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tv   PODKAST  1TV  October 11, 2023 12:00am-1:06am MSK

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[000:00:00;00] to intervene directly in this conflict, then of course, this aircraft carrier group is the main means of conducting armed struggle, another thing is that at the moment this is most likely such psychological pressure on , first of all, of course, iran, it is unlikely, unlikely, on hamas , because to use carrier-based aircraft against hamas, and to add, israel has its own aircraft. another thing is that i, here is the statement of khmni, of course, from my point of view, he is a little disingenuous, i think that it is unlikely that all this was planned, uh, exclusively palestinians, exclusively hamas, i think that the iranians helped, another thing is that this is not advertised, it is unlikely that the iranians left
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any... traces of their advice, but i think that they participated in the planning of the operation. now, regarding the influence and interaction of these crises , i, you see, it’s not for nothing that the americans are now, and the americans are very closely involved in the ukrainian crisis, in the middle east indirectly by proxy, which is not direct, but they are involved very closely, now they are trying, it’s not for nothing that biden , thirsty meeting with chairman xi, because now the crisis in the taiwan strait is still missing , then, i think, the americans will definitely go crazy, already from the point of view of arms supplies,
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ammunition supplies, missile supplies, already... the middle east crisis is affecting, say, the ukrainian crisis, because israel does not produce 155mm shells in warehouses in israel, but there were very decent warehouses there, american, so to speak, warehouses that were on israeli territory, the americans, well, the agreement of course, the israeli government, because it was insurance, a case of an exacerbation of such a situation, they seized these shells and handed them over to the ukrainians, now the warehouses are empty, israel has used up almost the entire stock of missiles for its iron dome air defense system, because what the hamas did, that is, by releasing order there 4,000 missiles, they naturally overloaded the air defense system, the israelis used up almost all
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of their ammunition. missiles, missiles are not cheap, they are produced, so to speak, uh, uh, in israel in the united states, but these are american technology, so israel has now urgently requested from the americans, uh, these missiles. on the other hand, there is another, so to speak, consumer of these missiles - this is poland , which received the same iron dome, which also needs missiles, which transferred it at the request or on demand or at... the ukrainians, that is, now such a thing is starting, you see, it’s a very interesting point when there are a lot of consumers asking a lot about the possibility of the united states fulfilling all these requests, well, they can print money, of course, give money, but israel, i think, does not need money, israel may need
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money if israel decides to establish. the occupation regime in gaza, so to speak, with its own armed forces , yes, then to maintain such a group, decent enough, money will be needed, but shells, missiles, this, this needs to be produced, this needs to be delivered, this, well, first of all, this needs to be produced, therefore, these crises, they are superimposed on one another, the americans understand, but there are... still, i, of course, would not want such a development of events, but if israel and the united states will decide that iran has a direct impact by sending its volunteers or sending some kind of military assistance to the palestinians, then absolutely, well, the possibility of a direct armed clash between
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israel and iran, and the united states , will increase exponentially, because, well, even with from a purely military point of view, well, where can the israelis strike at iran, naturally, first of all at the site of the nuclear program, but they are all buried, you can’t just bomb them, yes, four oil refineries plants, which they threaten to turn into dust and undermine the economic capabilities of iran to a large extent, this is possible, israel has aviation that is capable of solving this problem, but israel does not have tankers, the tankers are american, that is, the americans should do this say, directly intervene to refuel israeli planes. who will strike, then the airspace, saudi arabia, it seems, has established diplomatic relations with iran, it is necessary to let israeli planes through, or they must
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so to speak, or by armed means to prevent the flight, that is, this is a very complex knot, and i think now in washington in the chiefs of staff committee, there is planning going on, if you... haven’t done this before, then there is a very active, convulsive planning for the possible development of the situation that is currently taking place in the gas sector, because it only seems so that this is such a small local operation, but the consequences of this small local operation, they can be very large, a few years ago, in the center of national interests, where i then worked in washington, spoke at a small one. minister of foreign affairs of one of the persian gulf states and i must say honestly that this speech amazed me, his country was generally considered a country with normal relations with iran, but he
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spoke about them extremely harshly, so sharply that in general he gave understand that if israel and the united states are ready to strike iran, then somehow they are not very upset in his country... he will be upset, i asked him about this, because i wanted to be sure that we had the correct impression that we heard, and he confirmed, very dramatically, he said, the main threat to stability in the persian gulf is iran, and if that requires a joint strike by israel and the united states, then so be it, us. ..we will not say this publicly, we will not stand and applaud, but we will understand it and will even welcome it, but then he added, but it must be
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a clean blow, without large casualties among peaceful muslims, because if this happened, an arab street would not understand this and would not suffered, so i want to ask you, if israel implements the military plan in gas that netanyahu announced and which general buzhinsky just spoke about, would a new player appear in this already quite explosive situation, an arab street that could force the arab governments to come out very sharply against israel. you know, i would like to say that the situation now in the middle east is extremely unpredictable, and what will happen tomorrow, well, strictly speaking, no one
