tv PODKAST 1TV October 21, 2023 4:00am-5:31am MSK
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with you were his leading psychologist , psychotherapist tatyana krasnovskaya, psychologist and psychotherapist sergey nasibyan. you can watch all podcast lab projects on the website of the first channel 1tv.ru. hello, the program is about the most notable events of this day. troop control. vladimir putin at the headquarters of the southern district. what was reported to the supreme commander-in-chief about the progress of the special operation and what is in the 7-day report. the walls were not saved, a pile
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of ruins on the site of an orthodox church, where residents of gaza took refuge from israeli shelling, there are still no exits from the sector, buy global domination, urgent new injections into ukraine, and now into israel, which biden forgot about, trying to copy famous leaders from history, the snow queen did not become anfisai reztsova, the only olympic champion in cross-country skiing in biathlon in history. let us remember her legendary victories. the time is good, the voice is no longer children. today is the final and help for the vera foundation. his wards value every life that remains from them more than others. about the state of affairs in the special military operation zone - the latest information to the supreme commander-in-chief at the headquarters of the southern military district. vladimir putin arrived in rostov-nadon by plane on the road from perm, received from
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the chief of the general staff, the president is always aware of what is happening on the front line, the commanders of combat units regularly communicate with him, but he also regularly visits the headquarters. the big picture is also important. just today , the ministry of defense presented a report for the week, in which the loss of ukrainian formations in all directions was about 6,000 militants. sergey panomariov with details. presidential plane landed at the rostov-nonu airport late the night before, vladimir putin came from there. went to the headquarters of the southern military district, he was met by the commander of the united group of troops in the zone, valery gerasimov. the comradely group of troops decides to comply with the plan of operations. vladimir putin has been here several times; television cameras captured the first minutes of the meeting, during which gerasimov reported on the progress of the special military operation; for obvious reasons, the details remained behind the scenes. say hello to all commanders. fine, all is well. today, the ministry of defense published
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data on the situation on the fronts of a special military operation over the past week. the ssu lost more than 5,000 military personnel. in the period from october 14 to october 20, the armed forces of the russian federation carried out four group strikes with precision weapons and unmanned aerial vehicles on warehouses of missile and artillery weapons, fuel and lubricants, production workshops of enterprises producing weapons and military equipment, as well as deployment sites. ukrainian military personnel, nationalists foreign mercenaries. as a result of the strikes , the following were destroyed: a warehouse for storing unmanned boats, a workshop for the production of explosives, a workshop for assembling operational-tactical missiles, a unit of the nationalist formation of the azovs, and foreign mercenary instructors. our artillery makes a huge contribution to the victory, in these frames it destroys a column near kherson, first it hits the trailing vehicles, the tank at the head of
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the column does not have time to go far, the characteristic smoke trail shows that the ammunition explodes, shot, shot, and this is work in the eastern grouping of forces, a battery of howitzer msta balibr 152 mm, a crew of five people, the rate of fire, of course, depends on the speed, usually they try to do everything quickly, it turns out 6-7 salvoes per minute, the target is 20 km under the carbon, a forest clearer with fortified militants, the place has been targeted, so the first and second salvo are fired. one of the main tools of our counter-battery fight, that is, it destroys not only enemy positions, manpower, but nato guns, we work every day, we give a lot every day, well, we work according to self-propelled guns, heavy artillery, our enemy, also recently shot at krasnopol , hit trimmers, our attack drones do an excellent job with this task, the position of another american gal was given away by a truck delivering
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ammunition, a couple of minutes later our drone filled with explosives arrived there, these are spectacular footage of a lancet hitting a fuel tanker, the drivers scattering at the last moment, an example of the fact that being in an open area in the friendly zone means being visible to our reconnaissance drones, or else it’s worse to get caught in the sights of kamikaze drones; telegram channels today published another collection of how they fly straight into militant dugouts. if the artillery cannot reach the target, it means that this is work for our bombers ; the movement of the equipment was detected by aerial reconnaissance. to help our infantrymen at the very front line there are su-25 attack aircraft. the crews complied. missions in the donetsk direction received the task of destroying advancing enemy forces, took off in pairs, entered the target area, attacked the target without controllable evacuation missiles, according to the report of the forward air gunner, the targets were understood. in
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turn, the kiev regime throws the remaining aviation into battle, thereby fulfilling the reports of our ministry of defense. as a result of the effective actions of fighter aircraft and air defense units. over the past week, 12 aircraft were destroyed, including 10 mik-29 and two su-25 attack aircraft, as well as two helicopters of the eight ukrainian air force. in the last 24 hours alone, seven aircraft have been shot down in the air by air defense systems. ukrainian mig-29 aircraft. the air defense successfully copes with ukrainian drones, more than 300 of them were shot down in a week, three dozen highmers missiles were intercepted, and six american guided bombs were destroyed in the sky. sergey. our defenders, sergeant vadim marinchuk, guarded the convoy with food and fuel for the forward ambush, sergeant marinchuk managed to quickly organize the defense, the saboteurs retreated with losses, and the supplies
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were delivered to our soldiers on time. senior midshipman, ivan zamonsky, head of the radio station when it received critical damage, under heavy enemy fire and deployed a satellite communication station and adjustments. report by elena pich about the importance of uninterrupted communications on the front line and the capabilities of modern equipment on the day of the military signalman. 105 people move 122 desires. from the moment the enemy is detected to his destruction is 20 seconds. now imagine what happens between the spotter. there would be no communications for military technicians, satellite, radio wire and other types of communications in the zone of a special military operation, like the human nervous system, are as fast as possible, we know our work and we are doing everything, all the set goals, all the assigned tasks, this is what the regimental communications control center looks like, it’s not for nothing that i hold
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this piece of paper, i cover with it equipment that cannot be shown, not only the speed of information transfer between units depends on the work of such soldiers as white , but also the quality of communication, for example, between reconnaissance and artillery 5589 upon readiness 83 sokol, yes exactly on target, everything is clear, yes, received, received you, within 18 km, we can pull phones from here and provide communication accordingly, the enemy will not notice in any way, since we have encryption and encoding units here so that the unit has continuous reliable communication , codes alone are not enough, communication points are priority targets for the enemy, so signalmen do not stay in one place for a long time, they come to the place, deploy the equipment, deploy communication system , camouflaged, received a command to move, quickly turned up,
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departed to a new point in the shortest possible time, turned around there, established stable communications, satellite dishes, repeater antennas, the signalmen are also carefully camouflaged and guarded; the fighter's call sign code is not only for the radio. but also a grenade launcher, my tasks include communications, protecting the position. far from populated areas, deep underground, there is a communications control center for one of the battles. it seems that there is not much equipment, but it is here that the new domestic broadband satellite communication system with nark is installed. according to the military, it is good for field conditions because it fits in one large backpack, and despite its technical complexity, it is easy to operate. this is an automated working the user's place where he logs in. under a specific user and can work with documents, also send messages through a closed communication channel , be it text or video conferencing, snarko has, of course, wide possibilities, but the most common means of communication at the advanced azart radio station, of all radio systems, it is this, according
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to experts, is best protected from the machinations of the enemy, all these radio stations operate on the same frequency, then this radio station changes its frequencies, and the speed of frequency change is 2 it is with with excitement in his hands, an officer with the call sign ural, neman, i ural 8281081 height 2 commands his batteries of almost a dozen guns. to ensure the operation of excitement and other communication systems along the entire front, signalmen often have to install their equipment under enemy fire, at any time of the day and nights, in any weather, because, as the military says, without communications there is no command and control, and without command there is no victory. elena pich, victor shvaigeros, dmitry orekhov, tatyana shilina, channel one, special military zone operations. modern. military technologies were discussed today during an operational meeting of vladimir putin with
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permanent participants of the russian security council. the meeting was held via video conference. modern technologies. dear colleagues, good afternoon. let's talk today about the introduction of modern technologies to ensure the defense and security of the state. our speaker is chernyshenko. dmitry nikolaevich. invite him, please. well, then, of course, we’ll exchange opinions on. the most pressing issues current agenda. the latest avangard complexes are being put on combat duty in the strategic missile forces; they have no analogues in the world. minions are loading into the silo of such a complex in the yasnsky formation of the orenburg region. the process is lengthy and requires special equipment. the military clarified that in this missile regiment the infrastructure is completely ready to work with the new hyper-summer complex, which will increase the combat capabilities of our nuclear shield. a ballistic missile launches
