[000:00:00;00] aquarius, i gave everything and i don’t regret anything, i gave everything and there’s nothing left, and so many people are lost nearby, i don’t suffer from this feeling in a century, i gave everything and i don’t regret anything, on autopilot, i live according to the horoscope, it seems to me that it’s the sign of aquarius, not regretting anything, the sign of aquarius, the person is lost, loss, but i ’m not regretting anything, what an idea, i’ll shake my head, i turned pale, a little for the greens, it

was very strange. amirchik, have you ever wanted to try something heavier? i have a lot of demos harder, that if i put on five different songs, you will think that something is possible , if i hadn’t told you, that these are five different people singing, just like that, and why, and what is stopping us from doing this now , this is a song that hasn’t been released yet, no, we can take yours that have already been released, but this is already different, this is everything else, this is already a turned page, let’s try. let's try, what would you like? silence, come on, now period, just a barrel, only a barrel, let's try, just a barrel, silence, like

punishment, your confession, but this. as a punishment, my attention, this is then yes, this is then yes, oh, yay , overchik, it seems to me that now all the girls who maybe somewhere didn’t like you turned around, turned around and bowed, by the way, what’s on your personal, on a personal level, i’m fine, i have a girlfriend , no, tell me quickly, it’s a secret, but it’s clear, it’s clear, just like that, wait, an artist of this

kind should always be alone. i agree, on the one hand, but on the other hand, you can tell us, you know, when they say secret, that means there definitely is, there is, no, no, there is, no, there is, how do i know, no , i’m asking, i can’t have a girlfriend, if this question interests you, then google will help you, or maybe it will definitely draw from you to you about it, why why, why are you dodging and not telling stories? i don’t want to tell you the truth, the truth is that it doesn’t exist, if my answer doesn’t suit you, then ask why, silence, loves silence, why don’t you tell me, we want to know as much as possible about you, more,

more, more , but let's return to our sheep, and the world, we must tell the truth, so many girls want to know what the name of your queen is, maybe her name is natasha, maybe her name is marina, maybe her name is angelina, although wait, maybe her name is my neighbor aunt, dear my, today we had a truly experimental experience, full of amazing moments, and most importantly , completely new discoveries, including musical ones too, thanks to you, many thanks to our guests today, amirkhan, aka amirchik, anechka, aka anya pletitneva , of course, my wonderful knowledgeable karin cross wahl, carnival, the gypsy band, my

name is anton lavrenti, music, look not at the format, but we give up this stage to anya pletitneva, she will do everything. you are again carried away by successive events, this globe

is in my hands, it yearns for discovery, history will repeat itself with me, don’t make history. my lord, my cradle, my lover, and you have already decided that you will do everything for sure, bad girl, there is no new day, my lord, my last day, my abode, i’m already ready to be with you for an hour for centuries, soft girl,

will do everything, will do, everything, will, do, everything, everything, your bad girl. hello, this is the ezenstein-125 podcast, i’m film historian natalya ryabchikova, we’re talking with my colleague film expert artyom sopin about sergei ezenstein, and today we’re talking about the incredible foreign travel and adventures

of ezenstein and his friends in europe, the usa and mexico. hello, and this trip, in general, divided zenshtein’s life into two parts and contained a lot in itself, despite the fact that it lasted, in general, on the one hand, not so much, and not so little, 3 years, during these 3 years isenstein managed to catch a lot of phenomena that by the end of the twenties were just leaving european culture, but he still managed to, as they say, feel them, touch them, look at them from the other side , he had already very astutely noticed those features that would be characteristic of the thirties and forties, no longer traveling outside the soviet union in subsequent years, he nevertheless meets in the foreign press or in the domestic press... encountering certain names mentioned, he i said it, but i already did it i know, i’ve already seen it, here’s how it’s developing now, and it was back in ’30-thirty-one, it was an absolutely turning point, because eisenstein was invited to hollywood, invited