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cannot determine what events await us tomorrow, because indeed , uh, this situation, for many, it has raised a huge number of questions for many, why did what happened, why did this vaunted israeli intelligence... fail to receive information in advance that some events would take place, why their american partners did not warn that some events were planned on the border, and so on, that is, a lot of questions have arisen that are still not have answers. as for just a couple more words in relations with the united states of america, i think that the biden administration has simply got itself a headache, since we... remember that with the ukrainian crisis, there were already big problems with financing and according to my information, at the moment the us department of defense has $5 billion in accounts for ukraine; in the near future, most likely, these financial sources will be
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spent, so the question arises of how to further coordinate this issue with congress, in congress we also see the situation is ambiguous, the resignation of the chairman of the house of congress also suggests that some internal processes of a destructive nature have also been accumulating there for a long time, so now we will have to agree on a budget not only for ukraine, but also for , of course, on the eve upcoming elections , the situation is extremely difficult to resolve, in response to your question, i think that the situation is indeed highly unpredictable, and of course, in this unpleasant story, others may appear participants, which in turn will lead to possibly very serious, and even in some cases irreparable consequences, in this situation
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, at a minimum, a confident, proven hand guiding diplomacy is needed, in moscow, i am sure, there is such a hand, is there one in israel , i'm not sure, but as for prime minister netanyahu, he is a peculiar person, sometimes a person, impetuous, sometimes a person, uh, who prefers to retreat and take a detour, but frankly speaking, he is not crazy, and uh, for him, survival israel, the welfare of israel, is with my point of view is an absolute priority, that’s who controls foreign policy in washington today, i can’t say with certainty how much they, uh, are able to calculate... the situation, not the politicians, especially in
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a presidential election year, i don’t know, but as they say, in one saying in america, god never leaves americans, even when they do incredible stupid things , which they do from time to time, in some mystical way they manage to get out of it, this... sayings are attributed to winstan churchill, i'm not sure, that he was aware of this, under all conditions, this is one of those situations when i want the americans to get out of it, because i don’t want us to have a world fire, i hope this can be avoided, and it seems to me that this is what russia’s foreign policy is primarily aimed at today; it was a big game.
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we'll see you on the air tomorrow. hello, my name is klim shipenko, i am a director and screenwriter, and with me today in... castlab space stories are two russian cosmonaut heroes, oleg novitsky and anton shkaplerov. today is october 5th, the second anniversary of our space flight, the start of filming the film challenge. that’s why we have gathered here today to talk, discuss, remember how it all happened, how it all began. anton, we launched from baikanur on october 5, and our crew, me, yulia and you, we launched on a soyuz rocket. and at this time already. were oleg and pyotr dubrov on the iss? yes, that's what happened. tell
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me, we ordinary cosmonauts are seated in a rocket in 2 hours. you were, we have special people, people in our crew, well, they budgeted 2.5 hours, do you remember what you did for 2.5 hours, i think this was due to the fact that i, as i found out, was later the tallest participant in the space flight who flew on the union ships, they just wanted me to suffer longer, due to the fact that it was extremely uncomfortable for me to be there because of my height, i think it was due to this, that they just wanted me to experience this discomfort longer, so to speak, and what were you thinking at that moment , well i was thinking, look, i was thinking mostly about how i would start to film how it would all happen, how we would fly , my head was full of this, i can say so, i probably abstracted myself due to this from all this nervousness, some kind of
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fuss, emotions. associated with the start, which intensified, especially on the day, on the day of the start, due to the fact that here , just everyone, relatives, friends, came to baikanur, it was all extremely emotional, they wrote down the wishes of our friends, relatives, farewell -the words that we freed, farewell, it all sounded like farewell words, there was a feeling that we would return in 3 years, 15 years would have already passed on earth , and accordingly, well, it would be like we would return a completely different world, so it was all extremely touching, emotional even on the way to the rocket on the bus, so there were a lot of emotions and my only way was to somehow... abstract myself a little, it’s still immersed in at least the mental filming process, i kept thinking, well, now okay, we ’ll take off, now it’s like a camera there, i ’ll get it, i’ll film it, how it will all be work, uh, well, there were basically some thoughts related to this, of course, i didn’t have as many tasks as you , well, the worst thing, the worst thing is that we
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might probably be returned to earth , if anything, well, yes, myself, well, that is, i understood that we would not explode here now and not scatter across space, but we had a double feeling, because when we...' that is, one refusal passed , then a second refusal, first of all we wanted to evade filming a little, yes, and you, you were happy, we were a little happy, yes, and then we thought that in the household compartment, all sorts of bonuses are flying for us, delicious, and we started to think that it’s better , fruit, as far as you, you heard everything, you stations, no, we heard the entire radio exchange, when these refusals came, we immediately, a little tensed up, we understand perfectly well what anton’s situation is now, that well, roughly speaking, he doesn’t have an assistant , right, why, i knew quite well about manual docking, right, it’s a pity that they haven’t given you hands yet, uh, i, in basically, i, i knew the principle, so no, he’s an assistant was, yulka in this sense, she volunteered, so to speak, to make, make calculations, i , and i just realized that you don’t need to interfere, that was right, i realized that there were no
