[000:00:00;00] the second season has started, the second season has become more complicated than the first, unreal avatars, ultra-modern technologies that transport viewers into a virtual fantasy world, i believe that we are witnessing history, the history of new television, this is cool, three, 2, 1. talk about the second season of the show science fiction appeared immediately after the end of the first one. from the moment that season ended, we began to work on this, it already seemed, based on the results of the first season, what else can you come up with,

what else can you come up with... in terms of beauty, to surprise, but it still turns out and in my opinion it turns out well. virtual reality technologies are developing rapidly, so the avatars of the new science fiction will surprise you with their exceptional believability. you twist the character like this and directly paint on it with a brush, it changes color , graphic level - in general, here are the models of this or that character or part of the character, it’s all drawn more coolly, well, i think that the audience will notice it. in the new season there have been changes in the judging panel composition. dmitry krasilov, who previously shared one place with dima bilan, became a full member of the jury. i have no doubt, i agreed, because, remember those feelings that you had last year and

goosebumps, laughter, etc. the winner of the first season, yuliana karaulova, now has a place on the jury. it’s cool to be a member of the jury, because in essence, you don’t have any responsibility, in general, you have nothing to worry about, because you’re not being evaluated, but you, i’m trying very hard, at least i ’m trying not to offend anyone, pick some correct words, my respect, dear jury. filming of the fantastic show, the project moved to a larger pavilion. the quality of the shooting depends on the size of the pavilion, that is, the length, depth, height, in order to fly around everything beautifully, so that somewhere in the future we can see what we could not there when we were filming on the previous site, so those who are concerned, who this was not enough, width, depth, height, they are glad

because they got it. this project has a mission to expand our consciousness and prepare all our beloved tv viewers to enter a new era, a new era, when numbers become equal to people, they even win somewhere, lose somewhere, but we need to accept this reality, the first season of the tv show started in september 2022, and this... his idea is incredibly innovative, no one has done this before, living artists ended up in the body of virtual characters. in fact, when i saw cameron's avatar, i immediately wanted to do something similar, but not for television, in cinema, because it seemed that

for television this will not happen very soon, but at some point it became obvious that our guys, in graphics, who work on the channel can do things of an absolutely international class, and sometimes even better, a fantasy show is a show of the 21st century, this is important , we are ahead of the rest of television, because such reliability of characters created by the human brain probably does not exist anywhere in the world, so i believe that we are in this genre... in the show genre, in who act like this called avatars, the first one. an avatar is a virtual character controlled by a real person wearing a special suit with sensors. they read the artist’s emotions and facial expressions through computer programs. there are 54 markers on the artist’s costume,

it’s just one of the computer ones. that is, there may be more or less markers on different models, so we chose a model with 50 four markets, which allows us to capture the amount of movements that we need, participants in the first season of the fantasy show, up to they still remember how they first tried on the costumes, with the help of which the avatars are controlled, the most difficult thing is , of course, to put on these suits in the skin, which is so difficult for me to get a larger size, no longer, when i first tried... the suit, and boys, they are small, it was funny, but it was funny, so i honestly at first forbade myself from filming myself in this on all kinds of household phones, of course, the first impression, you look at yourself in

the mirror, such people are tadpoles, just completely tight. this technology allows the avatar to not just talk or sing, facial expressions... the character is transferred to virtual reality and the avatar comes to life, they are really on stage here, we watch all this and we really communicate with them. pippi, you’re so cheeky, impudent, don’t put a spoon in your mouth, you’ll bite off right up to your elbow, but in the room i’ll say that you didn’t pass all this on to the energy, but at least, i don’t know, until the girls, i’m in blacklist now, based on the results... i can say, the first season, when there were programs, my friends, my children, they all put on little ones, put on guitars, took some drumsticks and shouted, i’m a bud there, and i’m this

other character, at the creation of avatars for the first season of a fantasy show, it took the country's best artists and designers and animators 4 months, in a good way, but we see all the programs that... it turns out, i don't like to brag, but this quality, well, the characters themselves, have not yet been demonstrated by any channel, maybe it’s that we approached the issue exactly this way from the very beginning, that we wanted to get an image that would attract viewers, because there is one big problem with these avatars , when they are poorly made, they look like there is such a valley syndrome, you know, when robots look like people, but are not completely similar, they people get a repulsive feeling, the work is painstaking and long, a 3d model of the characters is created, then so that the avatars can move and follow the person’s movements, a virtual skeleton is developed for each, so they make us

a skeleton, we put on a suit, take this gray one stalkers, let's start, there's something about the arm that doesn't bend, there's an elbow that doesn't stick out, the shoulder is somehow soft, it looks like it 's plasticine, let's tighten it up like this, another week goes by, now the fingers are there, oh, damn , here i am. and he has short fingers, they don’t close, let’s lengthen his fingers. so, until the character's plasticity is brought to perfection. the elaboration of all the details is phenomenal, from the hairstyles of the avatars to the pupils in which you can see the reflection of the hall. about hair in general, i’m afraid to even talk about it. the stalker has about 300,000 hairs. they really do exist. this is not just some ready-made hairstyle that you stuck on. it is, they are there. swaying, this strand of his

