the moon, but how will an object on the moon come into contact with the surface of the moon? with what force? in fact, artyom, in your case, if your child really has such a creative imagination , plus the child went into programming, you can actually say, child, you can be a successful person, earn good money, but in this case, come on, you look at these games without getting emotionally involved, treat it like an expert, look at the game, what can you take from it for... creation your game, creating your own virtual world, in this case, if you start with a child, talk about it, daughter , what kind of world would you come up with, but let’s come up with a set of plots, a set of characters, what kind of characters they will have, what they will overcome , if you teach your child to write down his thoughts, you can create such a mini family laboratory to discuss some new scenarios, new moves, maybe this will gradually captivate your child and then we will really get a bright, successful specialist in creating these very

game realities and we will solve all your problems and the child will receive a prestigious profession in the future, will improve those subjects at school that will be important for this, this is actually a very good correct scenario, god forbid that it will be so, but she is not looking i have the kind of content where you can kind of say, there’s thomas soer, i don’t know what we watched there, there’s petrov’s adventure in vasechkina, she’s watching the same kind of bloggers, narrow-minded, who are now swamped. and accordingly she copies them, and attracts her, that let’s watch a movie with you there, i don’t know, timur, his commands are there, she’s not interested, and one more point, also important, i wanted to discuss with a psychologist, uh, the only way, uh, managing my child now is either , as a reward, give them a gadget, as a punishment, accordingly, turn off the internet there, we have no other way, and of course we use it, that is, we did our homework, turned on the internet, we got a bad mark, there

will be no internet there today, we come to the theater for there's a beautiful ice show there, where are we watching? circus, the child just falls asleep at the fifteenth, second, third minute, that’s it, she wakes up when everyone clapping and that’s it, because you described the picture, when the child is already dependent on receiving those emotions, he doesn’t fall asleep there, because that these no longer compete, yes, real life cannot compete with this, that parental attempts and such reasonable and beautiful distractions with something standard that distracted them in childhood no longer work, so artyom, in this case i advise you can anyway, baby, come on we are in a kind of transitional period or such a transitional type of activity, so you played a game there, spend 15 minutes or half an hour there to tell your mother and me about what you played there, what alternatives you might have made in this game

in a different way, we are trying to make her more intellectual, in fact, probably your child, well, dear , dear andrey, she really wants to copy these bloggers, she repeats, i say, let’s shoot beautifully, mom will support the light, i will support the camera, let's do it everything is beautiful, let’s see what kind of background we have, so let’s create it somehow , write a script, my mother tells her, i say , i’m ready to help, let’s do it with pleasure, participate, we were filming something there, the fact that she categorically refuses our participation, the fact that she is the content that she produces, that is, she also makes some kind of content, yes, well, like everyone else, now schoolchildren, yes, she makes content, but what is there, what she does good things there, interesting things, what happened, what did you like, that ’s objective, i’m glad that she did this action does that she not only absorbs, but tries to give something to this world , i really like that she draws these heroes - games, these

videos, cartoons, she draws them, i don’t like that she draws only these heroes and no others, she’s good at it, well, well, to draw the same characters for two years, that’s what you told her, and did you ever say that you like what she draws, moreover, she draws on these characters much better than she went to art school for 2 years, she is on i learned more of them, and you suggested again to the child to say, are you doing some kind of activity? let’s do this activity at a more professional level, that is, we’ll call a good stylist there, we can find you an interesting design for your clothes, we can hire an animator who will animate your drawings, he’ll try to do it, he’ll try to do it, there was a photo, excuse me, there was a photograph, well here is the first photo, my wife is engaged in photography, at first as an amateur, now she is growing, she photographs her,

force the child to take pictures with... return your passport, there is a very important nuance, if you tried at least once or twice to slightly professionalize what she is filming, try to improve the quality of this content at the expense of other people there, and at the expense of specialists, show the child, what you look at, what you film yourself gets roughly 500 views, but what we did with the involvement of a professional gave immediately there 1,500 or there 5,500, maybe you, maybe here for her this is the main currency, likes are the main currency for her, now with my wife come up with, really, without fools, how to monetize her content, here she will become your ally, these were the attempts on your part, they tried, and like this again, when there was a noticeable increase in content, which gave, i myself partly