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calculations about my face camera, yes i removed it from the camera, i realized that it’s better not to touch you , i won’t make any calculations, if you tell me to do something, i’ll do it, but i was also stressed that the connection went out and we went into the shadows, look, just we are sitting, the camera, yes, yes, yes, this is just from the camera, it’s not visible, it was surprising to me that we were still we went into the shadows, then, when you said that i was even more comfortable in the shadows, then i exhaled a little, that is, i didn’t have any nervousness, yulka and i really looked at each other then, and i saw fear in her eyes, but in as if in my eyes she was in yours, but i had no fear, as i say, i only thought, damn, well, it would be a shame not to make it, i now understand that the earth knew that, uh, i don’t know, 90% , that this refusal will pass, for some reason they didn’t tell me this, but remember at baikanuri, they added training for me, usually we do it in 5-6 days we stop all this, and here i have two times every day before lunch, after i sat down with my hands, i didn’t know why, they tell me, well , there are connections in the schedule, and
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people also come there to film you, that you’re not fibbing there, you’re not went somewhere, i’m sitting, well, klim came in force, he’ll take a look, well, they’re docking, well done, oleg, you were in such a situation, you docked manually. there was no docking we didn’t have nothing to brag about there was a redocking, there was a redocking, every cosmonaut dreams of docking manually, because really you control the ship or the docking, because i flew before without redocking, that is, i didn’t really touch these handles, that is, that’s why you know when they say, you control the spaceship, of course i was lying, i said, yes, of course, i’m the commander, i think , i didn’t touch these, but now i can tell everyone , of course i controlled it, and you touched it, but it’s true that the station has a backup set, that you... dock the ship from the station, but only the truck wasn’t piloted, that is, you physically he couldn’t help us in any way, physically no, morally, yes, morally we were for you, i say, again there were two feelings, that is, it seems like we need to complete the task, on the other hand, before your arrival, we did not have a single wrong action, and when you
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arrived, as soon as you arrived, the refusals began, i understand, i understand, now it will begin in any case, i am deflated, exhausted, my body is more decrepit than me. mr. smith, hello, i'm elina, this is our operator gatey. one company in japan is dumping toxic waste directly into the sea. people get sick and die. tragedy in japan, mercury poisoning, the pulitzer prize is yours. i won't let you down. don't let yourself down. i came to help, if i can, i can help you. aren't you afraid to touch me? why suddenly? we didn't want war, but we will have to fight. i'm not asking you. johnny
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dep, you see, they made it clear to me that i was not at all welcome here. great in the film. on the first, i need pictures of jean, i need this report, domclick to search for the purchase of your dream apartment, the largest database of advertisements, domclick, the number one real estate service the number of advertisements for the sale of apartments, the season of big premieres on film search, let's go. well, hello, it sounds tempting, kinopoaz premieres today, always tomorrow, i’ll pay, i have a cashback of up to 25% of the ruble. amazonbank? yes, look, how many clients do you have here? already
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why is the credit sbercard the most profitable in the country? every month a new interest-free period of 120 days begins. commit purchases, return the money. so, again again, free forever, super rate from 9-8%. apply online or allocate and receive benefits every day. we continue our space stories podcast and with me today are the heroes of russia, cosmonauts, oleg navitsky anton shkaplerov, do you remember the first time i met, well, with yulia, or with klim also at the station, no, i remember it perfectly, because firstly , we wanted to arrange a normal meeting, as the stages meet, that is, when the entire station crew gathers, you fly in, we we hug you, but why did they set priorities differently, that is, they will already be filming a film, all of us... somehow the cameras and you flew in one by one, there
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were practically no people there, and i was somewhere at the fgb, he was probably already waiting for you with the face of a sick cosmonaut, in short, they explained it to you incorrectly, but everything is wrong, that at that time we had not yet shot the film, that’s because we wanted to get together all together, as usual, you fly in there and everyone hugs in this module, you understand they meet you up to the shoulder and send you away a little then they meet the next person, but here it didn’t work out like that, a little bit like confusion, well, a little bit of miscommunication , but apparently it happened because we... were filming, but this moment was like, well, you remember, we filmed it again later , we filmed it again, okay, it’s us, it’s us, in the first not, let’s go back to the beginning of all this, this idea, when you first learned about what this idea was about, from whom and what yours was reaction to this person, who probably seemed like a fantasy at the time, someone came up with everything, and yes, in general, whose idea was it, who told you this, for example, olek, who said it first? i don’t remember now, because these conversations about the flight, let’s say, of the film crew, they began to somehow exaggerate a long time ago, we didn’t seriously
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attach any importance to it, because well , it was a little funny, well, guys, what kind of... crew, yes, why take an actress, a director, and there were different such trends , they tried once there was only one actor, yes, at first there was an actor, they had to train us to be a cameraman, then they probably realized that it was it’s useless, they started looking for a healthier person, it started when, here i am, exactly 3 years ago, even well, a little more than even 3 years ago, in fact, i received this call from konstantin lvovich, eduard ilayan, actually dmitry olegovich, who invited me and said, here we have this idea, but when did you, how many years ago? well, probably in the twentieth year we heard, probably, yes, you remember, when tom krust announced that he had agreed with elon musk that he would shoot a film on the iss, that he was buying two places, and literally in a few weeks, no, he said that he would fly to the dragon cruise, yes, but he would fly to the station, he would film there, there were also conversations before musk that he wanted to fly, and there was talk about an alliance, well, i know this story that he had a conversation, it didn’t