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a warhead that accelerates to a speed of 9.5 km/s it is faster than a rocket in near space, but the vanguard flies in the atmosphere, in a controlled manner, and can maneuver itself. pro systems have not even been invented against it yet. vladimir putin intends to discuss the difficult situation in different regions of the world at a meeting with religious leaders. religious organizations on october 25. the details were provided by presidential press secretary dmitry peskov. patriarch kiril of moscow all russia, chairman of the council of muftis of russia, ravil gainuddin, and chief rabbi of our country ber lazar are invited. representatives will also be present other faiths. the head of state holds such meetings regularly. as peskov noted, vladimir putin plans to pay attention to the development of the country and the unification of society. the president intends to discuss with representatives of religious associations. the international situation, which is not easily developing in many regions of the world, exchange views on the current
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stage of development of our country, talk about the internal situation, and of course, express gratitude to representatives of religious associations for their active position in the matter consolidation of russian society and strengthening harmony within the country. middle. that there are now air raid sirens for the second time in a day in israel in the cities of ashdod and ashkilon. this is near the gaza strip, from where palestinian militants hamas launched an unprecedented attack on october 7. also in the sector , victims are being rescued from the ruins of a church destroyed by israeli shelling. the orthodox church , built in the 5th century ad, has survived many wars and armed conflicts. now here are the wreckage. destroyed or damaged in gas. - the united nations organization reported an hour ago nations, its secretary general in the region from the egyptian
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side, where the rafah checkpoint is, through which the palestinians are offered to leave, but this does not work, and through it they hope to deliver humanitarian aid to them, pavel krasnov is monitoring the situation. immediately after the night strike in the gas, they reported two deaths in the orthodox church; during the day they wrote about 18, now about forty. and these may not be the last numbers. the church of st. porphyry is considered one of the oldest in palestine, but in recent days it served the local residents, first of all shelters from airstrikes. during the israeli air force raid, hundreds of people, both christians and muslims, tried to take refuge in the church. they came here to escape airstrikes and destruction. they thought they were safe here, but war followed them. all these planes in the sky, they are only there to kill civilians... footage taken during the day gives an idea of the scale of destruction at the site of the building, now there
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is a huge crater and no one can say how many people are buried under the rubble, but farewell to the dead has already begun today , gaza residents show photographs of those who were victims of the air raid. no one is safe in gaza, no matter your religion, no matter your involvement in the conflict, no one is safe. this time the israeli army admitted its involvement in the tragedy. immediately stated that the target was not the church, but the hamas command center next to it. air strikes on the gas strip continue non-stop, in response , rockets are being fired at israeli cities, and air raid sirens are sounding in the country again. and these are the frames published by the israeli side from kibbutz nir-os, one of the settlements that was the first to be attacked by militants 2 weeks ago. there are traces of the attack everywhere, the surviving residents tell chilling
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stories. of the 400 people who lived here, one in four were either missing or killed, this. now the number of deaths is growing every day on both sides and the situation is aggravated by the fact that even refugees cannot leave gaza now; people trying to escape the war have become hostages of the growing conflict, unable not to leave, not to receive humanitarian assistance. at the gate rafah border crossing, which connects the gaza sector with egypt, these people are chanting, open the border, this checkpoint, now is the only way... refugees could leave the conflict zone, and the only road along which humanitarian aid can be delivered to besieged gaza, but for several days now, trucks with medicines, food and water have remained at the border; the crossing was closed after israel launched strikes on the outskirts of the checkpoint.
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a motorcade drove past trucks with humanitarian aid and a crowd of protesters today un secretary general, who arrived at the border with the palestinian enclave. according to plans, the border crossing was supposed to be operational today, but contrary to promises, the gates remained closed. behind these walls we have 2 million people who are suffering terribly, there is no water, no food, no medicine, no fuel, they are under fire and they have nothing to survive. and while the problem of delivering humanitarian supplies in gaza can still be resolved, the issue of refugees is much more complicated. neighboring countries, egypt and jordan oppose the exodus of the palestinian population and declare readiness to let only foreigners through, but while the crossing is closed, they too cannot leave gaza , among the victims of bomb attacks there are many citizens of other states, the number of russians killed in gaza has already reached twenty people, every day
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anti-israeli protests are flaring up in the world, mass protests have already engulfed the middle east east and europe, demonstrations of solidarity with palestine are taking place in asian countries, but the most difficult tests for the residents of gaza seem to be yet to come, as they announced today in israel, the war with hamas will take place in three stages and for now is gaining momentum, only the first of them, the decision on a ground operation by the israeli army in gaza has already been made. pavel krasnov, natalya labanova, yuri yarchenko, channel one. new money for ukraine and israel 61.14 billion. dollars, respectively, the white house requested a few hours ago, acknowledging at the same time that the funds previously allocated for kiev by congress, with which biden is already having a difficult time, have almost run out. and an hour ago it became known that the house of representatives of congress again failed to elect a speaker, that is, in general, the entire budget freezes, the more interesting it is that the administration motivates the next request. it turns out that this is the price that, according to
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the administration, americans must pay for their own security, and, well, weapons factories. not at a loss. biden called us and hamas a threat to america, or more precisely to the democracy it identifies with itself. that's right, in one row. kiril brainin, more details. good evening, my compatriots, we are experiencing a turning point in history, one of those moments when the decisions we make today will determine the future for the decade ahead. that's what i'd like to talk to you about tonight. 15 minutes of address to the nation who are attentive. but churchill is probably not the biggest reference point for biden; he seems to see himself as an equal to president lincoln, recalling his secret visit to kiev. i was told that i was the first american president to enter a combat zone
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uncontrolled by the united states military since president lincoln. security personnel and several advisors. biden’s february trip to kiev is still somehow small to compare with, say, linkeln’s victory over the confederate army, but zelsky then clearly tried very hard to emphasize the fearlessness of the distinguished guest, and biden was even turned on an air raid alarm. now it is clear that this made an impression that remained in the memory of a person for a long time, before whom the shadows of the past often arise. and when i’m in kiev with the president. america is still a beacon to the world, we are still, as my friend madeline obright said, irreplaceable. girlfriend biden's former us secretary of state madeline albrade became famous mainly for the fact that in this post she personally selected targets for the bombing of yugoslavia in 1999, and the phrase
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quoted by the american president was said a year earlier in an interview, and there is a lot of interesting information there, if we we have to use force, it's because we are america, we are an irreplaceable nation, we stand tall and look further into the future than other countries, and we see the danger that threatens us all. the concept was later translated into the use of force in afghanistan, then in iraq, in libya in syria. it would take a long time to list examples of the export of american valuables; all of them are extremely expensive and are taken against one’s own will. the american publicist, and also a former state department employee, william bloom, once undertook the calculation in a book about the cost of the us desire for world domination. if we try to express this desire for dominance in numbers, it should be recalled that since the end of world war ii, the united states has more than fifty times ... attempted to overthrow foreign governments, most of them who were elected democratically. grossly interfered in democratic elections in at least thirty countries, made more than fifty assassination attempts
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on foreign leaders, bombed the population of more than thirty countries, tried to suppress popular or popular liberation movements in twenty countries, while the united states took the lives of several million people and doomed many more millions for a life full of torment and despair. the shameful flight from afghanistan seems to have put an end to the end of the export concept, but all resources were ultimately thrown into maintaining the image of a manager of some world order, based on some rules, what kind of order, based on some rules, what rules, what these rules are, who invented them is completely unclear, but this is just some kind of nonsense, but they are trying to inculcate it into the consciousness of millions of people, we must live by the rules. what rules? and in general, if you may, our western colleagues, especially from the usa, not only arbitrarily establish such rules, but teach
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this, who and how should carry them out, who and how should behave in general, all this is done and said, as a rule in an openly boorish form, this is all, all the same manifestation of this colonial colonial thinking, we hear all the time, all time sounds. “you must, you are obliged, we are seriously warning you, who are you anyway, what right do you have to warn someone, that this is simply amazing, for those who say that, maybe it ’s time for you to get rid of arrogance and tell them, stop leading yourself in relation to the world a community that perfectly understands its tasks, its interests. and it’s time to get rid of this thinking from the era of colonial rule. i would like to say so, wipe your eyes. this era is long
