kazan, cave temple of the cathedral of the kazan icon of the mother of god. nobody knew about its existence a few years ago. what you see before the white surround is the preserved part of the lost cathedral. the cathedral itself was blown up by the soviet authorities in 1932; in 2015, they decided to rebuild it on the old foundation. what was the surprise of the workers when they discovered another temple underground? it was a clear miracle that at least part of it was preserved here by providence.

cathedral, there was no evidence that at least something had happened. another unique the discovery was these sketches of the paintings of the cave church and documents from which it is clear who built it on the royal order. i ask your honor to enclose an estimate of how the work is divided according to your wishes, and i am also enclosing the drawings of academician avaschuv from the folder. the same alexei shusev, patriarch of soviet zotism, author of the lenin mausoleum, and four-time winner of the stalin prize. they didn’t talk about this, the fact that he designed churches, this humiliated him in the eyes of the soviet authorities, and this was part of such an ideological untruth, a believer, i believe that yes, the church was built, the church cannot be built by an unbeliever. so who

exactly was alexey shusev, who is he? is he a tsar's architect or is he stalin's favorite, what connected him with the romanov family? the great elizaveta feodorovna turned out to be such a fateful customer for which of the soviet leaders was friendly with? there is an assumption that it was beria who saved chusevo from more severe repressions. moscow became a curse for the architect. the whole story with this seemingly stolen authorship, but it was a purposeful company, and thanks to him, a piece of russia ended up in italy. you are now in your homeland, this is orras land. and what secrets were still hidden in his personal file. a unique archive of a feeling that no one has seen.

1939, alexey shusev, in a luxurious convertible with a personal driver, arrives to inspect the construction of the academicians' house in moscow, which is being built according to his design. by this point, the architect already has three. institute of marxism-lenism in tbilis and opera and ballet theater in tashkent, three times laureate of stalin awards among soviet architects, this is a very rare thing, that is, it is clear that he alone stands on the pedestal, that he is the first among equals, truly the number one architect. shusiv, head of the academic project, a special architectural unit of the nkvd , according to rumors... a guest in the moscow house of

lavrentiy beria. that year, the average salary in moscow was around 600-700; in the academy project he received 10,000 rubles. he was not shy about using expensive, good things. he dressed smartly and dapperly. the name of the architect often appears in newspapers in connection with with another epochal construction project. no one remembers that alexei shusev once had another one. another life, which the soviet academician carefully concealed. naturally, he did not write about this in his soviet autobiographies, but there is evidence that the chisinau noble assembly confirms his belonging to a noble family. he was born back in 187. in this

house, here today is a museum named after him, then there were no fine arts schools in chisinau, you could look at art... only when artists came from st. petersburg, moscow or odessa, while my mother was a very educated person, the family constantly attended such events, only then together at home, in this living room, in a narrow family circle, they repeated what they heard, they all gathered together around the piano and sang, cultural a family, a noble family, though, let’s say, not a very rich noble family, but nevertheless, the mother and father took care of the children’s upbringing, their cultural education... such an enlightened family, so the mother noticed that alexey viktorovich, alyosha was drawn to drawing, grief to the family will come suddenly, when the boy is 14, with

a difference of a day he will lose both parents, his mother cannot stand the death of his father, he and his three brothers will become orphans, so approximately. there was a very sad story for the children, all the costs of education were covered by maternal relatives, but education was expensive, to graduate from high school, every month you had to pay 50 rubles, this was a very large sum, for five rubles you could buy a cow for 10 two horses, the older brothers peter and sergei even offered to transfer the younger pavel to a regular free school, alyosha, it’s a good thing that he s... grabbed my dad’s pistol, word for word, a pistol shot rang out, but thank god, sergei was not hurt, this shows that he is stubborn, he was stubborn, he was scary, so i wanted to become an artist, i went to the art academy, without patronage,

without connections, i entered there, you know, a guy from chisinau, not a st. petersburg boy from the benois family. tretyakov gallery funds in this box contain previously unknown documents handed over by shusev’s descendants. unique archive shusev, which no one has seen, and this is not just one box, there are many of them. the priceless archives have just begun to be sorted out. this work book was started in 1939, and it says here that the total work experience is 40 years, everything is documented, which means since 1899. in 1899, shusev was working on small orders in his native chisinau, only dreaming of opening his own practice in st. petersburg. and these shots

