i believe that we have only three levers, and we are talking about them now, i am ready to tell you how i did it, the most important lever is, of course, income, because if we talk about expenses, then expenses are not infinite, we are not we can, as you said, turn our expenses to zero in order to help ourselves, it is very important to constantly work on the source of income, grow it, ask the question how can i earn more, if this is a hired job, then it’s easy to ask. if the answer is no way, no way, then it’s about choice, if we are not satisfied and we understand that we will not achieve our goal: change employer, field , profession, improve qualifications, in this case you are also working with investment capital, but in this case this investment capital is you yourself, that is, you must consider yourself as investment capital capital, this is already for our audience and i don’t know how to develop my own there, someone has this in their hands. that is, just lying

on the sofa, right away, let’s write it down, that is, we don’t lie on the sofa, the sofa can be sold, it’s better to sit at the table, and write something or read or improve, in fact, the quality of your own means of production, these are your hands, your body, and your head, and from here, probably, you still need to monitor your health for that. for energy, for psychology, all this affects the capital that we will ultimately create, the second lever is expenses, you can still work with it, this is smart saving, i already said a little about it, that is, freeing up 20 -30% of expenses without loss of quality of life is also possible, for example, by planning purchases for the next six months, a year, but to order on the internet, to wait, to save the amount, to study competent cashback methods.

for example, in the first years, having studied cashback, my husband and i flew for 100-150,000 per year, sometimes due to the cashback that we received from banks, simply paying with cards, yes, the question is how to buy cheaper, studying discounts, subsidies, grants, well that is, very big , this is work, this is work on optimizing your costs, yes, but this work, you know, over time led me to the fact that competent savings are now catching up with me, that is, at the beginning i studied it, implemented it, and now i ... don’t devote time to this all the time, i listen, but it’s possible like this cheaper, it can be simpler, from whom, and well, when we interact with which -organizations or we buy something, offers come automatically , well, that is, your brain has already set a filter to receive this information and you isolate it, it’s just everywhere, and well, the third lever is tools, and when i talk about tools , when we have already passed the bank deposit, bonds, in order for money to work, the key idea is certainly to outpace inflation, but this is always a higher level of risk.

of course, in order to reduce risk, you need to work, you need to study information, because going to the real estate market, cryptocurrencies or the stock market , high-risk instruments, without knowledge, i believe, is a utopia, and part of the savings that we make, i believe, that you need to invest in yourself, if you study for a fee, or spend time and collect information, in fact there is enough information on the internet, that is, maybe will not happen, but nothing will happen, in any way and never , you enjoy what you do, the same thing helps you, or he stayed there, that’s what he does, just pure curiosity, what is happening in the banking sector, although he knew nothing about investment instruments, he had a completely different division, and of course, this is my most important partner , and i shared every idea, i was at home, i studied the information

, that is, now it is a family business, of course, it has been a family business for a long time and he is my key partner , such a question, well even more, probably, as part of this most wonderful formula of ours, we have already come to terms with the fact that these are years, but at least at the beginning of 3 years, and then it’s 7.10, but you can’t become rich just tomorrow, that’s a denial in some small pleasures, spontaneous purchases, but we told you that our brain is a key means of production. you are not destroying your means of production when you constantly deny him some pleasures, how to work with this, but i believe that you cannot constantly to deny pleasures, what is my decision, i learned to plan expenses at the very beginning of the journey, pleasure is added to expenses so that it is some percentage, at the beginning of the journey it was a small percentage, but some pleasure should be 5% of ours, even

pleasure according to plan, well, look, it all depends on the stage when i was at the very beginning of the journey, when you have zero in your pocket, even a minus, because a mortgage, a car loan, and so on, then it’s justified to deny yourself something, something think about it, is it worth it or should i still choose? goal, but of course, moving along this path, you gradually gain wealth, and you can afford more pleasure, more travel, there are restaurants, cafes, and this will not last forever, it was some kind of first path, especially the first six months, they me, you know, in those first six months i easily denied myself many things, because i was so inspired by this lighthouse, so inspired by this goal, so i wanted to direct any available funds into investments, so i didn’t think that it was somehow terrible , you received more, you know, it’s like delayed gratification, from which you get more pleasure, i can afford what i want, your children are employees in your family business, or are they who or are they passive observers with small children, 16 years old, here’s the eldest

