarios, new navigation scenarios and new login scenarios, for war and peace, for example, for example, for war and peace, yes, but you know, well, there’s, say, a table of contents, for war and peace, when we noted which military scenes, and how peaceful they are, well, we’ve already got such an infographic , yes, and if we talk about the project of readings that we did a few, we started with anna karenina, but here you understand, again, it’s not about technology, these technologies, why we do this we'll figure everything out. culture and at the same time for me this is the idea that literature is for everyone, every person can read, it will find a response in his soul, it seems to me that lev

nikolaevich would be happy about such a unification, because this unification in the name of something good, this is what he said, what if good people united, then everything could be done, well, we are taking some modest steps, and of course , this is important for young people, because well, if people have already grown up with a gadget in their hand, please, a fat woman can also be in a gadget , why not, of course, we know that for the bicentenary of lev nikolaevich there will be very serious measures have been taken at the state level, there is a decree of the president of the russian federation, about this, a lot will be restored from restoration and so on and so forth, but now i would really like everyone... who hears and sees us now to listen not even to tolstoy’s voice, but to myself and discovered in myself those feelings, those emotions and most importantly those questions that lev nikolaevich tolstoy raised, and which

are still relevant for us, i sincerely thank vladimir tolstoy, vekla tolstoy, well, in conclusion, as always, i urge everyone who ... sees us, hears us, read with pleasure, creative industry podcast on channel one, it is still hosted by elena kiper, and the music video director and producer, and roman karmanov, media manager and general director of the presidential foundation for cultural initiatives, our guests are a magnificent couple, an acting family, egor beroev and ksenia alferova, hello, before the broadcast there is a fifteen-minute discussion about the name,

by the way, it also terribly fascinates me, because in general the definition of creative industry arose three or four years ago, then no one knew anything about it, and to be honest... as lena said, i’m a media manager, i generally worked in the media, which always considered themselves a separate industry, in general that is to say, just like the film industry in general, and the industry, in general, any other. and then in the end i understood everything that was wrong in the industry, now i’m listening to you, i suddenly understood why i have all the words of your name, i just need to explain to you what i was in discussion, discussion began with me saying that i don’t understand a single , well, word from the title, what it means, that it doesn’t evoke any association in me, i just, for example, understand that now this trend is not only our country, the whole world, everything has turned into an industry in order to.

i just talked yesterday with teachers at gika, for example, if we’re talking about the film industry, and it’s a horror nightmare , it’s really a horror nightmare, then how actors are raised, then something like that, well, that is, now it ’s all come down to the industry, to money, to rating, that is, stamping, that is, there is no soul in it, in general, the spirit of our country and the spirit of what we did, that is, because creativity presupposes chaos in a good sense, a kind of creative disorder, when there is none, when everything is bureaucratized, and now everything is extremely bureaucratic everywhere, then creativity disappears, what all this was created for disappears, what remains is a bare industry that no one needs, and the viewer doesn’t need it, i know this for sure, because i’ve been there for 7 years, like us we found out recently that i i just don’t know how to count, i’m not industrial in that sense.

an author’s project that didn’t start for the industry, it wasn’t for money, the idea of ​​radio, and my personal human needs, but in conversation, in dialogue , to read, i don’t know, to talk about what is interesting to people, is called literary gatherings, i just know what people tell me, how much they miss it, not the industry but creativity, well , as it were, whom i’m talking about, creative, talented people who are not, who are not in industry, you see, there is good news, now i’ll tell you about it, which means that due to the emergence of creative industries, the understanding has come that, generally speaking, this needs to be supported somehow with money, because in general no creative industry, music film industry, it cannot develop without conditions, money must be invested in it. to give people tools, equipment, which means conditions; in

many regions schools of creative industries have now appeared, which generally ours, well with you in general, are such good houses for children's creativity, in which there are good tools, they also exist only in a parallel reality, why are they creatively creative , these are professional institutions in which people are given the opportunity at a very good level. to learn how to then realize oneself in these same industries , well, in general, something is good, as producers or as creative, creative sounds so personal, but it’s warm, it’s wonderful, i started my project without any conditions, so from the word, absolutely and without money, i just needed it very much, i was burning inside and this is a necessary element of creativity, if i had been included somewhere or given the opportunity, i’m not sure that even this would have turned out the way it turned out, then there would be no soul in it, okay. and let’s say 25 years ago i played the guitar in the city of vladivostok, for example, and there were a huge