were taken 12 years later. nicholas ii. enters the city of ovruch, zhitomir region. the king personally takes part in the procession around restored st. vasilievsky. somewhere in the background is the executor of the imperial order, the modest architect alexei shusev. shosif was specially invited to an audience with the sovereign, everyone there was lined up according to rank , according to the position that the person held officially, and since his position was small, he found himself at the very end of this line, and so when it came to saying hello with shusiom, then the sovereign took him away and tried with him for 10-15 minutes in a separate conversation, which was not planned by any regulations, that shows that the emperor treated him with great respect and interest, for shusev

the project will be a career breakthrough, as evidenced by the archives of the museum of architecture, which were opened only for us. we are showing this document for the first time for the film, in fact, you are the first to see it, this is what the temple looked like, this is the period of work, that is, these are the supports, that is, there were essentially two two walls, this is what it looks like , this is him apparently behind the camera, after the restoration of the temple in ovruch, the architect will not have a stop from orders, the archbishop sent me a telegram saying that the sovereign is very pleased with my restoration project, i’m going from here to kiev and pochaev, while you work on the drawings and don’t dig up, well, apparently don’t carry out excavations without me, here’s your shusev. shusev understands well what privileges the royal favor promises. by that time, he was already a freelance architect for the holy synod, and

the romanov family generously donated to temple buildings. he is not only sentimental, but he is vain. one order from the orthodox church follows. it’s just building all the time violating strict church canons and even allows himself to change projects after approval by the sovereign himself. dressing church towers in heroic helmets, as in the temple of st. sergius of radonish on the kulikovo field. it’s like overexposure and oslyabi - the same heroes who were actually monks. shyosif was not just a good architect, he knew how to literally push through his ideas. he was so able to tell stories convincingly and emotionally that customers , willy-nilly, approached the option that they liked. these are the towers, for sure.

influenced shusev to change his own design for the church of st. sergei of radunichsky on the kulikovo field, because they symbolized two heroes, the overexposure of ostlyabyu, participated in the kulikovo battle, for students of the surikov art institute, a trip to the city of thousands of churches, that’s what pskov was called in the middle ages, a mandatory annual practice , let’s still at arm’s length, yes, we have it like this, and even higher,

this tiny chapel built according to the shusivo project is here today as if by accident: with one on one side of the new building, on the other almost right next to the bridge supports, the fact is that it was moved here by sawing it in half. photo from 1970 from the section. already the anastasievskaya chapel, and suspended from a crane, here it is, this crack may correspond to the cut into two parts of this chapel, originally the chapel stood on this bridge high, like on a hill, on an embankment, in 1970 olginsky mostri... expand, unique the chapel, which was built and painted inside by his teacher and friend

nicholas roerich, will interfere with these plans. her they will move it under the bridge, only here the twenty-meter boom of a crane can reach it, and no one will think that the fragile building will be destroyed by the vibrations of the bridge. the anastasyevskaya chapel will be built in the eleventh. year, at the same time he and his family will move from st. petersburg to moscow, here still in a homely environment, such a family, happy family scene, but this is a happy period, you can say for a young couple, when they had a child, an apartment appeared, in the photo eldest son petya, dad dreamed that he would become an artist, like this we see the drawings, he’s even already worked out how he’ll sign pyotr shusi. the young family will have two more children, mikhail and lydia, here they are in the photo. later

another daughter will be born. he loved her very much, in general, he raised her the way he was raised, put the girl to bed, read her bedtime stories, some theatrical performances, and played the guitar. these photographs were taken during rare moments when the family gathered together. spent a lot of time on business trips, working. his wife maria took care of everyday life; when he traveled, he wrote letters, wrote to children, naturally , his care for them is felt in his letters, a letter from his son mikhail, who became an architect, who writes to his dad, his dear dad, everything is fine at home, everyone is healthy, he signed his name here, i kiss misha warmly , shusev’s family history will be tragic, but it will be later in his other story. soviet life, the revolution of the seventeenth year

