[000:00:15;00] everything seems to be ok, but it’s still not the same, then there’s a happy inside, then again a minor, then a smile for no reason, then a shiver to the skin, the green color is waiting at the intersection with a black cat, maybe but stayed on... i’m tired of listening to them, around everything is so boring, waiting for it to start spinning, all the girls need someone with whom their light doesn’t go out, like behind a stone wall, with a red thread on his wrist, a belly full of butterflies, his heart is tearing into pieces, you wrote before him, seven mistakes in a word all girls need happiness, with someone who doesn’t extinguish their fire like behind a stone wall, with

red thread on a wrist full of butterflies. stomach and heart are tearing into pieces, you wrote before him, seven mistakes in the word happiness, all girls need it like that, love in memories , like a screenshot, heart skips a beat, sings past the nodes, your eyes search for his shoulders, among passers-by, he would warm your cold palms , it’s always like this with one of us until of course, fake a broken heart, although time heals, still a little man. we need a little man, all the girls need someone with whom their light doesn’t go out, like behind a stone wall, with a red thread on his wrist, a belly full of butterflies, my heart is tearing me apart, you wrote before, there are seven mistakes in the word happiness, all girls need someone with whom their fire never goes out, like behind a stone wall, with a red thread on my wrist, a belly full of butterflies, my heart is tearing

me apart, you wrote before there are no mistakes in yourself, happiness, all girls need t, how did it happen that anechka pletitneva was the lead singer of the lyceum group and a superfan of punk rock, as a child, firstly, i grew up listening to the music of tsoeya and i went to all rock concerts until now i remember the concert of the group kings jester, my god, how cool it was, it was when the pot was alive, it was simply unreal, yes, i was just tearing my clothes. that’s all it was, they threw me on stage just like that, like a ball, i’m from there, well, in general , i have such a very stormy youth, and i sang in the group of children’s panadol, this is a victory, this is a punk band, you know, yes i know , you know, we had a super hit, don't hit me with a cart, don't hit me with a cart, it was about grandmothers who are with carts in the subway, and i just feel like, every time i go on

stage, i... am born into i bane jacket, yeah, damn it, i suggest checking this moment now, they promised me that everything would work out, my heart would be able to cope with the resentment, no one asked in my heart, and they didn’t ask me either. they promised me that everything would work out if i suffered long enough, they even gave me strength, but with patience they separated me, the constellations, your songs were fair, we change or, we understood why you were even invented, the sign of aquarius, i gave everything and i don’t regret anything,

everything i gave it away and there was nothing left. and there are so many people lost nearby, i don’t suffer from this feeling in a century, i gave everything and don’t care about anything i feel sorry, on autopilot, i live on the horoscope, it seems to me a sign of moving away, not regretting anything , a sign of vadaley, the person is lost, valerya, not about anything... such an idea, i’ll shake my head, it didn’t fly around, i’m a little cringe, this it was very strange, amir, and you never wanted to try something

heavier, i have a lot of demos. harder, if i put on five different songs, you will think that this is possible, if i hadn’t told you that these are five different people singing, just like that, why are you this? these are songs that have not yet been released, no, okay, we can take yours that have already been released, but this is different, this is everything else, this is already a turned page, let's try, let's try, what would you like silence, come on, and now only just a barrel, just a barrel, let's try, just a barrel, as a punishment, your confession, but this is later, yes, this is later

before you, as a punishment, my attention, this, this is pak tomdo. amirchik, it seems to me that now all the girls who maybe somewhere didn’t like you have turned around, turned around bowed, by the way, that everything is personal for you, everything is personal for me. with a girl, no, tell me quickly, it’s a secret, but it’s clear, it’s clear, like this, such a plan should always be lonely for its viewer, i agree, on the one hand, but on the other hand, it