my son is 10 and 3 years old, so the issue has not yet been discussed with the kids, but my eldest son joined me when he was 6 years old, i made the car a learning center in the car, when i took him to classes, i listened to audiobooks. yo, he played games with us, cash flow, for example, at the age of 6, he kept a balance, wrote down, and by about 8-9 years old he began to beat all the adults, because his thinking is so trained, we constantly discuss the investment portfolio, he has his own investment portfolio in our name , of course, decorated, successful, and an investment portfolio, he is incredibly interested, he is still the only one of the three children who is interested in this, he will go on to study further or immediately become an employee and partner of your family company, and for a very long time he has been saying that he will be a sophisticated investor , let's see this his formulation, well, there are plans

for training, of course, of course there are, yes, he plans to study, and he makes the choice of profession himself and the university in which he will study, but i think that he will start working very early on himself and most likely it will be in all the projects that we have, if we concentrate on the essence of our conversation, then it doesn’t matter how it happened, someone close to you, family told you this, someone gave you the right book to read, but the most important thing is to start break the thinking, what is it perhaps, and it’s not too late to start at any age , because you know, i told my children, when they started preparing for universities, well, dad, well, there’s only a year left, well, where will i be now, i say, in a year you can do a lot of damn things... if i had started six months ago, i would have done a lot in a year, so start right now, no matter how old you are, if you feel this need in yourself and are ready to do something , apply your efforts in

large quantities for many years, it doesn’t matter how old you are now, but what matters is how much and how you are willing to work on the path to this success, because without work, without effort, nothing? doesn’t happen, the most important thing is to accept this philosophy, no matter how, through a book, through an example , and so on, and set goals for yourself and achieve them, we have identified the tools, practically written down the formula, and even given it, i believe that a completely unique way to form first capital, tatyana, thank you very much, a very informative conversation, and i like it because i liked it because it is specific, we are not just philosophical. about some heavenly distances there and star lights, and we specifically talked about what a lighthouse is, how to get it and how to get to it, thank you very much, it was very informative,

this podcast is a must read, i... batnikova, u my guest today is natalia ushey, musician, lead singer of the group melnitsa, and we are discussing the argentine writer jorge luis borgis, and his image of the world as a library. natasha, hello, please tell me, somehow hilovisa, group the mill, it is probably associated, after all, with some kind of games, fantasies, maybe the ring of the rings, biowulf, irish sagas, then suddenly you choose the theme of borhis, and it seems that this is unexpected, yes, but if it’s good for you know, you are a candidate of philological sciences, a linguist in general, the worlds of borhis, they contain all

possible plots, and please tell me what you have in common with this writer, why you love him, i will tell you, yes, i will tell you , why i chose this particular writer for our... meeting, you know, if i had chosen some kind of scandinavian studies or celticology, i would speak here as a professional in this topic, i would include a lecturer like andreevna, a professor at... the department, now we will talk about registers in irish sagas, blah blah blah , well, this is probably not very interesting for a podcast about literature, so i decided that i probably want to be in this case not a specialist, not a teacher, but a professional reader, that is, this is what i personally am interested in reading, what makes me happy as a reader in literature, especially since like you i’m absolutely right in pointing out that i’m not a literary person, and especially i’m not a spanish scholar, i’m a linguist, so just like all kinds of medical systems, i say, hello, i’m natasha, i’m a professional patient, today i want to be

a professional reader, but borhis he himself was a professional reader, he somehow emphasizes this - in his essays, that this is precisely his main role for me - this is the reader, and this is exactly what is close to me, because until the end of his life he is absolutely in love with the process of reading, this is very visible, even in those essays which he recited when he was already completely blind, it is very clear how interested he is in general in the very creation of the text, the relationship between text and language, since borhis was a polyglot, he is terribly interested in this babylonian confusion of languages, which can be ordered in the notorious hexagons of the babylonian library , somehow organize or disorganize, do you remember, he has an absolutely wonderful moment in one of the short stories, he remembers when the boys, when the books were closed for the night, he thought that