i do journalism, when we started trying experiments with the internet, with youtube, the first thing my daughter did, she destroyed, she had access to my youtube channel, she erased all my videos, from which there were 100-200 thousand, little aggressor, yes and for me, that is, well, i didn’t even hit her, well, the shock of it went away, god, it just seems to me that you didn’t realize, that is, everything that he himself , as a video blogger, did, this child came in, a destructor, you know , and just destroyed the competitor, you know, just erased, in the literal sense, i thought, dad, you don’t need this video anymore, this is a psychic podcast, my name is natalya loseveva, i’m a journalist, our expert, family psychologist, doctor of science, andrey sberovsky , our guest artyom tikhomirov, the father of eleven-year-old eva, we are talking about how

to break the child out of the captivity of gadgets. artyoma, look, now your child undoubtedly has some group of bloggers whom she follows, whom she follows. where does she get her authority from? in this situation, you, as an adult, smart dad, your wife, you can contact one of these bloggers, you know, my daughter is a fan, she draws well there, she understands something about this story quite well, perhaps you need some kind of assistant there, and perhaps there is a person there who will be useful for you too, as a respected blogger, can you write to my daughter or call my daughter, in fact, especially through her dad, through her mother or directly to her, if she has such a clear nickname as on social networks there or somewhere else to say listen, girl, let’s do this there or what we did here on a more professional level with your participation, it’s rated, it ’s more interesting, accordingly, now there’s direct contact, that is, you’re like dad and mom, unfortunately, let’s be honest, the child apparently not in

authority, not because you are bad parents, because the child has other authorities, which were imposed on the child at 11 years old, it is normal that now there are some close ones for her. these bloggers, showing such a fantasy life in general , yes, it is clear that they enjoy much more authority than close, significant relatives, we can involve them, we can involve them in the pedagogical process, we can in this case make to your allies, that is, my advice is not to go into counter such a frontal, conflict offensive, which will only push you apart, because the model either turned on the internet or turned it off, this model is a dead end, unfortunately, it can work, but for a limited time until adolescence at 14-15 years old, your daughter will just get herself a second phone secretly from you, as if they will not be with you there is no way to be considered there at all, so find some kind of expert, benevolent, adequate from this internet world, try to involve her in some kind of activity, that is, let

's try to find an ally, because for psychology the most important thing is to find an ally in communicating with a child, try this resource, but how, but how will it free up time from the gadget, because this is another problem that the girl spends almost all her waking time on the phone on the tablet, if we make this communication and spending time manageable, if we attach a practical benefit to this, when the child will not just waste time, but learn something that will help him in his studies, will allow him to get a profession, child, again, when an experienced blogger says, child, i’ll tell you right away i'll tell you if you will. there for more than two or three hours you will lose your vision there, you will lose your other communication and other skills there, that is, we need authority, but if i understood you correctly, then the strategy is something like this, in order to

it is necessary to free the child from the captivity of this thoughtless gadget, spending time, and from this black hole, that is, we are looking for something to cling to, where we have a resource, the resource we have is that she is not just looking, she is still smart and well done, she produces her own content, and this is for you and me. now a hook that you need to grab onto, and this thread needs to be pulled, maybe then the strategy is such that we say: honey, you’re doing great, this is really the world of gadgets. uh, internet content - this is your world , you’re great at doing digital things, but you need and then either artyom and his wife, or, as you say, one of these allies, they tell her: listen, you live in sochi, maybe you can make a series of mini-videos about your extreme parks, about your waterfalls, etc. there is to force her to spend more time on producing content, so we did this, and what do i like, but she doesn’t like what? it turns out, then listen to what andrey says, let him praise her, let

him only praise her for this content, so i actually would like to use the platform of the first channel and contact bloggers, dear bloggers, who are engaged in children's content, please, get in touch somehow with me, because i need a child, for you to say that she is great and for her to spend more time in family, and not on these internets of yours, not only in the family , but did something, did something exactly, including, please, by the way, arttem, in this case, here’s some more advice , we know that in many cities there are certain grant programs when a child who, say, films some kind of content about his hometown, can also receive money for it, i emphasize that i immediately understand that the competition in this field is very high, it can be very difficult to actually get through to these grants, but again i know examples of parents who acted out such a miniature, and such a micro-scene, the child said, let’s apply, we actually applied, we didn’t win anything, but the parents... says to the child: listen, and you won, that is, we are deceiving the child a little, manipulating in the good sense of the

word, we say that - we have been allocated a certain budget, this is your budget, the parents' budget, this is some 5-10,000, conditionally, that is, we are not talking about millions, and we say, here we have a task, we have a technical task, which we must implement, and then she must understand, and it is desirable that if she finds out, hears, she already knows, she will hear from some strangers, but of course it’s cool for you to compete, you don’t have a lot of professional... they take pictures, your dad is a journalist, well , understandable, with such a team you will do better, that is, she must, through some other people, understand that her dad and mom are not so edifying running around on the grid, which means they are flapping their wings, that the gadget stole our child, and dad and mom are in in principle, they can be exploited, in this case the child increases his authority, he feels responsibility, because leadership is responsibility, right? and i will repeat to us here is the most important element - this is practice- oriented, that is, if we find orientation in real life for what