is swaying here, it’s all really hair. i’m really incredibly amazed at how the team found a completely new gravity, created a project completely from scratch, that is, this is not... not a franchise, it was really made in russia, it’s a colossal work, all the virtual magic is born here, we we are in our motion capture studio, where in general what happens directly is probably the most important part of the show, the most important part of the show, this is the preparation... of the numbers and directly working with the artists, because it is here that this miracle happens, in general, the transfer of movements from a living person to a computer

character. this is also where the artist’s first meeting with his avatar takes place. this is one of our first acquaintances - an artist with his character. there is an adjustment going on now, which means adjusting the movements of the fingers, the artist is getting used to his own image. range of motion there, now ours the artist is trying to move into another body for the first time, to get comfortable in it, but before using one of the most modern technologies in the world, you need to come up with a character, from the approved sketch to the virtual model , it takes us about, probably, from a month to a month and a half, then

there is a rather lengthy process that requires a large number of approvals, even corrections, alterations, adjustments, because in general, even with a completed sketch, a model, a character, in three-dimensional space, does not always look just like in the sketch. konstantin ernst also took part in the creative process of creating avatars for a new level of fantasy. konstantin lvovich, of course, is very actively involved in our process and he directly proposes characters, we implement them, correct them, adjust them, well, he is the general producer of the show, without him all this would have been impossible. fantastic. work and incredibly time consuming. for example, some characters

of the new season will appear before the audience and the jury only in their fiftieth version. it's cool that we are witnessing such a super leap forward, such a merging of technology, music, television, only when avatars are completely ready do artists get involved in creating a show. they must not only learn to manage them, but become them. with thinking about who we would like to become, there was a battle for some, some were liked more, some less, some dropped out of the race, simply remained in the archive, i set the task so that it is absolutely not necessary that the artist himself and his avatars were similar to each other, that is, we they avoided, if you managed to notice, everyone

thought that they were in budding. and somehow i felt that this also resonated with me in comparison with the other. some of them are from the future, some are superthesi, and this is such a very kind , very open, very loving character, i am also such a person, i am very kind, very open, and love abundantly, that ’s the fragrance from him, flowers, i suggested my avatar myself, and literally at the last moment we began to develop it, i really wanted it to be russian... i really i wanted a russian girl with all the attributes

of the people. i collect flowers in the forest, then they turn into decoration for my kakoshnik. and only the winner of the project, yuliana karaulova, categorically did not want to become rosa markovna. if only you could understand what’s in my soul, but at first i was very upset, i even burst into tears, because i thought, damn, how could it be. these children’s complexes have come into play, and why am i going to be a grandma, come on grandma, in the second season yuliana karaulova has a new role, she is now on the jury, but also roza markovna has not disappeared anywhere, nothing lasts forever under the moon, so this season rosa markokovna found herself under the control of another artist,

instead of rosa markovna. savicheva, but in the end she received a bird avatar. i don’t know how it all happened, but amazingly , behind the scenes among themselves, the guys called it an owl, and they called me that at school, i had a nickname of an owl, well, from the name savichev, they were all surprised, oh-oh-oh , but that this is true, just

some kind of fate, i couldn’t understand who, what the audience would like, what not, who could understand that to think that the shpak, which was just really, for a good reason, is a good character, that is, everything is already there, but come on, this character is controlled by a completely different one, some kind of rat, but who now, instead of yuliana karaulova, is hiding behind the avatar of a cheerful old woman klyak, live, my dear, live, thank you, approved, you are now between two women, don’t get involved, you can get it, well, rosa markovna, it’s clear that there is another artist there now, yes, we still have yuliana here this season, i can’t say which is stricter, because that artist or that artist who is inside the markovna rose, she manifests herself in a completely different way in conversation and in performances,

it seems to me that the voice has been changed quite a lot so that no one would guess that it is dzhekurda, there was no jealousy, rather, on the contrary, pride. the avatar was declared so clearly in the first season that it was the only avatar that was solved, they decided to repeat it in the second season , let's have a battle, what's the problem, who's in this hat, why is karaulova sitting on the jury, we guessed her, and here's a new one a turn, a new turn, it seems to me that i know who is hiding behind this avatar, what kind of artist is there, there are sensations, for some reason it seems to me that this is... ladada, yeah, why? for some tonal reasons and characteristics, i like that today it’s like a blank sheet of paper, in general i don’t really like to guess right away from the beginning, it’s so uninteresting. i still can’t understand how this is done through digital , in fact, we have no real communication, there is no real