the letters in them are scattered and mixed, and very much in the same order, well, let's tell the viewer a little who borgis is, but in general terms, he is a writer who lived in argentina, wrote in spanish, although he knew many other languages, yes, he worked somewhere from the thirties to the eighties of the 10th century, he lived a very long time, despite the fact that he became blind during his life, in general, it would seem that this should have complicated his work, but no, he continued to work and created this such wonderful worlds and images of the labyrinth or world as a library, well, it’s interesting that he worked from a small form, this is a man who has not written a single novel, although he was nominated many times for the nobel prize . i understand, i understand him, because i am also regularly asked: natalia, why do you not to write a rock opera, i say, you know, i’m not my topic, big form, but not polish, this is not

my topic, that is, even if i take on such a thing, i will express everything i want to say within the first two numbers, there are arias and characters, and then i’ll get bored, i’ll stop i’ll give it up because borhis’s prose is so rich, each story contains some terribly fascinating plot, even a detective story, a charade, a puzzle, they are terribly complex. yes, and here we must definitely remember the writer whom borhis extremely loved and respected, this is, of course, edgar alend poe, well, yes, he largely relies on poe, and also charades, yes, like the stolen letter and similar things, then borhis relies heavily on po, but he continues this work, continues to bring this story to the absolute, as in the story about obenhakan who died in his own labyrinth, when it turns out that the killer is actually the murdered one.

this one is lucky, very often in his, well, these charades, yes, puzzles , images are repeated, i even wanted to talk to you about this story, the garden of forking paths, which is dedicated to a labyrinth, probably the most powerful of his detective stories, because until the very last moment we don’t understand that there is murder, there is murder all the time, that is, murder is not what it seems. here it’s interesting that after reading this garden of forking paths, i finally figured out why borhis works with small forms, i realized that he himself created this labyrinth from text, that is, from short repeating plots similar to each other, he composed such a countless number. he places mirrors in his labyrinth, which ultimately make

it endless, it’s such a beautiful image and it’s so applicable to absolutely everything, we had a painting by maurice escher in our screensaver, well, it’s exactly the same thing, it’s just escher naturally visual, with him this happens in graphics, and with borhis this happens, here is escher, yes, he is really similar to the figurative world of borhis, so we him, these are yes, this is this, this is the tape, this is exactly this... moebes motif , repeating recursions and so on , borhis was a man of encyclopedic memory, it seems to me that i know what his secret was, just judging by the fact that he uses this labyrinth. in the maze he places some hooks so that he himself does not get lost in this maze, you know, he scatters crumbs, he scatters crumbs, yes, yes, yes, yes, yes, yes, yes, that is, he uses the classical technique of renaissance philosophy , this is a gnosiological technique, a technique for organizing consciousness, which is called the devil of reason, it was invented by such a cool

thinker of english origin, raymond luliy, and he came up with this ... here is a system for organizing knowledge, organizing memory, organizing those facts that are not contained like in sherlock holmes's trash attic, just like in borhis in an endless labyrinth, where each compartment has a dedicated specifically this raymond lulya, raymond lulya’s logical machine, that’s what it’s called, i tried to wilt, but i honestly understand the circuits, it requires a certain habit, that ’s right. into this matter, that is, but when, when you really, really suddenly begin to understand, you understand how simple it is, how simple it is, that is, i use the palace of the mind, i have it, it’s quite strange, but there are also hooks there, they are mainly visual, that is, a certain image that refers to another

image, to another image to another image, just like uh, in borhis’s concept of cabela, why is cabola interesting in him, yes, this is a very important topic, cabola constantly appears in him, he studied it, yes, yes, yes, it is interesting to him, again, also, as a tool for ordering, as a tool for studying the knowledge of language, that is, this very concept, the pentateuch of the torah, as one giant, stretched out and expanded in all variants, the name of god, and a tree, yes, a tree, yeah . siferod, which i really love this concept, because it can be applied to any spiral or, well, spiral structure, from dante’s circles of hell to the dna spiral, you know, it seems to me that it specially came with a ring in the form of a torus, the ring is beautiful, magical, that is, this is exactly the book