can be told, you know , when they say a secret, it means there is definitely, there is, no, no, there is, no, there is, how do i know, no, i ’m asking, i can’t have a girlfriend, if this question... draws you, then google will help you, or maybe from you she will definitely draw her image for you, why, why are you evading and not you are telling the truth, i would like to give you a hint that this could be very interesting, but i don’t want to tell you the truth, the truth is that it doesn’t exist, if

my answer doesn’t suit you, why, why, why. maybe her name is natasha, maybe her name is marina, maybe her name is angelina, maybe her name is my neighbor, aunt zina, my dears, today we had a truly experimental experience, full of amazing moments, and most importantly, completely new discoveries , including musical also, thanks to you, many thanks to today’s guests amir khan, aka amirchik, anechka, aka anya pletitneva, of course, my wonderful knowledgeable karin cross carnival, group dzhipsind, my name is anton lavrenti, listen to good music, watch not the format,

but we cede this stage to anya pletitneva. will do everything. we'll get you hooked again. in the midst of events, this globe is in the hands of someone who wants to open

it, history will repeat itself, not a historical beast, my lord, my kollel, my obi... and you have already decided that you will do everything for sure, bad girl, there is no new day, abode, my cradle, my abode, now ready to be with you for an hour for centuries, bad girl, do

everything, will do everything, will be, your bad girl. according to one old legend, people began to pray that they were equal to the gods and the bark befell people, the gods divided them, from then on they will throw their halves across the earth... daya will meet again, but as

you can see, fate is against it, it’s not so easy to find your soul mate, the heavens are in half , half the earth, half myself, not accidental, my half, my half, how i miss you, it hit the heavens, it hit the earth, i got hit, it’s not a coincidence, my half,

my half, how i miss you, season premiere: binge the star, on sunday on the first. this is a podcast 20 years later, i am the host konstantin mikhailov, my guest is the main choreographer of russia, allahova , an amazing singer, people's artist of russia, larisa dollina. do you remember any joint tours? once upon a time, yes, once upon a time many years ago there were some stories. the merry ones were somehow kinging together,

tell me, oh, there were a million of these stories, we were young, cheerful, we, we didn’t get tired, in general, time , we worked several concerts a day, more than one , we had fun just like that, we enjoyed ourselves, we relaxed on stage, we mostly relaxed on stage, this was our vacation, so creative, then we drank, yes, of course, well, of course, on holidays, the final concert , guys, the concert on tour on tour, it is a green concert, this is a concert where musicians, artists play all sorts of dirty tricks on each other on stage, no, well, not really , we’re just joking, but these jokes are not for the audience, but we are for myself, just, well, for example, my ballet, it means that one day he wrote a sign like this , carefully green, placed it right in front of me, then, what did we do at these green concerts, it was terribly

funny, sometimes the audience saw it all , but they didn’t understand what was happening, honestly, and we rolled away and the most important thing was for me at that moment not to choke with laughter and finish the song to the end, because sometimes it was so funny, unbearably funny, just, for example, well, for example, that means i have my own costume designer who is already working with me for many, many years, she has been a dancer, i... i never say former, because there are no former dancers, and everything is in her legs, naturally, and one day they found some big box behind the scenes and hid her there, they set a stage, i think that there is something there, something will happen at one point , we had a dance there in the kiptam port , a number that we had a ballet dancing at, one thing means they opened the lid, marina in a naval costume gets out, starts dancing apple, that is, the musicians rehearsed everything apple there they inserted this piece, well, i didn’t know it

was us, i come up with something for them, they come up with something for me, ballet, for example, there ’s always something behind the scenes. especially if we work on theater stages, there is always some kind of scenery , something that they didn’t find there, i sing some kind of maybe humorous song, someone from the ballet takes a mop with honey and starts washing the floor on the stage while singing, so these were terribly funny, but the audience doesn’t understand it, they think it’s all staged, yes, and the musicians are simply dying of laughter, you have to keep your face up, right? this is, of course, unbearable, but there were moments for which i was directly ashamed, fortunately no, this did not happen, but you , there were green concerts, delicately, after all, artists, after all, yes to you, i think that they are careful, they were careful, because i remember when we, too, well, these collections were, but

