[000:00:00;00] amirchik, it seems to me that now all the girls who maybe somewhere didn’t like you turned around turned around bowed , by the way, what’s on your personal, on your personal, i ’m fine, i have a girl, no, speak quickly, it’s a secret , but it’s clear, it’s clear, just like that, wait, an artist of this kind should always be lonely for his audience, of course, i agree, on the one hand, but on the other hand, can you tell us? when they say a secret, it means for sure there is, there is, no, no, there is, no, there is, how do they know, no, i i’m asking, i can’t have a girlfriend, if this question interests you, then google will help you, or maybe it will definitely draw it for you about why, why, why are you evading and not telling the truth, i would like

to tell you so that this can happen? i don’t want to tell you the truth , the truth is that it doesn’t exist, if my answer doesn’t suit you, why, loves silence, loves silence, don’t tell us, we want to know about you as much as possible, more, more, more, but we’ll come back to our sheep, i must say already the truth is, so many girls want to know what name your queen has, maybe her name is natasha, maybe her name is marina, maybe her name is angelina, although my

neighbor, aunt zina, sings! my dears, today we had a truly experimental experience, full of amazing moments, and most importantly, completely new discoveries, including musical ones too, thanks to you, many thanks to our guests today amirkhan, aka amirchik, anechka, aka anya pletitneva , of course, my wonderful knowledgeable karin cross val carnival, gypsy group band, my name is anton lavrente, listen to good music, watch the format, but we give up this stage to anya pletneva. will

do everything. you are again carried away by the succession of events, this globe in my hands longs to be opened, again history, but it’s raging, but the main, non-historical day, my lord, my cradle, your abode, and you have already decided that you will do everything for sure, bad girl, there is no new

day, my whitewash, my rabbit, your abode, i’m ready to be with you for an hour for centuries, a bad girl, she will do everything, will do everything, will, do,

everything, everything, your bad girl! podcast of the creative industry in the studio roman karmanov, mediaman, ceo of the presidential fund and elena kiper, producer, legendary, songwriter, lyricist, our guest today is very interesting, dmitry bigbaev, former singer, theater director, as well as an official , i’m not afraid of this word, a new arena, well, this is very, now you are leading the artform project, and anita tsoi, the famous singer, is warm, sunny and warm today, sunny and warm, yes, and also the head of the faculty of creative industries, people's artist of russia, head of the department of the don

state technical university , behind the department, that is, we are still on the way to the head of the department, but our viewers have already learned a lot, just from the performance , but in fact, why are we here in this composition, why? because uh, anita and dmitry, they are directly related to the wonderful genre of the musical, let's first probably talk about the necklace of russia, and a few words, then about uh, well there there are a lot of solos there 0.01, then black january , i would also like to talk about it somehow, first about this grandiose action, but in principle it’s no secret that for many years... our organization has been carrying out big festivals, last year, thanks to the support of the presidential fund - social initiatives , we were able to hold our ninth

festival award ceremony at the festival named after russia, 328 people became winners, and we thought it would be good to once again unite them all together in one some beautify. the audience, of course, with their wonderful creative achievements, we held a beautiful musical, it’s called the necklace of russia, where 328 of our winners each played their role, this is a wonderful wonderful musical, about our vast, stunning homeland, about the multinational culture of our homeland, and moreover, the whole thing starts in an ordinary city, in a large city, where so many people with different nationalities live, so the whole festival is an ethnographic, beautiful canvas with music,

dances, rituals, and where almost everyone our region was able to present itself in all its glory, that is, this is a great idea and we decided to continue it next year, although we already have a lot of musicals, since in general it all started with the city of rostov, danu, and has been working there for many years my music school, and when we were faced with the question, well, okay, learning is one thing, but how can kids get some kind of knowledge in practice, and we started writing original musicals for them, and it’s a very interesting topic us in musicals because mentors perform on the same stage with children, it’s one thing to study with a mentor, these are all our honored teachers, masters of their craft... stage people who have already proven their dedication to their work and great skills with many years of experience, that’s when they start going out with children