, the civil war, the execution of the tsarist force, many friends and colleagues of alexei shusev leave russia, in the year his last project was a temple in a brotherly cemetery, he was erected under a cage as a museum for the sisters of mercy, but it’s still the seventeenth year, and they will shoot near this temple, they will shoot in the basement, and he is... why didn’t shusev leave? because for shusev, the seventeenth year was not only a political shock, but a new culture. cultural revolution, it also required new projects, for alexei viktorovich, it seems to me, huge prospects opened up, at the time of the revolution he was a young man, 40 years old, the very beginning of his career, in fact, for an architect it’s exactly the same, he doesn’t wait, doesn’t sit sea ​​weather, when the soviet government comes to him for projects, he proposes, they create this workshop, develop a plan for a new moscow, and he takes his students there,

proposes to move government institutions from the kremlin. field in order to relieve the center and abandon the demolition and expansion of ancient streets, but the plan for the new moscow will never be implemented, a certain kind of person trailed behind him, so i would say, he did not become one of his own for the bolsheviks, for the soviet regime , the only thing that will remain with the architect in the first years of the new government were his brainchild, the kazan railway station, on which he began working long before the revolution. in his autobiography he wrote that the construction of the kazan station was the only large construction project in the young soviet republic, and this construction continued only thanks to his extraordinary efforts, thanks to the fact that he actually lived at the station, in the seventeenth year, when it was hungry and cold, chusev paid money from his own

pocket, a builder, his own architect, he says i would january 21, 1924 vladimir lenin dies in the gorka estate ; the presidium in tsik decides to build a crypt on red square near the kremlin wall, where lenin spoke more than once. for almost two days the bolsheviks decided who to entrust the construction of the mausoleum to. he was not a party man, he was a believer, he was the architect of the holy synod, but look, the bolsheviks still call him, why, because they see that there is no better. he was probably the only person at that time who could do this, because the mausoleum

is not only a project. the mausoleum is construction. project and drawings of a wooden mausoleum. will create in one night, in two more, will erect a building, the ground, frozen by frost, did not give in to crowbars and shovels , levelers were called to help, the funeral will begin at the exact appointed time, shusiv and the builders will leave the square when the funeral procession has already entered it. the architect and builders completed their house. alexey shusev once again proved his skills, he was recognized at the very top, but many colleagues slander him behind his back, well, he stopped on the move, that is he is often accused of the fact that two holy orders, churches, and then in the halls, on the one hand the royal family, on the other hand the leader of the world, worse, after the construction of

the mausoleum, his closest friend will turn away. tretyakov gallery. here are two portraits of the famous architect. one was created in 917 by boris kustoev, a young, active 44 years old, and the other is a portrait by nesterov, shusev is already 68 years old. alexey shusev in an uzbek robe and skullcap, bought in samarkand during his student years. portrait of the best brush. friend, they met somewhere in the early 900s, when - not nesterov began to paint this portrait - in the forty-first year, they were already long-time friends. two geniuses of the art world were brought together by an incident in the georgian obostum in 1903. during the construction of the alexander nevsky temple,

contractors stole and saved on building materials. precious frescoes by the author. the architect associated with the renovation of this temple did not understand how to fix it, the author of the construction also could not do anything, it was shchosiv who was able to find engineering the decision to fix this, nesterov’s gratitude knew no bounds, the artist was 11 years older than him, then they will say that he took on the role of an older friend, the patron of a young graduate of the art academy, when mikhail nestev had a son, alexey was the godfather shosiev. and the son was named alexey, and when alexey chusev’s son was born, he was named mikhail, and accordingly, mikhail nesterov was the godfather. it was mikhail

nesterov who would introduce the young architect to grand duchess elizabeth feodorovna, and thus this will open the way for him to orders from the crowned family. the deepest in the world, in general everything in yakutia is big, but for what purpose are you coming from moscow? transport the stones to the site 11:46, the ships are constant and are on course, maybe we’ll intercept more, but they return through bad weather. it won't even be six months, who are you? and i will appear, what happened to your wife, to leave again, i’m crazy