a child does in a gadget, if we pull it from the internet from virtuality into reality, in this reality it is monetized with real money or real praise, then this is that new emotional dependence, but it is correct, because it does not push the child out of reality, but rather into this reality returns, everything you said? thank you very much, i hope that this program will serve as a lesson for her so that she can take my mother and me into her team of bloggers or developers, it doesn’t matter, but the most important thing is that i would like to say, here’s andrey, here’s mine two children, there is an eldest daughter who is already 23 years old, and the children are growing up very quickly, all we are saying here is that it’s cool, making money there, getting a grant, doing a cool project on youtube there, well, i already understand, i want be a dad, be with the little one

a daughter who is already 11 years old, who in 5 years will already be an adult, i would not, no, well, that’s it, i just really want to receive this daughter’s love and give my parental love to her, because the time of childhood is very short, artyom, but there is only one way, this is to create a platform for joint activities in which the child will be involved and which is precisely a conflict-free form of interaction. this is actually what this parental feeling of closeness with the child will give you, by the way, i’m continuing with yours in this case request there and to our listeners and including bloggers, i want to say one more side of this problem that you described, the fact is that, unfortunately, many bloggers, including young bloggers, adult bloggers , they create in children, in those who consume their content , in teenagers, the illusion that it is easy, they do not tell that in fact they have screenwriters, professional... cameramen, those girls and boys, minute takes hours to film, in fact, and the most important thing is that those

the very girls and boys who seem successful and independent to our modern teenagers are actually mothers and fathers who invest in them, and that this is actually an illusion, because many children do not understand this, they buy into the illusion that i bang i got millions of views there simply because i successfully held the camera in my hands there, this is not so, so let our dear bloggers, understanding what they are creating... be sincerely upset that they can’t do something, this creates for them, there are huge psychological traumas, often, even if they still convey that anyone. a successful blogging project, a teenage blogger project, a children's blogging project - this is a team effort and then children like your daughter, such millions will understand and will be interested in the help of their parents, and then you, as a dad, will get your parental feeling, and interaction with the child, and the child will know that dad and mom are not enemies who take away your phone, but allies who will help you move forward in

this world, this is a very important nuance. andrey, look, in the end, you can’t just... give up and, as it were, find yourself hostage to technology and say, well, let’s go to bloggers , here we will dance, and here we will offer, but in in the end, ban the internet, no, maybe not even punish him, he just speaks like a father, you know , my dear, after all, i’ve lived for a long time, i’ve seen a lot of things, i’m telling you now, it’s not useful, it’s harmful to you, all 2 hours a day, eva, agreed, 2 hours a day, that’s it, i said, you’ll grow up, you’ll understand, well, excuse me, 2 hours a day - this is not prohibited, this is a compromise, we are still obliged to give the child an alternative, because we live in a world of high emotions, and the internet and games only warm up the emotional background, and without giving the child something that will be bright and exciting for him, simply by prohibitions, we will not overcome this story, in this case i have three

girls, and three daughters, the middle daughter is 12, she is also naturally passionate about various games, we have a very simple scheme: if a child gets bad grades there there are threes or not god forbid she gets a deuce, then of course she sits without a phone and has a weekend there for the next week, if the child gets good grades for the week, then we give, accordingly, we expand the window, games and communication on social networks there or games, and the child is motivated, this balance between study, behavior and play has been regulated in this way and it is very, very simple to study well, you need to allocate... time to study, accordingly, this is the time the child voluntarily, then suddenly cleans up from the gadget, or are you afraid that there will be a conflict and scandal when you ban it? i’m not afraid, this is the only method of control, there’s just no other, you can’t come to an agreement with her, but i emphasize how in those windows of time when there’s a week or many days,

maybe several weeks, when the child is without play, without a phone, without social networks , anyway, they must find that form of emotional activity that will allow the child to get something, well, i think that this path lies before almost every parent, modern, modern, because indeed, now there is a struggle for our children between parents and gadgets, we should not lose as parents, and of course, only understanding the psychology of the child, understanding the world of teenagers, will help parents succeed in this story. thank you very much for your advice. it was a podcast by psychiatrist, psychologist, doctor of sciences androvsky, our guest, dad artyom, talked about how to break a child out of gadget addiction.