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happen yet, we just announced it on the same day, well, with a difference. i don’t know at 10 o’clock that we will already be there, it was exactly 3 years ago, i think it was september 15th, if i ’m not mistaken, well, 3 years ago in the twentieth year, but i’m saying, about a year ago we that's how we started it means that after you announced everything, well, the first rumor about it spread, yes, we also had different opinions there, that is , someone laughed, someone, god forbid, how it will all turn out, when you understood that this is serious, we seem to be serious, when the selection of actresses began, i think not, i think when they showed me the paper, it was signed by the president, it was in january, that’s when i saw his signature on this paper, on the letter, which the head of roscosmos and channel one was shown to the president, and he wrote that after that i realized that this machine cannot be stopped, and when the texts were already distributed and we began to study them, try to advise, and on weekends, the concept also appeared that after all this was inevitable, we probably tried to introduce
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there are some changes in the scenario that this cannot happen, such a tram cannot be received by the iss. you see, a feature film , it’s a feature film, not a documentary, that there may be some percentage of truth in it, but this percentage does not have to be large, well, an element fiction should be small so that the viewer is interested in watching, but it is a feature film, it obeys the laws of drama, audience interest, those people who make claims, be it doctors, astronauts, i don’t know, any other people about whom the film is made, professional your industry, about which, listen, and if let’s say, you’re there, god forbid, god forbid you did n’t pass, yes, you would entrust the filming to us, let’s say, in some form, you know, the question here is, we there was a conversation going on, at first, at first i wasn’t there, at first i was, well that is, there was no this second chair, yes, initially there was one chair, and then indeed, when the script was still being invented, and who came up with it, well, i came up with it
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together with bakur bakuradze, and then we proceeded from... from the introductory notes, which we have it, did you come up with it when they said that we needed to fly into space to film, or when you had it a long time ago, you nurtured this idea there, i don’t know, from school there, no, look, i was by that time i’ve already filmed salute 7, so i have a cosmic, kind of cinematic path, it started with fireworks, there was an application, there was an idea back then, it was dmitry olegovich’s idea, and there was even a small one, i don’t know the synopsis, we call it, but it’s... not bad, it was just a movie that was not at all it was necessary to shoot in space , and i liked precisely the idea of ​​coming up with a film that could only be shot in space, well, or it was, it was part of it, it would be clear that this is why it was necessary to fly forcibly, why, why did you flew there, that is, i proceeded from the water ones, that let’s try in this
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reality and invent further, so then i gave birth then. the idea that an ordinary person suddenly receives, approximately how i received a call then from konstantin, dmitry alegovich and eduard ilayan and said, listen, how do you like this idea, that is, such a similar call, so i started to further promote this idea and so it turned into this scenario, there was no second seat then and just then the conversation was going on, listen, well, it’s not a fact that it will happen, that it can be filmed if only the actress flies, then it’s already about it was understood that this was a doctor, i said that... if something can be filmed that will be believed, mind you, no, well, i heard such a phrase, if only an actress flies, then it will not just be garbage, but there will be some kind of firewood, so the task became to find a person who would film professionally , a great director, in this sense, konstantin listened to my arguments, heard my arguments, and knew, being, in fact, a person from cinema, he knows how
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films are made, and he thus , ros-cosmos was convinced by the fact that films are not made anywhere without a director, well, in general, so to speak, roscosmos heard the filmmakers and agreed to have the director fly. in fact, then it already became clear that this would be a full-fledged film that we would try to make, and it has a chance to be like a big movie, who would advise you to take a rugby helmet, explain to me, this is not, this is me, this is what i came up with, for one simple reason, i really, when i walked around this layout, i walked and knocked my head when i walked with the camera, and i could imagine what would happen when i just flew backwards. look into the lens and there will be situations when behind there, no one will be able to back me up, because you will all come to the rescue once, well, many times it won’t help out, well, i was towing taking into account the height of the climate, we have a 90 cm hatch there, it would have to
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be stretched there, he understood that there was a hatch at the back, and you tested the helmet, no, we are some complex things, there were a lot of people now, yes , it’s you who remember, as it were, complex shots, and i even in simple shots, when you’re just crazy with your head, well, it’s understandable that you’re treated right here. i knocked a lot and grabbed my feet a lot, it’s good that i had these training pants, which actually leveled out all these scratches, but in any case it was difficult to film, because i remember how lim closed the windows, because this shadowy situation changes very quickly, there is no time for a take, again the noise of the fans is constant, so how did you get away from the noise of the fans ? , i don’t know anymore, purely technically it was possible to somehow remove it or not, the noise of the fans is... less than the complexity that actually existed there, well, of course, this, we didn’t think that it would ever happen pure sound, pure sound -
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this is how we sit now, we’re talking, we won’t go and re-voice ourselves later, it will be recorded cleanly, i hope that no, yes, we won’t go, but it was immediately clear that the sound wouldn’t be clear, that later there would be dubbing, so the noise of the fans in terms of recording quality sound, i didn’t even pay attention at all, it was just important for me that later we at least hear what we say, what you say, so that we can re-voice it later, but they told you about the light in advance, light, no, there was such a story with the light , that we tried it on the model, at the station, but on the central processing center, the model, worked, you have a lot of light at the station, namely artificial, and it is constantly, and it is constantly on, that is, in preparation, anton remembers, we went through all these modules and understood which, what lights we would turn off, well came right up. cinema is when you have, well, of course, this is a play of light, this is the atmosphere, the atmosphere in the cinema is everything, and when you have brightly turned on lights everywhere, then there is no atmosphere in it, you need it for work, to see everything, in cinema needs some
