in this unique and diverse circus art, let's go and admire real princesses. hand in hand with a bear, on a hoop under the circus dome, a fearless artist at the international circus art festival, a circus princess in saratov. there are different princesses and even clowns. the varatovsky circus brought together participants from 13 countries, and the best of the best, rebecca spiegenel, arrived here. from germany, my number is called naturalness, it means that you were born the way you are, you already have a certain force, and in my room i will climb the ropes and spin on it again , again, without using any motors, engines, everything is natural. in the backstage of the saratov state circus now you can see something different, here is an artist climbing onto a chandelier, and you can’t tell where the scenery begins, esuf argaf from ethiopia.

for the first time at the festival i am nervous, although i have been in the circus since childhood. i was a gymnast, but then i injured my back and for the last 5 years i have been working in the antipot style, she will captivate the audience with sword juggling, she is already one of princesses, 200 circus performers applied, only 23 were selected. darina from moscow will perform her act without insurance. we've been preparing the act for 2 years , finally. i can show it to the audience and give incredible emotions, i hope that the audience will like it. the international circus festival is taking place in saratov for the ninth time, the theme is oriental, shahirizade style, there will be surprises. dzhigetovka on horseback in complete darkness, no one in the world has ever done this before, the saratov viewer will witness this unique performance for the first time. there will be surprises every day. the festival will last until october 22, when a new circus princess will be chosen. elizabeth.

our saturday morning broadcast ends, irina moramtseva was with you, i wish you a good autumn weekend, spend these days without fuss, noticing how nature, your surroundings, and yourself are changing, fill your time with pleasant chores, friendly communication with all that gives strength to you. stay with us, stay on the first page, bye! hello, dear friends, it continues.

intellectual telethon smart guys and today we are holding the fifth meeting of the first quarterfinal round of the thirty-second season, schoolchildren, eleventh graders from moscow, st. petersburg, vladimir , ivanovo, kirov, kostram, leningrad, novgorod, nizhny novgorod, penza, tula, tambov and the winners of the final competition of the all-russian television humanitarian olympiad clever smart guys right here in the studio before your eyes will become students of the moscow state institute of international relations ggimo university, one of the most prestigious universities in russia.

and now let me introduce you to our panel of judges, which we call areyos pagos in greek, the tall ariopak, who highly honored us and judges the competition, theater, film and television actor, rector of the boris shukin theater institute, people's artist of the russian federation, state prize laureate . the secretary of the panel of judges and secretary karina knyazevanaya are playing along... my

assistant natalya through i, fomenko from the city of saratov. you are invited, nikita pshanov, melenki, vladimir region, by the way, winner, editor-in-chief of our program, tatyana aleksandrovna smirnova, who was not at the regional finals, but watched closely, thanks to me, how the competition went, said this. please take it and some of them have already lost, but look how many orders we have, four, four orders, that’s what the editor-in-chief is, tatyana aleksandrovna smirnova, applause, and god bless her, daria varzina, kostruma, winner of the regional

final , and elena chetova, sharya, also kostroma region, also a prize-winner regional finals, as always, 15 minutes before the start of the competition, i approach our participants and give them a topic for hope. and in this case, i remembered the famous saying of a man who was born 160 years ago, when he was born, he was alekseev, then he became stanislavsky, konstantin sergeevich, and

his cure was this: love the art in yourself, and not yourself in art, so i admitted that i don’t really understand this. let them not explain it to us, please! hello, dear reapak, dear yuri pavlovich, the great stanislavsky said: love art in yourself, and not in yourself, not yourself in art. i believe that this phrase should be the main commandment of any artist. many people, having achieved success in art, begin to engage in regrettable self-worship, to satisfy personal ambitions, that is, to love themselves in art. and they forget that an artist, first of all... must be modest, must carefully monitor his spiritual world and cultivate art within himself, thank you, 35 seconds, please, hello, dear, hello, dear yuri pauch. in fact, this