hello friends, this is a podcast. wonderful, i am with you, its host, writer, alexey varlamov, visiting me wonderful director, evgeniy borisovich komenkovich. hello, evgeniy borich, hello, professor, thank you for taking the time to come to our studio, i would like us to remember a little the man whose name is the theater that you head, the workshop of pyotr fomenko, that’s what kind of person pyotr naumnovichamenko was , why does he have a theater, and not just a maternal theater. it’s very easy to talk about pyotr naumovich, because if you somehow try to classify him into components, then for me he’s very big the question is, what comes first, he as an artist, a great one, or as a person, very often, when you meet people who

knew fomenko personally, they first remember some meetings with him in life, and then they remember his performance, it happens of course, it’s the other way around, but for you, for me, everything was mixed up, and in general it seems to me that this is that happy case when the way a person lived, he also created, with pyotr naumovich, it seems to me that a priori it could not be boring, it’s just that was out of the question, but he had long, difficult rehearsals, sometimes he rehearsed for years, but everything he did was always very interesting, and this is where , it seems to me, the profession of a director begins, he always suffered. what he was doing, if he suddenly didn’t understand, well, some period or some part of the performance, he could simply get sick, disappear there for two weeks, but when he came, but this is

probably a common place in theater circles , but everyone knows that if some, not the best student asked him to help analyze the play, then pyotr naumovich opened the list of characters and asked student question: well, who loves whom? here in my... attention, in general, flamenco and love are some kind of synonyms, and love, well, not so, say, romantic or some kind of mundane, but some kind of love in full, that’s how it is to explain, it happens very often in the theater , i think that young people don’t always go to the theater, because for young people the tempo of the theater, such unhurriedness, detail, it can be... sometimes boring, so, but pyotr naumovich, he always and brought the detail of existence to

some unimaginable limits, he could rehearse some kind of exit, like all of his great predecessors, that is , the detail of human behavior, it was understood down to the micron, but can one say that this is how stanislavsky’s system was, this is how it was famenko system? i... i won’t take on this, although i’m sure that it was, because i came up with my own definition about pyotr naumovich, so it seems to me that fomenko is such, well , today, such the last poet in the directing profession, so i don't know the person who it would be better if he read poetry, the solution is very simple, it seems to me that fomenko had one god, pushkin, so he knew evgeniy negin by heart, it’s just that... i have a feeling that if he had called his theater not fomenko’s workshop

, and the pushkin theater, well, it’s just that there is already a pushkin theater in moscow, then it would have been so, at the first opportunity he did pushkin, and i don’t know if all tv viewers know, but we recently celebrated pyotr naumich’s 90th birthday and zhenya tsyganov did it for me it seems to the audience, the theater, this is a gift to me personally that he took and staged boris. and there is such a backstory, it means that the last work that was supposed to be pyotr naumnich, he rehearsed baris godunov for a year, and, as always, all pushkin’s widows visited us, it was he who staged it for the third or fourth time, yes, there was such a big sheet hanging in the theater, and even the smallest roles were noted there, since we still have 60 artists, and there are more references to boris godunov, which means all the costume designers, all the make-up artists were busy, then for some reason pyotr daich stopped work, maybe maybe because he felt bad, but i suspect something was wrong with something, the main thing was that the current times didn’t work out for him, it

was 2012, i don’t know the reason, suddenly, when he turned ninety, and zhenya tsyganov put together a team and made in my opinion, the performance is amazing, firstly, he did everything to make it a comedy, and most importantly , there is an hour and a half of recordings on the screen of how fomenko rehearsed, pyotr naumovich is participating in this performance from the screen, maybe i’m alone i love this performance, because i'm on i haven’t been to rehearsals, i very often like to drop in and watch, so he makes a remark, and the current artists, the young ones who haven’t worked with him, whether they do it or not, this is some kind of amazing new genre, it seems to me that thanks to gypsy our theater invented , so i think it’s very cool that this exists, we are often reproached, what are we like? to say, whether we are hiding behind fomenko’s shadow, or what, this does not bother me at all, because our literary part, after the departure of pyotr naumovich, brought him to me, i cannot call it

spiritual testament, she brought me a list of works that he was thinking about, well, i think my life and this generation will not be enough, firstly there, which is very cool, there is some name there, lady with camellias, written in in parentheses who should play it, that is, it’s clear what he thought about each actor, so i periodically look at that list once a week, sometimes it’s possible to stage something from this list, pyotr naumovich loved to stage prose, i adored it, i i’m not even talking about war and peace and family happiness, but in my opinion, the main theatrical statement in the theater is one absolutely happy village, a play that... has been going on for more than 20 years, uh, and the actors who play in it tease me all the time, well, maybe we have already grown old, i say, no, you will never grow