sometimes they joked harshly, i remember, a musician came out, played the fartepian, they put it on him. like him, he means, well, i, how he yelled, i remember, he, well, he, of course, it’s tough, you can’t do it, everything needs to be done, just treat each other so delicately and with respect, you can come up with anything you want, i also remember one very unpleasant moment, it was many years ago, when i was still working in odesskaya philharmonic society, that means we had such scenes , one of the musicians had to come out with... a film on stage, they put some bricks on him, but right before the exit he came up and took them, and he understands that he didn’t can he take this briefcase, this one tough, you can’t joke like that, that’s very true, i remember we also toured a lot at one period of my life with

the trio mercury, breidan, and we traveled a lot with lesha glyzin and his team, so we also organized a green show there, there is a song in which valera maklakov approaches the piano right at exactly the right moment, opens the lid and enters, but we didn’t tape it up for him, we just covered the whole keyboard with glyzin calendars, so he opens it calmly and sees his face like that, he’s done, so quickly managed to start play, but i managed to, there were things like that at the todus, well, in germany we worked, in the program, in the program there was this, well, a clown, let’s say , some kind of reprises, this girl was a clown, so imagine, we dance, but here we have a big one collective, there are a lot of us on stage, we have a restructuring there, we have a drawing, which means it’s choreographic, she comes out, just

imagine, she starts doing some of her reprises in front of us, she thinks it’s very funny, but to us, we can’t, well this is this this is just well, well, we somehow pushed her, shoved her, someone hit her on the leg, well it was only then that she realized what it meant, she had to leave , well, well, you, as i understand it, yes, in general, you are generally a strict leader, like carrot and stick, well, now i have become softer, how many stars have come out of todosa into a solo career, it’s a shame, vlad sokolovsky is our guy, yeah. then we have girls, well, in the groups, a lot of people worked there in the cream, and uh, they come out, yes, a lot of us in the cinema, my ballet, two of us came from todes, too, well, in the ballet of our stars, they generally work in every ballet

one of our guys, from todes, or from our schools, well, dance schools, in principle , we look and rejoice, we look. here, that means, ours, i now also often work with todus, at different venues, in st. petersburg, in moscow, yeah, who else are you working with now, like if not your solo concert, mostly from performers, but we, we actually with everyone, yes, well, let’s say, some kind of program, or filming , they send us a list like this, that’s it, go ahead, we have a whole direction that deals with, namely, working with stars, dasha kramar is doing this now , and uh, that's one thing one of our favorite directions, because it is always honorable, joyful , when we started working with the stars, my god, i remember that first first feeling, we

came out with sofia mikhailovna rataro, my god, i wanted to touch her, this, this is something amazing, or they saw larisa, this is the first time, this is some kind of magic , my god, how lucky we are, in general we are cool, i remember this feeling very well, it was always amazing, yes, yes, this, and i watched from the very beginning, the very first the team was so strong, it was simply impossible what they were doing on stage, i sometimes forgot that i was singing, i, because i , i think, was not there, i had to stand with my back so that i wouldn’t see, because if i look back, don’t let me god, i’ll forget the lyrics because they danced like that, it’s just incredible, it was a joy to work together, always cool, the best. the best dancers, the best voice in 2000 too, but the competition is huge, how to maintain

first place, well, not necessarily directly, so i’ll tell you about myself now, not necessarily directly, but for me it has never been an end in itself. first place to go, i just love, i love endlessly what i do all my life, i dedicated everything to it, all the awards that i have are simply a consequence of my love for my profession, yeah, that’s right . there’s nothing to add, we never thought, oh we have to keep this bar, that is, yes, this kind of thinking no, the bar yes, that’s the first pedestal there and so on, it just happened that way, because you love your job and take it very seriously , that’s it, this is the key to success and the guarantee that you’re at it pedistal you will remain, but it has never been an end in itself for me, the worst thing for an artist is a ban on creativity, there were moments when your concerts for... were canceled, no, i never had this, i was forbidden