number of groups from which they could grow into, now excellent musicians, there were no creative industries then, no one invested in any instruments, no one gave amateur musicians these conditions, no one invested in rehearsal facilities, that means festivals and so on, what happened in the end, in the end they all got drunk and died, if only there had been a creative industry back then and there was a background and the conditions existed, in whom i tell you lived, i’ve been talking for 7 years about poets and writers, known to all of us, no one ever created any conditions, but they had talent, certainly supported there by their parents, someone else, of course talent needs to be supported at some point, but to build it into the system means to kill talent, that's how you say it, moreover, in the beginning there was a word, in the beginning there was a word, it is very important how and what you call it, it seems that the industry, that is, the person, which is included. how to say, so as not to disrupt our dialogue with a new concept, yes

, the creative field must understand that it will have implementation, and not just a targeted one, but some kind of separate implementation, but that there is an industry that accommodates much more creative people, rather than some kind of exclusivity, when it is creative, so you say, yes tsvetaeva, akhmatova, now you have a performance, yes , one, the other is everything, listen, why go far, that is, i mean that there is a certain godliness in this, all the time, all the time it came out like this a good film, it was called turkish goneretsky gombi. theatrical films, they cannot exist, they cannot work for i agree, i agree, i agree that talent will sprout, let's, let's give an example, an example of the work of creative industries, the turkish gambit film, which was the result of a work of art, firstly, in -secondly,

spectacular spectacular cinema, then inside there is music that has become popular, which means there are a lot of these components, which are all parts of these very creative industries, without which this film could not have arisen, it would have appeared like this just because there was a spot, a great actor, a spot , a wonderful director, a spot, a wonderful composer , not 35 of them are the same, it doesn’t happen, then this is digitalization and robotics, that is, you just insert programs into robots they they will, they are already trying to do this, seriously, he says, a very dangerous trend , you say now, this is not good, i’m telling you for sure , but let’s prosper, let’s say, yes, what about the premiere, i had the premiere of the play on march 17, which was born from my literary gatherings, i took the liberty, uh, or rather, it happened that way, i didn’t take the courage to be one person, that is, an author and an actress and

a director, but it so happened that i had to very good in the end, that's it egor was, uh, he said that the audience, no, it’s just something that lives in me , it’s what i’m burning with, that’s why people’s eyes light up, and my main task is gatherings there, and now it’s a performance, just a performance is a form more, well, as if bright, when you can tell some things, influence even brighter , and at the expense of light, and something else, not the industry, at the expense of dima, who is a very good lighting artist and has studied specifically and specifically in such an individual way. set up a bunch of instruments and no one will play them. egor, what are you doing? are you doing today, filming, tv series, films, what, what, what is happening now, where, in what part of the industry are creative people now , in fact, they try themselves in many guises, and there is also about the fund i would also like

to talk about, yes , well, and so on from a professional point of view, what is being prepared? i still. i’m an actor, i work in cinema, sometimes in the theater, but rarely , so i’m going to make a movie, this means a new stage, that is, it’s directing, or it’s not entirely new, that is, it’s already some kind of experience, i already have directing experience , but no, there is no such thing, so to say, that is, this is new, well, yes, yes, yes, this is a need , this is a debut, this is a need of the soul, yes, if everything works out, when we see the debut, well, it’s hard to say, filming, i think that filming will begin, i think that 2020, the end of twenty-four or the beginning of twenty-five, that is, a year and a half, two, yes, probably, yes, yes, that is, this is the beginning, from the beginning of work to the final product, i think that this is about two years old, yes, you are based on some

material, this is a book that captured and no, this is an original story and is based on generally true events. life, i saw that yegor supports very literary gatherings and even participates, yes , that is, this is a poetic context, form, yes, that is, you have a lot of family projects, cinema, no, no, gatherings, now people will understand that this is poetic, i just wanted it, then people won’t understand what gatherings are, it’s not, well, no, it’s a kind of monologue, actually about a living person, after which people come out, rush to the bookcase and... open books this or that poet to whom i am telling, this is my ultimate task, it is being fulfilled, egor in this case, as an actor participates in this or as a co-producer, he once was like a set designer, one might say, gatherings looked different, he painted the backdrop , he did it very well, because he draws very well, if i do an online