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our friends. advise alfabank and receive 1,500 rubles for each recommendation. and let’s not forget about our friends, they will also receive money. find out how to recommend making money on alfabank.ru. alfabank is the best mobile bank. one of my friends has a difficult relationship with the internet. cool shot, i'll post it now. damn, wrong file, how to cancel? no way, artyom. it's a megaphone. everything flies with it, switch to a megaphone. could you imagine such a brilliant future, a provincial student at the st. petersburg academy of arts. he ended up in the class of the architect, court architect leonte benoit. kuinzhe taught shusego, art classes were with nikolai konstantinovich reirikh, and talented artists also had the opportunity to make a grand tour of italy, and

on a foreign trip after graduating from the academy , shusev would take his young wife, maria korchevskaya, whom he would also find in chisinau. the house for her parents will be one of the first orders of the young architect. explicit echoes of expeditions to central asia, samarkand, came from samarkand , returned here, to his homeland in chisinau and for... his wife he created such a project, the whole family lived here, the former nobleman would return to his native chisinau only in 1944, when the city will lie in ruins. this was probably one of his most sincere projects. chisinau

is, after all, his homeland, these are special places. all the best that we see in the city of chisinau, built in the forties and fifties, was built, created by alexei’s students viktorovich. a large horde, an inconspicuous church, as if deliberately hidden from prying eyes. the church of the intercession of the most holy theotokos is the heart of the martha and mary monastery. i think it was possible to create an amazing, heavenly feeling of peace and tranquility of the place, because we find ourselves actually a few ten meters from the noisy street of zamoskvorechye, and here there is silence and peace. the monastery was built with the personal money of grand duchess elizaveta feodorovna, the sister of the russian empress. when

her husband, the grand duke of moscow governor general sergei alexandrovich died at the hands of terrorists, elizaveta fedorovna sold her jewelry and bought an estate on ordynka. she invited shusev to implement the project of her life. elizaveta fedorovna was not just a customer , she was an inspirer, she took part in the discussion of ideas, tasks, what was being designed, what sketches were being worked out, she chose what the architect offered her. chufev paid a lot of attention to details, because, for example, absolutely all decorative elements in this temple, they were made according to his designs according to his ideas, for example, these forged door covers, this was made according to his templates, he personally made templates, that is, life- size drawings, from which the craftsmen then

reproduced... these objects, that is if he makes a project, then he tries to make it turnkey, as it were, the very appearance of the monument , the interior, decorative details, even door handles , candlesticks, chandeliers, altar crosses, that is, all the elements of the interior, they had to be assembled as if the same key, even the doors have been preserved here, made according to the drawing, they are already more than 110 years old, i wanted to be buried under the temple. ishchusev designed a so-called cave church, a crypt, especially for her, the same as what would later be built in kazan, access here is closed, an exception was made for the film crew. we are very lucky that we can go down to the underground church. there was an idea that in order to revive and revive russian religious life, it was necessary to turn to the first principles of christianity, when

the first christians, the first... were buried in crypts. the cave temple is just a tribute to the spirit of the times, but a kind of intellectual fashion. elizaveta fedorovna turned out to be. a fateful customer for shusego, because almost all of his further projects were in one way or another connected with her, with her circle, the kazansky railway station in moscow, the life’s work of alexei shusev. the author will complete its reconstruction only in 1940. that's how he started working on it in the eleventh year, or even earlier, i think. this is how i spent my entire life designing the most long-lasting project in an architect’s life. shusev himself said, this is my khovanshchina. this project, which the architect, who had never built large civil projects before,

will receive after winning the competition, will not do without patronage. vladimir von meck, secretary of grand duchess elizabeth feodorovna and a relative of the iron magnates, will support his candidacy. the kazan station was a fantastically expensive building according to estimates in 1915 ; 11,300,000 rubles were spent on its construction and artistic decoration. chyusev sent his assistants, design participants station on a tour of ancient russian cities, yaroslavl, rostov, vskov. so to speak, feed off this atmosphere. everything that you have absorbed. reflect in this project, kazan, suyembike tower, suyembike is a real historical character, she lived in kazan, lived during the time of the kazan khanate, supposedly once upon a time ivan the terrible, he heard about

the beauty of suyembike and sent ambassadors to kazan with an offer to become the queen of moscow . syuyembika is no longer queen of moscow, but there is an almost exact copy of the tower named after her. by the will of the architect she ended up in moscow. he chose its own scale for this building, the so-called chusevsky scale, because all the details are simply colossal in size, including window frames, stucco interior decoration, yes, everything is very large, so that those who come to the capital can immediately see this metropolitan scale, it immediately gives you the idea of ​​what you are finding... in general, in the capital of a huge empire, by that time the nikolaevsky railway station was already standing here, so we see its elegant tower, but i feel like it was necessary to surpass