old, because the play is on... on the old stage in our very small hall, there are 78 spectators in total, we could play it much more often, but we play it there specifically once per month, well, because it has been going on for a very long time, but every time i see it there once every 2 years i look, my eyes are wet, it seems to me that pyotr naumovich didn’t care what was staged, what was drama and what was prose , but he always didn’t turn prose into a play, but made it like prose, that’s some kind of technological, but it seems to me that this is very important, but in general, when the director chooses a play for a future performance, chooses a performance, well, let’s talk about you , this is what you are guided by, these are the ideas of what you feel, what you want , in general, your statement, what is it? i think it’s clear why i’m doing this i’m doing, let’s talk about your ulysses, for example , there’s some kind of madness there, yes, this complex, huge novel, stream of consciousness, it

was easy to show everyone, this is also possible. put how should i put the telephone directory there mir hold wanted to put or what no, no, no, no, but it’s just obvious, the circumstances in my life were such that this twenty-four-hour journey of the main character of a stranger in this state and the irish, it obviously lay down on what -events that happened to me personally, well then at lis - it’s some kind of bottomless barrel, everything is there, every genre on earth is there, in my opinion, all languages, all movements in art, everything is there, but it happened, i usually like any book there i read in an evening, i fought with ulysses for a week, i mean, i thought, i pretended that i wrote a dramatization, assembled without pyotr naumovich our entire then not very large theater, it was 200, 1998, and the theater appeared in what year, the theater

arose in..., then we were without premises, without anything, and i read, it means it lasted about 9 hours, we broke there for lunch, dinner, staging, yes , what a staging, it was some kind of selection of material, everyone looked at me like that and said, evgeevich, maybe you will work some more, very much, they’re like- then they treat me delicately, i’m older, it died down for 10 years, then when in 2008 they built a theater for us in a new beautiful building, a pier so that people would come to us, yes, on the river, they now specially built for us a very nice, suddenly in the morning pyotr naumovich called, he liked to call at 7 o’clock, and he says one word, it’s time, and i realized that it’s time, so i brought the staging to mind , well, then, then there was one continuous pleasure, there were a lot of problems, but since the whole gang that worked with me were also, well, this we are very determined, well

, we have achieved something. then 10 years passed, but for some reason it seemed to me then that the foxes were talking about us, there was some kind of click, we made a doctor zhivag 2 years ago, well, doctor, that ’s also a terribly interesting story, by the way, but doctor zhivaga is actually some kind of thing song, because i had such wonderful co-authors, and first of all vanya vakulenko, who played doctor zhivvag and olya bodrova, for whom this was her debut in our theater, i have the feeling that if i... got sick, nothing would have happened had not changed, they would have carried it through, they are both super-professionals, they very keenly feel that it was necessary to make a play about how a person, despite all the circumstances around him, did not change himself, he remained himself, he remained beautiful doctor, he remained a citizen of the country, and after that when he left, it turned out that he was still an amazing poet, well, somehow , after ulysses, we did a lot of prose,

somehow, well, not that... it was easy, but it was clear when we, where we were striving , there was one big problem, it was a pandemic, at times out of 15 people who play this play, i had four at rehearsal, we didn’t have money for the scenery then, and we somehow built it ourselves, but the viewer of this glory god, he doesn’t notice, we had money for suits, we made the suits, but nevertheless however, i don’t want theaters to be deprived of funding, but it seems to me that if people are involved in theater, they will build a theater anywhere and from anything, lopad vega has this aphorism, theater is three boards, two people, one feeling, well, this seems to me, this is the formula, so, in general, it seems to me that if the topic of our podcastlab is really theater and prose, it seems to me that it has been in the modern

theater for a long time...’ and not necessarily to stage a play, although i i personally really like plays because you don’t waste time on adaptation, translation, prose into language in the theater, this cuts rehearsal time in half. and this somehow, well, half frees your head, it just seems to me that modern playwrights, i think it ’s very difficult for them, because all the wonderful modern, russian modern drama, which i really follow, i don’t know there , i am a fan of witchcraft, a very big one, because i don’t understand how a person has been nurturing one theater for 30 years, while managing to produce amazing... playwrights every 4 years, the only thing i have, well, not that complaint, i have a question about modern drama, it’s all so cool, it’s about pain and so on, but for some reason it’s almost all in basements,

