[000:00:00;00] 40 temperature and even a little higher, and they couldn’t diagnose her, she was dying , and marina ran and took alya home, she nursed her, she didn’t leave her side, at that very moment when all this was happening, she fought for the life of the eldest daughter, irina died there in the orphanage and no one told her, they... buried her there, she found out everything later, can i continue, we are talking about poetry, two hands, lightly lowered on the baby’s head, were one at a time for each, two heads were given to me, but with both clamped, furious, as best i could, the eldest

snatching out the darkness, she didn’t save the youngest. two hands, caress, smooth, tender heads of a lush, two hands, one of them turned out to be extra during the night, light on a thin neck, a dandelion on a stem, but it’s still not at all clear that my child is in the ground, i don’t want to eat, neither drink nor live. and so, cross your arms, quietly float your eyes across the empty horizon, neither for freedom nor against it, oh lord, don’t move a finger, i don’t want to breathe, cross your arms, i don’t allow anyone

to talk about this... situation with me. i feel bad about marina, who says this, who doesn’t know what hunger is, she left soon, irina didn’t , at the beginning of the twentieth year, in the twenty-second she left, marina left for kergei yakovich, there in the czech republic, where masaryk invited, that’s it... that’s amazing will write: to hurt another, no, it’s a thousand times better to endure it yourself, i’m not a winner, i’m on my own trial, my judgment is stricter than yours, i don’t love myself, i won’t disappear, no matter what people say, marina’s phrase, they will always say something bad , this is also true, when

the first wife, that’s about... it’s written, too early brother, too young, the main difference between his sociability and publicity and my wolfish solitude, he can’t live without a newspaper, but i can’t live in the house where the main newspaper is, that’s the one when i left with rodzevich, family, yes, boring, yes, my heart doesn’t beat, but i had a terrible gift of conscience, the inability of someone else’s suffering, she spoke to the neighbor of god’s law, the one who needs you most needs, maybe she writes, she was a fool, and they weren’t without me would be happy, but who would convince me then, i was sure they they assured me that without me they would die, and now i am a burden for them, god’s punishment, they all want to act, build a life, they need something else than what i can give, what i gave left is

of no use to anyone. i understand this well, i’m like that myself, excuse me, but i understand why you, why she is the universe for you, exactly the colors, she is the universe, yes, why are you her lawyer, of course, thank you, thank you, varochka, for calling me i’m always happy to talk about marina and this and that and refute these horrifying ones, it’s so important, what you said today is... important, this is a podcast of letters, my guest was the great svetlana kryuchkova. hello, dear friends, this is exactly the meeting that, as a rule,

leaves no one indifferent. someone once took the melody to a company and published a record by hari prosad, so it probably had something to do with our friendship. with the lady, but something else happened, we began to listen to ragu , we began to study this culture, and there are 6,000 years, in no way any of us became hindus, you see, this is an orthodox cross, one thing does not interfere with the other, but this culture , we loved our generation with all our souls, and today we with special pleasure welcome these brilliant musicians, we have studios, first of all, you need to know pavel pravin, here he is, this is the tireless leader. but you saw him in person, right? yes, i met him several times, my teachers introduced me to him, they are relatives, wow, he said, you have

excellent teachers, you need to study with them, and you don’t need anything else, this is not an arrogant person, he is the most modest a man, this is a man, being the founder of a whole style of playing the banzi, he tells one story about him... when he’s in a hotel, his relatives are all asleep and he’s practicing on the bansura, he’s practicing quietly so as not to disturb his sleep, well , who are your peers? well, this is a huge honor for me, i don’t know how i’m so lucky in life that i can play with these people, but in my opinion, he’s genetically gennady lovrentio, yes, yes, a fantastic multi-instrumentalist who plays... and ottoman music, and byzantine music, even byzantine, had to, yes, had to, yes, yes, he plays with yanis, a greek who sings byzantine chants, traditional

, here is india, right there, as you see, metal gadgets, we know what these things are, they make the guitar roar, when you realize that you are blackmar, it’s just a matter of time, that’s what we call it, warmed up. that is, yes, and of course, tachburgov plays the sitar , and this is an eternal conversation, ivan muralov, yes, this, he is not just a sitarist, he is a sitarist from varanasi, he is his tradition in varanasi, then there is a city, a portal, people come there, hundreds of thousands of pilgrims come to say goodbye, to leave their path in life, having listened to the wonderful sounds, including the sitara, then we won’t from let’s perform this procedure with our viewers

right now . if i say that we have just become acquainted with the work of pavel pravin’s project, i am on the right track, that’s the name of the project, this project is called the light of night crayfish, that is. there is such a concept that daylight,