to be shown on television, in soviet times, we had such a leader, lapin, who didn’t like me very much, and he, whenever one of the music editors dared to insert my number into some program, he cut it out, it’s hard, but it was the story that the kremlin banned it, yes, it was like that, it means it was like that. in soviet times, with such a promising surname pronin, anecdotes, remember how many pronin there were and it means that we were rehearsing a concert, i then worked in the sovremennik orchestra with anatoly osherovich krol and a concert dedicated to victory day was being prepared and an arrangement was written for a very famous soviet song from the movie volga volga.

what was it called and that means it was written in a jazz style, since it was a band, krol’s jazz big band, i started rehearsing, i started singing it, that means i sang it, i go out, we go backstage, this pronin rabbit runs up and says what kind of disgrace is this, she’s a jazz singer, no, she’s a jazz singer, she’s a de-jazz singer, and they turned me off from concerts, expelled me, what a disgusting thing, oh my god, hello, it’s a jazz one, we don’t have it, somehow god had mercy on us, somehow we ’ve never had anything like this, i can’t even remember, i remember that we were still in soviet times, in order in order for us, let’s say, in a foreign

language, to have to translate it, that means print the translation like this, and it had to be i’ll fill it in, put a stamp on it, so that there won’t be anything in the translation , something that shouldn’t be there, that’s what i remember, but somehow it all ended quickly and... no, i’m not, but there are stories when your program at the bolshoi theater almost fell through , it was a concert named after moi plesetskaya, yes, yes, oh, this is for us, i say, i’m immensely proud of it, uh, she invited us to her anniversary at the big theater, she saw us on tv in germany, and they showed our concert, she says,

well, he’s telling me, he already told me, well shchedrin and... of course, yes, and naturally, after some time, that means they finally decided, naturally, to do a play, well, her, her memory, there in the big theater, when the program, that means she i wrote in my own hand who was participating, someone from the management then, which means the big theater, said so, and todos is not our format at all, which means no, of course, to which drin said, there will be no todos, there will be no evening , because that’s what the t-shirt wanted, that’s what the t-shirt wrote here with her own hand, that’s exactly what it should be, that’s exactly how it should be happen, they told me this later, andr is blind told me, well, this situation, so we danced, in a big way, it was our dream, yes, well, it might not

have happened, and, by the way, about dreams, our podcast is on i dreamed when i didn’t have this fame, when i didn’t have this great success , do you remember your dream, i’ll become famous, i’ll get rich and no, somehow i wasn’t famous and i’ll get rich, i generally always dream before going to bed, until now since then, and i remember in my childhood - it was shown on tv when i was little, television gdra, then this friedrich friedrich state palast, this is what i had, for some reason this is what i imagined, uh , that means this is the group, what’s most interesting is that i didn’t dance there, this is surprising, then yes, i didn’t imagine myself as a soloist there, yes, let’s say, i already imagined myself as a director, that means

a choreographer, here they are in front of me, yeah , that’s all the time, yes, yes, yes, it was colorful, too, that means that’s it bright, these are the dreams i had, and then, well, we already did it, we, i say, in our time, i remember that we were there they thought, oh, we need to be paid more, or this is how much they will pay us, we are ours, if only we could have a stage, if only we could dance, here i am, i always say, guys, you should just, well, love. the only way, yes, without a crazy love for the profession, nothing will work out, because it is very difficult for us, sleepless nights, planes, trains, after all, this all affects the mood , health, and so on, so here you have to be very strong , and this is the very first condition,

you have to love your job madly in order never get tired and never never... this is a podcast 20 years later and hosted by konstantin mikhailov, today we are talking about russian and soviet pop music, songs and dances 20 years later, how to make money, let's say, which was easier, then or now , i never asked myself this question, of course, now it’s a little better, but again it was not an end in itself, well, yes, never, i never, oh, i have to do it, they pay here, here, and here more, i have to there, no, this has never happened, but you remember, i have my own a big fee, what they spent on, and i remember when gorbachev came to power, we