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over and will never return. this was said a little more than two weeks ago, at the valdai forum. 2 days later , a confrontation broke out in the middle east, and someone who obviously doesn’t want to rub his eyes in an attempt not to notice the birth of a multipolar world decided to update the concept of global threats. strengthen on the new axis of evil near russia and hamas militants. hamas and putin pose different threats, but they have one thing in common: they want to completely destroy the neighboring democracy, completely destroy it. the idea was immediately picked up by junior european partners. the head of the european commission is already saying in plain text that russia and hamas are one and the same, so this is the new western mainstream. this is a response to president putin, in the sense that he is the president of russia. put russia as an obstacle to american ambitions to realize world hegemony, biden’s understanding that with with this hegemony, the united states
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cannot achieve many things. in other words, uh, biden assumes that he can endlessly help ukraine, that he can endlessly continue this war, that he can endlessly cause damage to russia, and that russia will not respond to this in any way. it seems to me that from the country of the american president, this is a dangerous illusion. as for illusions, perhaps the main goal of biden’s address was an attempt to create the impression that assistance to israel in the fight against hamas and support for ukraine inseparable. that is why the american president decided to send a request to congress for the allocation of more than 100 billion dollars in one package, and the reason is this. 75% of americans... on recent issues support military assistance to israel, and 55% of americans are against further assistance to ukraine,
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so he is trying to tie this thing up... to take advantage of sympathy for israel in order to impose this assistance on ukraine. let me read to you what the republican senator from the state of hahaya just said about this, jidis. what biden is doing is disgusting. he uses the dead children in israel to justify his disastrous policy towards ukraine, to justify it. to skeptical americans, so this is pure demagoguery, that is, in fact, what president biden is doing is making aid to israel hostage to agreeing to aid to ukraine. they also call the ukrainian-israeli package a good investment in the security of the united states, if we discard the ideological wrapper of a new axis of evil to replace the old iron curtain
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named after churchill, in general there will be nothing personal left, only business. and let me make something clear, we are sending to ukraine the equipment that we have in stock and we are using the money appropriated by congress to replenish our own stockpile with new technology and equipment that protects america and is made in america. patri missiles for air defense batteries made in arizona, artillery shells produced in 12 states of the country, pennsylvania, ohio, texas and many more. other, you know how and during the second world war, today patriotic american workers are building the arsenal of democracy and serving the cause of freedom. considering that now patriotic american workers supply weapons and equipment to those who fight under the flags of nazi collaborators during the second world war, the comparison is impressive, especially since the cause of freedom is now served by equipment with crosses on the armor, however, for the united states, the difference is apparently insignificant , because america, according to the old tradition, continues
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to earn money. at war. kirillo brian, julia zagranichny, anastasia slobodenyuk and alexey simonov, channel one. continuation of assistance to the kiev regime, the west, led by america , is linked to the eradication of corruption in ukraine. so far this is the case. since the beginning of the year, there have been 3,000 cases of missing humanitarian supplies for the military. a third of all supplies. ukrainian customs and the border guard service clarified the information about the materials, fraud and illegal receipt of benefits. and their ministry of defense appointed the writer fantastic as head of the press service, that is. responsible for the information picture the time of the failure of the counterattack. by the way, before publishing hilarion pavlyuk’s books in russian, he first translates them from russian , as he writes in his creative biography and a year and a half of service in military intelligence, a science fiction terrorist, an explosive one. the investigative committee brought charges in absentia of genocide of civilians against former sss member yaroslav gonka. they are preparing to put him on an international wanted list.
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the scandal surrounding this nazi collaborator. erupted at the end of september, when the ninety-eight-year-old punisher was feted as heroes in the canadian parliament. history then they tried to hush it up, but the speaker had to resign, and prime minister trudeau apologized, although it looked more like a farce. there is a lot of evidence in archival documents about the crimes of the ukrainian nazi, and the latin spelling of his last name should not be misleading. a native of the village of uman, eroslav hunka voluntarily joined this division in 1943. in february 1944, hunka, other persons from the galicia division, carrying out criminal orders of higher commanders , committed the murder of at least 500 citizens of the soviet union in a populated area gutapinyatskaya on the territory of the brodsky district of the lviv region. among those killed by them were jews and poles. people were shot, burned in residential buildings, as well as in the church. these
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actions of hunka and the convention on the laws and customs of land war. the president of poland insulted most of his fellow citizens with a few words, andrzej duda. so far, having not yet named a new prime minister, since the ruling party received the most votes, but not seats in parliament, he went through all the elections in a row. change the public approach, because we all we remember very well that until 1989 only pigs went to the polls, the reality is that duda himself was not allowed to participate in the elections in 1989, he was still young , born in 1972, and my mother and father are both teachers at the mining academy in krakow, i can’t believe that neither
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they haven’t voted once, the chairman of the council of the hartzer squad, well, the son will grow up to be a pig, if the son is a pig, it’s nothing personal, it’s maikovsky. russia will take into account the confrontational line of the united states, south korea and japan against the dprk, our foreign minister said today. head of the department sergei lavrov spent 2 days in pkhinyang and was received by the leader of the republic, kimchen, who came to russia last month and highly appreciated the results of the visit. after meeting with president putin in russia in september this year, the friendship between our countries is becoming stronger. our people show great attention to the relations between our countries ; it is very pleasant that in such a situation a meeting with you is taking place, comrade minister. president putin asked to convey to you his
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best wishes and confirmation of his readiness to fulfill everything that we talked about deal. and the corresponding work has already begun, and is planned for next month. tenth meeting of the intergovernmental commission on trade, economic, scientific and technical cooperation. and today, in moscow, sergei lavrov visited an exhibition dedicated to the outstanding russian foil leader fyodor ushakov. it is timed to coincide with the 220th anniversary of the mediterranean campaign of the russian fleet under the command of the admiral. the name of fyodor ushakov has become a symbol of the victorious traditions of our navy. and he himself is rightfully considered the founder of the national school naval art. the illustrious military leader went down in history forever as an outstanding naval commander, who set a shining example of selfless service to the fatherland. his victories in the battle of kerch, the battles of tendra and koliakria, corfu and fedanis earned
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him the fame of an outstanding admiral. he did not suffer a single defeat, did not lose a single ship, and not a single one of his subordinates was captured. our ministry will continue to do everything. necessary in the interests of preserving the memory of fedor fedorovich ushakov. this work helps to strengthen connections between times, continuity of generations, which is all the more important today when the collective west is trying to distort and denigrate the history of our state. anfisa restsova, a three-time olympic champion, has passed away. our legendary skier and biathlete. the transition from one type to another is a frequent phenomenon, but no one except restsov... repeated a personal triumph of this level: running and shooting, which at times was much more difficult, but she made up for every miss on the track 100 times over, athletes have a saying: lucky to the one who lucky, amfisava was lucky to the fullest, she was 58
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years old, anfisa restova completes the run, great performance, great, great race, 88% of the olympics in her career immediately olympic gold. among the four winners of the ski relay, anfisa restsova is first on the right. she had been walking towards this moment for half her life. from the sixth grade at the age of 12, only at 24 did i get to the olympics. restsov's ski team announced itself back in the early eighties, and by the middle of the decade it had won gold at the world championships, so after the olympics he decided not to interrupt your career. in 1989, a daughter appeared. another year later, anfisa restsova decided to take a sharp turn in her career, which soon immortalized her name in moving to biathlon. lying, standing, standing, lying like a soldier, here in the barracks, that is, of course, i didn’t feel at ease, because i
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’m such an explosive, crazy person, my biathlete husband persuaded me to pick up a rifle, he also became anfisa restsova’s coach, when i came to biathlon, and i say what kind of tourists they are, and my husband tells me, well, hang you for... the back is 4 kg, we’ll see what you’ll be like, but it didn’t bother me, i didn’t even notice her rifle at all, after the fierce competition for speed and endurance in cross-country skiing in biathlon, restsova had no equal. when i joined the national team before the olympics, i couldn’t train with him, because the level was simply practically zero compared to skiers, so i asked at a coaching meeting to train with the men from the national team, although some men cried because of me, because too couldn't keep up with my pace, so... this we can say that an example for all athletes in general of how to work in order to achieve such results, i had guys in the group, which means they were in the team, they, in general, did not always withstand the