konstantin ton by building a station higher, work on the kazansky railway station will make the successful architect alekseyav a rich man, such a russian book for foreign trade has been preserved. the bank is completely unique, no one has seen these entries in the book, how much money he received, how much he spent, he withdrew money from this book only for one year, in small amounts, and saved the rest of the time. in the seventeenth year he received 10,000 and another 11,000, in general, this was a lot of money at that time, taking into account that the minister then received 1,500 a month, the employee received in 57 he had just very large incomes, but as we know, then all the banks were nationalized and probably lost this money, after

the seventeenth year, in soviet architectural monographs, this masterpiece of alexei shyusev will be called exclusively a hotel. next, the city of bari, the amazingly beautiful courtyard of the church of st. nicholas the wonderworker. this church was built by an architect; the laying of the first stone took place in 1913. all the furniture was made by russian craftsmen, specially brought from russia. he used a special one. historian and archivist nicholas tradiotti was born right on the territory of the courtyard, his father and mother worked and lived near

the church, today in his unique collection there are more than half a thousand documents about the construction of the temple, he presented a sketch to the king, gave certification for the construction of the church and personally donated 10,000 rubles. by the way, the story about the hotel in soviet monographs is not fiction

, years ago, he assures, he erected not just a beautiful building, but also a perfect engineering structure, here is the drainage system, here below us there is such a large corridor, there is no water flows onto the lawns there, yes, it neatly collects from the roof, right here ... it comes from the wall, you see, the first well, the second, the third, turns here, and goes into the city system, that is, a drop does not disappear anywhere, if there is a lot of rain, there are downpours here for several days, this happens, the water never rises, everything is so well thought out, after the church was built, many owners lived there. during the first world

war, the entire floor was occupied by a red cross. for a long time, the courtyard was managed by the municipality. and only in 2009 the italian the authorities returned both the church and the complex of buildings to russia as the legal successor of the russian empire. it was all returned, you are now in your homeland, this is orospo land. my great-grandfather evgeniy evgenievich lonsere lived in this house ; at that time he often communicated with shusiv from his family, and it was precisely the portrait of my great-grandfather that shusi entered directly into this house. pavel pavlinov is the great-grandson of the famous artist. his. great-grandfather ishchusev worked side by side for almost 30 years. it is

the compositions of evgeniy lancere that decorate the vaults waiting room of the kazansky railway station. we stayed together, this is very evident from the diaries of the late thirties; there were very few people with whom we could openly communicate at that time. lanceray witnessed the drama that unfolded between shusiev and nesterov. in the thirties, he recalls that with chyusev, nesterov did not want to shake hands with him because of his work on calluses. nesterov had a hard time during the formation of soviet power. after the seventeenth year, shyusev adapted faster to new conditions than nesterov. it was more difficult for nesterov because he was 11 years older than everyone else. mesterov remained true to his own, so to speak. religious interest. friends will make peace

only when trouble comes knocking on the door of one of them. in 1925, mikhail nesterov was arrested for participating in anti-soviet activities. nesterov is to them what is to the bolsheviks? he is a royal artist. chusev went to the lubyanka and interceded. gnesterov was released. in 1933 , restorer alexander boronovsky was unfairly convicted, but was soon released. together with other heads of the academy of architecture, wrote a letter that it was naturally then transferred to the nkvd, where he wrote that boranovsky was, as it were, a valuable employee, we believe that he could well be returned back, his signature is the same as zheltovsky’s, the same as the signature of the gravemaster himself and vesnin. in the early forties, the authorities would come for

the artist’s brother lanzere. and shusev will not remain on the sidelines again. nikolai evgnevich lensere was arrested and sent to varkutalak. chusev wrote to beri, but then because of the war, nikolai evgenievich was sent to a transferred prison in saratov and died there simply from lack of food. what was it worth, which was called royal behind his back. the architect raises his voice in defense of his colleagues. chuseev himself was on the ropes in '37. he himself was removed from the bridge project. this room we are in now, on the site of a historical restaurant, of course, it is not at all the same as this restaurant was