books, that is, the archetype of a book, enclosed in a ring, borhis has, there is a game, and it seems to me that for you too... the game is important, you can see this in your work, but this is a kind of play of meanings, a play of symbols, a play of words, a very important image, when the whole is no more than its component parts, then there is when in one, there is a multitude in a certain unity, yes, but this unity is no more than each of the component parts, that is , what you called is connected precisely with his love for small forms, precisely the fact that all these components he must... fit the parts into a very laconic form , and you know what’s interesting is this concept of the game , which he, of course, always has, we see how he gets a kick out of it, that’s just how he takes his the labyrinth is such a hobo, it turns over, but here ’s the wrong side, and he’s like wow, how cool everything is, and we know writers who continue to follow

the legacy of our jorja luiss, who succeed, this is umberta eca, of course. and what kind of relationship did they have in general, that is, they were somehow connected in real life, since there is , i don’t know if they were connected in real life, but they knew each other without a doubt, that is, without a doubt they knew, and you see , here comes an absolutely wonderful writer's greetings, i adore umbert eco because he is in the name of rose, he has this monstrous blind villain, the librarian, the monk jorge, which denies existence and the right to exist. aristotle's book on comedy, which is why you think that this is a character written by borhis, a clear hint and a library, but if we dig further, we understand that in this way umberta eco takes off her beautiful italian hat and says hello to borhis, because that here, of course, behind borhis stands his character overoes, who in medieval cordoba

writes a treatise and he encounters, yes , an arab doctor-teacher... philosopher, he encounters precisely aristotle concepts of tragedy and comedy and he doesn’t understand them, poor fellow, uh-huh, that is, in general, everything was mumbled that borgis has no sense of humor, no, i think that he just, in such a crooked way, just showed that he really appreciates borhis's acting, and that in this way, in general , overoes, whom borhis sees in the mirror in which he continues to believe, he will at some point understand what comedy is, but in the monastery of uberta eco, the library burns down and the manuscript burns down, the mana of khorhi itself burns, well, that’s a different story, if the world is a library, then ours creativity there is probably manuscripts, when we don’t know whether this will become a book, whether it will enter the world library, right? yes, but these ones are burning, it’s me, i, as a convinced neoplatanian, believe that the manuscripts burn, but , of course, shadows remain on the walls of the cave, that is,

our work is for eternity, and the manuscripts burn, no matter what volentu says bulgakova, well , let's listen to the song the mill manuscript. now is the time of fire, don’t let me in, i’m like a rusty ascetic, 3,000 years old, who has not written poetry, but that invisible one is waiting, carefully, like a cat, touches the milk, oh, midnight, nickname, he leaned towards the lamp, according to my

strictures, my log, a short-lived beast walks, i keep this sacrifice to the fire in the underbelly, until the door closes, the inscriptions are burning, they didn’t tell you, but they are telling the truth. and don’t take a step back , oh my friends, oh my enemies, how beautiful it is to cut the veins with a pen, ink the silver, the circles don’t burn, they’re still burning, you should have seen this act. manuscripts are burning, they didn’t tell you, but they really are burning, and don’t take

a step back, oh my friends, oh my enemies, how beautifully they burn, manuscripts of grief, for your beloved. they burn gloriously, as if they were ripe with thousands of grovat, oh, my friends, oh my enemies, how beautifully they burn, the manuscripts say.

this podcast is a must-read , i’m glyankova, my guest is natalia ushey, musician, lead singer of the melnitsa group, phd in philology, we’re talking about jorge luis borgis, you know borgis. and he, in my opinion, works as a collagist, that is, he takes some of these caresses of short forms, he has an excellent knowledge of mythology, an excellent knowledge of various subjects, it is clear that a person has been working all his life he read, he didn’t have an active life, his whole life was spent in books, yes , but he was actually the director of the national library, yes, that is, he is a professional librarian, a great librarian, you can, he is mine, you know, he is my archetypal librarian , it seems to me that he gave birth to... a lot of waves after himself in pop culture, in popular culture, that is, it would seem, an intellectual, look, we again

mentioned umbert eco, who succeeds, yes, he has this game, it works because you can lose your pulse fold a tender blanket, but until you have some kind of magic thread, it will not become magical, it will not become an airplane carpet, that is, let’s say paolo cuellio, who can be considered borgis. it doesn’t work at all, listen, he even took the title of a story by the very famous aleph, and wrote such a novel, which is a novel, yes, yes, but this is epigonism, in the worst sense, i’ll be honest, but you know, i read this novel by paula alev , because he is mentioned there, my friend, in general, on this trip to russia, he meets a girl the prototype, which was my friend, so i had to read it, although i don’t... really like it, i was attentive, it turned out that this alif, which he describes as a state in which he falls into the past, i’m talking about paul