broadcast, then he carefully monitors what people ask for to be online, behind the... behind-the-scenes editing, yes, but no, i’m alone in all persons, producer, organizer, director, author, well, if i’m not mistaken, i was somehow on kharms with you, and egor read, it was the very beginning, before i started this, and that is, the beginning could not have happened without egor there was mom and egor, these were the first two two gatherings there was mom, then egor was, yes, well as, not a participant, the authors, in fact, they were these evenings, well , now there are two films. we released this year , where we play a husband and wife, yes, it turns out, yes, husband and wife, well, it’s like this, both at home and on the set, a lot. nevertheless , there are a lot of fruits, yes, people need them, and you have a fund, how is it, how, well, no, people

they live together, do one thing together, who gives birth, who is your main generator, yes, well, in different ways, in different ways, mainly me, egor, if we are talking about a fund, then it is creativity, a money generator, i don’t mean my money, but the very thing, well, that is, they are all ideas, well, that is, there are a lot of ideas and, as i understand it, they were created in order to finance specifically, that is, to attract resources or whatever or there was some kind of philosophy in based on this philosophy, the foundation talks about financing better, yes the foundation deals with people with mental problems, yes called i is probably our main motto - we are learning to live together, we are succeeding, we want these people to live

with us in society, we believe that they have the right, the full right to benefit our society, it’s just that in soviet times they were locked up in a boarding school and were not given the opportunity to be with us in cafes, to play on stage in theaters there, and not just for individual such societies. namely to be integrated into our society, as is the case in other countries, well, yes, just to integrate, they it is necessary in a certain way, that is, to help there with specialists, and that is, to specialize, accordingly the foundation informs society about such people, it deals with such people from childhood and on to adults, this is not a foundation, as you mean, that is this is not therapeutic, we do not treat children, because our children do not need treatment, they, that is , they need rehabilitation in some kind of socialization . and in principle, that is, when we summed up the results, we realized that this was one of our first such tasks, one of the main

information, this is what yegor said, well, yes, what is happening now , this is the level of information, yes, how they talk about it, how they talk about it, how much they talk about it, where they talk about it, this is the merit of our fund, that is, when we came there 10 years ago, 11 already, well, there are still others of our organization on which we rely, no, information, but now i can say for sure, this is me, that is, a plus of the organization , which, well, even before long before the emergence of i am, like ants, 23 people employees in moscow and 17 in rostov on the don, i am directly the director of this fund, we are not the faces of the fund, we are, as it were, its creators, yeah, creators, creators, no, creators, rehabilitation through creativity, including, including various, mechanism, a huge number of areas of activity , we are a foundation, a foundation, i understand that there is a lot going on there, i mean how creativity works during rehabilitation, how

effective it is, very effective, we have a lot of workshops, including a recording studio there and music workshops and art and sewing workshops, where such guys have the opportunity to study, practice, record songs, learn to play musical instruments, they draw, for their implementation and how they find these talents in themselves, some kind of syndromes they experience through this , well, of course, this is fine motor skills in in principle , and autistic children with autism are right behind them , thanks to this, they are pulled out by their teachers, well, as if out of them is what they are telling us. reports on how it is like, using the example of a specific child, how this happens it’s an amazing change that there are several

girls with autism, it’s just really huge, yes, we have a day care center in moscow, we have this kind of center in rostov, in rostov we have 17 teachers and that’s in my opinion two offices there are large with large ones. as for, as for informing, excuse me, i just ran for a very long time, for a very long time i hosted a volunteer program on the radio, on one radio station, which is just here, that is, our guests are foundations, public organizations, no, this is founders, and it’s strange that we didn’t meet you there at the wrong time, but this is not about that, but about the fact that you can endlessly inform, try to personally drag, or you can make, for example, some kind of movie, as in general, anton is here. conditionally yes at some point, so the topic came up, yes, let’s say they released it again, it went on again, some kind of gap was still struck in people’s minds and so on, so -