energy exchange, yes, like on stage, for example, when there is a concert or play, and how with digital, only voice, like ...the energy of an artist gets into the soul, for me the main question is admiration, the main thing in this project is science fiction. rosa marcona, good luck this season. thank you, see you again. in a person , in a viewer who is watching this project, his avatars should evoke some emotions, just like any other living person, and we are trying to achieve this. that our drawn, let’s say, character, he was so charming, in the form in which he exists, that he evoked some very positive close emotions, so that he fans appeared, in order for the audience to fall in love with the avatar, the participants in the show must first do this, so the artists, therefore,

get to know their characters, and of course not everyone is immediately happy, but here... again , such a curious symbiosis occurs, because it’s one thing to see your character just in a picture, and a completely different feeling for an artist is to start controlling him, this is where this magic happens, like artists right from the first time - finding themselves, as it were, inside their character, they just change their faces, they’re like, wow, how can i move my hand there, and what can i do there, your queen can do anything, i can become the queen of rap, if necessary, oops, take part in one of the most technologically advanced shows on the planet, i’m not afraid of this word, this is even for any star or aspiring artist, this is a big step, this is such a, this is a very serious experience, what kind of idiot even

wrote this letter, and what a cool, cool kostya kentich, they could really put him in prison , because rap musicians were imprisoned if roman kostomarov would not be a famous legendary athlete, you would fight for him in exactly the same volume, any celebrity entering the shock hall would end up on the same bed, on the same ekmo machine, on the same apparatus, and we do not have any division , consideration of the case of kamila valieva, of course, they want geniuses like her, because she is truly a genius, they want this to be born in their countries, because if we have it in our country, we will always defeat them, any person who wants to adequately evaluate the present, of course i must know the story, now they don’t ask, it was you who flew into space, now they say it was you who starred in the film challenge, but for me it’s different, they tell me, well, it was you who flew suli, i say, no, is that strange? apparently, she says, and she flew with me. i know that

you recently had a very difficult accident, i flew from the back seat forward, i have a concussion, a man got into a standing accident at a speed of 110, he did not brake at all. podcast lab, all nights with you. the fantastic show is filmed in the utmost secrecy. nobody knows who's hiding behind the avatar. yes. relatives of the artists, this is happening now , this was the case in the first season, they brought us costumes with a fleece in the summer, well, apparently they prepared in advance , in winter we were not allowed to take them off on the set under any circumstances, we were not allowed to take them off outside the set, come on, come on, let’s do it pull the hood up like this, so that it’s like this, as if you know, this is my most unpredictable month, son, but i think it justified itself, because... it was respected until the finale and no one really knew who was who ,

let everything virtual become obvious, we can’t did not intersect with the participants, the whole team, it means, sewed their mouths shut, and even when we tried sometimes, okay, guys, come on , no one was injecting, really no one was injecting , we all stand up as zeros, my parents didn’t know who i was, but they knew that i was participating... in this project, because i told them about it, because from time to time i asked them to babysit the child when i left for the studio, let everything virtual become obvious, until the very end they were sure that i was katyusha , our katyusha was polina gogarina, well, it was funny, because we crossed paths with dmitry malikov several times on the set, and he tells me, i’m now sitting on the jury of a show in one , he starts telling me about this show, yet... at that time it wasn’t, i’m like, yes, yes, very much interesting, by the way, yes, dmitry, the question is why you didn’t get up, some problems with

your legs, what’s going on, i was just at a loss for words, well, sit, sit for now, i ’m asking him some questions, he’s like that, he says , there are some people who think that it’s you there, but i, he says, you know, it’s definitely not you, that’s who i am, it’s not me, well, in short, in short for me i had to deceive him, fraken bok, peppy longstocking, matilda from lyon and even young nikita mikhalkov, this is only part of the avatars of the second season of science fiction. this year we have 10 main characters, but at the same time we have a turbo dude who performs with his team, with a dog, a donkey, a cat and a rooster, who, in general, are also characters and, in my opinion, behind this gang, in general,

it seems to me that the future is great , we have fewer fictional characters this time, yes, we, we have more, more people than any animals and so on, and this with on the one hand, well, it would seem, why do this, on the other hand. qualities, as it were, of the reality of these heroes, who are practically, well, they are like living people, these avatars , this of course, this is of course amazing, we now have characters with real human fluff, this hairy one, that is, if you film it extra close up , he has absolutely all the elements of pores, skin, freckles, some kind of saphenous veins, the pattern of his cheekbones, everything that makes a human being. face, readable, real, charismatic, the movements

of the characters in general became much smoother, completely independent assessments, and people who see our characters this year, they look at the picture, look at the movement of the characters in the frame and ask , wait, why is it so cool, i really like freekinbok at the moment, this is again complex ... the image, because it’s cartoonish, everyone knows it, it’s famous, it’s popular and it’s been parsed into quotes, and as an artist, of course, i understand that it’s very difficult to control such an avatar, to be natural, to be yourself, but at the same time to be v image, and i went crazy, what a shame, i liked matilda, a very cool, singing and generally very lively girl, of all the characters, i really like itkhan, because this character, this avatar, he