i say, yes, and here i read the original source, time lines, it’s much more complicated, it’s ballistic, and here you understand, you can say that borhis is a creative writer who exists in a four-dimensional world, it’s interesting, what does it mean that he doesn’t have only here are our three measurements, but he still has time, that is, he operates on time ... this chinese descendant of the author of the labyrinth is mentioned there , he comes to this sinologist doctor who studies the heritage of his great-grandfather, it turns out that the book and the labyrinth are one and the same the same thing, yes, that is, he created labyrinths and created a book, it turned out that this

is the same thing and it’s very interesting there, he asks him a question, this doctor, and he asks this chinese, and this descendant, what word in a charade should not be mentioned in a charade, in the charade about chess should not mention the word chess, and he says: i found the key to your great-grandfather’s labyrinth, that the word time is not mentioned there, this means that the entire labyrinth is dedicated to time and its different layers, that is, there is actually this key there, the golem, yes, for the golem to work, he talks about this in the sss kabla in the lecture about kabla, for the golem to work, it must have the correctly chosen word, and if, accordingly, the tzaddik erases one of the letters of this word from the golem’s forehead and it will turn into something else, like the word emet, truth turns into met, that is, death and the golem crumbles into dust, that is, control over

the golem is also in the correct y and the correct letters, it is this opportunity to work with letters back and forth, that is, to write , erase, write, erase, this is some absolutely amazing , limitless control over dead matter that the jewish acquires, it seems to me that for borhis the text is living matter, yes, yes, of course, of course, and, in no case not static, constantly changing, because interpretation of the text, even though its literal image may be fixed, but the interpretation of the text will be different in different centuries, for us now superstructures are happening, that we are from the height of our well-educated cords, the arabs, yes, from the height of postmodernity, then we get a third, a fourth, a sixth, the superstructure has all these additional meanings, additional emotions

that we put in not only but it just turns out to be the next steps in one of the stairs of the labyrinth. i think borhis influenced on costaneda, because in general the form itself, you know, i want to mention that when borhis started working, it was an innovative form, what is called in cinema, that is, it is a documentary film, but it is completely imitated, that is, in reality that is, we don’t understand whether this really happened, whether all these people who are talking really existed, maybe they are philosophers who are talking, or this is a product of his consciousness, we don’t understand this, but this is a superbly imitated document, there is a commentary , from these comments, you don’t understand, really, he came up with all this, or yes, or

he really tells his own life , slightly flavored with this magic of time, well, with costaneda, this is this form of documentary, and conversations with the magician himself, this form , he clearly seems to me to have picked it up, also from gorges, and you know, i recently read from orchal, the philosophy of andi orchal, and there is a lot of mention of such an image as mirrors, that orchal loves space in which... there are a lot of mirrors, and the mirror is a very important theme for borhis, that is, even in a labyrinth, a person eventually comes to a mirror, that is, if he goes through a labyrinth, he comes to a mirror and meets himself, yes, an overoste that looks in the mirror and disappears, and maybe even a kolqueer has disappeared, that’s it everything that, as it were, when he begins to understand the essence of things, he disappears from the mirror, tell natasha , what do you think, that borja went blind during

his life, it is clear that he read a lot about even he himself writes about the fact that i didn't actually live, yes, i don't know what happened there in my country, because i spent all my time in the library, i spent all my time in books, but tell me, this is the fact that a person is blind? finds himself in this world of darkness, that is, this is some kind of forced disability, that’s what you think, did this set influence him, because i have a feeling that his works have become stronger, which he wrote already in the seventies, there they became more lyrical and precisely some introverted ones, more sharpened directly, he works in a short form, but he has very deep ones details, that is, for example, he writes that a person who is still approaching the sea, he has not yet seen this sea. but this sea is already splashing in his blood, this is a very accurate observation, yes, the image of the sea, yes, the notorious platonic shadow, that is, you understand, a blind man, he has direct access to plato’s cave with shadows, yes, he does not work with the visual, he