to hollywood in ’27, but he went there only in the twenty-ninth, and the twenty-ninth is already a completely different world, this is the world on the eve of the collapse of the new york stock exchange, this is a world where it is no longer possible to imagine a movie. esenstein may also be silent films are still being made in the soviet union, but the whole world, including hollywood already deals only with sound films. and that’s why he’s going, to try sound cinema, to see what it looks like, because back in 1928, here in the soviet union, he wrote an article, an application, or rather, under it there are three names isenshtein, pudovkin and alexandrov, but how we know that pudovkin came to visit esenstein, they discussed the theses together, but the text was still dictated by isenstein, and alexandrov simply wrote down the two of them, in general, this article... which is loudly called an application, just a proposal on how to use sound, so that, on the one hand, not to lose the expressiveness of the film with its editing , attention to detail, on the other hand , add sound as a new phenomenon, so as not just to record sound, but so that there is sound,

for example, a person is driving in train, and so that we hear not the noise of the wheels, but so that we hear the noise of his thoughts, what he is thinking about now, and not necessarily as a voice-over, just like this isenstein will continue to think, how to convey the structure of thought, this is his favorite topic, here we are just thinking simple thoughts, here he sits such an einstein, so he was invited to hollywood, and he tells them: but i definitely need to go not alone, with my cameraman eduard tise, well, roughly speaking from... they tell him: well, the cameraman is important, good, and then he says: i still need to take my assistant , co-author, grigory aleksandrovna, and they tell him: what, why, who is this, so he writes down some applications for esenstein, and in fact three people are going, very different, and one of them immediately feels a little disadvantaged, moreover, isenshtein is one of families where teachers of both english and german were hired for special children.

and french, and this is not his first trip, yes, he knows languages, he knows people who come to moscow, theodore dreiser comes to moscow, and of course goes to visit isenstein, get to know him, and in the fall of twenty-nine, in turn, isenstein and his group come to europe, why, because in the soviet union it was impossible to obtain an american visa, because only in the thirty-third year the united states recognized the soviet union, and in order to obtain an american visa, it was necessary to go to berlin, where there was... an opportunity. and after berlin they travel around europe for some time, waiting for the opportunity to get to america , they make a living by giving lectures, making films, in particular in the thirtieth year, just in the spring, they received an offer to direct a film, a sentimental romance, this is a small short film, which, in general , was ordered for them by a large businessman so that his wife could be filmed there. and isenstein, of course, seized on this, because

that we could just try it with sound, by the way, we have the opportunity to watch it, love, endless. a wonderful woman, mara gris, not a wife, by the way, she was actually a mistress, they just got married later, no, this is important , it seems to me, because in general this whole company, party, yes, how do we get income, where, they apparently agreed that they, you left, they are practically without money, alexander later said, they were given 25 dollars, and what they are paid as business travelers in moscow goes to their families, their mother isenshtein, alexandrov’s wife, for a small child, yes.

mother, tisa, his sister, they agreed that everything they earn goes into the common pot, but whoever earns, again , well, in principle, mainly with his name ezenshtein, he believes, here of course, alexandras also worked, yes, although about on the contrary, on the one hand , this short film has such a reputation that it ’s quite a, well, vulgar story, the girl just sits there, so that it all looks as beautifully lush as possible, on the other. exactly yes, it’s glamorous, in general - then some sculptural figures appear there, these types of nature appear there, all this creates a rather ironic context, actually, recently there was a very interesting article in the journal cinematic notes, just the same e, in which the hypothesis was assumed that the entire film was invented precisely with esenstein’s sense of humor, but in general this remains a hypothesis, since the film - in general... not much can be isolated from it, but here the first

thing that jumps out is prologue in your eyes, because in the prologue - we see just such a rhythmic sound experiment, and we can see, in fact, how - isenshtein really in this case samshtein came into contact with sound for the first time. so, in fact, that’s why it’s important that they are in berlin for a reason, they sat and waited for a visa, especially since there is such a story that they arrived, and they were told the invitation was canceled, they need to wait for a new one. it needs to be organized somehow, but they are also going to berlin in order to organize