, play on the same stage, something amazing happens, because they are worried themselves, like our kids, but kids - of course, i said that’s cool, because the ages are different, from 3 years to 17 years, these are all the kids who we have participates in these musicals, then they move on and... at the festival, they perform there, they try to get their first experience of such competitive creative struggle, they show all the best that they have learned, now we have come to the next stage, to a very big one, to the creation of such big musicals as the necklace of russia, well, grandiose, the necklace of russia, was helped by the presidential fund for cultural initiatives, that’s right, the president helped, the president helped, but really, we are very grateful, we used to do everything on our own, on our own, researched opportunities and so on, but now, especially in these difficult times, it is so important that there is support nearby, we definitely all with parents and teachers come to the same opinion that it is better to let our children

create, engage, develop, move on, rather than anything, they wander around the courtyards and it’s unclear what kind of information they absorb, it seems to me that this is a new genre, generally speaking, because i think that our viewers, they too, when they hear the word, in principle here it’s such a social one, i’m like that i’ll transfer it to dima now. our air ball, solo 01, black january, that means, well, solo 01 is the ministry of emergency situations, for example, it’s a musical about guys who, that means they are there, street kids, ultimately, through certain twists and turns, they came to the conclusion that they also want to be heroes , to save people, and black january is the young guard, this is an absolutely amazing story, this genre, how is it developing in our country, or is this an ordinary story? we just haven’t seen such numbers before, in fact

, there have always been musical performances in our country, another the question is that this division into musical operetta, as elena correctly noted, this arose precisely during the soviet period, we always had wonderful musical films, these are funny guys, this is a carnival night, another question is what exactly on theater there was a very strict distinction in the underbelly, despite this, amazing works still appeared , in the linkom theater to this day... you can see the play staged by zakharov, juno and avos, music by rybnikov, but what is it not a musical, amazing work and it’s clear, that myself a genre in itself, it grew so massively in the west due to, well, the outstanding , absolutely outstanding author andrew lloyd weber, who simply gave such a scale of musical thought, such a scale of creative presentation to this genre that, of course, it was difficult to compete with him.

of course, musicals are very expensive projects, as a rule , but it is clear that they penetrate the mass audience, it is clear to me as a theater person that we are theatergoers, it is very important for us, loop-hook, from step to step, in a musical, in a large musical project, you can to seriously declare about large, important socially significant issues, problems, and of course, if we talk, for example, about the solo 01 project, the musical fiery hearts, this is my job: including as a director and as an author, and of course, our respected colleagues from ministry of emergency situations for patriotic education, because if we do not convey , as it seems to us, the correct meanings to the children in such a clear, accessible, musical form, song form, of course, they will not know and perceive them, as for black january, so it's just our memory, but here we have a performance took place in the moscow concert hall, a total of 7,400 schoolchildren, some of them heard for the first time that there was such an oleg koshevoy, about how the guys from

krasnodon accomplished a feat, how they truly had their personal goals, which can now be prevail in the general understanding of young guys there, they put them in the background, because honor, homeland, this is the feeling that your life is special and a lot depends on you, they put them in the foreground, this and of course, about we talked and talk about these heroes in music. it sounds, and when at the last show three times the stadium stood up during the action, well, this, well, this is confirmation that after all, this form has an amazing effect, well, in general, the musical lives and will live, and not only social, but about different kinds of love, thanks to the presidential fund for cultural initiatives, which supports all this, and we are happy to try and do it well and with high quality, and so that our audience is satisfied in any genre that we undertake. here's a handsome guy, and here's how

such a transformation happened from the singer katya take this as it is in front of us, yes, that is, here it is, of course, in fact, it seems to me that the audience is interesting, and what kind of path is this laid, to this, uh, well, elen, you are involved in my transformation, like no one else, you and i met when i was just a theater actor, and you will be surprised, but i have this project, he became the first director. experience and this is amazing, but this project and your participation in my life ultimately gave me the opportunity to feel like a director, to work with talented artists, young artists, what kind of artists we got together, yes, that is, this is loban, yes , the mkhat chekhov star just for a minute, this is the winner of the adult voice dasha antonyuk, you found them, and we worked with them, this is happiness, such artists given, this is

only a musical performance that can do this. sing, in general, anita, in fact, when we were talking with you, not so long ago, i was surprised to discover that in addition to the fact that you are a wonderful singer, whom everyone knows very well, a people’s artist, and so on, you are also a public figure and the man, who deals with education, teaches singing, in the sense of really teaching, that’s everything that this genre in general, creative, generally includes, it ’s surprising, but it turns out that with each project... there’s added responsibility for you now, you said 326 328 328 by the way, we registered a record in the book of the stage, so for everyone it turns out that you now bear responsibility, generally speaking, well, creatively, of course,