already works with archetypes, with ideas, with eides, and things, images of concepts, he works directly, and let's talk about this babylonian library, how do you imagine it can you imagine in this world? he is a librarian, he is a systematizer, or he is a reader, or as you see it, that is, this world of hexagonal shelves, describe it as you understand it, a hexagon, a hexagon is a honeycomb, that is, it is such a hive, that’s why i have today bees in my ears, this too, this is also not without reason, you are all in signs, i am all in signs, well , of course, if we talk about orchis, then you need to operate with its tools, that is , operate with signs, yeah, so of course, i'm all about signs, essentially vavilo... he has this babylonian library is really a gigantic hive, that is, i can imagine that just as bees have an extremely complex hierarchy of creatures, that is, in the world of borhis's library there must also be a phantasmogorical

perfect hierarchy, and i think that he is the first a reader, an enthusiastic reader, who rushes through these honeycombs, from hexagon to hexagon, finds something for himself, something interesting, and it seems to me that in order to become a librarian in the babylonian library, you need to go a very long way, you need to go through initiation, you need to go through the beginning , yes, you need to enter some kind of luminal phase, yes, go through initiation, that is, find this notorious tetragramaton, or at least its semblance, that is, jump to another step , yeah, development, then in front of you these hexagons will be ordered, open up and become permeable, borhisov, a story, well , i don’t even know, it’s probably an essay, or maybe a story, four cycles, and he’s just trying to systematize, maybe all his knowledge, endless, he gives a theory

that there are only four plots in world literature and we all repeat them endlessly, this is the plot of the capture of a fortress, and well, for example, the iliad, and the return home, well , the example is also the classical odysseus, who returns to ithaca, and the search is probably a broader concept, but he gives an example of the bird simurgh, which is both a multitude of birds and one bird, which contains this multitude, in general, this is also an image of god, and to which borhis, any ancient plots, well, ancient epic literature, journey - this is all just the search and suicide of god. yes, the sacrifice of god is a sacrifice - something that we can see in the bible, yes in narnia, there, well, in general, in a lot of vefa, yes, that is, like a horse sacrifice, that is , the ashwamedha ritual, which accompanies the ascension of the king to the throne, that is

the sacrifice of a divine being is just the most initiatory thing, of all these wandering plots that it reminds of, it is the leap to a new level that is the sacrifice of god, yeah. here again this one, what is his name abenhokan in his small labyrinth, that the killer of abenhokan becomes abenhakan himself , yes, that is, he is a constant game, that the one who is killed, he was actually the creator of this whole murder, an imitator, that is, there borhis repeats it very often, it’s like an initiation thought out and influenced by the agent himself, that is, he sacrifices himself, it’s like this... well , again, this is a wandering plot, so the scandinavians wanted to hold on, not it worked out, this podcast is a must-watch

reading, i am agla nabadnikova, my guest is natalya oshey, a musician of the soloist group melnitsa, a candidate of philological sciences , we are talking about khorhilu and seborhis, borhis's personal life, i was very touched by ulrika's story, from the book of sand, from the collection book of sand, where he meets a woman, they spend only one night together, there is an obvious one too. to the mythology there the hero’s name is sigurt and he’s also siegfid, that is, it all relates to scandinavian mythology, and the heroine’s name is ulrika, but on the one hand it looks simply like people who met in hotel, nominally spent the night together, the next morning they separated forever, but this one night stand, and and but borhis imagines this as such a failure into some other world, as if this meeting was very important, and it seems very romantic to me, there too plays the role of a mirror, she looks... now we, i say , now we still couldn’t resist

scandinavian studies, because precisely the fact that his hero is siegfried, dash sigurt, is very important, because, of course, borch, with his amazing erudition, he knew that means for the scandinavian hero, some kind of irresistible, not predetermined meeting with a woman, because a woman, for the scandinavians, in general in mythology, is fate, a woman is capable. change fate, so it’s this mysterious ulrika who meets sigurd, she makes him look at himself from a completely different level, what you’re talking about, this is initiation, this is a meeting, there is initiation, that is, this kind of like ananka, you know, which is through tiny death, because that initiation is always a small death, an imitation of death, it forces him to move to another level, that is, here i really love borhis so much in such aspects as... and he

feels these very indo-european mythological clichés very subtly, maybe even not always consciously, of course, because it’s directly mine , you know, when i see this king’s sacrifice, this woman’s fate, i think, you’re my good one, how nice, let’s talk about his personal life, he was all life can be said, that is, there are some women, i see dedication to women in different stories, to different women, that is , there were women, they inspired, but basically yes, he lived his life, rather with his family, there with his mother, then he became more blind, but at the end of his life, after the death of his mother, when his mother let go of this freudian story, he married his literary secretary to some beautiful girl, that’s what you think, his relationships with women are so strange, they’re like something was reflected in his prose, how do you like it?