does something new and interesting and with all this... he makes it from old material. he takes old hits, puts them on a new modern agenda of some kind of music, which is now in trend, in the top, etc. this track becomes an even bigger hit. i think a very complex avatar is the queen, this is incredibly difficult, i don’t know what this artist will do in the next episodes. wow, this is a very complex image, i will watch her very closely. the new season

means not only new characters, but also new rules, here is a character. who, based on the results of a particular day, finds himself at the very bottom of the standings, has received the least number of points, is nominated for elimination, that is, for destruction of the avatar, and we can find out which character is hiding in this avatar, he receives the so-called yellow a card, like in football, this means a warning, a second warning means that the person is leaving the project and we will finally find out who was hiding in it in this ovatar, if in the previous one we summed up the points, our artist scored from air to air... more and more , someone took first, someone last place, but all his points were summed up at the end and were decisive, then this time our points are not summed up, every time we have a vote on the broadcast that will be, from the second broadcast on voting will begin, in my opinion the rules quite strict, because we can give one rating only once

, that is, we can give the maximum score of 10 to only one artist, respectively, we can also give nine only once, and so it turns out that, as it seems to me, we have everything the artists are strong, all the avatars are bright, but we are forced to give someone low scores , some of the artists, some of the avatars, each program receives a one, two and three, these are low ratings, the host of the new show is still the same vadim golygin, here is his appearance the scene changed, they defeated gravity specially for this season, they decided that i would fly, work, everything works, it doesn’t work, last season i somehow kept falling more and more, turned into various fragments there, broke through different levels of different worlds, and now they decided that i still need to appear,

from somewhere in intergalactic space, and materialize, in fact, be with myself. already here on the set, golygin’s image also became different, we decided that i would still be in some more down-to-earth, well not quite classic, but for perception in a simple suit, so as not to pull the blanket away from our characters, because half of them were discussing my costume, and why is it, what kind of pants are he wearing, and what kind of glasses are he wearing, what kind of hat is he, god, what kind of pants, perhaps? from some old old suitcase, that’s what has remained unchanged, is that vadim golygin is the only one who doesn’t see avatars, the audience, the jury members, to be honest, they see at least something, i’m finishing it all in my head , that’s why i need it clearly imagine what he or she or it is like,

this is it and what size, and what height, at what level the eyes are. at what level are the arms, legs, elements, when you say, oh, what cool boots you have, you need to look at the boots, if you say, god, what a cool hairstyle, what braids you have, then you need to understand where these braids are, that is you keep this image in your head all the time, i honestly admit, i don’t see it, one issue is 10 issues, and the preparation of each last season and the new season lasts several weeks, first working in the studio, then on the set, all the details were thought out to the smallest detail. unlike other shows, let's say, uh, we, for example, have some hero who is a stalker, often holding a microphone there, he can intercept it there and so on, that is, there is direct precision animation, this also took a huge amount of time, in order to properly set up this character initially, well, naturally, in the first program we didn’t understand at all who we were, where we were, how

it was done, how to move our lips. body, in fact, this is a modern story about a pygmeleon who tried, well, to revive his statue, so we tried to revive the character that we got. that is, there is a soulless entity, it is we, each of us, who infuses life into it, hears us, bud, hello, hello, firstly, uh, this is physics, because it’s huge, i don’t know how big it is 2, 2, 5 m tall, very big, i’m a completely different set, and the way he moves, the way he dances, i had to understand that i can clap there up to a certain moment, that is i can’t do that, otherwise he’ll have his hands.

i squatted a little, it turns out that my stomach falls into the floor, that is, you had to make sure that the artist who was in this hammer, so that he didn’t squat, didn’t open up too much, looked at his dimensions there, i had a hat, then i mean, i couldn’t raise my arms like that, so as not to get my hands into the fields, i had a narrow skirt, if i take... a long step, my dress just seemed to be torn according to the schedule , of course i’ll do the splits, not a fact that i will get up, we ask, sit down, my good, narrow dress, next time i’ll prepare, in fact, one number is, well , in a good way, if you think about it, this is one level of a computer game, well, in general it’s a complex adventure when you’re in some kind of semi-space suit, looking at the dots which you can’t miss, you flap your wings or tail... mermaids, and at the same time you sing. the artist must not only masterfully master his avatar, but also sing in such a way that

the jury does not declassify him. i love you to tears, the most unexpected avatar was for me sergei zhukov, because he sang in a voice that was absolutely not his own, i absolutely could not figure him out, i could not, i could not guess, understand him, with white rock winks. what was the problem? the problem was that there is zhukov’s recognizable toad in a holoshchen, that is, some kind of timbre color that everyone recognizes and says, you sing everything, well, it’s zhukov , of course, so as soon as nyazh sang there, let’s say julie, everything is dzhukov , therefore, you cannot, in any way, not in a computer way, in any way, take and spoil zhukov’s voice so that it becomes not zhukov’s. as a result, this is a lot of serious work with the voice, you won’t believe it, after the first two recordings i didn’t speak