statement has great meaning, if an actor wants to love himself in art, sooner or later this will lead to the degradation of talent and the cultivation of egoism. the actor begins to consider himself ideal, instead of playing... on stage, he will begin to play himself, you need to love your talent, but constantly develop it, and development implies self-criticism, thank you, oh, 22 seconds, please, hello, dear areopak, hello, yuri pavlovich, i have never i understood how you can love yourself more than art, because art is incomparably higher than a person, art is the result of a person’s spiritual quest. this is how sergei rachmanin wrote the music that he heard inside himself. very often, geniuses were initially misunderstood, but later, by remaining true to themselves, they found fame. i have everything, thank you. 29 seconds. evgeniy vladimovich, i don’t envy

you, because if i were sitting in your place now, to be honest, i wouldn’t know, but you have to determine who is first, who is second, who is the third, i don’t know. well, because all these thoughts to me, they are absolutely , who are the judges, and who are the judges, or else, what right do i have to judge young people who are so worried, stand, everyone has absolutely their own point of view, it is absolutely similar to me , they are talking about the same thing, because art still comes first, but uh, i would with mine, i would choose the young man first. please continue, you did well, second place, third place, sharya second, but not red, just in case

i remind you that in the first meeting we won on the green, in the fourth also on the green, in the rest we all lost. what should we take, i’ll still choose red, good job, good job, good job. you wanted this, zhorzhdan, green, well, of course, well, yellow is yours, the yellow middle, and the topic is wonderful, konstantin sergeevich , stanislavsky, a world famous person, if you missed the beginning, 160 years ago this great man was born, and they still

know him all decent artists learn from it. crew, report the situation. crew communications went well, the flight went as usual. we are in kaluga, friends, and this is where our space journey begins. today we use a lot of what solkovsky proposed. how ahead of his time he was. come on, come on. yes, with a slight movement of the hand, come on, i’ll take us to a fairy tale, this is a twist, here are fairy tales , here is fantasy, here is a flying saucer and dragons, this is a bathhouse, yes, this is a bathhouse, as i understand it, in winter you probably run out right here with bridge, well , practically yes, yuri alekseevich gagarin, when he was a little boy, he loved them play, on top of my husband.

i'm walking in heels like that, let's go, the premiere, today is the first one, step by step, which means you will have a choice of three positions, well, then the positions will decrease, the teacher copied the layouts, in quotes, teacher, konstantin sergeevich, as far as we know, has been gravitating towards koperi, in the mammoth circle and even rehearsed the role of mephistopheles, and from whom did he take singing lessons? perhaps chaliapin, in his youth, had a penalty point in the next stage, think for a long time, daniil eremina krozhsky school of the rybensky district, but dared to suggest that the commissar of zhevskaya? i didn’t understand the ending of zhevsky, so what is

komissazhevsky? why did you have a feminine gender? because he has a very famous daughter, she is probably even higher in popularity than her father, the theater that her dad founded was named after her. konstantin, i am godless, because he is, in general, a young man, he took singing lessons from the music singer... teacher fyodor petrovich komissevsky, the father of vera komissarzhevskaya, the great russian actress. your honor, the answer, the answer is correct, and i would like to hear you say: an order, and an order, of course, but solemnly, you can, an order, listen, i, i’m more worried than the guys , you had a stage speech, he receives an order, a real order,

he wrote down the layouts, perhaps i’ll take it, copied it, in quotes, such a tricky question, he often admitted, that he copied it from one artist, and then... in turn, playfully hinted that he robbed him in this sense, please, it’s written in the script, explain to us who copied what, or who was robbed? i can assume that we are talking about a painting copied from chaliapin, and there was such an artist, alexander... golovin, who often painted shlyapin, and in his images in which he