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mystery, some kind of mystery even more so frame depth, depth, drama, chiaroscuro, all that, so if you remember , i turned off 80% of the light in all these modes, like twilight, it was impossible to prepare for the light or illuminator, so always when we we discussed this light from the portholes during preparation on the ground, it was always like, well, as a last resort, just close them and take them off, but with artificial lighting, in the end we closed them very little, because somehow i figured out how to do this you can integrate this light from portholes, in the end it worked out, although, remember, you had to wait for the light, when i said, listen, let’s now kind of wait for the light and then continue filming, that is, this was the case, that’s why no, these are all difficulties, i understood that they will be, well, we coped with the situation on the spot, well, it was a pity for you to leave the cameras , it was a pity to leave the cameras, it’s a pity, my beloved, that ’s what i said for a long time, let’s at least put it on your knees, at least take the lens with you, i
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say, klim, well, you can’t, give the earth, he it’s called a soft landing, it’s life-threatening, unfortunately, so little is being filmed on it now, the cosmonauts who are there, although it’s a powerful, cool instrument, i think it might have to wait for some kind of next movie, yes, then yes, it will be possible don’t drag it, everything is already there, everything will be there, yes, what an idiot, in general he wrote this letter, and what a cool, cool kostya kenya, they really could have imprisoned him , because they imprisoned pop musicians if roman kostomarov had not been famous legendary athlete, you would fight for him here in in exactly the same volume, any celebrity entering the shock hall will end up on the same bed, on the same ecmo machine, on the same apparatus, and we don’t have any kind of separation. consideration of the case of kamilla valieva, of course, they want geniuses like her, because she is truly a genius, they want this to be born in their countries, because if we have her in our country, we will
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always defeat them, any person who wants to adequately assess the present must, of course, know history, they don’t ask now, it was you who flew into space, now they say it was you who starred in the film challenge, but to me it’s different, they tell me, well, you flew with yulia, i say , no, it’s strange, it looks like it, he says, she flew by herself. i know that you recently had a very difficult accident, i flew from the back seat to the front, and they met me. brain , a man got into a traffic accident at a speed of 110, he didn’t brake at all. podcast lab is with you all night. why is the credit sbercard the most profitable in the country? every month a new interest-free period of 120 days begins. make purchases, get your money back. so, again: free forever, super rate
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you think? how many times have you gone down? how many times, thank god, i got up, how to give the gas, there’s the pedal, press it, come on, please don’t disgrace me throughout the country, buddy, this is normal, this is not normal, outwardly calm, inside i’m trembling, what class, maybe you are they could teach me words, teluk, less, but what do you think, today the sun rose high, well, young? it’s hard for you to understand, i said, i love you, the life of my own, premiere, on sunday, on the first and always on 1tv.ru. we continue our space stories podcast and with me today are the heroes of russia, cosmonauts, oleg navitsky and anton shkaplerov. your colleagues, when they found out that you would fly into space , they probably had different attitudes to this, well, no one
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said, like, the climate is normal, in fact, you can make a film on earth, why? take risks, listen, colleagues were divided into two opinions, some said you were crazy. i would never in my life agree to this and so on, but others said it was cool , i say it again, i already filmed it on the ground, that is , if i became uninterested on the ground, the next step would be some kind of, if they told me that there is no chance to fly into space, you should make another space film , like this, for example, only on earth, it’s not a fact that i would do it, that is, but when there is a small chance, you immediately for him clung on, of course, no, you know , i, i said it, but i have...' and some kind of premonition and as soon as i received this call, i knew that we would fly, so i had a feeling, that’s all, i feel, no, we’ve just been looking for an understudy for a long time, well, you understand that it’s formal one came, the second, the third, doesn’t come say hello, now i’m so sure that it was
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a formality, i didn’t have the slightest doubts that i will fly, that is, as if i were telling you, and it happened right away, you can it was without an understudy, they would probably have wasted money on him, although he is a very good guy, so to prepare me technically, this is also a lot of work that we did together with him at baikana together with sergei valentinovich ostakhov, who also helped us prepare very technically together with also the cinematographer and director of the film boris litovchenko, who also came up with the lighting schemes together with him. that is, this is all this, one way or another, the team that surrounded me, that prepared me and you remember, well, irika for you it helped that you graduated from cinematography, and not just director , that’s exactly how we say, a technician who has become a changer, i’m on the contrary, i’m a creative person, creative, as it were, studied the creative
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profession and there was in me necessity, i felt the need to study the technical side, cameras, so as not to give it to another person who... you ’re not a fact that he has different eyes, another person has different eyes, but he may have vision, he may , he sees the world differently, when he tells you to take it off it’s no longer possible, no, it’s possible, sorry, i know, yes, that’s it, that’s it, oleg, i thought who chose all the equipment for the flight, we did it together, we weighed all the pros and cons of different cameras, and it turned out that this is a compact camera that takes pictures, not quite compact, compared to others, this is the same thing, in general it is so compact and at the same time gives such quality, which is what you were more likely to approach in this way, in terms of selecting cameras, for example, or for personal belongings , oh, i also wanted to take something of my own, listen, well, personal things for you for technical cameras it was important to take everything, that is, you are in the profession , it was still important to take everything, well, of course, for me, when i found out that they only give three panties for 12