at all for 4 days, it’s very difficult to sing on this hoarse voice when you’ve never sung like that, when you have a fairly high voice, i i was sure that nyash was a leps, and when zhukov got out of there. it was really unexpected, i can’t understand whether or not you were the wind in my hair, the sun in the palm of your hand, oh, this was the most difficult thing for me, because my voice is instantly recognizable, even... not that, that voice, and intonation and behavior, i tried, of course, to change my voice somehow , i can’t understand whether you were or weren’t the wind blowing through my hair, i tried to speak in such a

lower voice and make staged movements, but it didn’t help, in an embrace how i want to breathe yours, i can’t live without you and i can’t wait, i’m crazy, i’m not enough, not enough, not enough, i ’m not enough, not enough, not enough of you, i know myself, i’m not enough, not enough, not enough, i’m not enough, not enough, not enough you, the main difficulty of the show is that you can’t just create a 3d model, animate it, and place it in the scene turn on the phonogram on the screen, everything should happen in real time in front of the tv viewers and members of the jury, here we have... real people playing instruments, the scenery is growing and at this moment the artist is working inside it all, that is, he must very clearly do not cross certain lines, wave your hand neither higher nor lower, so that

his hand or wing or tail does not pass through some other character, and what is most difficult for us at the filming stage is probably that you never do you know what place the next error will come, because computers are imperfect, sometimes we struggle with some basic things, for hours. for days and weeks we cannot understand what happened to us, if everything was just working, suddenly everything falls apart and stops working , that is, some kind of free radicals appear, during the first season of the show it was fantastic, some avatars were refined throughout the entire project , well, in the first episode katyusha had a beautiful sundress, she twirled it, the sundress was there 10 times...

it flew into each other there, we filmed it for a very long time, we realized that such a fabric, well, it’s complicated, that is, we, katyusha, won’t be able to perform the can-can well, well, let’s change clothes, and more often than not, this model, like a character, which we ordered from the studio, there’s nothing there no, just under the sundress, there is simply no body there, that is, there is not that there are no clothes, panties or anything else, there is simply nothing there at all, and now we wanted her to be in a tight jumpsuit, katyusha changed clothes every issue, which means the designers again drew virtually new characters. in general, i wanted to say a huge thank you to the guys who

drew all this. then they simply gave up several months of their lives just day and night, the season has become more difficult than the first, if you already have a seemingly workable technology, or let’s say, a device that works, which you invented there, came up with, assembled it in the first time, then you still needed to disassemble it, in the process of reassembling the technology, of course , it’s not that we had to, but we consciously essentially re-invented it, we made it strong

more correctly, we improved it there. in places where it can be improved, the process takes place simultaneously in two studios, in one there is a stage, audience and jury, in the other there are artists and a film crew, the musicians wear special suits with sensors that allow the use of motion capture technology. now we recorded the movement of each phalanx, each finger, especially with a more accurate device, such a small sensor that is simply placed on the table. some surface, and at a short distance he very clearly reads the movement of each phalanges of the finger, this allows, as it were, free up your hands to a much greater extent than in a mocap suit, we are now thinking about combining such an exact mock-up of the hands with the body and head, if we need some kind of close-up of the hands, we can already afford to do it here macroplane, that is, very close-up, with a focus on the movement of the fingers, such

studies... are not constant. in the new season , the path has been improved, that is, the sequence of connecting cameras, computers and all devices so that the operators filming the show see what is happening the way they see it in ordinary life. and the delivery of this graphics to the frame, it should already be for the operator, but absolutely instantaneous, the computer already needs a little time to render, that is , to produce this image, that year we had something like half a second. this year we are reducing this indicator even more, even faster, that is, so that the camera can move, the crane can fly, as it is used to doing this, and does not slow down and does not wait for something to fly into its frame, secondly we have significantly increased accuracy in terms of the location of all computer scenery in the frame specifically on the stage space. since filming takes place in

real time, the actors need to rehearse everything in advance. in the first season, the complexity of the numbers grew exponentially. and sometimes i look and think, my god, sometimes it seems to me that i’m not even ready to perceive all this. you see this transformer, it just changes so much. reality, virtual reality , the laws are so different, when a plane turns into a vertical, half the bottom disappears, suddenly everything falls apart and you no longer understand where you are you find. we are used to considering ourselves somehow, well, for us, everything seems to be not the most important thing, but no, we have amazing artists and we

can do things on the level of hollywood, well , we just usually, so to speak, engage in self-flagellation, this our national trait, but here we can say that we were absolutely at the world level. even so to speak, from the point of view of television programs, it was surpassed, and it was done by the russian guys, and i am proud of it, old barrel cognac, a product of the stellar group, starting from the second episode of the first season of the show along with living people began to appear as avatars on the stage. who are on stage, must imagine that there is a character moving between them, you need to react to him, you need to dance with him synchronously or interact

in some other way, you don’t see him in reality, you see him on the side monitors, the artist who is standing in a completely different room, who is standing in front of the monitors, he also has one... he also understands that , say, 10 girls are dancing next to him, he must also understand how this happens, this is at first of course, there was a cataclysm, our poor extras , our poor jury went deep for help, if you call midnight 2:00 am. in one of the episodes of the first season, the project jury controlled the kata character using joysticks. let one of the free cameramen go behind the jury's back and film through.