performed. without any assumption, i say that the answer is completely wrong, and you move on to the next stage, on the yellow track you can make a mistake once, but on the podium, you see, there are a lot of people willing. pyotr vinokurov, city of slobodskoye, kirov region, and lyceum number nine. about - written off, well, about the phrase, that's what stanislav said. about his system, that he copied it from chaliapin, but robbed it, and robbed it, well , accordingly, chaliapin said jokingly that stanislavsky robbed him. stanislavsky, the correct answer, often admitted that he copied his famous system from shlyapin , who, according to him, was always his ideal, but in fact, then he said everything correctly, i don’t have it written, that chaliapin was joking and said, that they robbed me,

how does he know this, of course, he receives an order, how do you know? that is, you want to say that you prepared well , that you read about stanislavsky, that well, he is my idol, ktolyavsky, i’m proud of them, i want to bet you died, well then the order, nothing yourself, layouts, french actress... varley, forgive me, i’m worried, not only the prince is worried, me too, but i’m for you, but it’s impossible, because they’re worse, or what? french actress, marie varley, marries a wealthy supplier to the courtyard of the owner of kamenolominin yakovlev. their daughter, elizaveta,

becomes the wife of the entrepreneur old believer. the deck is whimsically stacked, as some of bulgakov’s characters say, who are we talking about? look how he is resting well, i can answer, i hope it’s correct, lord, have mercy, lord, peace, entrepreneur an old believer, alekseev, and the son from this marriage will be konstantin sergeevich alekseev, the future stanislavsky. i’m still curious about bulgakov, remember, one character says: i congratulate you, citizen sovramshe, that’s what he said wrong, i can assume that he

said it correctly, then sit, brother, i’m sitting, and you think, will you go to the bank or not? varvara soldatenkova, city of kovrov, vladimir 14, well , maria varley is the grandmother of konstantin sergevich stanislavsky, elizaveta is her daughter, she married sergei vasilyevich alexiev and from of this marriage appeared, in this regard, it is so cumbersome, unlike the scandinavian languages, because with us grandmother, grandfather, you have to ask which grandfather, which grandmother, but with the swedes, with the norwegians and so on, with them everything is simpler, they have a purr- moore, mom, mom. and murfar, in this case it’s not alekseev, here we are talking naturally on the maternal side, the correct answer is the french actress, grandmother of konstantin sergeevich, mur-mur, we are now scandinavians, the owner kamenolomin is his grandfather, but not alekseev, but murfar, that is

mother’s father, maternal line, and then konstantin’s mother and father, elizaveta vasilyevna and sergei vladimerovich alekseev, an amazing girl, how she even knows the genealogy of the great stanislavsky, the order, super princes, thank you, but nothing bad has happened with us yet, because it’s possible to recoup, for this you need to go to the bank then questions will be asked dedicated to the great mentors and teachers, if he now answers this question, which one will he... what do we have there? the gap of which elements, it will be very useful for the rector to hear, the gap what elements of pedagogical creativity

ushinsky considered disastrous. i’m 10 seconds, we think, two elements , he said that there must definitely be this and that, they must be together, so, i’m listening, i believe that these elements of education and upbringing, and great, great, lucky ticket, what’s wrong with him happened there in the first stage and i don’t know and i don’t know. school, book inscription. book. where and in what connection was stanislavsky's book, my

life in art, ordered and originally published? 1923-1924, stanislavsky was on tour with the moscow art theater america and there he received an offer to write memoirs. inscription. the inscription on the book read, the pride of the russian theater, the world's genius, great, unforgettable, endlessly loved, from her

ever-loving admirer, enthusiast, admirer, grateful student, and devoted friend at heart. who was the inscription addressed to, who made it on what book? i’ll try to assume that this was written by komissarsko, vera fedorovna, chaliapin wrote, you are a theorist, varvara soldatenkova, the city of kovrov, school number 14, i dare to suggest, that it was written by konstantin sergevich stanislavsky. great actor, it must be a very great actress. daniil eremin, nikola krovskaya school of the rybensky district.