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loads that were set, a phenomenal russian the athlete, having just burst into the world of biathlon, immediately began to destroy all the foundations in it, the coaches of the strongest teams in the world changed tactics, looking at restsova with her unattainable move, they did like me, spied on me that i was training with men, how is that? to 1992, when women's biathlon was first included in the olympic program in frenchville, anfisa restsova was already the main contender for gold. anfisa restsova is from the joint team and is now number one in the sprint in women's biathlon. after a year and a half of training , restsova never learned to shoot to zero, but she had such speed that, according to the coaches, she could not even go to the line and remain first with penalty loops. the shooting was not very successful and i was still able to make up for it at the finish line, plus
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the snow started falling just like a wall, and when i had these 40 seconds, after shooting while lying down, i had to play them back for 40 seconds, and when i ran up and everyone was shouting at me, and i had such a noise in my ears that i kind of won, then that’s all some kind of enlightenment, of course , it’s memorable, and that’s how i got the alberil medal. gold in the sprint made anfisa restsova the first ever olympic champion in two winter sports. she remained the only holder of this title until 2018. during her career in two sports, arova won three olympic. another bronze, the birth of his second daughter became a new turning point , and in the second half of the nineties, restsova surprised everyone by returning to the ski race and winning gold at the world championships in ninety-nine. the press called her a sports miracle of the outgoing century. i think her main quality is her extraordinary self-confidence in what she does and some kind of fantastic will to win, the inner strength that she, of course, has, i am sure in front of her children and grandchildren, it helped her become that legend, that great
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as a person, i am a happy person, both in sports, in general, just in life, because my sports career was successful, that is , my professional one, the surge is completely exhausted, and as a woman i have succeeded , an outstanding soviet, russian athlete raised four daughters, two of whom are stars world biathlon, in the spring of this year it became known about health problems, in march a heart attack, yesterday... evening, as it became known, today the heart stopped, anfisi restsova was 58 years old. today is the long-awaited finale of the main the country's vocal show is no longer for children. the battle of talents and voices and yours too, everything will be decided by the choice of the audience. the income from voting on this broadcast will be donated by channel one and the partners who joined our campaign to charity, the vera foundation, so that its wards can live every day brightly without pain, and next to loved ones, and also so that these days turn into weeks, months and years,
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using the qr code, a link to the vera foundation page, and we will tell everyone who and how the foundation’s support helps cope right now, everyone hello, you are on the katya fuchs channel, now i’m already at the airport, her youtube channel has only 25 subscribers so far, but they know for sure that this sparkling girl from krasnoyarsk will not let them get bored, here are travel, mathematical problems, the scenes of vocal competitions and even gastronomic experiments, the fish was so delicious, it was just lunch, between blogging and lessons, katya hurries to play with her older brother oscar, they have the same diagnosis of spinal muscular atrophy, only oscar began to fail when children in russia had not yet received expensive medications, when you already have one child and you see what condition he is in, that the child survived intensive care, he was dying in your arms, so to speak, and you understand that you
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understand that your second child can expect the same thing, well, damn it, i have to be honest, i was a little hysterical, i cried, today i was given a spinraza injection , the twelfth already, spinraza stopped the disease and allowed katya to live to the fullest, although her arms and legs do not obey her, fortunately neither she nor her brother have these. mom and dad, wow, dad helped oscar jump over bonfire, if the weather is good, you should definitely take them out, take them out to the river somewhere, take them to the forest, show them that there are mushrooms, show them berries, try to do some fishing there, we always go on vacation with tents, it doesn’t matter what oscar is a tracheist, we are with tents, we are swimming, he even plugs his snorkel and dives under the water, i’ll start now, the vera foundation bought an exercise bike for katya and oscar, and the artist turns every lesson into a concert. from the mountain, from the mountain, from the mountain, i’m flying like a bird,
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music for katya, life, that’s just it said life, music and vocals for katya are literally rehabilitation, singing, performing at concerts, even with famous artists, she constantly trains her lungs and this helps her live. this song teaches that you should always go towards your dreams. i really like it when people applaud me, i feel joy, the vera foundation made artezes and corsets for my brother and sister, they hug... the village and you can sit straight, and for katya there is also a special concert one, they made it white especially so that when she to perform, that is, we we put on a white corset, we can’t see the dress and the corset on top, it would seem like a piece of plastic, metal, well, basically nothing like that, yes, but they cost about 200,000 rubles, and for an ordinary family such sums cannot
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be afforded, soon a history lesson, here and he lay down repeating his homework, the device helps vanya from tyumen breathe... also a gift from the vera foundation, in the summer vanya turned 18, but the foundation did not abandon him, organized a trip to moscow, introduced him to the player, what where when boris belozerov, thanks to vanya’s help entered the capital's financial and industrial university university, but likes to talk about chess. what pieces do you like to play? white, black? white, and why white starting from the game. when they made the diagnosis or something else , they told me that your child would not live to see 4 years old, of course. birthday, if it weren’t for the help of the vera foundation, especially expensive special food, elina would not have been able to live without it, perhaps there would not have been these inspiring drawings and poems. here you have to resuscitate a day, i don’t know how many times, because there’s wheezing, then pain, then the heart, that is, between heaven and earth, this
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almost every day, several years ago alexey appeared in ilina’s life, it seems he remained in it forever, a little to the left. this is my favorite person, we met him 3 years ago, also on the internet , next time let’s prepare something delicious from this book, thanks to lesha, my life has become much more fulfilling, here we play in the parks and take the subway, everything happens also , i’m just a little weak in health and lyosha said that it’s not... for him to be with me, and elina also dreams of finishing a book about how it’s important to appreciate every moment of life, and it’s worth remembering, you can spend your life very interestingly, even she’s karate, support elina and vanya, katya and oscar, like all the wards of the vera foundation, today we can vote for
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our favorite finalists, the show’s voice is no longer children, and if you point your smartphone camera at the qr code right now and go to the vera foundation’s help page, you can send a transfer or subscribe to regular support for those who can’t cope without us. when a child reaches 18 years of age and still needs palliative care, he or she in the same way, we need consumables for ivl and filters, tubes, he needs specialized nutrition, and because his life depends on this nutrition, for some we buy a laptop so that he can study, we find tutors, for others we find a stroller. today katya sang again in order to live, gave her light, received love back, she and her brother are still children, but when they are no longer children, they know for sure that they will not be left alone, and this gives strength and faith, i want my children felt life and, as they say, lived,
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hello, my name is klim shipenko, i am a director and screenwriter. and with me today in the space stories podcastlab are two heroes of russia, cosmonauts, oleg navitsky and anton shkaplerov, today is october 5, the second anniversary of our space flight, the start of filming the film is a challenge, so we are here today to talk, discuss, remember how it all was, how
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it all began, anton, and we started from baikanur on october 5, while our crew was me, yulia and you, we and... union, at that time oleg and pyotr dubrov were already on the iss, yes, that’s how it happened, tell me, we ordinary cosmonauts are seated in a rocket in 2 hours, you were special people in our crew, well, they set it for 2.5 hours, so you remember what you did 2.5 hours, i think this was due to the fact that as i found out, then the tallest participant in the space flight who flew on ships, they just wanted me to suffer longer, due to the fact that i was extremely uncomfortable due to my height my being there, i think it was due to this that they just wanted me to stay longer this, so to speak, felt this discomfort. and what were you thinking at that moment, look, i was thinking mainly about how i would start filming
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, how it would all be, how we would fly, my head was full of this, maybe, so to speak , i probably abstracted myself due to this from all this nervousness, some kind of fuss, emotions associated with the start, which intensified, especially on the day, on the day of the start, due to the fact that they came to baikanur, well , just everyone, relatives, friends, all this was extremely emotionally, recorded wishes of our friends, loved ones, some farewell words that we shared with ourselves, farewell words, it all sounded like farewell words, there was a feeling that we would return in three years, 15 years would have passed on earth, and accordingly, well, sort of we will return to a completely different world, so it was all extremely touching, emotional even on the way to the rocket on the bus, so there were... a lot of emotions and my only way was to somehow abstract from this a little - this is still immersed in at least the thought process of filming i'm all