regarding the number from the song, who am i without you, it was really the most difficult, because they needed, firstly, to loop the moment of the jury, with the way the jury plays my character and really controls him along the way. throughout the play, here you can go slower, slower, slower, slow, slow, don’t rush, don’t rush, don’t rush, don’t rush, don’t rush, don’t rush, secondly, at the very end a girl came out who was wearing a viar helmet, we had to touch our fingers with him, well, how am i in another room i can touch fingers with a girl i can’t even see, this is how the space for this number looked through the eyes of the artists. third room, the camera flies into it, turns around, here a character is already coming towards us, at the moment when the character reaches a certain point, somewhere center of the room,

objects begin to appear. the final episode of the show was , well, probably the most difficult, we actually fell into a black hole, in the sense that it was like in interstello, in the sense that there was just this distortion. done and it was really done honestly, the closer the cameras are to this black hole, the stronger it all works there. it was we who reached this point at the end of our creative journey, at the beginning we had, well, maxim, what could we do, a cat comes on stage and sings, my grandmother smokes a pipe, but gets into the light, this is already a great success, and the spotlights getting into it was also a great success, in the end we could have taken the grmozeka, smashed three ivanushkas, put them in it... each was responsible for his part of the character, cosmonauts don’t take people like that, cosmonauts don’t take people like that, if said in at the beginning of the creative path, that we will get to this point, they will just be like whining, that there won’t be these crazy like decorations about eras, where there is interaction with people, where there is all this

, all, all, all, i wouldn’t believe that we will do it, to be honest, well, we did it somehow in a way that is incomprehensible, and this despite the fact that the recording of the first episode of the first season of the show: almost turned into a failure, we couldn’t film it, in general, we just couldn’t do it, we filmed the first episode for 4 days, now they’ll fix the siren’s hair, it’ll be good , you have an ear, ask the computer gods when they will launch, when we launch, they all answered the device, everything that has already been launched is all so launched, but with us everything is great, guys, because it’s fantastic, the whole trick is with this show is: the peculiarity is that everything here happens in real time, in fact, this was the difficulty in achieving such high-quality characters falling into the light , into perspective, into camera movement, all these things, so that this hardware complex of seven cameras would work, while simultaneously capturing the movement from

the neighboring studio, where beach artists are singing, this is all the combination of all this, because no one comes to us, no consultations, no one gives us for obvious reasons, but we sit alone on the island and think what to do with it, the problem is that the stream we had to start now, i’m nervous, we entered the set, everything stopped working, and the technicians said, well, this is forever, that is, there’s a delay, there’s no way to frame 14... there will be a delay, that is, they don’t get into the track for half a second, that’s it, nothing to do you can’t, well, it’s all over, why, why, on this plane it seems that it is much smaller, they are all raised simultaneously, guys, on all planes, adjust the height, lift the bud up, the vadik should look like a cockroach in comparison with it, here wow, that's normal, real then they came, assembled the entire complex, we found what the problem was, and

when it started working, i thought, okay, that is, it goes as it goes, well, something like this, fantastic, in short, in the course of work, if people like their work and want to demonstrate it in a high class, everything will work out, we generally don’t have lazy people on the channel, of course, first of all, the team of andrei sachev, our stage director, and anton nenashev, these are people, special , very talented, without whom nothing would have happened, and the team of our the main director, roman butovsky, this is the same story, these are seven cameras that are specially marked, digitized , their positions are set, the entire space of the studio, it is calculated down to millimeters, only with such a camera can it be filmed, in the first season the jury had to guess, which of the participants is an aspiring artist, who is already a recognized star?

it was not clear in all cases, in some cases we were mistaken, we thought that well, that’s clear, a star, but then it turned out that no, you can’t even see a person, i don’t know what build, at all subtle or not, there is only , well, how to say, energy that somehow must penetrate us through the screen, and there is live communication, the aspiring artist in an avatar understands: or not, even the stars who sang duets with them could not, i just can’t guess who sings as the siren, to be honest, i thought that when i sing myself, i’ll definitely guess, but i couldn’t, the dolphins and the mermaid, to be honest, are really so exciting, when you realize that you are

really interacting with this character, there is that this is a very cool singer, but who is she? completely different emotions, you yourself turn into this character, as you understand yourself that you are already located somewhere in some virtual space. it’s very exciting, these are unusual, unusual emotions, perhaps i