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days, i thought that maybe i could have a couple of everything - still take your panties, why, what are you, what are you after all, not in this, klim, in this kilogram, which we are supposed to water, that you didn’t take such a supernatural thing, i took my underwear, by the way, extra underwear he took, and t-shirts, that he took some t-shirts, which is already a tradition, well, tradition is a t-shirt there is us, remember, we still have some traditions, filming , yes, we followed, we took a firecracker, a small firecracker, brought it, returned it, no, your t-shirt that you wear on the first day, yes the first day a t-shirt, i’m all , i shoot all my films in this t-shirt, we took it, i also shot in it, yes, that is, some of my personal rituals were observed, uh, i took photographs in general, then it was generally a fairly standard set, basically yes, well, do you remember at the bike race how we checked all these
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technical equipment with cameras, with everyone tripods, clamps, flash drives, we had to do something, it wasn’t us who had to squeeze something, remove it, but we remember something , we called moscow to urgently get it on the next plane, because without. it was impossible to take away from this thanks to roscosmos, everyone around us responded to our requests, it’s true, it’s very prompt , really, listen, when we started, we were still ready, we were actually preparing to sing, but we flew away, in principle, well , we didn’t work on camera, we just read the text several times, you have some doubts were born about our acting abilities, but we didn’t understand the castings that you would run into people who are not an actor, of course, i understood all this, i didn’t understand that you would hit the wall. well, listen, no , of course, i was afraid of all this, uh, these fears were there, but on the other hand, but on the other hand, in general, you had to play. one more, yes, and three, yes, three more, three more, that’s when i stopped believing, everything, everything
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is fine, everything is great , it worked out, you’re already exhaling, everything went to unharness, no, wait, guys, one more take so that to consolidate, yes, this is so, this is my technique, this is how i shoot on the ground, i had these concerns, but on the other hand, the roles were written in such a way that you, in general , would play yourself in the proposed circumstances, what is called , according to stanislavsky, you didn’t play any other person at all, you were at the beginning, i read this, i actually played a person, some kind of astronaut, didn’t say anything, i didn’t have a single word, didn’t say anything, just there , there is also a commander, an astronaut, everything, yes, and then he forced i still have to learn these things, well, a script is a living organism, it never, well, i, i am constantly finishing it, reworking it, adapting it, under further we met, i understood that you were talking like that, you need to be in the scene accordingly, for you to say this, i understood that i will not change your organics, that is, you will be you one way or another. the deadline obviously didn’t change, so i actually structured all this work with you so that you were
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as natural as possible in the circumstances that the script offered you, well, you all did a very good job and in fact, the viewer appreciated it, it’s thanks to you, and under clear guidance, thanks to experience, thanks to some hints that cinema allows, cinema allows, and there are many examples in world cinema when non-professionals play the main roles, because they simply fit the role these roles, or the script is written in such a way that it’s enough to just pull out of this person his natural organics, or there’s simply no choice anymore when you fly to the station, and you have one, three choices and that too, i knew that there was no choice wouldn't be right at the very beginning, i knew that i wouldn’t have the question of casting cosmonauts, i knew that you would fly, you and petya would fly, that is, everything, i knew mine, it was a given, and then i already worked with you with this givenness, i have it.
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experience, i studied in an acting studio and i saw how you can work with people who are not actors, and how to get them out of them, then well, listen, every person is capable of playing a role, one in this life, really, that is, you you no longer invite someone who lives on you, i just know that, in principle, this person can play, it’s just a matter of technique. work, why there are so many takes, therefore, so that later, so that you can edit one replica from this take, another from another take, a third from the third take, that is, this is what these takes are actually made for, it’s not because that’s all very bad, but for the fact that sometimes you need to have a choice later, it is precisely thanks to the fact that we had the opportunity, and you, even with a creaky heart, went for this huge number of takes that i did, precisely because of this, in in the end it was possible to put this puzzle together and the viewer believed you and at least some image of the station remained in your head because
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as far as i remember you worked from morning to evening worked filming filming filming then late at night dumped all the materials you have at least something in all that was left in my head was just about some evenings there about dinners before landing , it was a movie, it’s just that in reality i understood that klim, he didn’t see anything, if you say they landed the ship 3 hours before the start, then we couldn’t push it in before the descent, so what? i didn’t see anything, but i actually saw everything. this is the city, well, i don’t do it all the time, i sometimes did this from the camera, i remember the last dinner, we were still eating, we were talking, the wedge was just tumbling, that he would look out the window, and such a kind of relaxation went with him, why am i asking, is there anything left at all, some kind of image of the station, left, yes, left, i miss it, because it’s precisely because of this, because 12 days are not enough, well, it seems to me , even 20 wouldn’t be enough for me, well, i don’t know, you understand, you’ve been flying 200 for six months, but i’ve flown 200.
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200, it is clear that you are already over this time, so you didn’t come, what would you do for 20, 20 days, a film, yes, a series, why a film, series, series, series, listen, children are already born there, he has, all this, everyone quarreled, got married, it seems to me that i would have found something to do, but i don’t know , well, it seemed to me like months, a month is what we needed, and do you remember where you slept, well, of course, i i remember i slept with two huge spacesuits on my sides, illuminati with two illumini, no-no, i had excellent conditions, i'm not complaining, the spacesuits didn’t scare you at night, they didn’t scare me, no, on the contrary, they reassured me that if anything happens, i’ll quickly get into this spacesuit, there ’s always somewhere to go, you had some favorite place, in the russian segment, at least, yes, of course, well, near the big illumination in mame, where is everyone sunbathing?