the european premiere of the general line, and esenstein has finally finished, he’s been making the film for 3 years, now it needs to be shown, and when they arrive in europe they understand that this also needs to be scored, moreover, ezenstein already has a prepared plan for scoring, he knows that he has a composer there, edmund meisel , which was voiced to him by both potemkino and october, he has such plans, he wants to use termenvox, he takes this invention... an electronic musical instrument by lev theremin and assumes that they will take this machine, where you enter with your hand about antennas, and for you these sounds are higher and lower, yes, they will take these completely unrealistic sounds and put it on a soviet village, instead they have to earn a living with what they have to, here in france they are filming a sentimental romance, in switzerland they make a film popularizing abortion, a film called women's misfortune, women's happiness, a hymn to the art of medicine, which

tise, in turn , works on to a large extent, and after that they finally go to hollywood in 1930, on parokhe, europe, but we have a small piece from the swiss film itself, by the way, where in the general plan there is a birth, it’s not just a woman lying, it’s grigory alexandrov lying, we know from his memoirs that alexandrov even had to stay in europe for a week or two, ezenstein leaves with tise, who has signed a contract with his new producer, jesse lasky from paramount is traveling first class on this liner, and alexander is there finishing this sentimental romance,

something like that and he’s traveling alone, moreover, his are detained in new york, ezenstein is already visiting celebrities and suddenly writes that grisha is on elisland, elisland is a place where... and those immigrants who had something wrong with their documents or it seemed to someone there they are unworthy of american society, maybe they are disabled, so they won’t be able to earn any money, and they will be a burden on society, and the group that goes to hollywood, it’s already falling apart a little, there are some tensions in this, nevertheless, in hollywood they get into quite a difficult situation situation, because when they were invited, a passion for the avant-garde was in fashion and they thought that if they gave isenstein something to try, hollywood was making very good money, they could take a risk, do something experimentally avant-garde and make an advertisement out of it, but when isenstein arrived, the great depression broke out, in general, hollywood was not ready to take risks, they wanted to use isenstein’s name, since he had already come for advertising, so

they tried to offer him something like that, commercial, absolutely, he was very they offered a grand hotel, for example, with a bunch of stars, by the way, here their very discrepancy was already visible, he said that of course, let’s agree and let’s make a film, work with hollywood stars, einstein reminded him that we didn’t come for this, and in order, first of all, to preserve their avant-garde roots, and to test the sound experimentally, they first proposed the film zuttara’s gold, about the gold rush, where this gold, gold, gold, as it had to be repeated like such a magic spell, but in general this the idea... was not met precisely because of its experimental nature , because it seems like it would be unsuitable for a person who came from the soviet union to film about the gold rush, because it turns out that how he would comment on american history, well, the same thing later happens from an american tragedy, it seems like they give him a great american novel, the same dreiser

who came to visit him in moscow , they give it, well, they offer it, and he makes a wonderful script, also trying to develop his ideas there, but this... it turns out too depressing yeah there is a wonderful statement, i think by irvan talkberg, who read this, he didn’t work at paramount, they sent him for comments, but what do you think , namstein wrote here, and he answers, he just finished it brilliantly, isenstein is a master, avant-garde artist, that’s all, but then my hand reached out for a glass of whiskey , we can’t release such a film for our young american boys and girls to watch, it’s too much, who comes and wants to snore this hollywood, just like him did a quick potemkin, for example, yes, they came, wrote, filmed, and then went back to the soviet union, filmed there, and then returned to hollywood, such a plan initially in general, it’s something incredible, instead he writes script after script, but they are not

accepted, they are not accepted , they don’t accept it, and he gets absolutely depressed, he drives around, looks at all these wonderful views , he plans gold zuttara, drives up and down, yes, he sees all these old cities, writes it all down, somehow imagines it all remembers, but he cannot apply it. hello, this is news on the first, studios maria vasilyeva at the beginning, briefly about the main topics. a breakthrough at the forefront, reliable. and modern t-90m are our weighty argument in clashes with the enemy on one of the most difficult sections of the artyomovsky front, where