somehow you are using all this now or something like this in 11 years, but from the point of view of the industry, i don’t know, because it’s possible a hero from a person, we have more than one documentary film, they also won at international and our festivals, a very good film, i dream of making friends, a wonderful film, we really need money to make a sequel to this film, this is a story about guys who make cartoons at the film college. they are learning, yes, but this is surprising, we have director yulia soponova, who is very immersed in this topic, she just lives it and her team is amazing, well, in my opinion , they haven’t found it yet, yes, no, i’m stuck continuation film, and considering that i already came up with the series and everything and how to make a cool program, you can do a lot of good things with them, but here you already need support, do you think that this should become popular, yes of course, well everything we do becomes.

one way or another, that is, we, this is not the author, i mean, anton is here next to us, a wonderful movie , which we at one time in all possible ways, that is, we took them out to the regions, that is, we showed them, we agreed with cinemas, there in ivanovskaya region, not only in vladimir, they gathered halls in cinemas, discussed, students were invited there, but for example, this is why we are also talking about our guys, and directly, whom we know, and raised one of them. one might say, we are filming, because there is still, well, the autism spectrum, it’s very wide , so it really depends on the specific ones, they are different, like any person, they are different, there are famous people, asperger’s syndrome yes, well, sort of with autistic features, so to speak, insofar as there are now two, that is, there is a rain man and anton is nearby, after all, they are different, there are people with autism, who are quite the opposite, i

wanted to say new heroes. we continue the creative industry podcast on channel one, today with you elena kiper, and roman karmanov, wonderful actors, an acting family, egor beroev, and ksenia, in general, about the heroes in our society who are among completely different people, it seems to me very by the way, the film, which is connected with the landing of the legendary kuku, is poorly presented so far. hero, we personally too communicated, and so on, for some reason, for some reason, with us it’s all like this, in general, it’s quite point-by-point, no, there are no shelves lined with books about heroism, i think that we are now at the point where we are ready for this

the idea is just... we realize how it should be, the fact is that we simply could not understand who the heroes of our time were, until we had changes in society, political, political, and public, civil, we could not understand who the hero was, the real hero, because there was confusion in the head and society was very ready to compromise, now we realized that there can be no compromises, that we must decide, either we are for one thing or we are for another, and these heroes began to emerge and should, we began to understand who the real heroes of our time are, what a hero time is not there, not the director who is trying to pull out the scene, dirt, vulgarity, humiliation, and he does not become a hero, but the person who saved lives there becomes a hero,

we previously assumed this, but we could not decide for sure, because very a lot of there were people, including actors and well-known singers there, who gave birth precisely because heroes - this is what vulgarity, vulgarity, this is debauchery - this is this, yes , and often they had to refuse roles, after reading the script, of course, of course, and even now, i read why i refuse five times more, yegor cannot afford it, because he has to support his family, and i have the opportunity, but i must say, that i am very pleased that we have now become leaders in film distribution with this a film about damir, and this topic is interesting, this topic is interesting, sincerely interesting to people , they want to watch, they want to be happy for this hero, they want to worry, they want to cry, but what does it mean they want, it’s just about a person, about a living person, what about a very worthy person, a choice, how about his choice?

about the fact that this is a man who lives with god and it is obvious to him that he is not a hero at all, and moreover, god and it was obvious to me when i talked with damir, when i was still watching the documentary, that. .. well as if he were a believer, he prays with every flight, he is a muslim, and he says , this is generally not me, this is god, and this is obvious, but not everyone would hear, this is to remove the landing gear, he heard, he is an unbeliever it would be quite possible that i would not have heard, he lives, he is very modest, he has an amazing wife, and it seems to me that people, that is, in soviet times they filmed about such people, about ordinary people, and they missed it so much, i’m sure , well, egor is filming five times more, so i think it’s also suitable more when you’re filming somewhere, like in a hallway or something else, when people usually, well, why, what kind of movie is it , a detective story or something, why aren’t you filming there about something like that, about this, about that, i say, well, it’s not us who are filming, we would love to film, it’s you who go to