to say, in my opinion, he is not a love author, at all, no, he is not a love author at all , that is, for him, rather, all the women in prose, well, there in the same aleph, yes, this is his beloved, she is already dead to the beginning, beatrice, yes, beatrice, this is viterbo, that is, in principle, he has women in his stories , they appear as ideas rather, oh, this is very interesting, yes, that is, this is exactly the archetype of the dead lover, this is this beatrice, with some wicked people. which takes the hero through initiation, that is , it seems to me that all the female characters are with him, yes, that all his female characters are not, as it were, endowed with special emotionality, but endowed with power, endowed with power, endowed with a function, yes, endowed with a temporary, function, as it were, which is obliged to lead the hero to that point in time, space at which.

.. orchis wants to see this hero, he never received the nobel prize, it’s very disappointing , i read that 25 times, almost a lot of times he was nominated and each time he didn’t receive, marquez all the time, marquez bypassed at the turn, although i am markisa too i love him very much, yes, but i like borhis precisely because he gave birth to so many, that is, he seems to be a quiet librarian, you know, quietly, quietly, yeah. with the chronicles of a wind-up bird, where people fall into a certain corridor, and there is a different time, there is a 1979 novel by christiane kracht, where people end up in iran during the revolution and are saved by finding themselves in a certain magical slice of time, another, and they do some rituals, eat black food there, in general, borhis has this, he sets some programs, like

quantity, yes, right now i’m reading alan moore’s absolutely gigantic novel jerusalem and alan moore’s too, you know, this is precisely the system of the principle of the inside out, the principle of mirrors, and the principle of traveling back and forth in time, that is, essentially jerusalem - this is a deconstruction of a family saga, an english one, so downright classic, but a family saga, but we have each chapter, it takes place in its own time, it is nonlinear, and periodically due to penetration into the conditional underbelly of the city of northampton, the same family from different times have the opportunity to meet each other and this, of course, is just such borhisovism, here it is stretched out into a book that is called longer than the bible, that is, of course, i would cut this jerusalem in half, but what’s cool is these four principles of four-dimensional space, where time is the most fascinating scale,

which allan introduces in a very fascinating way. i have a question for you as a linguist, it ’s really funny, but there’s something about it, here... borhis, he somehow entered the life of a russian man, this joke went overboard, what do you think borhis went overboard, well, you’re a linguist, i don’t know who else to ask, but it seems to me that you might have some kind of answer to this question, for some reason here borhis remained in the layer of language, such a comic one, well, because, because, because, in principle , the very name borhis in russian evokes some kind of... inner isidore of seville with folk etymologies, you know, this is the root boron, that is take, take, and so on, i really want to continue it etymology, that is, there are such unfortunate surnames that, on the contrary, successful ones appeal to folk etymology , you can play with them, you understand, he again got into the linguistic game, so he

was a magician after all, yes, yes, well, of course, of course , that is, that even the author’s surname is fixed in the body of another language, in the fabric of another language. begins to spread there like some beautiful noxious weed of amazing argentine origin, so it begins to sprout in the fabric of the labyrinth of the russian language already, well, you see how we it’s interesting that you and i found some kind of linguistic move, indeed, something that explains something about borhis and his immortality, his games of the mind, but he is immortal, because he is constantly repeated in the works of other people, yes, yes, that is, his platonic shadows continue play. live, yes, the labyrinth continues to live, it is endless, the recursion of mirrors is endless, borhis is alive, cool, natasha, thank you for the interesting conversation, i learned a lot, you are an erudite, it’s always interesting to listen to you, and it was very interesting, that’s how you see such a writer as jorge luiss borgis,

very unusual - thank you for inviting me, i really like to talk about books, the main thing is that we will invite you again, okay. this was a must-read podcast, i’m aglaya nabatnikova, my guest was natalya ushey, musician, candidate of philological sciences, lead singer of the group melnitsa, also known as hilovisa. thank you, you can find all episodes of the podcast as a must-read on the website of the first channel 1tv.ru. hello, dear friends, not so long ago , as part of our television academy, we distributed tefé region in ufa, gentlemen, this is the result of this trip, it was impossible not to fall in love with this brilliant musician.