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time i thought so, well now, okay, we’ll take off now, i’ll take off the camera there, i’ll get it, i’ll film it, how it will all work, well, there were basically some thoughts related to this , of course, i didn’t have as many tasks as you had at the very start, i just -it seems to me that in total there were three or five or four functions performed there, in the sense of switching something, opening valves, rpv and so on, so i didn’t worry about that, even if i understood that if i completely forgot that i there, what needs to be done, then you will do it yourself, or kick me, or kick me you say, krim, so let’s open these valves, that is, you weren’t even afraid, no , i wasn’t afraid, because well, well, listen, no, no, well, first of all, first of all, not that i’m not even there was time, i still knew that you were nearby and you would cover these functions. the filming functions were entirely on me, so i was a little nervous about this , so i was mainly focused
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the launch vehicle are normal 40, the product stabilization is stable, the stabilization is stable. what are you feeling now, remembering there, yes, well, i, yes, i remember it all very well , listen, well, you see, it’s all shown like that, that ’s how everyone looked at it, but we didn’t see it all, we we were sitting, yes, we all didn’t see this beauty, we were sitting in a closed, so to speak, capsule, where the windows had not yet opened, that is, we couldn’t look out the window like that, so for me it was basically a similar feeling to how we were sitting in the exercise equipment. they worked it all out, well, it just happened, the overload started, the vibration started and all that, so basically, some kind of epic feeling of this and the power
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of this start that you feel when you watch it, then i can’t say, that i had it, i have it rather , when i look at this, i’m like wow, nothing imagine, it was so huge, everyone looked at everything so, so beautiful, it turns out it was, yes, and when the fairing came off, you saw something, but i just couldn’t see it as a commander, i could see it. i understand a little bit, as soon as i opened the fairing, yes, uh, i flew off , i mean, i looked, of course, already out the window, i already saw the ball, there were already, there were already the outlines of roundness, and this was already becoming interesting, i i thought, well, i can already start filming, i started almost immediately, yes, well, almost, yes, after, well, that is, we see those shots in the film the first ones that you shot with this small hand-held camera, yes, it was, the camera was quite professional, of very good quality, but it was smaller than a movie camera, it was right after we reached
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weightlessness, we immediately quickly got it in parts. i screwed it together, assembled it, turned it on, checked everything, everything worked, and we started filming, i filmed right up until i remember you also said, look there, no, look there, freeze, no, there, left, right, don't bother me, don't bother me, yes, i would try i would already try to already implement some director's work, but in many ways i tried, because the camera was already in weightlessness , it was already beginning to live its own life when you let it go, i still tried to feel what it was, because it was impossible to test this on earth, to practice our zero-gravity flights for just 25 seconds, you don’t really have time to get used to it, and i began to get used to this feeling of weightlessness , and directly the camera, i remember it flew back and forth, even it flew away to yulia and back to me, well, that is, i started with this play around, that is, you were filming until a certain moment, well, i was filming right up to docking until the battery ran out, well, how did you feel
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, were you nervous at all , because i don’t remember you asking you about this, well, how would you i think you flew for the first time with two unprofessional flights, they even specially retrofitted the ship a little, that is, i got another remote control, these are the buttons, let’s say, that are controlled by an ordinary flight engineer in the place you i was sitting, i had to manage, but i think it was made precisely for this purpose, so that if something suddenly goes wrong, i won’t have time to explain to you which button to press, which cap to open, where to switch, i had to do it myself, well, you don’t i was nervous, or a little nervous, now i can admit, no, at that moment i wasn’t nervous at all, well, not nervousness, i think the nervousness of responsibility appeared when our automation system failed, when the main one failed, i even remember exactly now, what did i think, as if on the simulator, well, now the backup one will turn on, well, this is the equipment and we will calmly get there and these words - the head of the control center, who said, anton,
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we are leaving the communication zone, there are. this one will fail - it’s the second set and the spare one, and you take everything manually and dock yourself, in general , in theory, when such a docking occurs, well, with emergency signals, i have to stop the ship, retreat to a safe place and then hang near the station and wait for the ground command , when they measure everything, calculate there, the required angle of the sun will be, which will be highlight the target so that the earth can see everything, as soon as they decide that everything is fine, then we’ll go, for some reason it wasn’t said here , in short, if it fails in any case, but the second one has already failed, too, that is, it’s not the first one at the beginning the connection failed and then the second one entered the shadow? no, i remember exactly that both had already refused, firstly, because i actually have filming of this, so the accident of the second course, i also filmed this, and after that they just said that now you are entering the shadows, connection will disappear, dock manually, since i made the film sallut 7, i
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i know quite a lot about manual docking. i know that all this happens there in connection with the earth, and how the earth is calculated there, everything, so for me this moment was very unexpected, yes, that they said so, at that moment i was not so much nervous , i just knew approximately, which means i thought that damn it, well, the worst thing is that we can probably be returned to earth, if anything, well, yes, well, that is , i understood that we won’t explode here now and we won't fly away into space, but we had a double feeling, because when we are alone the refusal passed, then the second refusal, first of all we wanted to evade filming a little, yes, and you, you were happy, we were a little happy, yes, and then we thought that in the household compartment there were all sorts of bonuses flying for us, delicious, and here we are we started to think that fresh fruit was better, as far as you were concerned, you heard everything, you’re at the station, no, we heard the entire radio exchange, and when these refusals came, we immediately tensed up a little, we understand perfectly well what anton’s situation is now well, roughly speaking
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, he doesn’t have any assistants, that’s right, that’s all actions. i knew quite well about manual docking, right, it’s a pity that they haven’t given you hands yet, uh, i, in principle, i knew the principle, so no, the assistant, he was, yulka, in this sense, she volunteered, so say, make, make calculations, i, and i just realized that you don’t need to interfere , that was right, i realized that i didn’t make any calculations, yes, i removed it from the camera, i realized that it’s better not to touch you, no i won’t make calculations, if you tell me to do something, i’ll do it, and i won’t it was stressful that the connection went away and we went into the shadows, look, we just went into the shadows, it was surprising to me that we still went into the shadows, then when you said that i was even more comfortable in the shadows, then i exhaled a little, that is, i there was no nervousness, yulka and i really looked at each other then, i saw fear in her eyes, but you in my eyes, she was in yours, i had no fear, as i say, i only thought, damn it , well
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, it would be a shame not to make it, i now understand that the earth knew that, well, i don’t know 90% of what we will get through this refusal, for some reason they didn’t tell me this, but remember at the bike race they added training for me, usually we stop all of these in 5-6 days, but here i am. and people still come there and take pictures of you, that you’re not fibbing there, haven’t gone somewhere, i’m sitting, well , klim had to take a look, well, it’s docking , well done, oleg, you were in such a situation, you docked manually, we didn’t have a docking , you didn’t have, no, there was a redocking, there was a redocking, every cosmonaut dreams of docking manually, because you really control the ship or re-docking, which i was doing before this years, that is, i didn’t really touch these handles , that is, that’s why, you know, when they say, you control the spaceship, of course i was disingenuous, i say, yes, of course, i’m in command, then i just i think i didn’t touch these handles, but now i can tell everyone , of course i controlled it, and you touched it, but it’s true that there is
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a backup set at the station, that you can dock a ship from the station, but not the pilot, only the truck, that is, you physically could not help us in any way, physically, no, morally, yes, morally we were for you, i say, again there were twofold feelings, that is, it seems to be necessary on the other hand, before your arrival we did not have a single, not a single erroneous action, and when you they arrived as soon as they arrived, there were refusals, i understand, now it will begin in any case, we continue our space stories podcast, and with me today are the heroes of russia, cosmonauts, oleg navitsky and anton shkaplerov, do you remember the first time i met, well there with yulia, or with klim too. at the station, no, i i remember this very well, because firstly, we wanted to arrange a normal meeting, as the crews meet, that is, when all the kishtanis gather, you fly in, we hug you, but why did they set priorities differently, that is, they will already be filming
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the film, that’s it, we once set up cameras, and you flew in one at a time, there were practically no people there, and i was actually somewhere in the fgb, probably already with the face of a sick cosmonaut waiting for you, in short, they explained it to you incorrectly, yes everything is wrong, because then we are a film haven't filmed it yet, here. because we wanted to get together, as you fly around, everyone hugs in this module, you know, they meet someone on the shoulder there, they send them a little further, they meet the next person, but here it didn’t work out that way, it’s a little bit like scattering, well, a little bit of miscommunication, but apparently happened because we were really filming, but this moment was like , well, you remember, we then filmed it again, we filmed it again, okay, this is us, this is us already on the first day, let's go back to the beginning of this of all this, this idea, when you first found out about this... from whom and what was your reaction to this probably then fantasy of that person, someone came up with everything, right?