this in order to film, now people really have a need to feel - with their hearts, with something that’s in their chest, in the heart, there in the soul to worry, to empathize, but people are tired, to laugh after a swear word, because well, it’s like there is these humorous programs, where the audience simply cackles with a swear word and you feel strange, i’m not here, i was present now, but damir and i were on just such a program and it’s very strange, i don’t understand what’s happening, for me people have already begun to understand this, the project of a gathering, it also began as a project in spite of, i really like the phrase of fazil iskander, who says, you know, what you need, there is one, to swim against the tide, and he said wonderfully that you need to stand against

currents, uh-huh, this is this, this is the position, it’s like, which, well, at the get-together, it began in spite of, because well, it’s like who needs it, ksenia, pulled out the second, who is unpopular, platonov, andreev there, she just said to come. yes, that is, well, it’s like platonov, who will come to platonov, now platonov is still read there, but no , people came, got great pleasure and were really interested, they listened, people come to listen, and this is not only not reading, this is a story about the author, about his life, about a person, about his love, about his shock in life, about his change through the author, just about things of value, that is, correctly placing emphasis on people, it turns out like this... ksenia will take on artists, too

she wants to take on the artists there, too, to tell about the story of a person, and to tell it as if she knew him personally, that she talks about gumev in such a way that it seems to me as if she really knew the person personally, very cool. and i just really want it to fell back in love, that is, when people listen, they suddenly remember, they blow the dust off these, they turn from the phone like that, and books, well, classic books, this is our very thing, this is what we are made of, these are our cells , that is, if they are removed, then we will really be devastated, then we will not understand why we laugh, why it is not laughter, it is some kind of laughter that is a sin, as tsvetaeva said, and we will begin to fill up, because it our. dna, our poets, our writers, our artists, we an amazing country, great people lived among us, and ordinary people, because when you tell him, he was surrounded, he is also an ordinary person, in fact, but there he has a gift for this, he was surrounded, that is, in the context

of the history of the country, and you understand in general how it all happened, how it moved, where it came from and how urgently it all needs to be returned, well , just at least your attitude towards it, return to school, return the love for these names everywhere. so that we are filled, so that we understand what we are, so that we are not like air balloons, empty, where you blow, it will fly there, you know, what an interesting feeling arises, here is one story in 2007, in my opinion, one very large holding company, in which i worked then, decided to publish book collections, as they did abroad, book collections and - the question was what would be the first collection, in general it’s something, yeah, and the editor-in-chief, general director, he said that it would be a collection of classics. yeah, these are the names mentioned, that means everything we have, critics said that, well, first of all, who cares? this is all we need in general, all these classics , everyone’s shelves are full, look, entire collections are taken out of these closets in the trash, young people, no one will buy this,

the collections released sold millions of copies, in the end it’s all, you know, millions of copies, so about the feeling that there is this glossy world, conditionally, yes, which, but there is some kind. this is a temporary glossy world, we recently watched a video sent to us from ksenia, where... our outstanding actors participate in the program field of miracles in those nineties, which means gert nikulin abdullov - there, well, the very best there, you can imagine nikulin yuri nikulin, they are spinning this drum, yeah, and then we somehow perceived everything with a blue eye, but now you look, i think, lord god, what were we taught?

what was instilled in us when alexander abdulov, alexander gavrilovich - happy, the winner of the field of miracles, rejoices throughout the whole country that he won a vacuum cleaner, well, he is a man, that’s why he is glad that he won, that’s the kind of materialism that was instilled in us back then, then there is this this is this others values, the soviet people will never rejoice. a vacuum cleaner, but this is it, this is it, these nineties, when it suddenly became popular and valuable for some reason, then this is a vacuum cleaner, before it was somehow, well, it doesn’t matter, but it’s like - gradually, like this, somehow, all of this got into us, and of course, naturally, when we arrived now, values ​​change, naturally change when we began to understand that some are returning, yes, that there are more important ones things, and moreover, those things that... even in the same hollywood films have always been, this is mutual assistance