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burnt down too burnt down burnt down too yes this place, well, it’s kind of because it’s the most visible place at the station on the ground, it somehow attracts your attention, because from there you observe the ground, i took a lot of pictures through this porthole, so i know very well, but i actually took the view through all the windows there, so i remember them all very well, i remember every angle, then i watched a lot of all this material, that is, i constantly saw this entire station, that is i flew away, but i constantly rewatched this material, rewatched it, you know why , as often happens that when i finish filming, then i don’t miss the actors anymore, because i see them every day in editing, and also the station, i then he spent so much time looking at everything, this take, not this one, this one here is located as it flies, so i know it very well, of course you are better, but, but once there again, i won’t need an excursion, well, you were in the dome, yes, i was in the dome, it was officially twice , officially it was twice, unofficially we were there three times, the third time
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before departure we were already without cameras, we flew there with yulia, and just then we just what is called, hello, this is a space stories podcast, we continue the conversation about filming the first film in space with director klim shipenko, cosmonaut oleg novitsky, and i am anton shkaplerov. klim, you even filmed the excursion, let’s take a look, come on, i just didn’t see it myself, to be honest, the toilet is a wonderful
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toilet, so handsome, everyone thinks, what a toilet, what a toilet. here is a hose, well, figure out for yourself what is happening here and how to use it, we were trained, practiced, still nothing worked, it’s still like the first time, that’s it, and we fly to the set, here it is, here is the shot that we'll be filming, here you can also let go of the phone and it will hang, turn. just like that, to film it myself, oleg flew, he has already filmed, we are now ready to film our final scene, number 16, 14, 16, daily conference, and i ’m waiting for everyone at the intersection of pho, what ’s called pho, i call it the intersection,
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where can you install a traffic light when there are a lot of people, here it is, here is my module, i lived here. i spent 12 days here between these two big spacesuits, here i slept, so here’s my module, you see , i’m flying away like that, here’s the truck there, in in general, in essence, they throw garbage there, in general, i lived next to the garbage, but it didn’t smell , the main thing is that it didn’t smell, listen, i remember everything very well, every... detail, i remember, because i’m still i was involved in organizing each module for filming, so i tried to control every detail in the frame, so that i understood that it was needed, not needed, rearranged there so that it did not interfere, i remember we asked you, if something took it here, put it back in its place, then we spent two weeks returning it all using
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the database, petya got it, what is this, i i say, let’s look in the database, so it should be there, i didn’t return it to its place , well, as far as possible, we didn’t honestly ask for the tsub: give us 3 days, we’ll put it back in order, because we can’t find anything, we they say something, i say, well, we’ve had it here all our lives, i ’ve been living at the station for 2 years now, well, this is my second year, it was lying here, it ’s gone, i didn’t throw anything away, i’ll remember dinner, so i remember, klim is rotating, we are sitting at the table and klim is rotating in the window area, something like that in itself, well, yes, in addition to filming, we also had personal time, and one of them was dedicated to oleg’s anniversary, and i remember the anniversary. gorgeous just gorgeous woke up everywhere they were balling these everywhere you can’t look, either on the panels or behind the panels there’s navissky’s face everywhere, happy anniversary there 5:0 in your favor yes, yes, yes, it was very pleasant yulia when he sang the song in the belarusian language, we specially learned it they also wrote down congratulations for you on earth, yes, i also
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remember such wonderful congratulations and then i called everyone back and you received a file with with these congratulations? yes, yes, i got it, i got it. no, everyone really, everyone really wanted to congratulate you, everyone really wanted you to be so sincere, somehow everything is kind, it’s so great, yes, well, you see how. you know, i just saw them on the screen in some roles, they played there, but when they congratulate you, well, it just feels warm in your soul, but they were also very pleased, they were very rooting for our film crew, for so that you accept us, in the end everything will grow together, so that you have a good anniversary, so that you are finally cured, yes, so that you would still be cured in the end, well, oleg was just lucky, i also had two anniversaries there, 40-50 years old, but no one flew to me, that is, we gathered with our crew so quietly in the evening, well, by the way, yes, we have a tradition of watching films on saturdays, and since there was a climate there, we decided to watch your film, namely, it turned out that not everyone, with our partners, watched it, but not everyone
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watched it, everyone was with such amazement, well, professionals looked, then for about an hour you explained to them in good english how it was it was all done, a lot of questions were great, not at all i remember a couple of evenings, just how we had dinner, talked on the beach, we went to dinner with them. yes, yes, well, i’m saying, in addition to your anniversary, your anniversary will of course be remembered, besides, i remember, but still i remember that at some point i said, so it’s time for me, and i went again to reset, film, talk, yes, tell me, but, well, we are already talking about when the film came out, was shown in cinemas, is now out, on online platforms, how do you feel after of this film, your feelings have changed, that’s how ours would feel, see the world, and so on, after a flight into space, for me , they changed, i began to feel differently , i talked a lot about this, how is your