this seems to me not very right, i’m still waiting for it will be released on the main platforms of the country, in general it is interesting that partly the same can be said about modern prose, it is also about pain, about trauma, and in a sense it also remains in the background, although there are some very large, bright events, of course, yes, come on, i don’t know whether you were bragging about it or not, i saw it in at the youth theater there was a performance based on your prose, and to be honest, i was amazed at the huge number of people, and it seemed to me that the auditorium was actively breathing, so that evening there were a lot of young people, no, for me this is also of course, one of the most joyful events in my life, happy, when you wrote a novel, you come to the theater, what happened is that i did not take part in the preparation of this performance, the staging was done by a wonderful young playwright polina babushkina, and i was only invited to this performance for dads and moms, that is, there was already such a general run-through, and it was an absolute miracle, to see my characters on stage, what they are like, how

they play, i am very glad that the play is on, is running with success, it’s really all very cool, the premiere of the season , drink up the star, tomorrow after the evening news: well , that's it, the work is over, forget about all your crimes, let's rest, sergei bezrukov in the serial film by valery todorovsky, bison is the case of a fashion model, from monday on the first. glegachev, i didn’t let you go, citizen of the bessnov. i want to remind you that you sleep with a witness, this is a podcast about the life of the wonderful, i am with you, its leading writer alexey varlamov, my guest is director evgeny borisovich kamenkovich, i would like

to return to the classics, the performance that i saw with you i remember very well, it’s already such a classic world, this is the king, here is shakespeare, it’s interesting, but now it passes... times, centuries, some names appear and drown, some remain, that’s what shakespeare did, if he existed, yes, that's why they continue to play it everywhere all over the world they are trying to understand his riddle, but you know, there are several plays by shakespeare that you always want to stage in any condition, it seems to me that every director is different, so i have four such plays there, with a storm i entered the institute, although this is mine was a miracle explication, but the storm is not so after all, but this is his spiritual testament , let’s say, and since there is one line that is not in any russian translation and my ending is despair, and my lot is despair, here what to do with this, this is how

the great bart ended, this is the last prosper's monologue, but it doesn't matter, and king lear, here's a historical fact, i definitely suggested this to my teacher, andreysanovich goncharov, he was only before me... maikovsky, yes, the maikovsky theater, well, of course, andrei sanachi, since andrei saanich loved to scream , in my understanding, he was very similar to king lear, he laughed at me and didn’t talk to me, then i started pestering fomenko, i didn’t know how to get rid of me, i think he got his way there, i don’t know , the seventieth year old finally said: "i i won’t learn the whole text." now, did you want him for the role? of course, because he, well, he , well, damn it, i don’t know. who is better than the ganchers and or fomenko, but since we have, thank god, the design was invented by a genius the artist, in my opinion, aleksandrovich borovsky, barovsky jr., then

they managed to set such a form, correct , that then it somehow rolled on, and since our people are all talented, now this is without any humor, i say, very prepared, there there were people of different generations, then we... somehow it worked out, i must say that when there was a pandemic, there took turns, uh, two people were sick, two dukes , and i twice, so partly from memory... partly that means, with the text in my hands, i replaced them, how good i felt in this design by alexander borovsky, and we also have a theater , it seems to me, very cozy and you can hear it from any place, and i never wanted to be an artist, although i graduated from the acting department, i got some pleasure there, there is also a very interesting question with translation, but there are several translations, so they chose, as i understand it, some very original, no, well, we chose soroka’s translation, i

won’t rank the translators now, but still soroka’s translations are very difficult to learn, but the most important thing is that he has some special annoying words he invented, which, firstly, will not let the viewer fall asleep, well, you won’t fall asleep anyway, yes, but they somehow make you be on edge, here are our most experienced ones... the artists said that king lear was quite difficult to teach, we understand that prose always alternates there and poetry, it is clear that if there is a translation by pasternak nearby, then it is wonderful, this is not discussed, and there is the latest circle translation, very accurate and it is very like that, well, it is very tasty, but still, it seems to me that soroka - this is somehow more correct , here is the last one, well, i don’t know the last one, today you have work, as i understand it, this is based on a novel but a stage directions, a black obelisk? yes, there is no merit of mine here, because

we turned out to have two very smart actors, volodya toptsov and yuri butorin, they mean 2 years they did something with the pricing, which i monstrously did not like, it always seemed to me that the remark was this, i love him very much, but at the age of 16, i read everything and i am happy, unhappy or happy love, she smokes, yes, she is always sick, in the mountains and so on, he, he is magnificent, yes, all the time. performances, and then when i read, everything that was happening around us coincided so much that i instantly joined them as the authors of the dramatization, of course i removed my last name, we brought it to mind, i really didn’t like the name black obelisk, i wouldn’t go for the title, it’s something about a cemetery, it seems to me, yes, but since we knew that we would have a premiere in the twenty- third year, from the action of the novel.