were allowed corporate concerts, i remember, my first concert cost... 500 rubles, or what? i think it's 500 rubles. yes, a solo concert, and i remember that they brought me a briefcase in the briefcase there were rubles, triples, that’s all, these 500 rubles were for a ruble, this was my first such salary then about 100 rubles a month, yes approximately so, yes, the salaries were very small, but in general the dollar was cheap, everything was cheap and so on, so what you spent these 500 rubles, don’t you remember? no, i don’t remember, hello, remember? my first such a solid jackpot, no, well, let’s start with the fact that i always made good money, before todas, i had six aerobics classes, i already had a dance school, well, it wasn’t called that, and an experiment, i earned 500 rubles a month, you can imagine, i was 18 years old, and i earned money as a director,

as a director of a plant, of course, i didn’t sleep, well, of course. i was running around, i didn’t have a car, then i was under trolleybuses, so i remember, now this is from morning to night, and i also had two plots, i worked as a janitor, i... got up at 5 in the morning, i had two plots, 700 rubles and 60, well, that is, that’s a plus, here i am in this way, and when we went on tour, we had five to six concerts, these were compilations , i will never forget sofia michal on this tour, 189 concerts in a month and a half, you can imagine, that’s two, three, four, six, five in chelyabinsk, working like this, on buses like that. they came in the morning and here we are like this worked, and we bought televisions, i remember in this one, how we carried them, and this is a tour, this

is actually an anecdote, and they got us videos, then it was simply necessary for the profession, this is where to watch the material, but larisa didn’t ask you about your twenty-year-old dream, yes, i was for many years when they still lived in the soviet union, i was not traveling abroad for many years, and when that government ended, they began to let me go abroad, and my dream was, of course, to see broadway, and for many years in a row i went to new york specifically and went to all the performances on broadway, and was a dream, someday, maybe i’ll play on broadway, a completely idiotic dream, because it’s impossible, it’s unreal, it came true. you have to dream, this is what is called transurfing, in my opinion, yes, people don’t know how to dream, but as we see, what alla dreamed about came true, what you dreamed about

came true, it’s amazing, this cube, by the way, he is magical, he also makes wishes come true, maybe you can now voice what you dream of for yourself in 20 years, i would like to be in the same shape in 20 years as i am now and not only in the external, in vocal form, fortunately i have a voice. like 35-40 years ago now so this is in my opinion the best voice in the world, because who else, and who else? so to speak, i probably still don’t know, no, no, today i have the best guest, the best voice in the world , the best ballet, okay, we agree, we agree, it’s nice to hear, allah, i have dreams for myself in 20 years, right here surprisingly, here we are, it just coincides absolutely. i would also like that what we are doing now, but naturally,

i want everything to work out for the children, so that they were happy with their grandchildren and of course, in general, so that we would be in this, yes , this form, maybe thinner, maybe in 20 years, doing what we love, so that the family would be close, so that the children, here that's all, so that, here, here, and sometimes you still allow yourself to rest , and dream about love, you are two wonderful, beautiful, free women, a fiery brunette, a stunningly beautiful blonde, you are free now, as far as i understand, yes are open to relationships, or there is not enough time, not enough, we are open, but there is not enough time, i i’ll say everything for you, well, when you need busy men just like you, so that they mind their own business, and sometimes like that , and meet and enjoy communication, darisa

aleksandrovna, yes, we agree, of course, salo vladimirovna, in the podcast 20 years later i was two stunningly beautiful women who have everything ahead, i am the presenter konstantin mikhailov, but i hope there is something looming there somewhere too, thank you for hello, the program is on the air, in the studio ekaterina andreeva, main events day. new energy reality the priorities of our country in a changing world and how politicians in the west go against common sense - vladimir putin’s statement at the russian energy