zaineddin, dear friends, ufa, bashkartastan, this brilliant man lays a bridge between the past, and it seems to me, the future, he takes the national turkic bashkar melos and makes it the music of the 21st century, this is fantastic, this is kurai, this is the reed that grows in the southern urals , the flower of this kurai is depicted on our flag, on our coat of arms, seven flowers - this means seven genera of heads, i specially brought this reed, here it is it grows like this, we pick it... the reed, and i’ve already prepared it in advance , so we pick it, yes, yes, yes, we remove it - the flower, then i’m specially in front of you, please hold it, i’m cutting this kurai, hoo-la, i’ll cut it especially for you, i cut the kurai, please show me, now i’m making five holes, wow

, i’m making five holes, straight, straight with my hand, come on, you can play straight, i made five holes. the result was such a wonderful instrumentation , a very meditative, spacious sound, reminiscent of indian bansuri, only bansuri the whole world knows, and many of us, dear friends, only found out about kurai that night. here i am, if it’s possible right now on this instrument live without, do you need us for this or not, not necessarily, dear ladies, let’s go, let’s leave our viewers alone with kurai and zainaddin, live, i’m live right now, without arrangement, i would like to sing an excerpt from alpamysh’s little epic,

atay kara, atay kara, alba kile, alba kile.

well, well, throat singing, it turned out to me that these are mongolian things, no, in fact, many turkic peoples sang with throat singing, dear friends, will i express a common opinion, but in this melodic, in this cybernetic bashkir rap, in variva there is one feature: i want it not to end. that's how you, of course, that's how you start it, yes, yes, yes, this is the pentatonic scale, tyuzhsky, listen, it’s so simple, understandable, even for those who are not particularly sensitive here, you understand that auditory suckers don’t care , well, this is so clear, and it’s so straight forward, comrades, can i think that now you can barely fit this into the cross? great, but we don't they just brought bashkerian instruments, i myself studied at a music gymnasium in the trombone class, so i’m a trombonist myself and we

even make such mixes - with with different instruments, with trombone, with duduk, zurna, dumbra, this zainedin has mastered everything, you can imagine how this boy annoyed his parents, he banged on everything that he had in his hands, also, listen, if there is, everything that glitters, if there is a trombone, it is already in zainedin’s hands, if there is, what is this horn here , russian, he immediately uzun go in his hands, well, it’s necessary, and even duduk, and even duduk, once there was such a story, uh, they stopped me - well, traffic cops , and in order to let me go, i started putting on a concert, they didn’t let me go until i played it on my finger, then they were only surprised

, you can take your fingers to play, learn to play with your fingers and go wherever you want, fantastic, and i actually brought a lot of instruments, i have a wooden kubys, this instrument is called a kubys, this is a harp, it is called by different peoples in different ways, in our country it is called kubys, they call it vorgan, in yakutia homos, they call it, one for you, thank you, ah, and what to do with it, this is a wooden kubyz, we have a wooden kubyz, uh, found a very long time ago, that is, in ancient times this instrument was played, it is made of birch, there is this one

here is a string, you can play it like this, wow, this is such a wonderful instrument, like this 300 years ago, salavat yulaev enchanted - emelyan pugacheva, i brought a lot of kuraev, i would leave it for you as a souvenir, thank you very much , and are you a trombone? maybe play the trombone, of course, well then now, with a trombone, we will listen to what will happen in the hands of a talented person, i would like, dear friends , to thank again, bashkarttastan, which gave my colleagues and i a meeting with such a talented person, new conquests for you, and for you , dear friends, new interesting meetings , like the ones that just happened, all the best, all the best.

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hello, this is news on the first, maria vasilyeva studios at the beginning of the episode briefly about the main topics. operation against hamas. first the stage ends, the prime minister of israel announced the elimination of most of the enemy forces that attacked the country the day before and the start of an offensive on gaza.