it closes - the light of the soul, precisely at night, when the sun lets go of the earth, we can see the inner light , so this is the concept that night ragas, they open spiritual light, did you just play traditional melodies, or is this your work, these are traditional melodies in such a specific compilation, it sounded here - this is such a wandering traveler, a dervish who is looking for new places, new music, new knowledge, who set off with a caravan on the road, and so roughly speaking, i will say that we actually played a very famous song sung by the kovali singers, here we are her played instrumentally, we must ask you

what needs to be understood in a raga, but you need to understand and build, lord, no one in the world will understand russian people, this is what rupok, 1, 2, 3, 4, 5, 6, 7, 1, 2, 3, seven, fourth, wow, what other tals there are, just now we were playing tintal, this is such, 4 5 6 7 8 9 10 11 12 13 14 15 16 how many years did it take you to to master the scoreboard since 1997, well, how many 25 years have passed, probably, how is it that they have their own names, these two drums are daya and baya, that is, this is your baya, how is it that it plays bass, it’s designed like that, it’s actually a rather mystically designed instrument, in general, a completely closed drum, there are no resonator holes, that is , the skin itself sounds here, well, due to this

black patch there’s a lot of it, so if this black remove the blotch, then he won’t do it at all, oh well, if we start talking about the sitar now, we won’t finish the program until the morning, because here, i only understand correctly, there are 18 resonator strings, 20 strings, excuse me, please, i robbed, not really in fact , i shot a couple, so yes, that’s right, that’s why that there are different settings, there are three groups of strings, this is... the main thing, two melodic , show us them, please, the melody is played mainly on one string, the second is kind of additional, here it is in the middle, and to make it convenient, the rhythmic string, yes, it turns out that when i use rhythmic strings, the sound turns out cleaner, that is, there are a lot of innovations - thanks to ravi shankar, it happened, haven’t you seen shankar’s work? it so happened that when i went

to study, it was quite recently, that is, this it was 2012, when i went to india to study, and i just happened to attend his funeral, but i ended up in his house, and there was a concert there, where relatives and friends gathered, that is, i immediately, in this in this atmosphere, his spirit was with you, well, something like this, it happened by chance, and a chain of events, and you really need to study for a long time in order to produce such sounds that attract attention to yourself, so this instrument, it has many people in general fascinates with its sound, so, but it attracted me so much that i just

i’m doing, dear friends, this is an anthropology podcast on the first, our guest is the project light. night ragas but look, you don’t have just one bansuri, here, here there are actually several wind instruments, firstly, this is the turkish ney, this is the bansuri, and this is the duduk, the armenian duduk. all civilizations had such a tool, and the main thing is that it has not changed; in 3-4 years, it has not changed at all. we are talking about the fact that the sound is produced by the vibration of this very cane and reeds. yes, it's a reed, yes, it's a reed, here it is above. and this is an apricot, the base of the stone, yes, yes, this is an apricot tree, yes, but the armenians have their own way, the georgians have it, the turks have it, it’s called a balloon, but the armenians have their own way, when you begin to immerse yourself in the history of mankind, in these everyone is cultural, it’s simply breathtaking how much diversity there is, it’s as if, like turkhi irdal in his time, so he went and

proved that the oceans existed as a means of transportation, and so through music we can cross these internal oceans, well , let’s not we'll be far away. get away from music i ask you to continue to lead us on this journey,

so let’s play hussaini, yes. well, grandiosely, we can say that the wind instrument is interesting because breathing is essentially a leash for the spirit, and it’s not for nothing that we talk about aspirated love and so on, then it turns out that the difference between those instruments is that you pavel brought to the studio, not only in the number of holes , but very many, many uh musicians, mystics, they say that the wind instrument contains this primordial human cry, this prayer, this silent the prayer that the hesychasts have is a constant internal silent prayer, it seems to sound like this... yes, the power of these instruments, when playing turkic music, you find yourself sealed in a square, because these are repeated

phrases, they are also pentatonic, yes, but inside these pentatonic phrases, there is a very complex system, some tones in ottoman music are divided into nine parts, imagine what kind of space there is, of course, i can imagine, because in azerbaijan ashuk will sing in such a way that anyone who... vocal music will be captivated breath, this it’s impossible, there are such milisms, but probably she is able to convey etymisms , yes, well, but my interest in her arose precisely in connection with byzantine music, because it was in ottoman music that traces of byzantine music remained, so, well, the violin is idle, or you don’t intend to play it, the time will come, then do