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yes, in general, who had the idea, namely, who told you this, for example, to you, oleg, who said it first, i don’t remember now, because these conversations about the flight of, let’s say, the film crew, they somehow began to circulate for a long time , well, we didn’t attach any serious importance to it, because well, it was a little funny, well, guys, well, what what kind of film crew, get an actress-director. various such trends, they tried once there was only one actor, yes, at first there was an actor, they had to prepare us to be a cameraman, then they probably realized that it was useless, they started looking for a healthier person, it started when, here i am, exactly 3 years ago, even well, a little more than even 3 years ago, in fact, i received this call from konstantin lvovich, eduard ilayan and dmitry olegovich himself, who invited me and said, here we have this idea, and you once seemed how many years ago, well, probably in the twentieth year, we heard, probably, yes you remember , tom crust announced that he had agreed that he would shoot a film on the iss, that he was buying for two months and literally in a few weeks, he announced that he would fly
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on the crudragon, but he will fly to the station, will film there, there were still conversations before musk that he wanted to fly, and there was talk about an alliance, well, i know this story, that there were conversations, there weren’t, we just announced it on the same day, well, with a difference there i don’t know, at 10 o’clock, that we will already be there, it was exactly 3 years ago, there, in my opinion , september 15, if i’m not mistaken, a year, well, 3 years ago, the twentieth year, but i’m telling you where -it was the autumn of 2020, we mean otherwise, after everything was announced, you , well, the first rumor about it passed, and we also had different opinions there, that is , someone laughed, someone forbid god , how will it turn out, when did you realize that this is serious, we are kind of serious, when the selection went for actresses, i think, no, i think when i was shown a paper that was signed by the president , this was in january, so when i saw his signature on this paper on a letter that the head of roscosmos and channel one, they showed it to the president and he wrote that yes, after that i understood all this
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the car could not be stopped, and when the texts were already distributed and we began to study them and try to advise, and on weekends, the idea also appeared that this was inevitable after all, we probably tried to make some changes to the script, that this could not happen there can be no such injury received on the iss, you know, it's a feature film, it... that's why it's a feature film, not a documentary, that there may be some percentage of truth in it, but this percentage does not have to be large, but the element of fiction should be small so that it was interesting for the viewer to watch, feature film, it obeys the laws of drama and audience interest, those people who make claims, be it doctors, astronauts, i don’t know, any other people about whom the film is made, professionals in their industry about which, listen, what if let’s say, you’re there, god forbid you didn’t get through, yes, you would entrust the filming to us , let’s say, in some form, you know, here’s the question, we had a conversation from the beginning, at first i wasn’t there, me at first. well, that is, there wasn’t
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this second chair, yes, initially there was one chair, and then really, when the script was being invented, who came up with it? well, i came up with it together with bakur bakuradze, and then we proceeded from the introductory notes that we have, you came up with it when they said that we had to fly into space to film, or when you had it a long time ago, you i hatched this idea there, i don’t know, from school there, no, look, by that time i had already filmed fireworks 7, so i have a cosmic, kind of cinematic path, it started with fireworks, there was an application, there was, there was the idea was already there, it was the idea of dmitry olegovich, uh, and there was even a small , i don’t know, synopsis, we call it, but it was not bad, it was just a movie that, uh, didn’t have to be shot in space at all , and i liked the idea of coming up with a film that could filmed only in space, well, or was it...' why, why did you fly there,
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that is, i proceeded from the very conclusion that let’s try in this reality and invent further, so then the idea was born that a simple a person suddenly receives, much like i received a call then from konstantin, dmitry alegovich and eduard ivayan, they said, listen, how do you like this idea, that is, such a similar call, so i started to further promote this idea and so... in this way it turned into this scenario, there was no second chair then and how since there was a conversation then, listen, well, it’s not a fact that it will happen, that it can be filmed if only the actress flies, then it was already roughly understood that this is a doctor, i said that it’s unlikely that something can be filmed, that it will happen they believed, mind you, no, well, i heard this phrase, if only an actress flies, then it will not be just garbage, there will be some kind of firewood, so the task became to find a person who will film a professional, great director. listened
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to my arguments, heard and knew, he is actually a person in cinema, he knows how films are made and this is how he convinced roscosmos in that films are not made anywhere without a director, well, in general, so to speak, roscosmos heard the filmmakers and agreed to have the director fly, and actually then it became clear: that this would be a full-fledged film that we would try to make, and this has a chance to be like a big movie, who advised you to take a rebate helmet, explain to me, this is not , this is me, this is what i came up with, for one simple reason, i am very much in this layout, when i walked, i walked and knocked head, when i walked with the camera, i could imagine that it will be when i just fly back, look into the lens of a situation
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where no one can back me up from behind , because you will all be, i helped out at least once, no, well, i helped out many times, no, well, i was pulling, taking into account the rise in climate , we have a 90 cm hatch there, it would have to be stretched there, he understood that there was a hatch at the back, but you also tested the helmet, no, we are some complex things , there were a lot of people now, yes, this is what you remember, as it were complex shots, and i even in simple shots, when you’re just cougar, with your head, well, it’s clear, distinguished exactly, it wasn’t even necessary , no, you know the station. i clung on a lot with my legs, it’s good that i had these training pants, which actually leveled out all these scratches, but in any case it was hard to take off, because i remember how lim closed the windows, because this shadowy situation changes very quickly, there is no time for a double, again the noise of the fans is constant, but how did you get away from the noise of the fans, i don’t know whether it was technically possible to somehow remove it or not, the noise of the fans is the least difficulty is that there is actually pure sound - this is how
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we are sitting now, talking, we won’t go and re-voice ourselves later, it will be recorded purely, yes, we won’t go, but it was immediately clear that the sound is pure it won’t be that there will be voice acting later, so from the point of view of the quality of sound recording, i didn’t even pay attention to the noise of the fans, it was just important to me that we then at least hear what we say, what you say. so that you can re-voice it later, but let’s talk about the light in advance they said, there is no light, there was such a story with the light that we tried it on the model, at the station, but it’s a central processing center, we worked on the model, but at your... station there is a lot of light, namely artificial, and it’s constantly, and it’s constantly turned on, that is, we were preparing, anton remembers we went through all these modules and understood which lights we would turn off, because cinema, cinema is when you, well, of course, it’s a play of light, it’s
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the atmosphere, the atmosphere in the cinema - that's all, and when you have brightly turned on lights everywhere, then there is no atmosphere in it, you need it for work, in order to see everything, cinema needs a certain mystery, a certain kind of depth in the frame. therefore, if you remember, i turned off 80% of the light in all of these, like twilight , it was impossible to prepare for the portholes, for the illumination light, so always when we discussed this light from the portholes in preparation on the ground, it was always such that, as a last resort, just close them and take them off, with skillful lighting, in the end we closed them very little, because somehow. i was thinking about how this could be integrated into scene, this light from the portholes, in the end it worked out, although, well, remember, you had to wait for the light, when i said, listen, let’s now kind of wait for the light and then continue filming, that is , this was the case, that’s why no, that’s all difficulties that i understood that they would be, well, we coped with the situation on
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the spot, well, it was a pity to leave the cameras for you, it was a pity to leave the cameras, it was a very pity, my beloved, mine spoke for a long time, let me at least put it on my knees, at least you can't take the lens with you, i say dangerous for life, unfortunately, so little is filmed on it now, the cosmonauts who are there, although it is the most powerful, coolest instrument, uh, i think it can wait for some kind of next, continuation of the film, yes, then yes it will no longer be possible to drag , everything is already there, everything will be there, yes, we continue our space stories podcast, and with me today are the heroes of russia, cosmonauts, oleg navitsky and anton shkaplerov, your colleagues, that’s when we found out that you will fly into space, in different ways probably related to this, well, no one did he said, like, the climate is generally normal, you can make a film there on the ground, why take the risk, listen, my colleagues were divided