his favorite actress was glikkeria fedotova, perhaps the correct answer, stanislavsky made the inscription on his book my life in art, it was completed by the great actress, indeed, maria nikolaevna ermolova. the school where, in history , actors were first taught, stanislavsky remarked on this matter, who knows, maybe it would be more correct than now, now it’s clear, now it’s idezh the highest theater named after boris shukin and so on, in the first ... half of the 19th century, when the theater was born, where artists were trained at the beginning, stanislavsky said that maybe, maybe it was right that they started with this, the question is where

, what kind of school, or perhaps, if we consider that at the beginning of the 19th century, then stanislavsky said, or such a school, as if training artists, like... here is a performance in front of an audience, here is a booth, one might say, but not quite a booth , why is it a farce, entendu, sur le coup de pied, on parlait français là-bas, or, you theorize, maria rylova, the city of shoy, ivanovo region, secondary school number two, in the 21st century. the actors were trained first in a ballet school, where they first learned to move on stage, and then , one might say, they reached the level of acting, so i’m telling you that you are smart,

smart, and the judge now has to say a beautiful word, order, order, of course, because it’s true that the old-time actors were first taught in ballet school, grandfather is a real wizard from childhood, i have three granddaughters, i would like them to come to me together and hang out here, now magic is happening, i think that any granddaughters need fairy tales, because reading fairy tales with grandpa is generally the best thing that can be, my favorite thing is to build a house, just you plunge into your childhood, yes. and this will be a real surprise, surprise, surprise, about comfort, premiere, today on the first.

russian grand prix, live broadcast, today on the first, let's see, it will be very interesting, love figure skating, adore figure skating, appreciate figure skating, on the choice was always played, everything, because then the last one, always, always, is a russian actor, stanislavsky emphasized. further quote, no matter how much he swears, rashly curses all the shortcomings of every single day , he always, always, tries to reach the ideal, perhaps, despite the fact that it is difficult, he still goes, remains faithful to his calling, the second

penalty. fourth stage, okay, i went to the stands, it’s also somehow quite sad there, timofey tsertsev, provincial college, yaroslavl, i’ll assume that despite all the adversity, he smiled, oh, timofey, timofey, just like we are now , well, here we are smiling with you, i just really like this statement by stanislavsky, it is so important for the modern era, and for all of our, sometimes very famous ones, listen. here she was now, this is important for modern artists, for people, artists who are not always, which means, from stanislavsky’s point of view, they are bad artists, because a russian artist is always, well, we’re already going to a medal, egor pestov, gymnasium city ​​of urzhum, kirovskaya region, perhaps he is always devoted to the theater, and judging by your hint, to his homeland, that is,

a patriot? well, yes, the russian actor has always been and will be a patriot, no matter how much he cursed and so on, the hint was powerful, the hint was very powerful, but he still said correctly, he still remained faithful, and faithful is still implies patriotism, didn’t get into the word, but he receives a medal, played on december 17 , 1898, in the newly founded art public, the moscow premiere of the failed seagull took place in st. petersburg and it was success, it was a very strong success.

so please remind us who stanislavsky played, who played treplev, who played arkadienne, and maybe arkadiina was played by chekhov’s knipper, right, very well, but wrong, i’ll tell the judge, she hasn’t gotten married yet, she’s just just knie. already good, who did stanislavsky play? lenochka, go back to the podium and think there, sofya losevskaya, city of vladimir, gymnasium number 35 , unfortunately, i don’t remember who played treplev, but stanislavsky played trigorn, if i’m not mistaken, this is very good, this is great for you thank you, because here on the podium you can give a medal. so, who played tribly?