takes place 5 years after the defeat in germany in the first imperialist war, so it was just the twenty-third year and we decided to misbehave like this, so we called it the twenty- third, again we were lucky with alexander borovsky, who made a wonderful design, and this immediately suggested in shape, well, i don’t know, i’m somehow proud of our theater, which we do very often, this is by the way the idea of ​​pyotr naumovich, we very often have an initiative from below, he came up with this... internal error trial section and any member of the team can take any work to show and sometimes this work will reach the end, sometimes no, but for example, now we have a group of crazy people, together with yura titov, they have taken on a divine comedy , well, what is it , it’s impossible to stage it at all, is anyone interested, has it ever been staged divinely, yes it was staged, well there at

costelucci has a famous performance, but little remains of the divine comedy, it’s on video, here, and we, we had the first preview, i’m afraid to announce it, there’s no wood to knock on, but if it happens, i have the nose will be up, i, as such a temporary boss, will be very proud of this, so you said that today our topic is prose, which means theater, and for me the most important topic is gitis, because i have been here for more than 40 years i teach there, and every 4 years i’m always proud of my country, because well, our enrollment has ended this year, but it seems to me that it’s such a difficult time, some completely cash-strapped profession, where you all are going, but we all the time had to schedule additional days for consultations, because the people were still not ending, and it seems to me that that i took some wonderful course, with one problem , of course, when we finished the introductory

course, there were only women in the directing group, and i knew that it would end someday, but i hoped not during my lifetime, although i have a mother entered 16 years in gites, but it was the forty-seventh year, after all, it was an exception, and now out of six young ladies, that means, uh, three are 17-18 years old, but they honestly won the competition, and i, since i could not calm down, in the end, i finally came up with the idea to come to us sometimes... according to all sorts of quotas , according to international agreements there, we have one wonderful estonian guy and one from abkhazia, in the music department of a wonderful director, titel. he has seven women in the musical theater, he has no men, this is the time we are specific, yes, to say that we are in at the literary institute we are faced with the same thing, before it was more of a men’s institute, now it’s a women’s institute, before women writers proved that they also have the right to exist, that they are no worse than men, now , probably, soon men will prove that they are no worse than women

, but i, as a rector who also deals with entrance exams, am very curious, but when we select writers, our criteria are very clear, they write... and we determine their ability to speak language, imagination, intelligence, originality and so on, when you you select actors, i can also understand, probably, how they are directors, how to understand that a person has directorial talent? imaginative thinking, no, but how do you test imaginative thinking , they, uh, during the introductory rounds, yes, these are three rounds and a competition, yes, they defend their director’s ideas four or five times, that is, these are actually four or... five plays , prose is also allowed, but plays, and this is instantly clear, but this happens orally or in writing, in writing, they have an explanation, first they are obliged to bring the layout, even if it is somehow, mm, amateurishly made with one’s own hands, it doesn’t matter now, just so you understand, one

girl defended the blue bird, the miterlinke, which everyone knows about stanislavsky’s performance, and so on, but this is in my opinion , one of the most difficult dogs in the world, if i had, i was a millionaire, or if i were the absolute master in my theater, she is 17 years old, i would let her stage this play with us, well, this is an impossible situation, she there's a freshman there, but it made such an impression on me, then after third round they do a lot of excerpts and sketches with the actors, because several people who were wonderful in theory, when in... excerpts, they are young people, they lost to these eighteen-year-old girls, so, but in general it seems to me, oh, the system obstacles for admission, it is becoming more and more frayed every year, because we, well , in general, we have no room for error, because we have very small courses, and

the directing group is always very small, and the quality of the directing group depends on but how would it be say, the success of the entire course. but if the directing group is good, it turns out that there are twice as many teachers, because directors, they immediately become teachers for fellow students, well, in general, it’s very interesting here, that’s understandable, and here’s another interesting question, you said that they do people, yes, in general, there are no financial or career prospects there, that is, no one gives them guarantees , no one, but in general, as usual, well, usually, everyone has their own, but nevertheless, how can the fate of a gitis graduate turn out? where it is distributed differently. since, well, it’s clear that an actor should be on the phone, well, it’s better if he gets an agent, but directors, it seems to me, oddly enough, now have a rather preferable situation, because almost all theaters in the country have come up with a very smart thing , they conduct laboratories, if