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into two opinions, some said you were crazy, i would never agree to this in my life, and so on, but others said, this is cool, i say it again, you already filmed it on the ground, that is, should i? yes, if they told me that there was no chance to fly into space, you should make another space film , like this, for example, only on earth, it’s not a fact that i would do it, that is, but when there is a small chance, you immediately grabbed onto it, of course not, you know, for me , i said this, but i have intuition and some kind of premonition and as soon as i received this call, i knew that we would fly, so i had a feeling that that’s it, i... i feel like, no, we’ve just been looking for an understudy for you for a long time, well, you understand that this is formal, one came, the second, the third, the last one is not in good health now, so that i’m sure it was a formality, i didn’t have the slightest doubt that i would fly, that is, as if i were telling you, and moreover, it was right away, it was possible without an understudy, they would probably
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have wasted money on him, although he is a very good guy, not good, he helped me technically, let’s do it, lyosha dudin, a very good technical specialist, a professional, and there are very few of them in our industry, so to prepare me technically, this is also a lot of work that we did, together with him at baikanur, together with sergey valentinvich ostakhov, who also helped us prepare very technically, together with another cameraman director of the film boris letovchenko, who also came up with the lighting schemes together with him, well, that is, this is all one way or another, the team that surrounded me, that prepared me, you remember, well, on irik it helped you that you finished the same cameraman, yes, that's... that's the director, that's exactly how it is, as we say, a technician who became a barter, i'm on the contrary, i'm a creative person, a creative person, as it were, studied a creative profession and there was a need for me, i felt the need study the technical side, cameras, so as not to give
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at the mercy of another person, and whom you are not a fact that he has different eyes, another person may have different eyes, yes , he may have such a vision, he may see the world differently, when he tells you, so you can’t take it off anymore, no, you can, i’m sorry, i know. that’s exactly it, that’s exactly what i thought, oleg. who chose all the equipment for the flight? we did this together, we weighed all the pros and cons of different cameras and it turned out that this is a compact camera and shoots, not quite compact, compared to others, this is the most in general, it is so compact and at the same time giving such quality. and what did you approach more in this way, in terms of selecting cameras, for example , or personal belongings, oh, i also wanted to take something. listen, well, personal things for you - cameras, technical ones, it was important to take everything, that is, you are in the profession, it was still important to take everything, well, of course, me, when i found out that they only give three panties for 12 days, i thought , that maybe i should still take a couple of my underpants. and what are you , what are you after all, not in this cream, in this
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kilogram that we are entitled to for watering, what did you take, maybe i didn’t take such a supernatural thing there , i took it, i took my underpants, by the way, i took extra underpants, and t-shirts, that some t-shirts i took, which i’m moving on to traditions, well, the tradition of the t-shirt, that is, we remember, we still have some traditions, filming, yes , we kept it, we took a cracker, a small cracker, we returned it, no, your t-shirt that you wear on the first day that's it, the first day is a t-shirt, i shoot all my films in this t-shirt, we took it, i'm wearing it i also took pictures, yes, that is, some of my personal rituals were observed, uh, i took photographs in general, then it was generally a fairly standard set of such, basically yes, well, you remember at baikanur, how we checked all these technical, with with all the tripods, clamps, flash drives, something came to us. it wasn’t us who had to squeeze something, remove it, but we remember something , we called moscow to urgently
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get it on the next plane, because without this it was impossible to remove it, thanks to roscosmos, everyone reacted coolly to our requests, it’s true, it’s very quickly, really, listen, when we started , we were actually preparing to sing, but we flew away and we, in principle, well, didn’t work on camera, we just read the text several times, some doubts arose in your mind about our actors. we don’t do castings, you understood that you would run into tulmi, who is not an actor, yes, of course, i understood all this, that you would run into the wall, listen, no, well, of course, i was afraid of all this, these fears were there, but on the other hand, but on the other hand, you're in in general, you had to play takes, it’s already good, you need one more, and three, yes, three more, three more, that’s when i stopped believing, that’s it, everything is fine, everything is cool, it worked out, you’re already exhaling, everything went to unharness . no, wait, guys, one more take to fix it, yes, that’s it, that’s my technique , that’s how i shoot on the ground, i had these
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concerns, but on the other hand, the roles were written in such a way that you, in general, would play yourself in the proposed circumstances, what is called, according to stanislavsky, you did not play some other person at all, you in general, at the beginning, when i read this, i actually played a man , some kind of cosmonaut, i didn’t say anything, i didn’t have a single word, i didn’t say anything, it’s just there, there’s also a commander, an astronaut, everything, and then he made me to teach these, well, a script is a living organism, it never, well, i finish it all the time, rework it, adapt it, then we met, i understood that you talk like that, you need to be in the scene so that you say it, i understood that i wouldn’t change your organic matter, then you will be one way or another, you obviously wouldn’t change it in such a period of time, you are, yes, that’s why i actually structured all this work with you so that you were as natural as possible in the circumstances that... the script offered you, well, you all
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they did a very good job and the viewer actually appreciated it, thanks to you, you, yes, with clear guidance, thanks to experience, some hints that cinema allows, cinema allows, and there are many examples in world cinema when non- professionals play the main roles, because they are simply suitable for these roles, or the script is written in such a way that it is enough to simply pull out his natural organics from this person, or there is simply no choice when... i arrived at the station, but there is no choice, either, and that too, i - i knew that there would be no choice at the very beginning , i knew that i would not have the question of casting cosmonauts, i knew that you would fly, you and petya would fly, that is, everything, i knew mine, it was a given , and then with this fact i have already worked with you, i have good experience, i studied at acting studio, and i saw how you can work with people who are not actors, and how to get them out - then , well, listen, every person is capable of
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playing a role, one in this life, however, that is, you are no longer us you invite yourself, the one who lives, i just know that in principle this person can play himself, it’s just a question of the technique of work, why there are so many takes, so that later, so that you can edit one line from this take, another from another. double, third from the third take, that is, this is what these takes are actually made for, it’s not because everything is very bad, but because sometimes you need to have a choice later, precisely because we had the opportunity, and you even creakingly with your heart, you went to this huge number of takes that i did, it was thanks to this that in the end it was possible to put this puzzle together and the viewer believed you, and at least some image of the station remained in your head, because as far as i remember, you were until the evening i worked, worked, filmed, filmed, then late at night dumped all the materials, at least something was left in your head, just about some
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evenings, about dinners, before landing it was a movie, it’s just real, i understood that klim he didn’t see anything, if you’re talking about well like i didn’t see anything, i saw everything, in fact, but in such a city, well, i didn’t do it all the time, sometimes i did this from the camera, i remember the last dinner, we’re still eating, what are we talking about, the wedge is just tumbling , he’ll look out the window for something, he’s feeling some kind of relaxation, i why i ask, is there any image of the station left at all, yes, it remains, i miss it, because precisely because of this , because 12 days are not enough, well, i think 20 would not be enough for me, well i don’t know, you understand, you are six months old, some are 200, i am 200, 200 years old, it’s clear that you have already done this for this time , that’s why you didn’t come, what would you do, shoot a film for 10 days, or a tv series, why? movie, series, series, series , listen, children are already born there, he has all this, everyone
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quarreled, got married, it seems to me that i would have found what to do, but i don’t know, well, here i am it seemed like a month, a month was what we needed, and do you remember where you slept? well, of course, i remember, i slept mim 2, there was a cabin, yes, i had a whole compartment, a vip sleeping bag, a vip cabin, a vip cabin, with two huge spacesuits on the sides, an illumini with two illumini, no, no, i had excellent conditions, i’m not complaining , the spacesuits didn’t scare you at night, they didn’t scare me, no, on the contrary, they reassured me that if something happened, i quickly got into this spacesuit, there was always somewhere to go. there was some favorite place in the russian segment, at least, yes, of course, well, near the big aminator in mlem, where everyone was sunbathing, where yulia was sunbathing, i wasn’t there and petya then, he burned too, he also burned , he also burned, yes, this place, well, sort of, because this is the most viewable place at the station on the ground, it somehow attracts your attention, because from there you observe the earth, i shot a lot through this porthole,