’ve never personally experienced such emotions, i can honestly say. it’s hard to imagine what emotions alexander marshal experienced when he found out that he sang with his son, who was hiding in the character of a cat, he called me, that is, in such a voice he called and said: “bradan, i want the same songs like, i don’t even know who"? this show can allow anyone to open their soul, as it were, you turn into who you want for a short period of time, this can replace your shortcomings, this can remove your complexes. because we are all different, we are all afraid of the stage, we are afraid of publicity, an avatar is a kind of postcard, but there is a living soul in it, when you

change the postcard, you can share a little of your soul with others and this is important, it seems to me, what are you... there is a sense of show, i became probably bolder in some ways, because, of course, it’s easy to tease people and joke when no one knows who you are, and this, of course, is a big advantage when you communicate with the jury in the image of someone, and i’m actually a shy person , but remember that in the still waters, you know who there is , rosa markovna is found, as usual, this ship of fate is setting off on an exciting journey, it was scary to communicate with the jury, what if they put forward their version, they will immediately guess you, and what should you do ? i thought through all the dialogues at the bud with the members of the jury entirely myself, the audience often begins to like not even how he performs, how he sings a song, but how he further communicates like a living character, and

this is where this magic worked, namely the creation of something new, for any musician, for anyone. tv, he voted in case of controversial issues, tv as a character, he is one of the best that ever came out, because the person who controls him very quickly entered into what was happening and he really quickly became a member of the jury, a full-fledged one, for us it was also demonstration of what we can do here such... class work that we will do this, that after a while television presenters generated in this way will appear, television presenters, by the way, were terribly tense, our tv here had such a sex bomb during the number, he danced like that, finally - then they noticed me, sex bombs, sex bombs, listen, telechek is beautiful, telechek

is just the way he dances, god, such a cool guy that we have one of the jury members avatar - it’s unexpected, unusual, it’s incredibly interesting to also interact with him, it’s and interesting as an actor, and of course, he remains the same wonderful scholar , he knows everything about us, sometimes he simply shocks with some historical facts about this or that song, about this or that performer, or why this song was written, it’s terribly interesting , and they found out who sings the song , you found out, it’s vaenga, that this is elena vaenga’s song, in general, at the beginning, at the beginning there is a work by frederic chapin, nocture number one in nori’s house. an important element of the show is not only the control of avatars, but light on the set. this year we can afford lighting, which is like in real big shows, there is such a device , they turn it on so that it smokes

the pavilion a little so that all the rays become visible, now we also have the opportunity, we have virtual rays, now they're also so foggy. voluminous, like they do a great job of counter-voicing, this light, they cast shadows , that is, these are all nuances that are not immediately visible, but when you look back at the number you watched, you understand that why it is like that, something it has improved, it’s not clear what, but it’s just those little things and working on the details. such beauty. the new season has just begun, and the main intrigue is which of the artists is in the avatars, do you have any idea who is there, perhaps it is one of those who was on the jury, perhaps one of the participants in the first show,

after all, they really didn’t want to say goodbye to their characters, i said then, when we were already at the finale, that bro, the current bowl is filled with belly fat, you know where it is, i think that we will definitely see you, this is 100%, i really hope for a continuation, it’s a shame, but i don’t want to part with it, it seems to me that if suddenly we manage to develop this story further, maybe make some kind of musical film or cartoon or series about the bud, this by and large, a new mickey mouse, but our domestic one, so i would be glad to take part in this, because it is very interesting. i was incredibly sorry to part with the character, i still miss it, i miss it very much, you know, this is what i ’ve been dreaming about all my life, i finally found it, and why leave everyone, i’m just always inside, i’ll be a siren, from the point of view of music , from the point of view of the show - this is a super cool project that really sets a new

level in the industry, which gives artists the opportunity to do a lot of interesting, beautiful things, and, accordingly . find new favorites for yourself and love already well-known personalities for something new. the fantastic show has reached a new level, several months of exciting, incredible and the most fantastic show on our television await us. we are moving forward, we are moving into the future, we invite you to

the future. hello everyone, this is tatyana gevorkyan and not bast, a kokoshnik instead of a tiara, a sundress instead of a fluffy dress, today we are discussing traditional dresses, wedding decor of the regions of russia, with me in the studio the creative team of a new bright project on channel one is playing a wedding, stylist valeria nikolskaya and decorator alisa . skalskaya, in every fairy tale there is a wedding, and you and i will play a wedding, only in the old fashioned way, our task is not just to show the tradition, it is important for us that it has blossomed in a new world, you are now rubbing, but you need to nibble, oh, let’s nibble, what kind of young people are there, modern, interestingly cool.