what you want , what just sounded, and this, this was ariyabakha and the lord’s prayer in aramaic , in aramaic, this is the language in which he spoke savior, yes, yes, fantasy, aria bach, bach's aria, bach didn't know how to sing, well, i actually took it from anna magdalene bach's notebook, that is, it's basically a children's play, my son played it once, that's what i did when i heard it , i thought it would be nice to transfer it to this guitar , it’s just that on this guitar, as you know, i myself... simple chords are the most difficult to play, and that is, it can be compared to driving

a sports car over rough terrain, something like this , okay, then here’s the question: these are not toys, wind instruments, the city is not suitable for rehearsing, but to play like this, you need to not only rehearse on them, sleep with them, when uncle jivan became the first master of arpetom in the world, the mountains of armenia helped him, he went to the mountains and rehearsed there, so uncle jivan was a skilled master of making duduks also, who thinks i’ll say syranopoh, since it’s in armenian, but syranopoh, yeah, apricot. and a stick, a pipe in the sense that after all, duduk is a turkish word, then you will have to mean the turkish melo, after all, the armenian tsiranopokh, although it’s kind of as we were already saying the same thing, so he gave me a wonderful instrument made by his own hands, i tried for 2 weeks to blow out at least one sound, and when it came out in the third week, i realized that it would be better if i didn’t blow it, so he my beauty lies in

a visible place, where are you rehearsing this? how have your neighbors not kicked you out yet? somehow i started doing all this, i have a neighbor on the left side, a clarinetist arrived, from above, that is, wind players began to appear, that is, when i lived in india, there are neighbors there, they in principle, they went out at night and seemed to order ragu directly, asked for concerts, that is, as if people, they perceive, understand that this is a musician and he needs to play, they even brought gifts, i also had this, i sat and... somewhere in a shed, a servant of the owners came to me and began to explain to me with gestures, like, dear, you need to go to the mandir, to the mandir, that is, to the square, to the temple, go, play, that you are sitting here, yes, yes, it was like that, even drums can carry, and

our friends, when they went to bed, i lived there with friends, such a swiss indian family, so they asked me, play the violin, and we will go to bed, then you play here in this room, and we are there in another room, so on us, yes, that is, they liked it, for example, such, well, of course, the sitar is its own, it’s generally a person who takes the sitar, he plays it himself, well, they really supported me in india, that is, when i heard a knock on the door, when i started playing very early, i thought, well, now they will swear, so they say that you play so little, you i started so late, but i need more, why are you here? i’ve arrived, let’s get busy, let me remind you that this is the first anthropology podcast, our guest is pavel praven with his brilliant project, the light of night cancers, what you need to understand about it in this cancer, it also has its own phases, there’s a whole story, there dramaturgy, well, firstly

, of course, this is a mode that has an upward movement and a downward movement, this is the interaction of these two... the movement creates a pattern, an ornament, and another very important point is race, race - this is a mood, there are a lot of them, maybe, so to speak, the race of separation, the race of love, that is, they, they are very different, there are a lot of different these races and how would you when you are immersed, here is a musician, he conveys this feeling of state, and as if it itself carries this state, but the listener himself must work together with the musician, yes, yes, this is a joint process, like this, play this tal for me please like this yes this is allowed yes yes this is for example a performance by a tabla player - this is what in general, an interactive thing, because the tablist it turns out that he always has to say, i’m going to try to perform now such and such a kaida there such and such a composition

, which was composed maybe by my teacher’s teacher or which i... composed myself, anything can happen too, so i’m actually a teacher my first one, kishap choudhry, he told me about it, and i kind of, well, in general, since i had never seen it , i didn’t understand what it was, and then in india i saw how, uh, really , here - i attended the concert of srikishon maharaj, unfortunately, he has already passed away probably about five years ago, but i was present at his concert then and i saw how some old men were sitting in front, they started talking to him and my friend said to me: look, he orders him, he says, play for me from the sixth beat, please, chakardar, here in this waist , well, something like that and he tried and it didn’t work for him at first, and then the second time he succeeded, can you imagine what a feeling of music, yes, let’s then something else to play,

i would like to play one composition, it called for... this is my composition of the words of bahaudin nachband, this is uzbekistan, wow , this is bukhara, this was a sufi to whom timerlan came with... dismounted listened to him we must explain who a sufi is, usually this is within the islamic culture, this a wandering dervish who seeks the truth, and sufis in the east, they were part of the culture, they, for example, are believed that avicena, yes, a grumbler, he was a sufi, and bukhara, this is the place where, where it’s like... amazing place from all over the middle east, people come there and it's this song is based on several of his basic phrases, dil

bayoruda, hands in labor, heart in god. all rights reserved