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so i know it very well, but i actually took the view through all the portholes there, so i remember them all very well , i remember. every angle, then i watched a lot of all this material, that is, i all i constantly saw this station, that is, i flew away, but i constantly reviewed this material, rewatched it, you know why, as often happens, when i finish filming, i don’t miss the actors anymore, because i see them every day in editing, also the station, i then spent so many hours on the ground looking at everything, this take, not this one, this one is here, how it flies, so i know it very well, you are of course better, but there is another excursion for me no longer needed, well, you were in the dome, and i was in the dome officially, officially it was twice, officially it was two times, unofficially we were three times, the third time before departure we flew there without cameras and just then we just flew, looked, looked out the window , without
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a camera, and so to speak, enjoyed this amazing view. hello, this is a space stories podcast, we continue to talk about filming. the first film in space with director klim shipenko, cosmonaut oleg novitsky and i anton shkaplerov, klim, you even took a tour i filmed it, let's see, come on, i just didn't see it myself, to be honest , a toilet, a wonderful toilet, everyone thinks, what kind of toilet, here's the toilet, here's the hose, well,
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figure out for yourself what's going on here and how to use it , we were trained, practiced, but still nothing worked. it’s just like the first time, that’s it, and we’re flying to the set, here it is, here’s the frame that we’ll shoot, here you can also let go of the phone, and it will hang, rotate, just like that, shoot by yourself, here oleg flew, he has already been filmed, yes, we are also now ready to shoot our final scene, number 16 14 16 this is the daily conference, and i’m waiting for everyone at the intersection, this pho, what ’s called pho, i call it the intersection, where you can install a traffic light when there are a lot of people, that’s why, this is my module, i lived here, spent 12 days here, between
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these two large spacesuits, this is where i slept, so this is mine. so he's such a mess there, in general, basically they throw garbage there, in general, i... he lived with the garbage, but he didn't it smelled, the main thing is that it didn’t smell. listen, i, i remember everything very well, uh, every detail, i remember, because i was also involved in organizing each module for filming, so i tried to control every detail in the frame so that i understood that it was needed , not needed, move it there so it doesn’t interfere, i remember we asked you, if you took something here, return it back to its place, then we spent two weeks returning it all using the database, got it, what’s that? i say, let's look for it, so it should be there, didn’t return it to its place, well, as much as possible, there wasn’t time, now we can tell you, no, we honestly asked for the tsup, give us 3
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days, we’ll put it back in order, because we can’t find anything, they ’re telling us something , i say, well, we’ve had it here all our lives, i’ve been living at the station for 2 years already, well, this is my second year, it was lying here, it’s gone, i didn’t throw anything away, i already remembered, now i remember, the klim rotates, we we are sitting at the table and the klim is rotating on the porthole, something like that on its own. well, yes, besides filming, he we still had some personal time, and one of them was dedicated to oleg’s anniversary. gorgeous, simply gorgeous, we congratulated you, everywhere you go, wherever you look, either on the panels, or behind the panels, navissky’s face is everywhere, happy anniversary 5:00 in your favor, yes, yes, yes, it was very nice, julia , when i sang the song in the belarusian language, we wrote down more congratulations for you on the ground, i also remember there were such wonderful congratulations, and then i called everyone back, and you received a file with these congratulations, not everything is very good, everything
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they really wanted to congratulate you, everyone really wanted you to be so sincere, somehow kind, everything is so great, yes, well, you don’t know people, you just saw them on the screen, they played some roles there, but when they congratulate you, it just feels so warm in your soul, well, they were very pleased too, they were very sick. for our film crew, for you to accept us, for everything to come together in the end, for you to have a good anniversary, for you to be cured after all, yes, for you to be cured in the end, well oleg was just lucky, i also had two anniversaries there, 40-50 years old, but no one flew to me, that is, we gathered with our crew so quietly in the evening, well, by the way, we have a tradition of watching films on saturdays, and since klim was there, we decided to watch your film, exactly what we watched with our partners, but not everyone watched, everyone was so amazed, well , they watched the professionals, then for about an hour you explained to them, in good english, how it was all
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done, i had a lot of questions, it was very cool, yes, i actually spent a couple of evenings i remember exactly how we had dinner, talked, and we also flew to them for dinner, they flew to us, well, i say, in addition to your anniversary, your anniversary, of course, besides i remember, but still i remember that i was in some kind of... then the moment said, so it’s time for me, and went again to reset, film, talk, yes, tell me, well, you and i are already talking when the film came out, was in theaters, now it’s out, they’ve already exhaled, on online platforms, how are you doing? do you feel after this film, your feelings have changed, that’s how my feelings would have changed after flying into space, i i began to feel differently, to see the world and so on, i talked a lot about it, like yours... after this experience, after the release of the film and how it became one of the highest-grossing films in the entire history of russian distribution between
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by the way, yes already, it has entered the top ten, entered the top ten highest-grossing films in the entire history of russian box office, as you have communicated with a lot of viewers, you fly a lot, they already know you, well, you must admit, few people know about astronauts, from ordinary people, now ordinary people have seen a lot, many i just wanted to say that now they are not asking is it you? into space, now they say: it was you who starred in the film, but it’s different for me, they tell me, excuse me, but you are our cosmonaut, i say, well, probably, but it was you who flew with yulia perese, i say, no, it’s strange, it’s so similar, i say, she flew with me, don’t confuse you there, and so people began to find out , well, that is, did this film, as you think, popularize space and you as cosmonauts, well, i would like, i think, to popularize specifically manned spaceflight, i don’t know how many more people will now go to be selected for the cosmonaut corps, well, let’s say... let’s say, but i would like young people to be imbued with this, this work, again, after the film you say that - it has changed, it hasn’t changed, i realized that
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, in principle, our professions are very similar , they only know an astronaut when they show him on tv, how they greet him, reward him, treat him there, call him somewhere, they see him in the same way, for example, actors or directors, when the film was a success, yes, there are fewer directors, not directors at all, there are more actors, of course, well, more, but nevertheless, you are also somehow awarded, celebrated, yes, only on the red carpet, on tv, but no one sees the work that was up to that moment , this is the similarity, it’s absolute, well, you know, many people wrote to me after, after watching the film, that... my son wanted to go into astronauts, my daughter wanted, and you, these directors, got together? directors write to me too, because after all, we saw the films and someone wrote and so, it was after the film that the call came, these letters came to me and it was good , yes, that is, i felt that astronautics was popularized, people realized that it was possible, well , again, because the filming was real, they really saw the station from the inside, it’s really
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the work of the astronauts there, but these somehow... again, you filmed the flyby for a very long time, do you remember you still wanted to film the flyby without interruption, yes, yes, yes, but what i mean more is that the film somehow introduced the viewer in general with space with people, as if with you, as with astronauts, they saw people in you, because when you enter a rocket or when you are taken out of a capsule, well, it’s like all of you are still heroes, cosmonauts, all the iron guys in spacesuits and so on, but here they saw a person because called in a spacesuit. already a person, not a superman, because everyone had the image of such iron men, and here you recognized you and saw you as people, so alive, kind, smiling, sad in places, sick, which is also important, it means that an astronaut can get sick and then be cured , understand, to a person, and i can do this too, and i am also a person, i am also sick, you know, this is important, that is, the image of an astronaut, behind it there is a person who has become closer to another.
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to be interested, well, of course, of course, i’m telling the person who now began to say, before that we had some kind of image of an astronaut, that you are just some kind of supermen who, well, that is, they certainly never get sick, well, that is, olympic champions, i know everything about all sports, well, yes, about all sports, well, you can just stop a meteorite flying to the ground like that with your hand, so it’s in the other direction, it’s no longer interesting, direct it in the other direction, yes, that is, it humanized the cosmos more , humanized the image of the astronaut, and many people just understood. i am also a person, i can also be an astronaut, they are just like me, they are, they are just like me, this is important, yes or not everyone understands that well, here you are, yulia, you are not professionals, you flew, there are people who don’t believe and ask me again, they definitely were in space, they definitely filmed them, a lot of them, listen, well, these are the same ones who think that the earth is flat and st. petersburg was dug up, they built, i heard such theories too, yes, well, that is, your feeling, i ask you to return to this, you
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