, and sacrifice, there is friendship, and love, there is honesty, and the truth, it was still there, it was invested, as it were, in the fact that we have always consisted, at the same time, naturally, the main thing is that what we consist of is the classics, our classics, what this tuning fork gives us, because after all , there is only one truth in the world. we continue our creative industry podcast in the studio of roman karmanov, elena kiper. and we have a wonderful guest acting family, egor beroev and ksenia alferova. and so, too, returning to the beginning about the heroes of our time, suddenly, for some reason, people began to confuse, it seemed to some people, some of them, to be very insignificant.

that it’s normal to bring out the intimate details of the lives of great outstanding composers, bards, that is, the person who takes on this, he’s like a talented person, he ’s like a progressive, he’s a creative, a creative person, maybe creative, in the bad sense of the word, because creativity is, in my opinion, creation , i don’t have a question about this word, but thank god, for example, there was a film about a famous composer, the director, well, here’s a fresh story quite a fresh story, but it’s disgusting, and i even talked in one place there with my friends, they tried to convince me that they want to know, when they listen to the music of this great composer, they want to know who he slept with , i say, guys, what are you doing, and

what do these guys have to do with 60 years old, i say, guys, what, you were born in the soviet union, no, you were born in the soviet union , we are, i was raised the same way in principle, well, no matter how it’s not our story, we can’t talk about it to think, we can’t look, what was in all these magazines and newspapers was terrible, when we saw an amazing actress there, whining... there under an iv, when they climbed in and took pictures on the cover, this is impossible, this is not ours , we can’t do this, soviet people, we shouldn’t do this, this is a zone of shame, a zone of, well, kind of intimacy, privacy, this it’s very important, by the way, if i just read a lot, you know, over the last 7 years, because as a nurse, i take, read everything that is about this or that poet-writer, then i tell what i think is important to tell,

for everyone, starting with pushkin, this is my first, most, all, this word, i suddenly began to encounter the word liberal, exclusively in a negative context, in the 19th, at the beginning of the last century, all this is our white immigration, the so-called, well, outstanding part white emigration is a big liberal, this is negative to the fact that they are all they talked about why the west is so alien to them, exactly, that’s how they say it with empathy... preserving our true values, the traditions of our country, so that we don’t fall apart, so that our identity doesn’t disappear, we have

an amazing country, i apologize , we have an amazing country, 190 nationalities, we are a multi-religious power, we have a lot... of our original values ​​and traditions, why do we take others’ ones? and moreover, we have wonderful people there, and even a big one, most of the muslims too, why for example, muslims do not allow themselves to use swear words in their speech, and why do we use it ? that is, i would not allow, i certainly would not give any grants or money , and i would not allow any outstanding people to make films , including, or if you don’t like this poet, there are, well, books, too , there are biographies written by those who don’t like , this is impossible to read, you i don’t really understand why you took on this at all, this is really important, the generational

moment is also important here, because we are just 40 plus, we have a very good base, then it began to be destroyed, they began to destroy it, absolutely true, but how it is known that we live in a time in which we come across many people, the discussion in general is ongoing, it is external internal people understand themselves whether it is good or bad, it is the time, according to your assessment, you and i are at a good moment, a very interesting moment in history, when you, when really something from every person depends, it always depends, but now you are real, just by changing something inside yourself , very important things, because it starts with yourself, that is, are you aggressive,

angry, angry at someone and hate, this is one story , yes, if we all fill ourselves with this, but this leads to the destruction of the country, or... we create something within ourselves, in the family, a little further, a little further, in our small workplace, each and we we can do a lot for the country, change this amazing feeling when you understand that here now personally from everything depends on you, that’s all, on how you raise your child, what you invest in him or not, that’s how to say, no one can remove responsibility from themselves, there is a chance, we have such a chance, yes it’s true, we have a chance - he said... no matter what it’s called, it’s fortunate that we are here with you, dear friends, let ’s finish, today the creative

industry podcast on channel one, with you is the epic kiper and roman karmanov, dear friends, you can always watch all episodes of the creative industry podcast on the first website channel 1tv.ru. this is news. at the first studio, maria vasilyeva, hello, units of the russian group of troops vostok occupied more than a dozen strongholds of ukrainian militants and improved their tactical position in the southern donetsk direction of the north, together with artillery and aviation, manpower, a communications center and an electronic warfare station loitering were destroyed. ..