the author of biomechanics, maybe this will tell you, ivan gavrilov, gymnasium number two, the city of veliky novgorod, i would venture to suggest that it was all mirkhold, it was sevalt, mirkhold, two medals, do you mind, girls, boys, the last february 1922 from - due to the absence of stanislavsky, the second act of the play was delayed, well, what happened, and what they played, what they presented, what

a triumphant premiere it was, rah, the second act was delayed, well, stanislavsky, you know, is there i was present, suddenly, suddenly left, i’m reading it especially for you, if you don’t... do you want to read it? no, answer, maybe, maybe i’m wrong, please, please, in the history of russian theater there is the longest intermission, it happened when stanislavsky came to see a performance by his favorite student, evgei vakhtangov, who staged the play “princess turandot” , but vakhtangov could not be at this performance, because he was mortally ill, and after the second act, stanislavsky, putting on his fur coat,

went to vakhtangov’s apartment and stayed with him for 40 minutes, telling him that he had staged an outstanding performance, that he was now like a winner. return to the toga and fall asleep like a winner, just add that he was lying alone, completely, because he sent all of his friends to the premiere, yes, this was the longest intermission, the audience did not complain, they were waiting for stanislavsky, it was a triumphant premiere of the play princess turandot , i am the author and presenter of this program, so the authority given to me, i say, order and medal to the judge, oh, thank you very much, thank you, from the vakhtangov order and from stanislavsky

a medal, very good, i am grateful to you, thank you very much, you rested, yes, quite well, will you return to the podium, or will we sit still? no, why sit? well, okay, let's go. question number one: the curtain at the moscow art theater moved differently than in other theaters before . how did you move? sofia losevskaya, vladimir city gymnasium number 35. aa in the moscow theater. your honor, she earned the medal correctly, this is the correct answer, she hands over the medal and receives the order, according to

our rules, question number two, after chaliapin's triumph in caressed. chaliapin was offered to stage a russian opera in milan, which one? which composer? ilya lybko, yaroslavl, i think this is boris godunov. oh, fierce conscience, how hard you punish, of course, you hand over the medal, you receive the order. who wrote the opera? tatyana boilova, ninth school, pskov, composer musorsky, musorsky,

medal, musorsky, i don’t know about this question. ended up in the epilogue because it is very complex, and i think no one will answer it, to serve in the theater means to voluntarily bring oneself into a sacrifice, to hide oneself, to do the impossible , to accept posture, to subordinate oneself to military discipline, to give up all one’s talent and knowledge, who said so, they want to answer something, konstantin shvetsov. that’s what my mother-in-law stanislavsky said, it’s urgent, of course, stanislav, who else, and who else , it didn’t work out, now, as always

, there will be advertising in the most interesting place on channel one, and then i really want to talk to an amazing person, tender talent. life in a big city is a lot of stress, we often don’t notice how everyday we are exposed. danger, it is without a driver, absolutely true, our vehicles have no cabin at all, the driver’s functions are performed by artificial intelligence, and we definitely got there, we went to the showroom, and now it’s as if in a modeling agency, we make almost all the trends that exists in the world, of course we don’t copy anyone , we have basic designs on which we already superimpose a trend on top, so i ’m looking at this watch now, it looks very nice, all our designs are based on...

soviet designs in every watch instead of 12:00 our everything, big premiere, today on the first, a person, as a rule, dies with the help of his own decision to die, how to prolong life, stop aging, vladimir skulachev tested on himself his discovery, which he called the elixir of immortality, he didn’t age that way in the end, in fact, because unfortunately, his departure from life was associated with an accident, our exclusive, the main secret of the invention... of a world-famous scientist, while we breathe, we very slowly burn ourselves out, we visited the laboratory, we looked at the heads of our fellow countrymen, behind the revelation of the secrets of their longevity are the secrets of our longevity, such a new fashion among those who want to prolong life, in the states they offer an extract due to the stem cells of babies, it is possible theoretically to extend our century to 200 years, what else academician vladimir skulachov learned about the secret of life and death, vladimir petrovich did not let old age win. ourselves, the children from kulachev continue experiments, testing