three or four people participate in the laboratory, there is some kind of theme there, i don’t know, fairy tales or a modern play or there, i don’t know what else, or in a thick book. or anything, that's who they will win in the laboratory, they organize a competition , yes, they and the actors of the same theater make a small sketch, and it’s instantly clear who won, they let him put it on, dear friends, we continue, this is the podcast life of the wonderful, i’m with you, its leading writer alexey vorlamov, my guest is director evgeniy borisovich komenkovich, and in general, what is happening in theatrical life in russia, this is how... you would describe what is happening today, where we are going, what awaits us, what to expect, but it seems to me always one thing happens and the same thing, everyone is looking for topics to speak about, always, this is the most important thing, wonderful, we had a teacher, director, kheifits, so i pester everyone with questions, i say, fimovich,

what in general, what are you doing all your life, he says , i also play a modern play, and my teacher goncharov, too, already in the very last days of his life, when he met, he said, he could not pronounce my last name, but he said, well, kudilovich, well, there are new plays, this, well it seems to me that this is generally the most important thing, well, in a theatrical novel there remember, he says, why new plays, there are not enough old ones, in general, i’m so proud that we staged a theatrical novel, thanks to kirill pirogov and pyotr nomenko, because it seems to me that this play needs to be reviewed every day so as not to become bronzed and not make mistakes , which bulgakov so harshly ridiculed there, i adore this book, because it was written as revenge, he, he has a conflict with the art theater, because they cowardly renounced from his point of view... the point of view of moliere, he didn’t seem to want understand all the difficulties of the time

political situation, he was terribly offended by them, he leaves this theater, where he ended up on stalin’s call, by the way, nevertheless he despises even this, leaves and sits down to write a theatrical novel to take revenge, because it’s curious that when in sixty-two year they wanted to publish this novel in the new world, the old people were indignant at it, because they were afraid that he would completely overwhelm them all there, suddenly this book is a declaration of love for the theater, suddenly you can see how in bulgakov this is in him. .. mercy conquers it feeling and of course this production is yours, it’s amazing, because such recognition of how the world of literature is depicted there is so envious, bilious, all these writers are friends, in the theater you find yourself in this territory, it elevates you, if you have talent, then even these are all these servants, these people who are engaged in technical work, that there are supply managers, there is someone else, even stanislavsky, whom he did not like, nemirovich danchenko, whom he could not stand, even they look there. completely human, yes, this is a miracle, of course, such a thing, this is an instruction for any theater, it seems to me that this is accurate

, this is a fact, about the golden mask, can you tell us something, as you think, oh, you know, i don’t fully know what it’s all about sybor, i know that this is a useful phenomenon in our life, i don’t really understand why some category of modern dance or modern drama should be removed, how can this be removed, in my opinion, in my opinion, is this nonsense? i want it to be, so, and i was somehow very proud of the theater community, so when there were new times there, filmmakers were divided, there were writers, i don’t know how many unions, so i was somehow very proud that we were united, and now there are some protest letters, this honestly upsets me very much, but i know that the golden mask has brought enormous benefit to the province, in general i have a theory that if there is like... some kind of next breakthrough in our theater, it will definitely be in the province, because i don’t know which one ... somewhere in lesosibirsk, there is such an

amazing theater, or i, for example, i i’m proud of my king lear, but i’m delighted with the decision of king lear , which was done in izhevsk, for example, i saw it on the golden mask, exactly, and it seems to me that the golden mask is a chance for provincial theaters to express themselves, yes well, not only for us , our country is so big that you don’t have time. you drive all the time, but you still somehow planned it, probably, this can be improved, well, god willing, it should be there, i, i’m afraid, because i don’t know very precisely, well, the main thing is that it should be there, that's so that no nominations are removed, it seems to me that this would be correct , i’m generally interested in how it turns out, how many years does the play live, what does it depend on, what influences it, a very easy answer, but we would n’t film it at all no performances, we have... 60 people in the corpse, now i’ve already lost 47 , 48, 49 performances in the repertoire, we have nowhere

to store the scenery, but okay, this is somehow a solvable problem, and sobyanin built such a huge storage facility for all the theaters , this means it helped a little bit, but not completely, thank you very much, but the horror is that with so many titles, even though we have four scenes, we’re generally in trouble, right? we play the premiere four times, everything else is played once, and this is not, of course, this is wrong, i always give the example of kostya raikin, who on the big stage, i don’t remember seven or eight titles, when a new performance arises , he always films one performance, but in our case, every time the glass film is removed, it’s a tragedy, because all the performances are in saku, even those that for many years, well, yes, there is war and peace of famenko and family happiness, but i don’t understand how this is, i admit.