, the restaurant was much larger, higher, with balconies on top, in soviet times, moscow, those who wished had to wait at the door a few hours, it was here in '36, a year after the opening, that they would film episode of the legendary film circus. half a kilo does not matter for artillery. foreign ministers will stay with a view of the historical museum and the kremlin. even in two-bed rooms there were amenities, at least a shower, which in principle, let’s say, was not often, where it happened, in large rooms there were telephones, and what today, let’s say, does not surprise us at all, there, of course, this

caused a certain amount of admiration; young architects leonid sovelyev and oswald stapran. at the architectural competition, they cheated and invited academician shyusev as a consultant. koganovich later said that when we approved the project, we were told that tamev had a relationship, so we allegedly chose him. already during construction, the government decided to appoint shusev as head of the project. and soveleleva was corrected to remain a conditional apprentice. what they offered, the customer didn’t like, that is, koganovovich didn’t like it, he didn’t want to take on this project at all, he forced all sorts of difficult conditions, in in the end he said, if you want me to finish building this, i should be the chief architect, it should be mine and not a kicks author, i didn’t tolerate authorship, i’m currently building a moscow hotel, i

’m starting the melda theater, i’m getting involved with my groups of architects in development of the construction of the smolenskaya embankment, opsty residential complex with a total length of 2 km. you can even see when chyusov comes to a construction site, with what speed and efficiency drawings and ideas begin to appear, that is, it is clear that he can organize the process. building it was designed as unique, for each series of rooms it developed its own furniture, there are sketches of cabbage soup furniture, that is, the furniture was drawn, all the so-called lighting fixtures, that is, all the chandeliers, all the lamps. table lamps, moreover, there are even designs for inkwells, who would have thought that after 2 years shchuva would be accused of no less than copyright theft? the article is true, the first

heart attack, that is, it hit him pretty seriously. august 30... the newspaper actually publishes an article denouncing the authors and his exes colleagues savelelev and stapran. shusev treats his creative work dishonestly, in order to gain greater fame for satisfying his personal interests, he has slipped into the direct appropriation of other people’s projects, into forgeries , a morally dishonest person, living by interests alien to socialism, a directed company, the scheme of these companies has always been identical, that is, what appears -this is a single publication in the truth, as a rule, then it is picked up, they really wanted to gather material on it, that he is an enemy of the people, to the general chorus of voices of ill-wishers those who just yesterday had curried favor

with the master also joined in, in the memories of tamonka in the design of wood. did not take an active part, because at that time he was busy earning authority in front of influential people, the commission , the government, shusev was tamonkin’s employer, at some point in his life it seemed to tamenkin that shusev was pinching him, they remembered shusiv and his excessive boldness in his statements , he even allows you to argue with molotov, the head of the soviet government, at a congress of architects, yes molotov stands up for young architects, they say they are not allowed to take part in big projects, only some bathhouses are allowed to be built, you know, kitchen factories, and schusiv is straight from the presidium. tells him that, what do you order there, well, there are palaces there, should i give them something?

they saw him, they hated him, they thought that his hat was not too good for him, his rank was not due to his talent, of course, and they wrote him off, because choking on the truth is serious, this is serious, this ends careers, architects are expelled from the board of the union, removed from the post of head of the workshop, sick depressed... leaves moscow for yesentuki, ill-wishers are sure his career is over, what kind of idiot wrote this letter in the first place, and what a cool, cool kostya kevich, they really could have been imprisoned, because rap musicians were imprisoned if roman kostomarov had not if he were a famous legendary athlete, you would fight for him in exactly the same volume, any celebrity entering the shock hall will end up on the same bed, on the same ekmo machine, on the same apparatus, and we do not have any division, consideration kamilla valieva's affairs, of course, they want