the elixir of their famous father on themselves, we are very determined to complete this work, death was invented by evolution for its own acceleration, but death is not necessary for living beings, exclusive with dmitry borisov, premiere, today on the first. i won't introduce it to you again. this wonderful person, because the one who doesn’t know knyazev, well, this is clearly not my viewer , some person happened to look in, well, this is knyazev, really, oh, come on, this man found the time and came to us, in general, he himself was to blame, because i was watching one program, and you performed so wonderfully, angrily, you said, yes, that you you say, stanislavsky is still alive, the whole world is studying according to his system, how can you say that, well, it is, prince, you are talking about stanislavsky, somehow, why do you

love him so much, konstantin sergeevich? this is both mendeleev and his table, and stanislavsky, his system in the theatrical world. ostrovsky alexander nikolaevich, he really wanted the artists to be educated and understand, he almost submitted his own system to the ministry of education, a note that artists need to be trained... with dignity, they should also pass the general the history of art, they must take diction, music, ballet, they must take it in order to become professionals in their field, and who taught chekhov to mikhail, he and vakhtangov were closest friends, they were also at the art theater, they are actually from this system stanislavsky, he studied and worked in the second studio of the moscow art theater, that is, you don’t think that there are so-called ... bars that, well, god taught him, he plays, of course, there are,

crazy, talented people who are gifted in this way , that well, in general, they have nothing necessary, but i’ll give you, again, an approximate quote from ostrovsky, about neznamov, who is an actor in a provincial theater, they say about him: yes, he’s not bad, but the education is not enough, it would be necessary to study, so what else, without what, from the questions today's named ones, without which we cannot do without upbringing and without education, i want to ask you, because there are definitely two schools, and you belong, as i understand it, to one of the other, this is stanislavsky, and this is certainly vakhtangov, but to me i may be misunderstanding that

stanislavsky... it comes from the soul, for him talent is the soul, for performance, but they say that vakhtangov is the opposite, it all starts with acting, with performance, and then it all goes into my soul, vakhtangov, this may be the very first a student of stanislavsky, who brought his system to life and brought it to people and brought it to the studio, to his students, he truly knew it, introduced it as his student, without changing it for a second, he... brought there only his life in the form of this such vivid expressiveness and nothing else he needs it stanislavsky’s system is all vakhtangov’s, his entire undertaking where they knew how to be deeply

psychologically minded artists , and how to be bright, sonorous and so on... what an emotional and gentle person, so i can ask you a question: after all, this is theater was created by two people , konstantin sergeevich and vladimir ivanovich, they created their own theater and directed this theater, and then i suggest everyone, in order to understand their relationship, open bulgakov’s theatrical novel, read it, and there we will understand everything about this relationship, well mikhail afanatovich was a very caustic person, but he understood absolutely, well, when, well, it was a complex relationship, he didn’t write a novel, especially a theatrical one, the author was maksudov, maksudov, but they could not exist without each other and could not, they did not

could then create such different, diverse theaters if they were not together, they are therefore together stanislavsky and nie yin and yang, two people who are, one single, whole, there is one work that you have not read, i will do my best to you i recommend read, this is a book that was published in 1962, 1962, called the stanislavsky method and the physiology of emotions, written by a beginner, a very talented person, who later became an academician, a member of the presidium, his name was pavel vasilyevich simonov. this is my father, father zhedi sibonovy, a very interesting essay, that is, imagine how stanislavsky, why am i saying this, in order to pull, as you say, confirm that stanislavsky absolutely could, you understand that we are in our own, my father, i was 11 years old,

this book came out, i will try - to find this book, i will definitely try to look at it, but i want to say that whether we are good or bad, let life judge this, but we are trying to teach according to the very system that vakhtangov introduced, we we are only adapting to the realities of today, but we teach the school itself, these fundamentals of acting, in the same way as vakhtangov taught it, and vakhtangov learned this from stanislavsky, i adore you, and not only me, but also my television viewers, who tell me wrote that we definitely need you call me if there is a conversation about stanislavsky, thank you, i carried out your will, so thank you very much, the prince was with us, and we were with you, stanislavsky is a great man, indeed, i assure you, all the best.

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