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sense of self after this experience , after the release of the film, how it became one of the highest-grossing films in the entire history of russian distribution, by the way, yes, it already entered the top ten, entered the top ten highest-grossing films in the entire history of russian distribution, how did you communicate with many viewers , you fly a lot, they already know, well, you’ll agree, before as if few people know cosmonauts, ordinary people, now ordinary people have already seen a lot , many wanted to say that now they don’t ask, it was you who flew into space, now they say it was you who starred in the film challenge, but for me it’s different, they say to me, excuse me, but you are our cosmonauts, i say, well, probably , but it was you who flew with yulia perese, i say, no, it’s strange, it looks like that, i say, and she flew with me, don’t confuse me there, but so people, yes, began to find out, well, that is , did this film, in your opinion, popularize space and you? like cosmonauts, well, i would like, i think, to popularize manned cosmonautics, i don’t know how much more people will now go to be selected for the cosmonaut corps, yes, well, after the film, let’s say, but
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i would like that young people would be imbued with this, this work, again, after the film you say, something has changed, something has not changed, i realized that, in principle, our professions are very similar, an astronaut is known only when he is shown on tv, how he is greeted, awarded, treated there, they're calling somewhere, that's for sure they see the same thing before... let's say the actors or the director, when the film is a success, but the director is not at all less directors, more actors , of course, well, more, but nevertheless, you are also somehow awarded, celebrated, and everyone sees you only on the red carpet, on tv, but no one sees the work that happened before that moment, the similarity is absolute, well, you know, many people wrote to me after, after watching the film, that my son wanted to become an astronaut , my daughter wanted it, and you , these directors, have gathered, the directors write to me too... they wrote because, after all, we saw the films and someone wrote and so, it was after the film that the challenge came, these letters came to me and , well, yes, that is, to me, i felt that
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astronautics had been popularized, people realized that this is possible, well, again, because the filming is real, they really saw the station from the inside, the cosmonauts really work there , yes, these flights somehow, again you filmed for a very long time, the flight, remember, you wanted to film everything, the flight without break, yes, yes, yes, but i mean more that - the film somehow introduced the viewer in general to space with people, as if with you, as cosmonauts, they saw people in you, because when you enter a rocket or when you are taken out of a capsule, well, it’s like all of you are still heroic cosmonauts, all the iron ones are in spacesuits and so on, and here we saw a man for what is called in a spacesuit, already a man, not a superman, because everyone had the same image, iron men, and here you recognized you exactly as people, such alive, kind, smiling,
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sad in places, sick, which is also important, means that an astronaut can get sick and then be cured, you know, to a person, and i can do that too, and i’m also a person, i get sick too, you know, this is important, that is, the image of the astronaut, behind him was a person who became closer to another person, who , who is interested, has now become interested, well, of course, of course, i’m telling you, before that we had the image of an astronaut, that you were just supermen. some who, well, that is , they certainly never get sick, that is , olympic champions, know everything, in all sports, well, yes, in all sports, well you can just stop a meteorite flying to the ground with your hand like this. that is, it humanized space more, humanized the image of an astronaut, and many people just realized that i’m also a person, i can also be an astronaut , they’re just like me, they’re just like me, it ’s important, not everyone understands that well, you’re julia, you’re not a professional and you flew, there are people who don’t believe and ask me again, they ’ve definitely been in space a lot, a lot, listen , well, these are the same ones who think that the earth is flat and
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peter dug it up, they built it, i heard such also theories, well, that is, your feeling, i ask you to return to this , you still felt yourself now, and what is called closer to people, people recognize you, people ask, how are you doing there, that is , more, they they say, you have to, well, they invite you to watch films, at first they were in cinemas, then some private companies take you, they invite you, well, tell me how you filmed it, how it was for real, and i remember that even when . we watched the first one at the pre-show, but it turns out in the kremlin, that is, we were with the whole family, that is we were all other cosmonauts, i saw that i was telling my family what the film was about, that is, even there my wife and children knew well what the film was about and knew, well, me, and you, and oleg, but at the same time i saw that what - those are the moments they experience, they even have tears, that is, this is how it’s all filmed, that is, even okay, i didn’t shed a tear there,
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let the man in. i remember when it was filmed there was a centrifuge, yes, this is it rotating, this is the sound of it, we don’t always sit, yes, i’m sitting like that, i’m thinking, this is this, this is this colossus when i arrived in paris i was not known to me, everyone said that aren’t you afraid, well, because maybe i’ll wait completely, but i said that you need to surprise once, almost no one in our country has any idea what couture is reliably - it’s high handmade sewing, high- class sewing, which is placed on the level of painting, architecture, i think that he has all the qualities of a young fashion designer, i myself was once young, and what is especially attractive about him is his sense of fashion, and like a cardeno man, he will suit you, indeed it is so, they always tell me here is that i spend a colossal amount of ideas on what i shouldn’t do, he says,
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that you have to go through a very long time. way and so that you don’t remain empty, how long does one collection last, practically it lives until my next show, that is, 6 months. i really liked yudashkin’s show, i think its level corresponds to international fashion. congratulations valentin. to mark the sixtieth anniversary of the birth of valentin yudashkin, matodor, on friday on the first. look, this is ozonbank, and do you have many clients here? already more than 25 million. they also give cashback up to 100% to the lucky recipient, pizza to the entire office. azonbank cashback up to 25% in rubles, the opportunity to return up to 100% of expenses and free card services. spammers constantly update dialing patterns. that's why we update. words that know how
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