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salt fall. in '37 she was loud, now she is rehabilitating her quietly, as if nothing happened was. this story will be published in his book by alexei shyusev’s biographer, alexander vaskin. they were all gathered, the union of architects and savelev from tapran, those who accused him of plagiarism, and it was there that the trial took place that he had not stolen anything from anyone, as he said, i am punjago. i didn’t realize that the moscow hotel is nothing more than one of many projects, as evidence, the scammers will be given the shchusevo project, which allegedly became the prototype of the moscow hotel, i found a photograph of it and inserted it into a book, so that’s all, whoever wants, could compare the sanatorium in

matsesta, below i posted a photo of the moscow hotel, and let people look and draw their own conclusions, we see that yes, there is a lot in common. researchers differ in their versions, but most likely, the almighty head of the nkvd helped restore alexey shyusev’s good name. there is an assumption that it was precisely in 1938 that it was beria who saved shusev from more severe repressions. and then he took him under his wing and entrusted him, to a greater extent, with his department, we felt everything we won’t be able to find out for a long time, because he really designed many closed facilities, all kinds of garages , holiday homes, departmental closed institutions, it is no coincidence that the main order of the department, at that time the mgb, for the reconstruction of the building of the former insurance company of russia, was given to shusev.

during the war years, shuseyev was in moscow, of his projects - this is precisely the unification of several buildings under one facade, at the end of the 19th, beginning of the 20th century the building looked different, it was separate such two facade towers, so he unites them, there was a prison here, respectively, alexey viktorovich, decorating the facade and collecting it into a single complex, of course , knew very well about the component of this part, this is really a strange reaction of his, i built them behind the walls, and this is such a fig in my pocket, from the outside it seemed that shusev’s life was a full cup, yes, well, everything was there, fame, honor, and money, an apartment on leninsky prospekt, a workshop on bryusov lane, but almost no one knew what was going on inside the shusev family. shuseyev purposefully hid

my personal life, i believe that this was an absolutely... conscious action. shusev did not tell anyone how he lived. if before the revolution the shusevs provided lunch for colleagues and friends, then in 1918 the doors of his house were tightly closed. the youngest daughter fell ill with meningitis in her eighteenth year. this disease worsened and it was not possible to recover. then it was the turn of alexei and maria’s first-born, petishchusev. his son fell ill, who, like alexey viktorovich, should have become an artist, the disease progressed very strongly, he attacks of rage began to occur, some unexpected, yes, unbridled, then everything calmed down, well, this is how meningitis manifested itself, the parents will not be able to cope with the care of the patient, and peter will have to be admitted to a specialized clinic for a while, this

became a tragedy for alexei viktorovich. well, in the end, lydia, the second daughter, fell ill, and this was also a consequence of the meningitis virus, which had a very negative effect, she became disabled. unfortunately, it may seem that some kind of curse is haunting the family, they slandered him, they slandered him behind his back, they connected the illness of the children with the fact that shsusiv, as it were, betrayed himself , the construction of the mausaleum as a child, it changed his family life, his personal life, yes, that’s how it affected the children, as they said, god punished him from... he will follow in his father's footsteps, become an architect and even an assistant in several projects of alexei shusev. you can build an entire city, there is nothing

that he did not design. there is a metro station, a train station, there is, there is a theater, there is in tashkent, there are hotels, there is, in baku, in motseste, he even designed the bridge. in moscow, the luxurious bridge, the great moskvaretsky bridge, was put into operation in 1938. the building of the people's commissariat of agriculture, built in 1933. house of architects on rostov embankment in moscow. project '35. novosibirsk opera and ballet theater. its doors in forty-five. shusev will create all this either personally or in collaboration with colleagues. but there were still cities that were restored after the great patriotic war. his workshop worked

on a project to recreate istra and the complex new jerusalem, new jerusalem monastery. novgorod was restored largely according to his developments, according to the developments of his workshop and with his participation. it seems that no one could have wanted to become the head of the national museum of architecture. this will happen in 1945 , immediately after the war. the museum will have at its disposal a former noble estate on vozdvizhenka, just a stone's throw from the kremlin. our visitors are greeted at the entrance to the exhibition halls by a bust of alexei viktorovichav. when shchosiev was in charge of the museum, there was an order director, that the director orders an urgent order for a bronze bust of the director of the museum, it may seem, at first glance, that this is some kind of amazing example

of narcissism, but this is not so, in fact, because in 1948 the whole country was very solemn celebrated the anniversary of the great master, and he, as the director of the museum, simply gave it away as an administrator... alexei viktorovich chyusev received this building in 1945 in order to open a museum of russian architecture here, at that time 800 people lived in the house communal residents, the reconstruction of the building will take a long time, while people will live in the adjacent rooms for 13 years. today everything that the great master managed to save from destruction is collected here. this is part of the original triumphal arch, which was located on the belarusian square from