songs, dances, gifts, pyrgaroy, to health to health to health, let's play a wedding, lera, alisa, hello, tell us what you remember after filming the first episode in the arkhangelsk province, arkhangelsk was very unusual, for example, we lived in a house an icon painter in a neighboring village, because there were simply no more places in this village. that's why we went from one village to another filming, where we were filming in a specific village, the village is incredibly beautiful, so it wasn’t scary even 6 hours off-road, all this, but you filmed in the summer, yes, as i understand it, we filmed, yes, at the end of july, but it was cold , we were all in overalls , wow, yes, this is also because the north there is a lot of living creatures , that is, there are a lot of... a lot of mosquitoes, midges, insects or some other living creatures that bothered you, god, there there was flirting with fish, yes, as far as i know, in your

set, yes, yes, well, in my work there there was a complete flirtation with natural resources, therefore, but overall it was very beautiful, that is, there, flirting in the sense of creativity, or did you have to deal with no, i just deal with creativity, yes, because a... just my the set design of this project was about using only local local gifts, let’s just say, because it was smoked fish, typical of the north , and it was very difficult for the entire film crew to be in the process, because the fish simply smelled incredible, these were mushrooms, they were berries, that's why is this what you used for decor or is this what is on the table? we used this for decoration and this and barely a guest, sofia, sofia ernst, the project manager, called me and suggested making such a slightly bold

decision, she suggested that i make a table setting on a newspaper, since this is a village and this is a northern village, we will have fish, newspaper with fish, and what kind of newspapers were they, modern or vintage, we were looking for vintage newspapers, that was very interesting too, we wanted them to be a little old and not by us, over time, naturally, my idea for the set design in this case was that we serve fish and mushrooms on a newspaper instead of a tablecloth, this is a little rustic style, which is very cool, these are the blows of the roach and to soften it on the table were? no, there was no roach, there was no roach at all , there was very cool smoked fish, was it locally produced or did you bring it, also locally produced, or did you smoke it yourself? this time there was no need for it, no, we bought it on the way, we were traveling with our and the leader, the creative director of the project, went and looked for fish together with her for

the guests and for the set design itself, how the costumes were created, this was also something from improvised means, or there was an opportunity to bring something, or there are some museums where you could get these costumes, but no, we completely set everything up from scratch , in fact, it’s generally different from issue to issue... the process of creating costumes takes place, i exercise some control over the final picture of what the groom looks like with bride, but also i think very important and the main thing is to reveal in general designers who work in this... area , in this or that tradition, that is, to emphasize it, present it somehow modern, accessible, not too avant-garde, probably, that is, so that it is not something slightly frightening, potentially repulsive to our audience, that is, so that it is somehow in step with the times, and unusually accessible, in the case of arkhangelsk designer anastasia, we were lucky with her in the sense that she already had such a very bright developed its own aesthetics, that is, it

in some modern hipster language... here's to the point, that is, she is a designer who lives right there in the arkhan province, and they said - the girls leading ours, she lived for some time in st. petersburg, and in general she such a very m, well, such an experimenter with experience with some kind of base, intellectual and in general, a very interesting character, in general it seems to me, but he is informed by folk traditions, yes, he works with them, but in his own way, very rethinks them modern, she attracted locals there some provincial talented authors in general, also crafts and somehow rethink it together with them and create your own brand, promote it, yes, she actually lived in moscow and st. petersburg, then she returned, it’s still there, that’s all the same anyway, she came back, she comes from aniga in several generations, they have some amazing house there, where we filmed the story with the costumes, her story shocked me in the sense that she really has such a level of observation and still

design experience that she could calmly develop your brand - in large cities, that is, it is not necessary to stay in the region , but it really has some kind of mission, to be there and develop this area, to offer some really valuable solutions, because it happens there, and that is, for example, the materials she worked with, they too, she acquired them somewhere nearby or developed some details there too, that is, she already had ready-made solutions, and i partially corrected them there based on some then expected pictures, that is, for example, some kind of conventionally classic traditional sundress, a form that was taken as the main... of our bride's outfit, we decided to fit some kind of avant-garde shape with a peplum, by the way, yes, we now see in the plot , we had some kind of initial goal in this area, since this is a village, since this is off-road, to do something that is the most natural, low-income movement, something that can then be worn simply in everyday life, which is not i know, in general, while maintaining a laconic outfit, and we don’t

i wanted to make it more couture. let's say, that is, for us, by the way, it is interesting, it seems to me that now it is in the style of absolutely modern weddings, but why the red belt, it symbolizes something, it is more like a peplum, that is, in fact, in our case it is more decorative performs the function, and the red color, of course, is probably the most favorite color in general in tradition, that is, wherever we go , almost everywhere it is the main color, and there is the same hare, our legendary designer, it was red for a reason diorom, in general we have in principle, within the history of our state, the color red, it manifests itself in different ways, the red color, yes, it is used in national motifs, but specifically in wedding dresses, what colors were used, we have, for example, a denim dress, for example , that is, we generally tried to experiment with textures, with shades, in some places we really take the color white as a basis, as is most commonly perceived in any modern wedding, and in others we focused on the traditional color of the area, in others we did